The Hobbit: The Battle of the Five Armies: Original Motion Picture Soundtrack (special edition)

~ Veröffentlichung von Howard Shore (alle Versionen dieser Veröffentlichung ansehen, 8 vorhanden)

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Titelliste

1▶Digitales Medium
2▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1The Darkest Hour
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) und Nigel Scott
assistierende(r) Techniker(in):
Simon Gooding, Brian Mahoney (Sound engineer) und Brett Stanton (Sound engineer)
Techniker(in):
Graham Kennedy (technical engineer)
Mix:
Peter Cobbin (recording engineer at Abbey Road Studios) und Kirsty Whalley (engineer and keyboardist)
Editing:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) und Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
Chorgesang:
London Voices
Orchester:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
Orchestrator(in):
Conrad Pope und James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich und Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, Neuseeland
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, Neuseeland
recording of:
The Darkest Hour
Komponist(in):
Howard Shore (Canadian score composer)
Howard Shore1.55:33
2Sons of Durin
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) und Nigel Scott
assistierende(r) Techniker(in):
Simon Gooding, Brian Mahoney (Sound engineer) und Brett Stanton (Sound engineer)
Techniker(in):
Graham Kennedy (technical engineer)
Mix:
Peter Cobbin (recording engineer at Abbey Road Studios) und Kirsty Whalley (engineer and keyboardist)
Editing:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) und Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
Chorgesang:
London Voices
Orchester:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
Orchestrator(in):
Conrad Pope und James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich und Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, Neuseeland
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, Neuseeland
recording of:
Sons of Durin
Komponist(in):
Howard Shore (Canadian score composer)
Howard Shore1.654:25
3The Fallen
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) und Nigel Scott
assistierende(r) Techniker(in):
Simon Gooding, Brian Mahoney (Sound engineer) und Brett Stanton (Sound engineer)
Techniker(in):
Graham Kennedy (technical engineer)
Mix:
Peter Cobbin (recording engineer at Abbey Road Studios) und Kirsty Whalley (engineer and keyboardist)
Editing:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) und Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
Chorgesang:
London Voices
Orchester:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
Orchestrator(in):
Conrad Pope und James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich und Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, Neuseeland
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, Neuseeland
recording of:
The Fallen
Komponist(in):
Howard Shore (Canadian score composer)
Howard Shore1.754:57
4Ravenhill
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) und Nigel Scott
assistierende(r) Techniker(in):
Simon Gooding, Brian Mahoney (Sound engineer) und Brett Stanton (Sound engineer)
Techniker(in):
Graham Kennedy (technical engineer)
Mix:
Peter Cobbin (recording engineer at Abbey Road Studios) und Kirsty Whalley (engineer and keyboardist)
Editing:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) und Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
Chorgesang:
London Voices
Orchester:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
Orchestrator(in):
Conrad Pope und James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich und Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, Neuseeland
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, Neuseeland
recording of:
Ravenhill
Komponist(in):
Howard Shore (Canadian score composer)
Howard Shore2.755:48
5To the Death (extended version)
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) und Nigel Scott
assistierende(r) Techniker(in):
Simon Gooding, Brian Mahoney (Sound engineer) und Brett Stanton (Sound engineer)
Techniker(in):
Graham Kennedy (technical engineer)
Mix:
Peter Cobbin (recording engineer at Abbey Road Studios) und Kirsty Whalley (engineer and keyboardist)
Editing:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) und Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
Chorgesang:
London Voices
Orchester:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
Orchestrator(in):
Conrad Pope und James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich und Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, Neuseeland
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, Neuseeland
recording of:
To the Death
Komponist(in):
Howard Shore (Canadian score composer)
Howard Shore17:23
6Courage and Wisdom
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) und Nigel Scott
assistierende(r) Techniker(in):
Simon Gooding, Brian Mahoney (Sound engineer) und Brett Stanton (Sound engineer)
Techniker(in):
Graham Kennedy (technical engineer)
Mix:
Peter Cobbin (recording engineer at Abbey Road Studios) und Kirsty Whalley (engineer and keyboardist)
Editing:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) und Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
Chorgesang:
London Voices
Orchester:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
Orchestrator(in):
Conrad Pope und James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich und Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, Neuseeland
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, Neuseeland
recording of:
Courage and Wisdom
Komponist(in):
Howard Shore (Canadian score composer)
Howard Shore2.155:10
7The Return Journey
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) und Nigel Scott
assistierende(r) Techniker(in):
Simon Gooding, Brian Mahoney (Sound engineer) und Brett Stanton (Sound engineer)
Techniker(in):
Graham Kennedy (technical engineer)
Mix:
Peter Cobbin (recording engineer at Abbey Road Studios) und Kirsty Whalley (engineer and keyboardist)
Editing:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) und Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
Chorgesang:
London Voices
Orchester:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
Orchestrator(in):
Conrad Pope und James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich und Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, Neuseeland
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, Neuseeland
recording of:
The Return Journey
Komponist(in):
Howard Shore (Canadian score composer)
Howard Shore1.54:18
8There and Back Again
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) und Nigel Scott
assistierende(r) Techniker(in):
Simon Gooding, Brian Mahoney (Sound engineer) und Brett Stanton (Sound engineer)
Techniker(in):
Graham Kennedy (technical engineer)
Mix:
Peter Cobbin (recording engineer at Abbey Road Studios) und Kirsty Whalley (engineer and keyboardist)
Editing:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) und Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
Chorgesang:
London Voices
Orchester:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
Orchestrator(in):
Conrad Pope und James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich und Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, Neuseeland
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, Neuseeland
recording of:
There and Back Again
Komponist(in):
Howard Shore (Canadian score composer)
Howard Shore1.754:20
9The Last Goodbye
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios) und Jason Huss (New Zealand engineer)
leitende(r) Produzent(in):
Billy Boyd (Scottish actor and musician) und Fran Walsh
Partner-Produzent(in):
Stephen Gallagher (New Zealand composer and editor)
Produzent(in) und Mix:
Peter Cobbin (recording engineer at Abbey Road Studios) und Kirsty Whalley (engineer and keyboardist)
Editing:
Olga FitzRoy
Gitarre:
Adam Goldsmith, John Parricelli und Dario Rossetti-Bonell
Zymbal:
Edward Cervenka (percussionist and cimbalom player)
Sologesang:
Billy Boyd (Scottish actor and musician)
conductor:
Robert Ziegler (conductor)
arranger und Orchestrator(in):
Victoria Kelly
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich, Park Road Post in Wellington (Wellington Region), North Island, Neuseeland und Roundhead Studios in Auckland, Auckland (Region Auckland), North Island, Neuseeland
recording of:
The Last Goodbye (End credits song for “The Hobbit: The Battle of the Five Armies”)
Texter:
Philippa Boyens und Fran Walsh
Komponist(in):
Billy Boyd (Scottish actor and musician)
Billy Boyd3.754:07
10Ironfoot (extended version)
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) und Nigel Scott
assistierende(r) Techniker(in):
Simon Gooding, Brian Mahoney (Sound engineer) und Brett Stanton (Sound engineer)
Techniker(in):
Graham Kennedy (technical engineer)
Mix:
Peter Cobbin (recording engineer at Abbey Road Studios) und Kirsty Whalley (engineer and keyboardist)
Editing:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) und Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
Chorgesang:
London Voices
Orchester:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
Orchestrator(in):
Conrad Pope und James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich und Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, Neuseeland
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, Neuseeland
recording of:
Ironfoot
Komponist(in):
Howard Shore (Canadian score composer)
Howard Shore16:12
11Dragon‐Sickness
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) und Nigel Scott
assistierende(r) Techniker(in):
Simon Gooding, Brian Mahoney (Sound engineer) und Brett Stanton (Sound engineer)
Techniker(in):
Graham Kennedy (technical engineer)
Mix:
Peter Cobbin (recording engineer at Abbey Road Studios) und Kirsty Whalley (engineer and keyboardist)
Editing:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) und Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
Chorgesang:
London Voices
Orchester:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
Orchestrator(in):
Conrad Pope und James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich und Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, Neuseeland
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, Neuseeland
recording of:
Dragon‐Sickness
Komponist(in):
Howard Shore (Canadian score composer)
Howard Shore13:53
12Thrain (From the Hobbit: The Desolation of Smaug extended edition)
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) und Nigel Scott
assistierende(r) Techniker(in):
Simon Gooding, Brian Mahoney (Sound engineer) und Brett Stanton (Sound engineer)
Techniker(in):
Graham Kennedy (technical engineer)
Mix:
Peter Cobbin (recording engineer at Abbey Road Studios) und Kirsty Whalley (engineer and keyboardist)
Editing:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) und Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
Chorgesang:
London Voices
Orchester:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
Orchestrator(in):
Conrad Pope und James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich und Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, Neuseeland
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, Neuseeland
recording of:
Thrain
Komponist(in):
Howard Shore (Canadian score composer)
Howard Shore13:25