Billie’s Best (BMG club edition)

~ Veröffentlichung von Billie Holiday (alle Versionen dieser Veröffentlichung ansehen, 4 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1What a Little Moonlight Can Do
recorded in:
New York, New York, Vereinigte Staaten (am 1954-04-14)
E-Gitarre:
Herb Ellis (jazz guitarist) (am 1954-04-14)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1954-04-14)
Kontrabass [bass]:
Ray Brown (jazz bassist) (am 1954-04-14)
Schlagzeug:
Ed Shaughnessy (am 1954-04-14)
Trompete:
Charlie Shavers (am 1954-04-14)
vocals:
Billie Holiday (am 1954-04-14)
recording of:
What a Little Moonlight Can Do (am 1954-04-14)
Texter und Komponist(in):
Harry M. Woods (American 1920/30s songwriter)
publisher:
Connelly Basart, Warner Bros. Music (publisher; do NOT use as release label) und Warner Brothers Music Inc.
3.653:13
2A Foggy Day
Produzent(in):
Norman Granz
E-Gitarre:
Barney Kessel (am 1957-01-03)
Klavier:
Jimmy Rowles (am 1957-01-03)
Kontrabass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1957-01-03)
Schlagzeug:
Alvin Stoller (am 1957-01-03)
Tenorsaxophon:
Ben Webster (am 1957-01-03)
Trompete:
Harry “Sweets” Edison (am 1957-01-03)
vocals:
Billie Holiday (am 1957-01-03)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-01-03)
cover recording of:
A Foggy Day (in London Town) (am 1957-01-03)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. und WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
A Damsel in Distress (1937 film score)
3.654:43
3Come Rain or Come Shine
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-08-25)
alto saxophone:
Benny Carter (am 1955-08-25)
E-Gitarre:
Barney Kessel (am 1955-08-25)
Klavier:
Jimmy Rowles (am 1955-08-25)
Kontrabass:
John Simmons (bassist) (am 1955-08-25)
Schlagzeug:
Larry Bunker (am 1955-08-25)
Trompete:
Harry “Sweets” Edison (am 1955-08-25)
vocals:
Billie Holiday (am 1955-08-25)
recording of:
Come Rain or Come Shine (am 1955-08-25)
Texter:
Johnny Mercer (in 1946)
Komponist(in):
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. und Warner/Chappell Music Scandinavia AB
44:26
4Comes Love
Produzent(in):
Norman Granz (in 1957-01)
Gitarre:
Barney Kessel (am 1957-01-04)
Klavier:
Jimmy Rowles (am 1957-01-04)
Kontrabass:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1957-01-04)
Schlagzeug:
Alvin Stoller (am 1957-01-04)
Tenorsaxophon:
Ben Webster (am 1957-01-04)
Trompete:
Harry “Sweets” Edison (am 1957-01-04)
vocals:
Billie Holiday (am 1957-01-04)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-01-04)
recording of:
Comes Love (am 1957-01-04)
Texter:
Lew Brown
Komponist(in):
Sam H. Stept und Charles Tobias (Tin Pan Alley songwriter)
44:02
5He’s Funny That Way
recorded in:
New York, New York, Vereinigte Staaten (am 1952-07-27)
Gitarre:
Freddie Green (am 1952-07-27)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1952-07-27)
Kontrabass:
Ray Brown (jazz bassist) (am 1952-07-27)
Schlagzeug:
Gus Johnson (drums) (am 1952-07-27)
Tenorsaxophon:
Paul Quinichette (am 1952-07-27)
Trompete:
Joe Newman (US jazz trumpeter) (am 1952-07-27)
vocals:
Billie Holiday (am 1952-07-27)
recording of:
She’s Funny That Way (am 1952-07-27)
Texter:
Richard A. Whiting (composer) (in 1928)
Verfasser(in):
Neil Moret und Richard A. Whiting (composer)
Komponist(in):
Neil Moret (in 1928)
publisher:
Chappell & Co., EMI April Music Inc., Francis, Day & Hunter Ltd., Robbins Music Corp. und Ross Jungnickel, Inc.
43:15
6Stars Fell on Alabama
Produzent(in):
Norman Granz
E-Gitarre:
Barney Kessel (von 1957-01-07 bis 1957-01-09)
Klavier:
Jimmy Rowles (am 1957-01-08)
Kontrabass [bass]:
Joe Mondragon (am 1957-01-08)
Schlagzeug:
Alvin Stoller (am 1957-01-08)
Tenorsaxophon:
Ben Webster (am 1957-01-08)
Trompete:
Harry “Sweets” Edison (am 1957-01-08)
vocals:
Billie Holiday (am 1957-01-08)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-01-08)
recording of:
Stars Fell on Alabama (am 1957-01-08)
Texter:
Mitchell Parish
Komponist(in):
Frank S. Perkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. und Mills Music
2.754:31
7Gone With the Wind
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-08-23)
E-Gitarre:
Barney Kessel (am 1955-08-23)
Klavier:
Jimmy Rowles (am 1955-08-23)
Kontrabass:
John Simmons (bassist) (am 1955-08-23)
Schlagzeug:
Larry Bunker (am 1955-08-23)
vocals:
Billie Holiday (am 1955-08-23)
recording of:
Gone With the Wind (am 1955-08-23)
Texter:
Herb Magidson
Komponist(in):
Herb Magidson und Allie Wrubel (US composer and songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher)
2.353:26
8They Can’t Take That Away from Me
Produzent(in):
Norman Granz (am 1957-01-09)
E-Gitarre und Gitarre:
Barney Kessel (am 1957-01-09)
Klavier:
Jimmy Rowles (am 1957-01-09)
Kontrabass:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1957-01-09) und Joe Mondragon (am 1957-01-09)
Schlagzeug:
Larry Bunker (am 1957-01-09)
Tenorsaxophon:
Ben Webster (am 1957-01-09)
Trompete:
Harry “Sweets” Edison (am 1957-01-09)
vocals:
Billie Holiday (in 1957-01, am 1957-01-09)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-01-09)
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (am 1957-01-09)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und Gershwin Publishing Corp (in 1937)
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1937 nominee)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Shall We Dance (1937 film soundtrack)
3.654:13
9East of the Sun
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten
Bass:
Ray Brown (jazz bassist)
E-Gitarre:
Barney Kessel
Klavier:
Oscar Peterson (Canadian jazz pianist and composer)
Schlagzeug:
Alvin Stoller
Tenorsaxophon:
Flip Phillips
Trompete:
Charlie Shavers
vocals:
Billie Holiday
recording of:
East of the Sun (and West of the Moon) (in 1952)
Texter und Komponist(in):
Brooks Bowman (in 1934)
publisher:
Anne-Rachel Music Corp. und Chappell & Co.
32:57
10Everything I Have Is Yours
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-04)
E-Gitarre:
Barney Kessel (in 1952-04)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-04)
Kontrabass:
Ray Brown (jazz bassist) (in 1952-04)
Schlagzeug:
Alvin Stoller (in 1952-04)
Tenorsaxophon:
Flip Phillips (in 1952-04)
vocals:
Billie Holiday (in 1952-04)
recording of:
Everything I Have Is Yours (in 1952-04)
Texter:
Harold Adamson
Komponist(in):
Burton Lane
3.653:48
11Stormy Blues
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-09-03)
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (am 1954-09-03)
E-Gitarre:
Barney Kessel (am 1954-09-03)
Klavier:
Bobby Tucker (am 1954-09-03)
Kontrabass [bass]:
Red Callender (am 1954-09-03)
Schlagzeug:
Chico Hamilton (am 1954-09-03)
Trompete:
Harry “Sweets” Edison (am 1954-09-03)
vocals:
Billie Holiday (am 1954-09-03)
recording of:
Stormy Blues (am 1954-09-03)
Verfasser(in):
Billie Holiday
43:29
12Speak Low
Produzent(in):
Norman Granz
E-Gitarre:
Barney Kessel (am 1956-08-14)
Klavier:
Jimmy Rowles (am 1956-08-14)
Kontrabass [bass]:
Joe Mondragon (am 1956-08-14)
Schlagzeug:
Alvin Stoller (am 1956-08-14)
Tenorsaxophon:
Ben Webster (am 1956-08-14)
Trompete:
Harry “Sweets” Edison (am 1956-08-14)
vocals:
Billie Holiday (am 1956-08-14)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-08-14)
recording of:
Speak Low (One Touch of Venus) (am 1956-08-14)
Texter:
Ogden Nash
Komponist(in):
Kurt Weill (composer)
publisher:
Chappell & Co.
Teil von:
One Touch of Venus (1943 musical)
3.654:28
13April in Paris
Produzent(in):
Norman Granz
E-Gitarre:
Barney Kessel (am 1956-08-18)
Klavier:
Jimmy Rowles (am 1956-08-18)
Kontrabass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1956-08-18)
Schlagzeug:
Alvin Stoller (am 1956-08-18)
Tenorsaxophon:
Ben Webster (am 1956-08-18)
Trompete:
Harry “Sweets” Edison (am 1956-08-18)
vocals:
Billie Holiday (am 1956-08-18)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-08-18)
recording of:
April in Paris (am 1956-08-18)
Texter:
Yip Harburg (in 1932)
Komponist(in):
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
Teil von:
The Real Book (compilation of jazz standards, volume I)
33:05
14I’ve Got My Love to Keep Me Warm
sonstige Unterstützung:
Leroy Lovett (am 1955-02-14)
E-Gitarre:
Billy Bauer (US cool jazz guitarist) (am 1955-02-14)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1955-02-14)
Klavier:
Billy Taylor (jazz/bop pianist) (am 1955-02-14)
Kontrabass:
Leonard Gaskin (am 1955-02-14)
Schlagzeug:
Cozy Cole (am 1955-02-14)
Tenorsaxophon:
Budd Johnson (am 1955-02-14)
Trompete:
Charlie Shavers (am 1955-02-14)
vocals:
Billie Holiday (am 1955-02-14)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1955)
aufgenommen bei:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, Vereinigte Staaten (am 1955-02-14)
recording of:
I’ve Got My Love to Keep Me Warm (am 1955-02-14)
Texter und Komponist(in):
Irving Berlin (in 1937)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3.753:58
15Some Other Spring
recorded in:
New York, New York, Vereinigte Staaten (am 1956-06-06)
E-Gitarre:
Kenny Burrell (am 1956-06-06)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1956-06-06)
Klavier:
Wynton Kelly (am 1956-06-06)
Kontrabass [bass]:
Aaron Bell (jazz double bassist) (am 1956-06-06)
Schlagzeug:
Lenny McBrowne (US jazz drummer) (am 1956-06-06)
Tenorsaxophon:
Paul Quinichette (am 1956-06-06)
Trompete:
Charlie Shavers (am 1956-06-06)
vocals:
Billie Holiday (am 1956-06-06)
recording of:
Some Other Spring (am 1956-06-06)
Komponist(in):
Arthur Herzog, Jr. und Irene Kitchings
3.653:39
16All the Way
recorded in:
New York, New York, Vereinigte Staaten (am 1959-03-03)
alto saxophone und Bassklarinette:
Romeo Penque (am 1959-03-03)
Celesta und Klavier:
Hank Jones (piano) (am 1959-03-03)
Harfe:
Janet Putnam (harpist) (am 1959-03-03)
Kontrabass:
Joe Benjamin (US jazz bassist) (am 1959-03-03)
Saiteninstrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1959-03-03)
Schlagzeug:
Osie Johnson (am 1959-03-03)
vocals:
Billie Holiday (am 1959-03-03)
conductor:
Ray Ellis (US producer, arranger and conductor) (am 1959-03-03)
arranger:
Ray Ellis (US producer, arranger and conductor)
recording of:
All the Way (from “The Joker Is Wild”) (am 1959-03-03)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Barton Music Corporation OBO Maraville Music Corp, Maraville Music Corp., The International Music Network und Universal Music Corp. OBO Van Heusen Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Teil von:
The 30th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1957 winner)
3.753:23

Nennungen

Veröffentlichung

remastering:Tom Ruff
Discogs:https://www.discogs.com/release/1868265 [Info]