Musica Sacra

~ Release by Johann Sebastian Bach; Nikolaus Harnoncourt (see all versions of this release, 1 available)

Annotation

Copyright: © 2016 Parlophone Records Limited, a Warner Music Group company.
℗ 2016 Parlophone Records Limited, A Warner Music Group Company.

Annotation last modified on 2025-06-06 07:59 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Herz und Mund und Tat und Leben, BWV 147: No. 10, Choral. "Jesus bleibet meine Freude"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1981-11 until 1983-03)
orchestra:
Concentus Musicus Wien (from 1981-11 until 1983-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-11 until 1983-03)
chorus master:
Gerhard Schmidt‐Gaden (conductor) (from 1981-11 until 1983-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1981-11 until 1983-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (from 1981-11 until 1983-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:36
2Matthäus-Passion, BWV 244, Pt. 2: No. 39, Aria. "Erbarme dich"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
alto vocals and countertenor vocals [Altus I]:
Paul Esswood (countertenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (in 1970-09)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:24
3Matthäus-Passion, BWV 244, Pt. 2: No. 54, Choral. "O Haupt voll Blut und wunden"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
alto vocals, bass vocals and tenor vocals:
Choir of King’s College, Cambridge (in 1970-09)
choir vocals [boy voices]:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09)
choir vocals [male voices]:
Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
soprano vocals:
Regensburger Domspatzen (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (in 1970-09)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:33
4Himmelskönig, sei willkommen, BWV 182: No. 1, Sonata
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: I. Sonata
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
version of:
Kantate, BWV 182 "Himmelskönig, sei willkommen" Appendix: I. Sonata
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
Johann Sebastian Bach2:31
5Magnificat in D Major, BWV 243: I. Chorus. "Magnificat anima mea Dominum"
choir vocals:
Chorus Viennensis (in 1984) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1984)
orchestra:
Concentus Musicus Wien (in 1984)
conductor:
Nikolaus Harnoncourt (conductor) (in 1984)
chorus master:
Uwe Harrer (chorus master/conductor) (in 1984)
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (in 1984)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat Es-Dur, BWV 243a: I. Coro "Magnificat anima mea Dominum"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach3:30
6Mass in B Minor, BWV 232: Gloria in excelsis
choir vocals:
Chorus Viennensis (from 1968-04 until 1968-05) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
chorus master:
Hans Gillesberger (from 1968-04 until 1968-05)
phonographic copyright (℗) by:
TELDEC Schallplatten GmbH (not for release label use! formerly TELDEC »Telefunken-Decca« Schallplatten GmbH until 1983) (in 1968)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo") (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach1:58
7Mass in B Minor, BWV 232: Agnus Dei
alto vocals:
Helen Watts (contralto) (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
phonographic copyright (℗) by:
TELDEC Schallplatten GmbH (not for release label use! formerly TELDEC »Telefunken-Decca« Schallplatten GmbH until 1983) (in 1968)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:50
8Mass in B Minor, BWV 232: Dona nobis pacem
choir vocals:
Chorus Viennensis (from 1968-04 until 1968-05) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
chorus master:
Hans Gillesberger (from 1968-04 until 1968-05)
phonographic copyright (℗) by:
TELDEC Schallplatten GmbH (not for release label use! formerly TELDEC »Telefunken-Decca« Schallplatten GmbH until 1983) (in 1968)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:02
9Wo soll ich fliehen hin, BWV 5: No. 3, Aria. "Ergieße dich reichlich"
tenor vocals:
Kurt Equiluz (tenor) (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-01)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1971-01)
recording of:
Kantate, BWV 5 "Wo soll ich fliehen hin": III. Aria (Tenore) "Ergieße dich reichlich, du göttliche Quelle" (in 1971-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-10-15)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 5 "Wo soll ich fliehen hin"
Johann Sebastian Bach6:37
10Freue dich, erlöste Schaar, BWV 30: No. 5, Aria. "Kommt, ihr angefochtnen Sünder"
alto vocals:
Paul Esswood (countertenor) (from 1972-06 until 1972-12)
choir vocals:
Chorus Viennensis and Wiener Sängerknaben (The Vienna Boys Choir)
solo countertenor vocals [Alt]:
Paul Esswood (countertenor)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1972-12)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1972-12)
chorus master:
Hans Gillesberger
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1972-12)
recording of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil I, V. Aria (Alto) "Kommt, ihr angefochtnen Sünder" (from 1972-06 until 1972-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar" (former BWV 30)
Johann Sebastian Bach4:38
11Der Himmel lacht, die Erde jubilieret, BWV 31: No. 8, Aria. "Letzte Stunde, brich herein"
vocals:
Solist der Wiener Sängerknaben
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": VIII. Aria (Soprano) e Choral "Letzte Stunde, brich herein"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret"
Johann Sebastian Bach3:49
12Christus, der ist mein Leben, BWV 95: No. 5, Aria. "Ach, schlage doch bald"
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 95 "Christus, der ist mein Leben": V. Aria (Tenor) "Ach, schlage doch bald, selge Stunde"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 95 "Christus, der ist mein Leben"
Johann Sebastian Bach5:59
13Höchsterwünschtes Freudenfest, BWV 194: No. 3, Aria. "Was des Höchsten Glanz erfüllt"
baritone vocals:
Thomas Hampson (baritone)
bass vocals:
Thomas Hampson (baritone) (from 1987-01 until 1987-03)
orchestra:
Concentus Musicus Wien (from 1987-01 until 1987-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1987-01 until 1987-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1987-01 until 1987-03)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": III. Aria (Bass) "Was des Höchsten Glanz erfüllt" (from 1987-01 until 1987-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
Johann Sebastian Bach4:47
14Ich habe genug, BWV 82: No. 1, Aria. "Ich habe genug"
bass vocals:
Philippe Huttenlocher (baritone) (from 1977-04-22 until 1977-04-23)
orchestra:
Concentus Musicus Wien (from 1977-04-22 until 1977-04-23)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-04-22 until 1977-04-23)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-04-22 until 1977-04-23)
recording of:
Kantate, BWV 82 “Ich habe genung”: I. Aria (Bass) “Ich habe genung, ich habe den Heiland” (from 1977-04-22 until 1977-04-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach6:50
15Christ lag in Todes Banden, BWV 4: No. 7, Duett. "So feiern wir das hohe Fest"
tenor vocals:
Kurt Equiluz (tenor) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VII. Duett (Sopran, Tenor) Versus VI „So feiern wir das hohe Fest“ (from 1970-12-01 until 1971-04)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:08
16Wachet auf, ruft uns die Stimme, BWV 140: No. 1, Chor. "Wachet auf, ruft uns die Stimme"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1981-11-06 until 1983-01-22)
orchestra:
Concentus Musicus Wien (from 1981-11-06 until 1983-01-22)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-11-06 until 1983-01-22)
chorus master:
Gerhard Schmidt‐Gaden (conductor) (from 1981-11-06 until 1983-01-22)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1981-11-06 until 1983-01-22)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme” (from 1981-11-06 until 1983-01-22)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
adaptations:
Prelude to Peace
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach7:10
17Johannes-Passion, BWV 245, Pt. 1: No. 1, Chor. "Herr, unser Herrscher"
choir vocals:
Arnold Schoenberg Chor
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 1 Chorus "Herr, unser Herrscher"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach9:28
18Wachet auf, ruft uns die Stimme, BWV 140: No. 4, Choral. "Zion hört die Wächter singen"
choir vocals:
Kinderchor Bad Tölz
tenor vocals:
Kurt Equiluz (tenor) (from 1981-11-06 until 1983-01-22)
orchestra:
Concentus Musicus Wien (from 1981-11-06 until 1983-01-22)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-11-06 until 1983-01-22)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1981-11-06 until 1983-01-22)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen” (from 1981-11-06 until 1983-01-22)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach3:59
19Lobet Gott in seinen Reichen, BWV 11 "Himmelfahrtsoratorium": No. 11, Choral. "Wenn soll es doch geschehen“
choir vocals:
Chorus Viennensis (from 1971-12-08 until 1971-12-15) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1971-12-08 until 1971-12-15)
orchestra:
Concentus Musicus Wien (from 1971-12-08 until 1971-12-15)
conductor and performer:
Nikolaus Harnoncourt (conductor) (from 1971-12-08 until 1971-12-15)
chorus master:
David Willcocks (UK composer, organist, choral conductor) (from 1971-12-08 until 1971-12-15) and Hans Gillesberger (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1971-12-08 until 1971-12-15)
recording of:
Himmelfahrts-Oratorium, BWV 11: XI. Choral "Wenn soll es doch geschehen" (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach4:36
20Nun komm, der Heiden Heiland, BWV 62: No. 1, Chor. "Nun komm, der Heiden Heiland"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": I. Coro "Nun komm, der Heiden Heiland"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach5:06
21Wachet! Betet! Betet! Wachet!, BWV 70: No. 1, Chor. "Wachet! Betet! Betet! Wachet!!"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": I. Coro "Wachet! betet! betet! wachet!"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
Johann Sebastian Bach4:22
22Es erhub sich ein Streit, BWV 19: No. 5, Aria und Choral. "Bleibt, ihr Engel, bleibt bei mir!"
tenor vocals:
Kurt Equiluz (tenor) (in 1971-12)
orchestra:
Concentus Musicus Wien (in 1971-12)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-12)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1971-12)
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": V. Aria (Tenore) "Bleibt, ihr Engel, bleibt bei mir!" (in 1971-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
Johann Sebastian Bach6:41
23Ich liebe den Höchsten von ganzem Gemüte, BWV 174: No. 1, Sinfonia
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 174 „Ich liebe den Höchsten von ganzem Gemüte“: I. Sinfonia
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1729-06-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
is based on:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro
part of:
Kantate, BWV 174 "Ich liebe den Höchsten von ganzem Gemüte"
Johann Sebastian Bach6:10
24Mein Herze schwimmt im Blut, BWV 199: No. 8, Aria. "Wie freudig ist mein Herz"
oboe:
Hans-Peter Westermann (oboist)
soprano vocals:
Barbara Bonney (soprano) (in 1988-09)
orchestra:
Concentus Musicus Wien (in 1988-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-09)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": VIII. Aria "Wie freudig ist mein Herz" (catch-all for unknown versions) (in 1988-09)
composed in:
Weimar, Thüringen (Thuringia), Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut" (catch-all for unknown versions)
Johann Sebastian Bach2:15
25Ich hatte viel Bekümmernis, BWV 21: No. 1, Sinfonia
orchestra:
Concentus Musicus Wien (from 1971-12 until 1972-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1971-12 until 1972-04)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, I. Sinfonia (catch-all for unknown versions) (from 1971-12 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach2:41
26Ich hatte viel Bekümmernis, BWV 21: No. 2, Chor. "Ich hatte viel Bekümmernis"
choir vocals:
Chorus Viennensis (from 1971-12 until 1972-04) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1971-12 until 1972-04)
orchestra:
Concentus Musicus Wien (from 1971-12 until 1972-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1971-12 until 1972-04)
chorus master:
Hans Gillesberger (from 1971-12 until 1972-04)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, II. Coro "Ich hatte viel Bekümmernis in meinem Herzen" (catch-all for unknown versions) (from 1971-12 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach3:02
27Weihnachtsoratorium, BWV 248, Pt. 2: No. 10, Sinfonia
orchestra:
Concentus Musicus Wien (in 1972)
conductor:
Nikolaus Harnoncourt (conductor) (in 1972)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (in 1972)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (in 1972)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:45
28Der Geist hilft unser Schwachheit auf, BWV 226
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Der Geist hilft unsrer Schwachheit auf, BWV 226
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1729-10-24)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 226) and Bach Compendium (number: BC C 2)
Johann Sebastian Bach7:48
29Ich habe meine Zuversicht, BWV 188: No. 1, Sinfonia
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 188 "Ich habe meine Zuversicht": I. Sinfonia
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
arrangement of:
Keyboard Concerto in D minor, BWV 1052: III. Allegro
part of:
Kantate, BWV 188 "Ich habe meine Zuversicht"
Johann Sebastian Bach7:35
30Nun danket alle Gott, BWV 192: No. 1, Chor. "Nun danket alle Gott"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 192 "Nun danket alle Gott": I. Coro "Nun danket alle Gott"
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1730)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
librettist:
Martin Rinckart (German poet) (in 1636)
part of:
Kantate, BWV 192 "Nun danket alle Gott"
Johann Sebastian Bach5:28
31Lobe den Herren, den mächtigen König der Ehren, BWV 137: No. 1, Chor. "Lobe den Herren, den mächtigen König der Ehren"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren": V. Choral "Lobe den Herren, den mächtigen König der Ehren"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Joachim Neander (in 1680)
part of:
Breitkopf 389 Choralgesänge (number: 230)
part of:
Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren"
Johann Sebastian Bach3:26
32Ach wie flüchtig, ach wie nichtig, BWV 26: No. 1, Chorale fantasia. "Ach wie flüchtig, ach wie nichtig"
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": VI. Choral "Ach wie flüchtig, ach wie nichtig"
lyricist and librettist:
Michael Franck (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 11)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach2:49
33Wir danken dir, Gott, wir danken dir, BWV 29: No. 1, Sinfonia
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 29 “Wir danken dir, Gott, wir danken dir”: I. Sinfonia (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach3:45
34Herz und Mund und Tat und Leben, BWV 147: No. 1, Chor. "Herz und Mund und Tat und Leben"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1981-11 until 1983-03)
orchestra:
Concentus Musicus Wien (from 1981-11 until 1983-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-11 until 1983-03)
chorus master:
Gerhard Schmidt‐Gaden (conductor) (from 1981-11 until 1983-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1981-11 until 1983-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, I. Coro „Herz und Mund und Tat und Leben“ (from 1981-11 until 1983-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach4:50