1957

~ Release by Various Artists (see all versions of this release, 5 available)

Tracklist

1▶12" Vinyl
2▼12" Vinyl
#TitleArtistRatingLength
C1That'll Be The Day
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer)
double bass:
Larry Welborn (on 1957-02-25)
drums (drum set):
Jerry Allison (on 1957-02-25)
guitar:
Niki Sullivan
guitar [lead guitar] and lead vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-02-25)
guitar [rhythm guitar]:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-02-25) and Niki Sullivan (on 1957-02-25)
background vocals:
June Clark (background vocals for The Crickets) (on 1957-02-25), Gary Tollett (on 1957-02-25), Niki Sullivan (on 1957-02-25) and Ramona Tollett (on 1957-02-25)
spoken vocals [dialogue]:
Wolfman Jack (US disc jockey)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-02-25)
recording of:
That’ll Be the Day (on 1957-02-25)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. and MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
The Crickets with Buddy Holly4.6?:??
C2Whole Lotta Shakin' Goin' On
producer:
Jack Clement and Sam Phillips (founder of Sun Records) (in 1957)
drums (drum set):
Jimmy Van Eaton (on 1957-02-05)
guitar:
Roland Janes (on 1957-02-05)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1957-02-05)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1957-02-05)
phonographic copyright (℗) by:
Sun (US label founded in 1952) (in 1957), Sun Record Company (in 1957) and Charly Records (from 2008 to present)
recorded at:
Sun Studio in Memphis, Tennessee, United States (on 1957-02-05)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 1) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 61)
cover recording of:
Whole Lotta Shakin’ Goin’ On (on 1957-02-05)
writer:
Sunny David (US rockabilly pianist & songwriter) and Dave “Curly” Williams
publisher:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc. (also displayed as “Marlyn Music Publishers Inc.” on releases), Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) and Whole Lotta Shakin' Music
recording of:
Whole Lotta Shakin’ Goin’ On
writer:
Sunny David (US rockabilly pianist & songwriter) and Dave “Curly” Williams
publisher:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc. (also displayed as “Marlyn Music Publishers Inc.” on releases), Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) and Whole Lotta Shakin' Music
Jerry Lee Lewis4.65?:??
C3Short Fat Fannie
bass:
Ted Brinson (on 1957-04-26)
drums (drum set):
Earl Palmer (on 1957-04-26)
guitar:
Rene Hall (on 1957-04-26)
piano:
Leon M. Silby (on 1957-04-26)
tenor saxophone:
Jesse James Jones (on 1957-04-26)
vocals:
Larry Williams (1950s rocker) (on 1957-04-26)
recorded at:
Master Recorders in Hollywood, Los Angeles, California, United States (on 1957-04-26)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 39)
recording of:
Short Fat Fannie (on 1957-04-26)
lyricist and composer:
Lawrence Eugene Williams (1950s rocker) (in 1957)
Larry Williams2?:??
C4Rock The Joint
Bill Haley and His Comets?:??
C5Don't You Rock Me Daddy-O
cover recording of:
Don't You Rock Me Daddy-O
composer:
Bill Varley and Wally Whyton
Lonnie Donegan4?:??
C6Love Letters In The Sand
Pat Boone?:??
D1Little Darlin'
cover recording of:
Little Darlin’
lyricist and composer:
Maurice Williams (US singer/songwriter, played with The Zodiacs)
publisher:
Campbell Connelly & Co. Ltd. and Excellorec Music
The Diamonds?:??
D2Jenny Jenny
recording of:
Jenny, Jenny (made famous by Little Richard; not the 867‒5309 song)
writer:
Enotris Johnson (until 1956-10-15) and Richard Wayne Penniman (until 1956-10-15)
publisher:
Sony/ATV Songs LLC
Little Richard?:??
D3Blue Monday
producer:
Dave Bartholomew
phonographic copyright (℗) by:
Frank Music (in 1956), Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1957) and EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
recorded at:
J&M/Cosimo Recording Studios (New Orleans, circa 1945-1955) in New Orleans, Louisiana, United States
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 12)
cover recording of:
Blue Monday (on 1955-03-30)
writer:
Antoine Dominique Domino (Fats Domino) and Dave Bartholomew
publisher:
Chappell Music (UK) and Chappell Music Ltd.
Fats Domino5?:??
D4Party Doll
recording of:
Party Doll
lyricist and composer:
Buddy Knox (US country rocker, of The Rhythm Orchids)
writer:
Dave Alldred, Jimmy Bowen (producer, rockabilly musician and songwriter), Buddy Knox (US country rocker, of The Rhythm Orchids) and Don Lanier
publisher:
EMI Longitude Music, Music of Stage Three and Patricia Music Publ. Corp.
Buddy Knox?:??
D5I'm Sorry
recorded in:
New York, New York, United States (in 1956-04)
cover recording of:
I’m Sorry (in 1956-04)
writer:
Buck Ram, Peter Tinturin and William White (Composer, "I'm Sorry")
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Platters?:??
D6Reet Petite
recording of:
Reet Petite (The Sweetest Girl in Town) (in 1957)
writer:
Tyran Carlo and Berry Gordy
publisher:
Burlington Music Ltd.
Jackie Wilson4?:??

Credits

Release group

part of:The Rock 'n' Roll Era (Time-Life Music) (number: 1) (order: 1)
Discogs:https://www.discogs.com/master/404001 [info]