Cosi Fan Tutte / Don Giovanni / The Magic Flute / Le Nozze Di Figaro

~ Release by Wolfgang Amadeus Mozart (see all versions of this release, 1 available)

Tracklist

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1Don Giovanni, K. 527: Act I. "Mi par ch'oggi il demonio si diverta" (Don Giovanni)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Don Giovanni]:
Cesare Siepi (operatic bass) (in 1955-06)
soprano vocals [Donna Anna]:
Suzanne Danco (soprano / mezzo-soprano) (in 1955-06)
tenor vocals [Don Ottavio]:
Anton Dermota (tenor) (in 1955-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Josef Krips (conductor/violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. Recitativo "Mi par ch' oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
1:16
2Don Giovanni, K. 527: Act I. "Non ti fidar, o misera" (Donna Elvira)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Don Giovanni]:
Cesare Siepi (operatic bass) (in 1955-06)
soprano vocals [Donna Anna]:
Suzanne Danco (soprano / mezzo-soprano) (in 1955-06)
soprano vocals [Donna Elvira]:
Lisa della Casa (soprano) (in 1955-06)
tenor vocals [Don Ottavio]:
Anton Dermota (tenor) (in 1955-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Josef Krips (conductor/violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. No. 9 Quartetto "Non ti fidar, oh misera" (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
4:16
3Don Giovanni, K. 527: Act I. "Don Ottaivio, son morta !" (Donna Anna)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
soprano vocals [Donna Anna]:
Suzanne Danco (soprano / mezzo-soprano) (in 1955-06)
tenor vocals [Don Ottavio]:
Anton Dermota (tenor) (in 1955-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Josef Krips (conductor/violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. No. 10 Recitativo accompagnato "Don Ottavio, son morta!" (Donna Anna, Don Ottavio) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
3:10
4Don Giovanni, K. 527: Act I. "Or sai chi l'onore" (Donna Anna)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
soprano vocals [Donna Anna]:
Suzanne Danco (soprano / mezzo-soprano) (in 1955-06)
tenor vocals [Don Ottavio]:
Anton Dermota (tenor) (in 1955-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Josef Krips (conductor/violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. No. 10 Aria “Or sai chi l’onore” (Donna Anna) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
3:07
5Don Giovanni, K. 527: Act I. "Dalla sua pace" (Don Ottavio)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
tenor vocals [Don Ottavio]:
Anton Dermota (tenor) (in 1955-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Josef Krips (conductor/violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. Anhang. No. 10a Aria “Dalla sua pace” (Don Ottavio) [K. 540a] (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 540a)
part of:
Don Giovanni: Atto I
4:09
6Don Giovanni, K. 527: Act I. "Io deggio ad ogni patto" (Don Giovanni)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Don Giovanni]:
Cesare Siepi (operatic bass) (in 1955-06)
bass vocals [Leporello]:
Fernando Corena (operatic bass) (in 1955-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Josef Krips (conductor/violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. Recitativo “Io deggio ad ogni patto” (Leporello, Don Giovanni) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
1:29
7Don Giovanni, K. 527: Act I. "Fin ch'han dal vino" (Don Giovanni)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Don Giovanni]:
Cesare Siepi (operatic bass) (in 1955-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Josef Krips (conductor/violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
1:21
8Don Giovanni, K. 527: Act I. "Masetto, senti un po' !" (Zerlina)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Masetto]:
Walter Berry (bass‐baritone) (in 1955-06)
soprano vocals [Zerlina]:
Hilde Gueden (soprano) (in 1955-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Josef Krips (conductor/violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. Recitativo “Masetto: senti un po’!” (Zerlina, Masetto) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
1:16
9Don Giovanni, K. 527: Act I. "Batti, batti, o bel Masetto" (Zerlina)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Don Giovanni]:
Cesare Siepi (operatic bass) (in 1955-06)
bass vocals [Masetto]:
Walter Berry (bass‐baritone) (in 1955-06)
soprano vocals [Zerlina]:
Hilde Gueden (soprano) (in 1955-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Josef Krips (conductor/violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
4:12
10Don Giovanni, K. 527: Act I. "Presto presto pria ch'ei venga" (Masetto)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Don Giovanni]:
Cesare Siepi (operatic bass) (in 1955-06)
bass vocals [Masetto]:
Walter Berry (bass‐baritone) (in 1955-06)
choir vocals:
Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1955-06)
soprano vocals [Zerlina]:
Hilde Gueden (soprano) (in 1955-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Josef Krips (conductor/violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. No. 13 Finale “Presto, presto, pria ch’ei venga” (Masetto, Zerlina) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
4:45
11Don Giovanni, K. 527: Act I. "Bisogna aver coraggio" (Donna Elvira)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Don Giovanni]:
Cesare Siepi (operatic bass) (in 1955-06)
bass vocals [Leporello]:
Fernando Corena (operatic bass) (in 1955-06)
soprano vocals [Donna Anna]:
Suzanne Danco (soprano / mezzo-soprano) (in 1955-06)
soprano vocals [Donna Elvira]:
Lisa della Casa (soprano) (in 1955-06)
tenor vocals [Don Ottavio]:
Anton Dermota (tenor) (in 1955-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Josef Krips (conductor/violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. “Bisogna aver coraggio” (Donna Elvira, Don Ottavio, Donna Anna) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
4:29
12Don Giovanni, K. 527: Act I. "Riposate, vezzose ragazze!" (Don Giovanni)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Don Giovanni]:
Cesare Siepi (operatic bass) (in 1955-06)
bass vocals [Leporello]:
Fernando Corena (operatic bass) (in 1955-06)
bass vocals [Masetto]:
Walter Berry (bass‐baritone) (in 1955-06)
soprano vocals [Donna Anna]:
Suzanne Danco (soprano / mezzo-soprano) (in 1955-06)
soprano vocals [Donna Elvira]:
Lisa della Casa (soprano) (in 1955-06)
soprano vocals [Zerlina]:
Hilde Gueden (soprano) (in 1955-06)
tenor vocals [Don Ottavio]:
Anton Dermota (tenor) (in 1955-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Josef Krips (conductor/violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. “Riposate, vezzose ragazze” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
9:25
13Don Giovanni, K. 527: Act II. "Eh via, buffone" (Don Giovanni)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Don Giovanni]:
Cesare Siepi (operatic bass) (in 1955-06)
bass vocals [Leporello]:
Fernando Corena (operatic bass) (in 1955-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Josef Krips (conductor/violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Don Giovanni: Atto II. No. 14 Duetto “Eh via buffone, non mi seccar” (Don Giovanni, Leporello) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
2:41
14Don Giovanni, K. 527: Act II. "Ah ! taci, ingiusto core" (Donna Elvira)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Don Giovanni]:
Cesare Siepi (operatic bass) (in 1955-06)
bass vocals [Leporello]:
Fernando Corena (operatic bass) (in 1955-06)
soprano vocals [Donna Elvira]:
Lisa della Casa (soprano) (in 1955-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Josef Krips (conductor/violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Don Giovanni: Atto II. No. 15 Terzetto “Ah taci, ingiusto core” (Donna Elvira, Leporello, Don Giovanni) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
6:38
15Don Giovanni, K. 527: Act II. "Deh, vienni alla finestra" (Don Giovanni)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Don Giovanni]:
Cesare Siepi (operatic bass) (in 1955-06)
bass vocals [Masetto]:
Walter Berry (bass‐baritone) (in 1955-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Josef Krips (conductor/violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
2:58
16Don Giovanni, K. 527: Act II. "Metà di voi qua vadano" (Don Giovanni)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Don Giovanni]:
Cesare Siepi (operatic bass) (in 1955-06)
bass vocals [Masetto]:
Walter Berry (bass‐baritone) (in 1955-06)
soprano vocals [Zerlina]:
Hilde Gueden (soprano) (in 1955-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Josef Krips (conductor/violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Don Giovanni: Atto II. No. 17 Aria “Metà di voi qua vadano” (Don Giovanni) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
4:57
17Don Giovanni, K. 527: Act II. "Vedrai, carino" (Zerlina)
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
soprano vocals [Zerlina]:
Hilde Gueden (soprano) (in 1955-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Josef Krips (conductor/violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Don Giovanni: Atto II. No. 18 Aria “Vedrai, carino” (Zerlina) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
3:48
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