The Complete Reprise Studio Recordings

~ Pubblicazione di Frank Sinatra (visualizza tutte le versioni di questa pubblicazione: 3 disponibili)

Annotazione

A 20-CD collection of the Reprise recordings of Frank Sinatra with hardcover book with several essays and track credits. From the included book: "The Complete Reprise Studio Recordings contains every master recorded by Frank Sinatra for Reprise Records between December 19, 1960 and June 6, 1988. A few songs, attempted but never satisfactorily completed, have been omitted."

Identifiers

CD 1

  • Disc ID: ZV.Ey3mF9WU4z..7NAT8aAwDGRU-
  • Matrix Code: 936247045-2/1 09/98
  • Mastering SID Code: IFPI L011
  • Mould SID Code: IFPI 05N2

CD 2

  • Disc ID: SjkK1nZt4JBH6THnRJI01qRd1u0-
  • Matrix Code: 936247045-2/2 09/98
  • Mastering SID Code: IFPI L011
  • Mould SID Code: IFPI 05A8

CD 3

  • Disc ID: __n9gUeu1.I0EYQy5uVcywFiYzw-
  • Matrix Code: 936247045-2/3 09/98
  • Mastering SID Code: IFPI L011
  • Mould SID Code: IFPI 05N8

CD 4

  • Disc ID: .BWURU4faxB15DYfu7ezAd20Gfg-
  • Matrix Code: 936247045-2/4 09/98
  • Mastering SID Code: IFPI L012
  • Mould SID Code: IFPI 05A5

CD 5

  • Disc ID: QDLSbVFKk8vcAJvx96SY6S2iktY-
  • Matrix Code: 936247045-2/5 09/98
  • Mastering SID Code: IFPI L012
  • Mould SID Code: IFPI 05A5

CD 6

  • Disc ID: lCHq_9QxW7MLxdmKN7IDt60il_k-
  • Matrix Code: 936247045-2/6 09/98
  • Mastering SID Code: IFPI L012
  • Mould SID Code: IFPI 05A0

CD 7

  • Disc ID: Uq7sE9dEvkaNjF4necoidfgCnLc-
  • Matrix Code: 936247045-2/7 09/98
  • Mastering SID Code: IFPI L011
  • Mould SID Code: IFPI 0504

CD 8

  • Disc ID: Df3w8F_03DUIzmgHxFkwOZ__LK4-
  • Matrix Code: 936247045-2/8 09/98
  • Mastering SID Code: IFPI L011
  • Mould SID Code: IFPI 0582

CD 9

  • Disc ID: zLrn6X4Ck.0TEx6x1M6MR19mKxo-
  • Matrix Code: 936247045-2/9 09/98
  • Mastering SID Code: IFPI L011
  • Mould SID Code: IFPI 05D1

CD 10

  • Disc ID: OAXJXpnx2fbjD_Un8cub1QD8dJE-
  • Matrix Code: 936247045-2/10 09/98
  • Mastering SID Code: IFPI L012
  • Mould SID Code: IFPI 0590

CD 11

  • Disc ID: l2p63tWJ6gTC9gTsIRHpVRZpweE-
  • Matrix Code: 936247045-2/11 09/98
  • Mastering SID Code: IFPI L012
  • Mould SID Code: IFPI 05N2

CD 12

  • Disc ID: nY6YJMHzVQLShEEjt0_uCYNphn0-
  • Matrix Code: 936247045-2/12 09/98
  • Mastering SID Code: IFPI L011
  • Mould SID Code: IFPI 0567

CD 13

  • Disc ID: QyEG4PurwHVZYER_thQnKFRpzz0-
  • Matrix Code: 936247045-2/13 09/98
  • Mastering SID Code: IFPI L011
  • Mould SID Code: IFPI 0564

CD 14

  • Disc ID: VtMov4JP8jYP1RLj92gggMHeRsM-
  • Matrix Code: 936247045-2/14 09/98
  • Mastering SID Code: IFPI L011
  • Mould SID Code: IFPI 05F1

CD 15

  • Disc ID: Lzl8O3YtRhPSRXWwnVsi5hEzdsM-
  • Matrix Code: 936247045-2/15 09/98
  • Mastering SID Code: IFPI L012
  • Mould SID Code: IFPI 05F1

CD 16

  • Disc ID: 35gVETcgQbbi1fjrslkef5v5nVQ-
  • Matrix Code: 936247045-2/16 09/98
  • Mastering SID Code: IFPI L011
  • Mould SID Code: IFPI 05A2

CD 17

  • Disc ID: 9pKH.zkQXJxH0.rvv7_NZMIgb2U-
  • Matrix Code: 936247045-2/17 09/98
  • Mastering SID Code: IFPI L012
  • Mould SID Code: IFPI 05D2

CD 18

  • Disc ID: 55XIAArIeOJaExITROyWnGBueMA-
  • Matrix Code: 936247045-2/18 09/98
  • Mastering SID Code: IFPI L012
  • Mould SID Code: IFPI 05E1

CD 19

  • Disc ID: suOPzatm3DfG58ysjj9OkgZMFHU-
  • Matrix Code: 936247045-2/19 09/98
  • Mastering SID Code: IFPI L011
  • Mould SID Code: IFPI 05E1

CD 20

  • Disc ID: ZHITGsll45p.vYVzBrzFUN4Vs3I-
  • Matrix Code: 936247045-2/20 09/98
  • Mastering SID Code: IFPI L011
  • Mould SID Code: IFPI 05A8
Annotazione modificata l'ultima volta il 2021-05-28 08:29 UTC.

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#TitoloValutazioneDurata
1Monday Morning Quarterback
registrata a:
New York, New York, Stati Uniti (il 1981-09-10)
produttore:
Don Costa (US pop music arranger & producer)
arpa :
Nanette Norton Kramer (il 1981-09-10)
batteria :
Irv Cottler (il 1981-09-10)
chitarra :
Tony Mottola (il 1981-09-10)
contrabbasso :
Frank Bruno (bass) (il 1981-09-10), Gene Cherico (il 1981-09-10) e John Miller (bassist and music contractor/coordinator) (il 1981-09-10)
corno francese :
Joseph de Angelis (il 1981-09-10), Donald Corrado (il 1981-09-10) e Sharon Moe (il 1981-09-10)
legni :
Sidney Cooper (il 1981-09-10), Wally Kane (US woodwind player) (il 1981-09-10), Bernie Kaufman (il 1981-09-10), Al Klink (il 1981-09-10), Sol Schlinger (saxophone, jazz) (il 1981-09-10) e Robert Steen (il 1981-09-10)
ottoni :
Charles Turner (US jazz trumpeter) (il 1981-09-10)
percussione :
Ted Sommer (il 1981-09-10)
pianoforte :
Vincent Falcone, Jr. (il 1981-09-10)
viola :
George Brown (American pop violinist) (il 1981-09-10), Harold Coletta (il 1981-09-10), Theodore Israel (il 1981-09-10), Vincent Liota (il 1981-09-10), Richard Maximoff (il 1981-09-10) e Mitsue Takayama (violinist/violist/cellist) (il 1981-09-10)
violino :
Anahid Ajemian (American violinist) (il 1981-09-10), Sanford Allen (il 1981-09-10), Lamar Alsop (il 1981-09-10), Frederick Buldrini (il 1981-09-10), Peter Buonconsiglio (il 1981-09-10), Peter Dimitriades (il 1981-09-10), Winterton Garvey (il 1981-09-10), Max Hollander (il 1981-09-10), Stanley Hunte (il 1981-09-10), Elliot Magaziner (il 1981-09-10), Carmel Malin (il 1981-09-10), Joe Malin (il 1981-09-10), Pamela Posk (il 1981-09-10), Tony Posk (il 1981-09-10), Secondo Proto (il 1981-09-10) e Gerald Tarack (il 1981-09-10)
violoncello :
Julius Ehrenwerth (il 1981-09-10), Jesse Levy (il 1981-09-10), Anthony Sophos (il 1981-09-10) e Frederick Zlotkin (cellist) (il 1981-09-10)
voce:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (il 1981-09-10)
direttore d'orchestra:
Gordon Jenkins (il 1981-09-10)
arrangiatore:
Gordon Jenkins
registrata presso:
Columbia Studios in New York, New York, Stati Uniti (il 1981-09-10)
registrazione di:
Monday Morning Quarterback (il 1981-09-10)
paroliere:
Pamela Phillips‐Oland
compositore:
Don Costa (US pop music arranger & producer)
editore:
WB Music Corp. (1929–2019)
14:38
2Hey Look, No Crying
registrata a:
New York, New York, Stati Uniti (il 1981-09-10)
voce:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (il 1981-09-10)
arrangiatore:
Gordon Jenkins
registrazione di:
Hey Look, No Cryin' (il 1981-09-10)
paroliere:
Susan Birkenhead
compositore:
Jule Styne
editore:
Chappell & Co., Inc. (USA) e WB Music Corp. (1929–2019)
5:27
3To Love a Child
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1981-12-05)
voce:
Nikki Costa (il 1981-12-05) e Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (il 1981-12-05)
arrangiatore:
Don Costa (US pop music arranger & producer)
registrazione di:
To Love a Child (il 1981-12-05)
paroliere:
Hal David
compositore:
Joe Raposo (piano, composer, Sesame Street)
editore:
Casa David e Instructional Children’s Music Inc.
3:22
4Love Makes Us Whatever We Want to Be
registrata a:
New York, New York, Stati Uniti (il 1982-08-17)
voce:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (il 1982-08-17)
arrangiatore:
Billy May
registrazione di:
Love Makes Us Whatever We Want to Be (il 1982-08-17)
paroliere:
Sammy Cahn
compositore:
Jule Styne
editore:
Chappell & Co., Inc. (USA) e WB Music Corp. (1929–2019)
2:39
5Searching
registrata a:
New York, New York, Stati Uniti (il 1982-08-17)
voce:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (il 1982-08-17)
arrangiatore:
Don Costa (US pop music arranger & producer)
registrazione di:
Searching (il 1982-08-17)
paroliere:
Sammy Cahn
compositore:
Jule Styne
editore:
Chappell & Co., Inc. (USA) e WB Music Corp. (1929–2019)
3:48
6Here’s to the Band
registrata a:
New York, New York, Stati Uniti (il 1983-01-25)
voce:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (il 1983-01-25)
arrangiatore:
Joe Parnello (American pianist, conductor and arranger)
registrazione di:
Here's to the Band (il 1983-01-25)
autore:
Sharman Howe, Alfred Nittoli e Arthur Schroeck
editore:
EMI Algee Music Corp. e Saloon Songs Inc.
4:11
7All the Way Home
registrata a:
New York, New York, Stati Uniti (il 1983-01-25)
voce:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (il 1983-01-25)
arrangiatore:
Joe Parnello (American pianist, conductor and arranger)
registrazione di:
All the Way Home (il 1983-01-25)
paroliere e compositore:
Teddy Randazzo
editore:
Saloon Songs Inc. e Teddy Randazzo Music
3:54
8It’s Sunday
registrata a:
Los Angeles, California, Stati Uniti (il 1983-02-28)
chitarra :
Tony Mottola (il 1983-02-28)
voce:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (il 1983-02-28)
arrangiatore:
Tony Mottola
registrazione di:
It's Sunday (il 1983-02-28)
paroliere:
Susan Birkenhead
compositore:
Jule Styne
editore:
Chappell & Co., Inc. (USA), Saloon Songs Inc., Unichappell Music e WB Music Corp. (1929–2019)
3:37
9L.A. Is My Lady
registrata a:
New York, New York, Stati Uniti (il 1984-04-13)
tecnico di registrazione:
Phil Ramone (il 1984-04-13)
assistente tecnico:
Elliot Scheiner e Allen Sides
produttore:
Quincy Jones
tecnico di missaggio:
Phil Ramone
chitarra solista :
George Benson (jazz guitarist/singer) (il 1984-04-13)
percussione :
Ralph MacDonald (il 1984-04-13)
pianoforte elettrico solista :
Bob James (US jazz keyboardist, arranger and producer) (il 1984-04-13)
voce:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (il 1984-04-13)
orchestra:
Quincy Jones and His Orchestra (il 1984-04-13)
direttore d'orchestra:
Quincy Jones (il 1984-04-13)
arrangiatore:
Jerry Hey, Quincy Jones, Dave Matthews (of Dave Matthews Band) e Torrie Zito
registrazione di:
L.A. Is My Lady (il 1984-04-13)
paroliere:
Alan Bergman (American lyricist) e Marilyn Bergman
compositore:
Quincy Jones e Peggy Lipton
editore:
Rashida Music, Threesome Music Company e Yellowbrick Road Music
53:14
10Until the Real Thing Comes Along
registrata a:
New York, New York, Stati Uniti (il 1984-04-13)
tecnico di registrazione:
Phil Ramone (il 1984-04-13)
assistente tecnico:
Elliot Scheiner e Allen Sides
produttore:
Quincy Jones
tecnico di missaggio:
Phil Ramone
tromba [Muted Trumpet] solista :
Joe Newman (US jazz trumpeter) (il 1984-04-13)
voce:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (il 1984-04-13)
orchestra:
Quincy Jones and His Orchestra (il 1984-04-13)
direttore d'orchestra:
Quincy Jones (il 1984-04-13)
arrangiatore:
Sammy Nestico
registrazione cover di:
Until the Real Thing Comes Along (il 1984-04-13)
paroliere e compositore:
Sammy Cahn, Saul Chaplin, L.E. Freeman, Mann Holiner e Alberta Nichols
editore:
Anne-Rachel Music Corp., Cahn Music Company, Chappell & Co., Inc. (USA) e WB Music Corp. (1929–2019)
13:05
11After You’ve Gone
registrata a:
New York, New York, Stati Uniti (il 1984-04-13)
tecnico di registrazione:
Phil Ramone (il 1984-04-13)
assistente tecnico:
Elliot Scheiner e Allen Sides
produttore:
Quincy Jones
tecnico di missaggio:
Phil Ramone
chitarra :
George Benson (jazz guitarist/singer) (il 1984-04-13)
vibrafono [Vibes] solista :
Lionel Hampton (il 1984-04-13)
voce:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (il 1984-04-13)
orchestra:
Quincy Jones and His Orchestra (il 1984-04-13)
direttore d'orchestra:
Quincy Jones (il 1984-04-13)
arrangiatore:
Frank Foster (saxophonist)
registrazione cover di:
After You’ve Gone (il 1984-04-13)
paroliere:
Henry Creamer (Lyricist) (nel 1918)
compositore:
Turner Layton (nel 1918)
editore:
Francis, Day & Hunter Ltd. e Morley Music Corp.
parte di:
For Me and My Gal (1942 movie)
13:18
12The Best of Everything
registrata a:
New York, New York, Stati Uniti (il 1984-04-16)
tecnico di registrazione:
Phil Ramone (il 1984-04-16)
assistente tecnico:
Elliot Scheiner e Allen Sides
produttore:
Quincy Jones
tecnico di missaggio:
Phil Ramone
sassofono contralto solista :
Frank Wess (il 1984-04-16)
voce:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (il 1984-04-16)
orchestra:
Quincy Jones and His Orchestra (il 1984-04-16)
direttore d'orchestra:
Quincy Jones (il 1984-04-16)
arrangiatore:
Joe Parnello (American pianist, conductor and arranger)
registrazione di:
The Best of Everything (il 1984-04-16)
paroliere:
Fred Ebb (lyricist)
compositore:
John Kander (composer)
editore:
Fiddleback Music Publishing Co., Inc. e Kander & Ebb, Inc.
12:48
13It’s All Right With Me
registrata a:
New York, New York, Stati Uniti (il 1984-04-16)
tecnico di registrazione:
Phil Ramone (il 1984-04-16)
assistente tecnico:
Elliot Scheiner e Allen Sides
produttore:
Quincy Jones
tecnico di missaggio:
Phil Ramone
chitarra solista :
George Benson (jazz guitarist/singer) (il 1984-04-16)
voce:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (il 1984-04-16)
orchestra:
Quincy Jones and His Orchestra (il 1984-04-16)
direttore d'orchestra:
Quincy Jones (il 1984-04-16)
arrangiatore:
Sammy Nestico
registrazione cover di:
It’s All Right with Me (Can‐Can musical) (il 1984-04-16)
paroliere e compositore:
Cole Porter (composer) (nel 1953)
editore:
Chappell & Co., Inc. (USA)
parte di:
Can‐Can (1960 musical film)
parte di:
High Society (stage musical)
12:41
14A Hundred Years From Today
registrata a:
New York, New York, Stati Uniti (il 1984-04-16)
tecnico di registrazione:
Phil Ramone (il 1984-04-16)
assistente tecnico:
Elliot Scheiner e Allen Sides
produttore:
Quincy Jones
tecnico di missaggio:
Phil Ramone
trombone solista :
Urbie Green (il 1984-04-16)
voce:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (il 1984-04-16)
orchestra:
Quincy Jones and His Orchestra (il 1984-04-16)
direttore d'orchestra:
Quincy Jones (il 1984-04-16)
arrangiatore:
Sammy Nestico
registrazione cover di:
A Hundred Years From Today (il 1984-04-16)
paroliere:
Ned Washington e Joe Young (US lyricist)
compositore:
Victor Young (American composer, arranger, violinist & conductor)
editore:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. e Warock Corp.
13:09
15How Do You Keep the Music Playing?
registrata a:
New York, New York, Stati Uniti (il 1984-04-17)
tecnico di registrazione:
Phil Ramone (il 1984-04-17)
assistente tecnico:
Elliot Scheiner e Allen Sides
produttore:
Quincy Jones
tecnico di missaggio:
Phil Ramone
pianoforte :
Joe Parnello (American pianist, conductor and arranger) (il 1984-04-17)
voce:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (il 1984-04-17)
orchestra:
Quincy Jones and His Orchestra (il 1984-04-17)
direttore d'orchestra:
Quincy Jones (il 1984-04-17)
arrangiatore:
Joe Parnello (American pianist, conductor and arranger)
registrazione cover di:
How Do You Keep the Music Playing? (il 1984-04-17)
paroliere:
Alan Bergman (American lyricist) e Marilyn Bergman
compositore:
Michel Legrand
editore:
Warner Olive Music LLC e WB Music Corp. (1929–2019) (nel 1982)
parte di:
The 55th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1982 nominee)
13:54
16Teach Me Tonight
registrata a:
New York, New York, Stati Uniti (il 1984-04-17)
tecnico di registrazione:
Phil Ramone (il 1984-04-17)
assistente tecnico:
Elliot Scheiner e Allen Sides
produttore:
Quincy Jones
tecnico di missaggio:
Phil Ramone
voce:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (il 1984-04-17)
orchestra:
Quincy Jones and His Orchestra (il 1984-04-17)
direttore d'orchestra:
Quincy Jones (il 1984-04-17)
arrangiatore:
Torrie Zito
registrazione cover di:
Teach Me Tonight (il 1984-04-17)
paroliere:
Sammy Cahn
compositore:
Gene de Paul
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (conclusa), Cahn Music Co., Hub Music Co., WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division) e 日音 Synch事業部 (NICHION, INC. Synch Division)
23:47
17If I Should Lose You
registrata a:
New York, New York, Stati Uniti (il 1984-04-17)
tecnico di registrazione:
Phil Ramone (il 1984-04-17)
assistente tecnico:
Elliot Scheiner e Allen Sides
produttore:
Quincy Jones
tecnico di missaggio:
Phil Ramone
voce:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (il 1984-04-17)
orchestra:
Quincy Jones and His Orchestra (il 1984-04-17)
direttore d'orchestra:
Quincy Jones (il 1984-04-17)
arrangiatore:
Sammy Nestico
registrazione cover di:
If I Should Lose You (il 1984-04-17)
paroliere:
Leo Robin (US composer, lyricist & songwriter)
compositore:
Ralph Rainger
editore:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
12:39
18Stormy Weather
registrata a:
Los Angeles, California, Stati Uniti (il 1984-05-17)
tecnico di registrazione:
Steve Crimmel (US recording engineer) (il 1984-05-17), Mark Ettel (il 1984-05-17) e Phil Ramone (il 1984-05-17)
assistente tecnico:
Elliot Scheiner e Allen Sides
produttore:
Quincy Jones
tecnico di missaggio:
Phil Ramone
chitarra solista :
Lee Ritenour (il 1984-05-17)
voce:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (il 1984-05-17)
orchestra:
Quincy Jones and His Orchestra (il 1984-05-17)
direttore d'orchestra:
Quincy Jones (il 1984-05-17)
arrangiatore:
Sammy Nestico
registrazione cover di:
Stormy Weather (il 1984-05-17)
paroliere:
Ted Koehler (nel 1933)
compositore:
Harold Arlen (nel 1933)
editore:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. e The Songwriters Guild
13:41
19Mack the Knife
registrata a:
Los Angeles, California, Stati Uniti (il 1986-10-30)
tecnico di registrazione e tecnico di missaggio:
Phil Ramone
assistente tecnico:
Elliot Scheiner e Allen Sides
produttore:
Quincy Jones
chitarra solista :
George Benson (jazz guitarist/singer) (il 1986-10-30)
tromba [Muted Trumpet] solista :
Joe Newman (US jazz trumpeter) (il 1986-10-30)
trombone solista :
Urbie Green (il 1986-10-30)
vibrafono [vibes] :
Lionel Hampton (il 1986-10-30)
voce:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (il 1986-10-30)
orchestra e esecutore:
Quincy Jones and His Orchestra (il 1986-10-30)
direttore d'orchestra:
Quincy Jones (il 1986-10-30)
arrangiatore:
Frank Foster (saxophonist)
registrazione cover di:
Mack the Knife (1954 Blitzstein translation) (il 1986-10-30)
paroliere:
Bertolt Brecht
compositore:
Kurt Weill (composer)
traduttore:
Marc Blitzstein (American composer) (nel 1954)
editore:
Universal Edition (publisher; do NOT use as release label)
versione tradotta di:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
registrazione di:
Mack the Knife (1954 Blitzstein translation)
paroliere:
Bertolt Brecht
compositore:
Kurt Weill (composer)
traduttore:
Marc Blitzstein (American composer) (nel 1954)
editore:
Universal Edition (publisher; do NOT use as release label)
versione tradotta di:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
24:53
20The Girls I Never Kissed
registrata a:
Los Angeles, California, Stati Uniti (il 1986-10-30)
voce:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (il 1986-10-30)
arrangiatore:
Billy May
registrazione di:
The Girls I Never Kissed (il 1986-10-30)
paroliere:
Jerry Leiber
compositore:
Mike Stoller
editore:
Jerome Leiber Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Purple Starfish Music e Sony/ATV Songs LLC
3:32
21Only One to a Customer
arpa :
Gayle Levant (American studio musician, harpist) (il 1986-10-30)
basso :
Jim Hughart (il 1986-10-30)
batteria :
Irv Cottler (il 1986-10-30)
chitarra :
Ron Anthony (il 1986-10-30)
corno francese :
Ron Loofbourrow (il 1986-10-30), Ralph Pollock (il 1986-10-30) e Henry Sigismonti (il 1986-10-30)
legni :
Jeff Clayton (saxophonist and flautist) (il 1986-10-30), Bob Cooper (US jazz saxophonist) (il 1986-10-30), Daniel Higgins (il 1986-10-30), Jack Nimitz (American saxophonist and clarinet player) (il 1986-10-30) e Wilbur Schwartz (il 1986-10-30)
percussione :
Victor Feldman (jazz musician) (il 1986-10-30)
pianoforte :
Bob Florence (il 1986-10-30)
tromba :
Charles Davis (trumpet player) (il 1986-10-30), Walter Johnson (trumpeter) (il 1986-10-30), John Madrid (il 1986-10-30) e Frank Szabo (il 1986-10-30)
trombone :
Les Benedict (il 1986-10-30), Dick Hyde (il 1986-10-30), Charles Loper (American trombonist) (il 1986-10-30) e Dick Noel (trombone) (il 1986-10-30)
viola :
Marilyn Baker (il 1986-10-30), Kenneth Burward‐Hoy (il 1986-10-30), Pamela Goldsmith (American violist) (il 1986-10-30) e Gareth Nuttycombe (violist) (il 1986-10-30)
violino :
Israel Baker (American violinist) (il 1986-10-30), Arnold Belnick (il 1986-10-30), Assa Drori (il 1986-10-30), Henry Ferber (il 1986-10-30), Reginald Hill (British‐American violinist) (il 1986-10-30), Bill Hybel (il 1986-10-30), Kathleen Lenski (il 1986-10-30), Gordon Marron (il 1986-10-30), Wilbert Nuttycombe (strings) (il 1986-10-30), Donald Palmer (US violinist and concertmaster) (il 1986-10-30), Mari Tsumura (aka Mari Tsumura‐Botnick) (il 1986-10-30) e Shari Zippert (Violinist) (il 1986-10-30)
violoncello :
Virginia Burward-Hoy (cellist) (il 1986-10-30), Ernest Ehrhardt (il 1986-10-30), Raymond Kelley (cellist) (il 1986-10-30) e Frederick Seykora (il 1986-10-30)
voce principale:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (il 1986-10-30)
direttore d'orchestra:
Bill Miller (pianist) (il 1986-10-30)
arrangiatore:
Billy May
registrata presso:
Evergreen Recording Studios in Burbank, California, Stati Uniti (il 1986-10-30)
registrazione di:
Only One to a Customer (il 1986-10-30)
paroliere:
Carolyn Leigh
compositore:
Jule Styne
editore:
Chappell & Co., Inc. (USA) e WB Music Corp. (1929–2019)
2:48
22My Foolish Heart
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1988-06-06)
tromba solista :
Jack Sheldon (il 1988-06-06)
voce:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (il 1988-06-06)
arrangiatore:
Billy May
edit di:
My Foolish Heart (original studio master) di Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
registrazione di:
My Foolish Heart (il 1988-06-06)
paroliere:
Ned Washington
compositore:
Victor Young (American composer, arranger, violinist & conductor)
arrangiatore:
Les Harris (Sr., arranger)
editore:
Anne-Rachel Music, Catharine Hinen Music, Chappell & Co., Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Joy Music, Inc., Largo Music e Patti Washington Music
parte di:
The 22nd Academy Award for Best Original Song (numero: 2)
2:47

Accreditamenti

Pubblicazione

fabbricata a:Germania
direzione artistica:Tom Recchion
JoDee Stringham
fotografia:Ed Thrasher (US art director & photographer)
note di libretto:Charles Pignone
Jonathan Schwartz (vocalist / broadcaster)
supporto a vario titolo:Jo Motta (project coordinator) (incarico: Project coordinator)
tecnico aggiunto:Keith Blake (mastering engineer)
produttore:Gregg Geller
Lee Herschberg
Joe McEwen
Ric Ross
tecnico di mastering:Lee Herschberg
design:Arlene Grzeszak
Tom Recchion
JoDee Stringham
copyright (©) detenuto da:Reprise Records (nel 1995, nel 1998)
diritti fonografici (℗) detenuti da:Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (dal 1972 al 1977, dal 1980 al 1983)
Bristol Productions (nel 1984)
Qwest Records (nel 1984)
Reprise Records (dal 1991 al 1992, nel 1995)
Discogs:https://www.discogs.com/release/16067396 [info]
ASIN:US: B00000DG1M [info]

Gruppo di pubblicazioni

Discogs:https://www.discogs.com/master/655651 [info]
Wikidata:Q7727180 [info]