Music for Wellbeing (with Dr Hilary Jones)

~ Release by Various Artists with Dr. Hilary Jones (see all versions of this release, 1 available)

Annotation

This appears to be unrelated to the other releases called "Music for Wellbeing" released on the Fønix Musik label.

Annotation last modified on 2020-12-15 21:33 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Clarinet Concerto in A major, K.622; 2nd Movement (Adagio)
recording engineer:
Gernot Westhäuser (Engineer) (in 1972-09)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
clarinet:
Alfred Prinz (clarinetist) (in 1972-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1972-09)
conductor:
Karl Böhm (Austrian conductor) (in 1972-09)
balance engineer:
Günter Hermanns (producer/engineer) (in 1972-09)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1972-09)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio) (in 1972-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart8:06
2Invocation
Medwyn Goodall5:07
3Carmen Suite No. 1 (Entr'acte III, Andantino quasi Allegretto)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte II. Entr’acte (intermission between Acts II & III) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
part of:
Carmen: Act II (english lyrics)
part of:
Carmen: Akt 2 (German translation, Julius Hopp)
part of:
Carmen: Atto II (italian lyrics)
Georges Bizet2:59
4Dances with Wolves (John Dunbar Theme)
recorded in:
Culver City, California, United States (in 1991-02)
engineer:
Joel Moss (in 1991-02)
producer:
Michael Gore (producer)
orchestra:
Hollywood Bowl Orchestra (in 1991-02)
conductor:
John Mauceri (conductor) (in 1991-02)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1991) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1991)
recording of:
John Dunbar Theme (Dances With Wolves) (in 1991-02)
composer:
John Barry (English score composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!) and EMI Virgin Music Publishing
part of:
Dances With Wolves
John Barry2:26
5Prélude à l'après-midi d'un faune (excerpt)
recording engineer and editor:
Joachim Niss
engineer and balance engineer:
Günter Hermanns (producer/engineer)
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Karl Faust (producer)
flute:
Doriot Anthony Dwyer (US flautist) (from 1971-02-01 until 1971-02-02)
orchestra:
Orchestre Symphonique de Boston (from 1971-02-01 until 1971-02-02)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1971-02-01 until 1971-02-02)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) and Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1971)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1971-02-01 until 1971-02-02)
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra) (from 1971-02-01 until 1971-02-02)
composer:
Claude Debussy (French composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Claude Debussy3:00
6Love's Promise (excerpt)
Stuart Jones5:10
7Pavanne pour une Infante Défunte
producer:
Thomas Mowrey
French horn and solo French horn:
Charles Kavaloski (horn player)
orchestra:
Orchestre Symphonique de Boston (in 1974-10)
conductor:
Seiji Ozawa (conductor and composer) (in 1974-10)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1974-10)
recording of:
Pavane pour une infante défunte (orchestrated version) (in 1974-10)
orchestrator:
Maurice Ravel (French composer) (in 1910)
composer:
Maurice Ravel (French composer) (in 1899)
publisher:
Editions Max Eschig
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 19a)
orchestration of:
Pavane pour une infante défunte (original version for solo piano)
Maurice Ravel6:14
8Eine kleine Nachtmusik KV 525 (Romance, Andante)
orchestra:
Orpheus Chamber Orchestra (US orchestra)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart5:44
9Reflection
Wendy Stark3:37
10Piano Concerto in A minor, Op. 16; 2nd Movement (Adagio)
piano:
Lilya Zilberstein (pianist) (in 1993-03)
orchestra:
Gothenburg Symphony Orchestra (in 1993-03)
conductor:
Neeme Järvi (Estonian conductor) (in 1993-03)
recorded at:
Göteborgs konserthus (Gothenburg Concert Hall) in Gothenburg, Västra Götaland (Västra Götaland county), Sweden (in 1993-03)
recording of:
Concerto in A minor for Piano and Orchestra, op. 16: II. Adagio (in 1993-03)
composer:
Edvard Grieg (composer) (in 1868)
part of:
Concerto in A minor for Piano and Orchestra, op. 16
Edvard Grieg6:17
11Sailing on a Silk Blue Sea
Asha8:45
12Concerto in D for Lute, Violins and Continuo, RV 93; wnd Movement (Largo)
recording engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Hans‐Rudolf Müller (engineer) and Gregor Zielinsky (Balance engineer)
classical guitar:
Göran Söllscher (classical guitarist) (in 1984-09)
guitar:
Göran Söllscher (classical guitarist)
orchestra:
Camerata Bern (in 1984-09)
conductor:
Thomas Füri (violinist and conductor) (in 1984-09)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1984-09)
recorded at:
Studio Radio DRS in Bern, Bern (Canton of Bern), Switzerland (in 1984-09)
recording of:
Concerto for Lute in D major, RV 93: II. Largo (in 1984-09)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Lute in D major, RV 93
Antonio Vivaldi5:03
13Benediction Moon
Pia8:35
2▶CD

Credits

Release

manufactured in:EC (Europe)
printed in:EC (Europe)
compiler:Dr. Hilary Jones
Kyra Mann
Jeff Stewart (unsure?)
Mark Wilkinson (classical producer at Deutsche Grammophon)
design:Big Idea (graphic design)
copyrighted (©) by and phonographic copyright (℗) by:Deutsche Grammophon Limited (NOT a release label, for holding/copyright information) (in 1999)
ASIN:UK: B00002MXND [info]