The History of Classical Music, Part 1: Medieval to Baroque: From Gregorian Chant to C.P.E. Bach

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶Digitales Medium: Gregorian chant / Organum / Machaut: Chansons
2▼Digitales Medium: Dufay & Josquin: Motets
Nr.TitelKünstlerBewertungLänge
1Motets: Nuper rosarum flores
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
leitende(r) Produzent(in):
Dr. Peter Czornyj
Produzent(in):
Sid McLauchlan (engineer/producer)
Editing:
Hansjörg Seiler
Chorgesang:
Pomerium (US early music choral group) (in 1995-03)
conductor:
Alexander Blachly (chorus master) (in 1995-03)
Tonmeister(in):
Gregor Zielinsky (Balance engineer)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1997)
aufgenommen bei:
Grotto Church of Notre Dame in New York, New York, Vereinigte Staaten (in 1995-03)
Guillaume Dufay6:27
2Motets: Alma redemptoris mater II
recording engineer:
Wolf‐Dieter Karwatky
leitende(r) Produzent(in):
Dr. Peter Czornyj
Produzent(in):
Sid McLauchlan (engineer/producer)
Editing:
Mark Buecker (engineer of classical recordings)
Chorgesang:
Pomerium (US early music choral group) (in 1996-05)
conductor:
Alexander Blachly (chorus master) (in 1996-05)
Tonmeister(in):
Gernot von Schultzendorff (sound engineer and producer of classical releases)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1997)
aufgenommen bei:
Corpus Christi Church in New York, New York, Vereinigte Staaten (in 1996-05)
Guillaume Dufay3:38
3Motets: Letabundus exsultet fidelis chorus
recording engineer:
Wolf‐Dieter Karwatky
leitende(r) Produzent(in):
Dr. Peter Czornyj
Produzent(in):
Sid McLauchlan (engineer/producer)
Editing:
Mark Buecker (engineer of classical recordings)
Chorgesang:
Pomerium (US early music choral group) (in 1996-05)
conductor:
Alexander Blachly (chorus master) (in 1996-05)
Tonmeister(in):
Gernot von Schultzendorff (sound engineer and producer of classical releases)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1997)
aufgenommen bei:
Corpus Christi Church in New York, New York, Vereinigte Staaten (in 1996-05)
Guillaume Dufay6:40
4Motets: Ecclesie militantis
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
leitende(r) Produzent(in):
Dr. Peter Czornyj
Produzent(in):
Sid McLauchlan (engineer/producer)
Editing:
Hansjörg Seiler
Chorgesang:
Pomerium (US early music choral group) (in 1995-03)
conductor:
Alexander Blachly (chorus master) (in 1995-03)
Tonmeister(in):
Gregor Zielinsky (Balance engineer)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1996)
aufgenommen bei:
Grotto Church of Notre Dame in New York, New York, Vereinigte Staaten (in 1995-03)
Guillaume Dufay6:01
5Motets: Inviolata, integra, et casta es Maria (à 5)
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
leitende(r) Produzent(in):
David R. Murray
Editing:
Tom Wood (engineer)
Bass-Gesang:
Donald Greig (baritone) (in 1999-04)
Chorgesang:
Orlando Consort (British early music vocal quartet)
Gast Bass-Gesang:
Robert Macdonald (lay vicar & bass-baritone) (in 1999-04)
Hochgesang:
Robert Harre-Jones (countertenor) (in 1999-04)
Tenor-Gesang:
Charles Daniels (tenor) (in 1999-04) und Angus Smith (tenor) (in 1999-04)
Tonmeister(in):
Gregor Zielinsky (Balance engineer)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2000)
aufgenommen bei:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Deutschland (in 1999-04)
cover recording of:
Inviolata, integra et casta es (in 1999-04)
Komponist(in):
Josquin des Prez (Franco-Flemish renaissance composer)
recording of:
Inviolata, integra et casta es
Komponist(in):
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez5:43
6Motets: Ut Phoebi radiis (à 4)
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
leitende(r) Produzent(in):
David R. Murray
Editing:
Tom Wood (engineer)
Bass-Gesang:
Donald Greig (baritone) (in 1999-04)
Chorgesang:
Orlando Consort (British early music vocal quartet)
Hochgesang:
Robert Harre-Jones (countertenor) (in 1999-04)
Tenor-Gesang:
Charles Daniels (tenor) (in 1999-04) und Angus Smith (tenor) (in 1999-04)
Tonmeister(in):
Gregor Zielinsky (Balance engineer)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2000)
aufgenommen bei:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Deutschland (in 1999-04)
cover recording of:
Ut Phoebi radiis (in 1999-04)
Komponist(in):
Josquin des Prez (Franco-Flemish renaissance composer)
recording of:
Ut Phoebi radiis
Komponist(in):
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez5:33
7Motets: De profundis clamavi (à 5)
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
leitende(r) Produzent(in):
David R. Murray
Editing:
Tom Wood (engineer)
Bass-Gesang:
Donald Greig (baritone) (in 1999-04)
Chorgesang:
Orlando Consort (British early music vocal quartet)
Gast Bass-Gesang:
Robert Macdonald (lay vicar & bass-baritone) (in 1999-04)
Hochgesang:
Robert Harre-Jones (countertenor) (in 1999-04)
Tenor-Gesang:
Charles Daniels (tenor) (in 1999-04) und Angus Smith (tenor) (in 1999-04)
Tonmeister(in):
Gregor Zielinsky (Balance engineer)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2000)
aufgenommen bei:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Deutschland (in 1999-04)
recording of:
De profundis clamavi à 5 (in 1999-04)
Komponist(in):
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez5:11
8Motets: O Virgo virginum (à 6)
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
leitende(r) Produzent(in):
David R. Murray
Editing:
Tom Wood (engineer)
Bass-Gesang:
Donald Greig (baritone) (in 1999-04)
Chorgesang:
Orlando Consort (British early music vocal quartet)
Gast Bass-Gesang:
Robert Macdonald (lay vicar & bass-baritone) (in 1999-04)
Gast Tenor-Gesang:
Andrew Carwood (in 1999-04)
Hochgesang:
Robert Harre-Jones (countertenor) (in 1999-04)
Tenor-Gesang:
Charles Daniels (tenor) (in 1999-04) und Angus Smith (tenor) (in 1999-04)
Tonmeister(in):
Gregor Zielinsky (Balance engineer)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2000)
aufgenommen bei:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Deutschland (in 1999-04)
cover recording of:
O virgo virginum (in 1999-04)
Komponist(in):
Josquin des Prez (Franco-Flemish renaissance composer)
recording of:
O virgo virginum
Komponist(in):
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez7:45
9Motets: La déploration de Johannes Ockeghem: Nymphes des bois (à 5)
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
leitende(r) Produzent(in):
David R. Murray
Editing:
Tom Wood (engineer)
Bass-Gesang:
Donald Greig (baritone) (in 1999-04)
Chorgesang:
Orlando Consort (British early music vocal quartet)
Gast Bass-Gesang:
Robert Macdonald (lay vicar & bass-baritone) (in 1999-04)
Hochgesang:
Robert Harre-Jones (countertenor) (in 1999-04)
Tenor-Gesang:
Charles Daniels (tenor) (in 1999-04) und Angus Smith (tenor) (in 1999-04)
Tonmeister(in):
Gregor Zielinsky (Balance engineer)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2000)
aufgenommen bei:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Deutschland (in 1999-04)
cover recording of:
Déploration sur la mort de Johannes Ockeghem (for 5 voices) (in 1999-04)
Texter:
Jean Molinet (South Netherlandish 15/16th century poet, chronicler, composer)
Komponist(in):
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez4:33
10Motets: Huc me sydereo / Plangent eum (à 5)
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
leitende(r) Produzent(in):
David R. Murray
Editing:
Tom Wood (engineer)
Bass-Gesang:
Donald Greig (baritone) (in 1999-04)
Chorgesang:
Orlando Consort (British early music vocal quartet)
Gast Bass-Gesang:
Robert Macdonald (lay vicar & bass-baritone) (in 1999-04)
Hochgesang:
Robert Harre-Jones (countertenor) (in 1999-04)
Tenor-Gesang:
Charles Daniels (tenor) (in 1999-04) und Angus Smith (tenor) (in 1999-04)
Tonmeister(in):
Gregor Zielinsky (Balance engineer)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2000)
aufgenommen bei:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Deutschland (in 1999-04)
cover recording of:
Huc me sydereo - Plangent eum (a 5) (in 1999-04)
Komponist(in):
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez7:04
11Motetti de la Corona: Praeter rerum seriem
Chorgesang:
Gabrieli Consort
Orchester:
Gabrieli Players
conductor:
Paul McCreesh (conductor)
Interpret(in):
Gabrieli Consort & Players (UK early music ensemble)
recording of:
Praeter rerum seriem (a 6)
Komponist(in):
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez7:00
3▶Digitales Medium: Wind Music From Renaissance Italy
4▶Digitales Medium: Sacred Music by Tallis, Byrd, Victoria, Palestrina and Allegri
5▶Digitales Medium: Monteverdi: Madrigals / Vespers (highlights)
6▶Digitales Medium: Schütz: O bone Jesu / Buxtehude / Pachelbel: Instrumental Music
7▶Digitales Medium: Purcell: Dido and Æneas (highlights) / The Fairy Queen (highlights) / Te Deum and Jubilate
8▶Digitales Medium: Charpentier: Te Deum / Rameau: Music From the Stage Works
9▶Digitales Medium: Telemann: Concertos
10▶Digitales Medium: Vivaldi: The Four Seasons / Gloria
11▶Digitales Medium: Bach: Brandenburg Concertos nos. 2 & 5 / Orchestral Suite no. 2
12▶Digitales Medium: Bach: Goldberg Variations / Italian Concerto / Fantasias
13▶Digitales Medium: Bach: Organ Music
14▶Digitales Medium: Bach: St. Matthew Passion (highlights)
15▶Digitales Medium: Bach: Magnificat / Cantatas nos. 63 & 65
16▶Digitales Medium: Handel: Fireworks Music / Overtures / Concerto grosso “Alexander’s Feast”
17▶Digitales Medium: Handel: Concertos
18▶Digitales Medium: Handel: Messiah (arias and choruses)
19▶Digitales Medium: Scarlatti, D: Harpsichord Sonatas
20▶Digitales Medium: Bach, C.P.E.: String Symphonies, WQ 182 / Bach, J.C.: Quintet, op. 11 no. 6

Nennungen

Veröffentlichungsgruppe

enthält:Brandenburg Concertos nos. 2 & 5 / Suite no. 2 von Bach (Johann Sebastian Bach, German Baroque period composer & musician); Musica Antiqua Köln (Musica Antiqua Cologne), Reinhard Goebel (violinist and conductor)
Dido and Aeneas / The Fairy Queen / Te Deum & Jubilate (excerpts) von Henry Purcell (Baroque composer)
Goldberg Variations / Italian Concerto von Bach (Johann Sebastian Bach, German Baroque period composer & musician); Ralph Kirkpatrick (harpsichordist, clavichordist, pianist)
Great Organ Works von Bach (Johann Sebastian Bach, German Baroque period composer & musician); Ton Koopman (conductor, organist and harpsichordist)
Kammerkonzerte (Chamber Concertos) von Georg Philipp Telemann (composer); Musica Antiqua Köln (Musica Antiqua Cologne), Reinhard Goebel (violinist and conductor)
Magnificat - Cantatas BWV 63 & BWV 65 von Bach (Johann Sebastian Bach, German Baroque period composer & musician); Munich Bach Choir, Munich Bach Orchestra, Karl Richter (conductor/ choir master/ organist/ harpsichordist)
Marien‐Vesper (highlights) / Madrigals von Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player); Regensburger Domspatzen (Regensburg Cathedral Choir, German / Regensburger cathedral choir), Monteverdi‐Chor Hamburg, Hanns‐Martin Schneidt (harpsichordist, organist, conductor), Jürgen Jürgens (chorus master and conductor)
Messiah: Arias and Choruses von Handel (George Frideric Handel, German‐British baroque composer); The English Concert & Choir, Trevor Pinnock (conductor / harpsichord)
Orgelkonzert “The Cuckoo and the Nightingale” / Harfenkonzert / Oboenkonzert nr. 3 / Concerto a Due Cori nr. 2 von Handel (George Frideric Handel, German‐British baroque composer); Simon Preston (organist, conductor, composer), The English Concert, Trevor Pinnock (conductor / harpsichord)
Royal Fireworks Music / Concerto Grosso “Alexander’s Feast” / Ouvertures von Handel (George Frideric Handel, German‐British baroque composer); The English Concert, Trevor Pinnock (conductor / harpsichord)
The Symphonies for Strings von Carl Philipp Emanuel Bach (German classical composer); The English Concert, Trevor Pinnock (conductor / harpsichord)
Teil von:The History of Classical Music: From Gregorian Chant to Górecki (Reihenfolge: 1)