L.A. Is My Lady

~ Veröffentlichung von Frank Sinatra with Quincy Jones and Orchestra (alle Versionen dieser Veröffentlichung ansehen, 7 vorhanden)

Titelliste

1▼12"-Vinyl
Nr.TitelKünstlerBewertungLänge
A1L.A. Is My Lady
recorded in:
New York, New York, Vereinigte Staaten (am 1984-04-13)
recording engineer:
Phil Ramone (am 1984-04-13)
assistierende(r) Techniker(in):
Elliot Scheiner und Allen Sides
Produzent(in):
Quincy Jones
Mix:
Phil Ramone
Perkussion:
Ralph MacDonald (am 1984-04-13)
Solo-Gitarre:
George Benson (jazz guitarist/singer) (am 1984-04-13)
Solo-Hybrid-Piano:
Bob James (US jazz keyboardist, arranger and producer) (am 1984-04-13)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1984-04-13)
Orchester:
Quincy Jones and His Orchestra (am 1984-04-13)
conductor:
Quincy Jones (am 1984-04-13)
arranger:
Jerry Hey, Quincy Jones, Dave Matthews (of Dave Matthews Band) und Torrie Zito
recording of:
L.A. Is My Lady (am 1984-04-13)
Texter:
Alan Bergman (American lyricist) und Marilyn Bergman
Komponist(in):
Quincy Jones und Peggy Lipton
publisher:
Rashida Music, Threesome Music Company und Yellowbrick Road Music
Frank Sinatra53:16
A2The Best of Everything
recorded in:
New York, New York, Vereinigte Staaten (am 1984-04-16)
recording engineer:
Phil Ramone (am 1984-04-16)
assistierende(r) Techniker(in):
Elliot Scheiner und Allen Sides
Produzent(in):
Quincy Jones
Mix:
Phil Ramone
Solo-alto saxophone:
Frank Wess (am 1984-04-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1984-04-16)
Orchester:
Quincy Jones and His Orchestra (am 1984-04-16)
conductor:
Quincy Jones (am 1984-04-16)
arranger:
Joe Parnello (American pianist, conductor and arranger)
recording of:
The Best of Everything (am 1984-04-16)
Texter:
Fred Ebb (lyricist)
Komponist(in):
John Kander (composer)
publisher:
Fiddleback Music Publishing Co., Inc. und Kander & Ebb, Inc.
Frank Sinatra12:49
A3How Do You Keep the Music Playing
recorded in:
New York, New York, Vereinigte Staaten (am 1984-04-17)
recording engineer:
Phil Ramone (am 1984-04-17)
assistierende(r) Techniker(in):
Elliot Scheiner und Allen Sides
Produzent(in):
Quincy Jones
Mix:
Phil Ramone
Klavier:
Joe Parnello (American pianist, conductor and arranger) (am 1984-04-17)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1984-04-17)
Orchester:
Quincy Jones and His Orchestra (am 1984-04-17)
conductor:
Quincy Jones (am 1984-04-17)
arranger:
Joe Parnello (American pianist, conductor and arranger)
cover recording of:
How Do You Keep the Music Playing? (am 1984-04-17)
Texter:
Alan Bergman (American lyricist) und Marilyn Bergman
Komponist(in):
Michel Legrand
publisher:
Warner Olive Music LLC und WB Music Corp. (1929–2019) (in 1982)
Teil von:
The 55th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1982 nominee)
Frank Sinatra13:56
A4Teach Me Tonight
recorded in:
New York, New York, Vereinigte Staaten (am 1984-04-17)
recording engineer:
Phil Ramone (am 1984-04-17)
assistierende(r) Techniker(in):
Elliot Scheiner und Allen Sides
Produzent(in):
Quincy Jones
Mix:
Phil Ramone
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1984-04-17)
Orchester:
Quincy Jones and His Orchestra (am 1984-04-17)
conductor:
Quincy Jones (am 1984-04-17)
arranger:
Torrie Zito
cover recording of:
Teach Me Tonight (am 1984-04-17)
Texter:
Sammy Cahn
Komponist(in):
Gene de Paul
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (beendet), Cahn Music Co., Hub Music Co., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Frank Sinatra23:49
A5It’s All Right With Me
recorded in:
New York, New York, Vereinigte Staaten (am 1984-04-16)
recording engineer:
Phil Ramone (am 1984-04-16)
assistierende(r) Techniker(in):
Elliot Scheiner und Allen Sides
Produzent(in):
Quincy Jones
Mix:
Phil Ramone
Solo-Gitarre:
George Benson (jazz guitarist/singer) (am 1984-04-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1984-04-16)
Orchester:
Quincy Jones and His Orchestra (am 1984-04-16)
conductor:
Quincy Jones (am 1984-04-16)
arranger:
Sammy Nestico
cover recording of:
It’s All Right with Me (Can‐Can musical) (am 1984-04-16)
Texter und Komponist(in):
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Frank Sinatra12:43
B1Mack the Knife
cover recording of:
Mack the Knife (1954 Blitzstein translation)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
übersetzte Version von:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Frank Sinatra24:55
B2Until the Real Thing Comes Along
recorded in:
New York, New York, Vereinigte Staaten (am 1984-04-13)
recording engineer:
Phil Ramone (am 1984-04-13)
assistierende(r) Techniker(in):
Elliot Scheiner und Allen Sides
Produzent(in):
Quincy Jones
Mix:
Phil Ramone
Solo-Trompete [Muted Trumpet]:
Joe Newman (US jazz trumpeter) (am 1984-04-13)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1984-04-13)
Orchester:
Quincy Jones and His Orchestra (am 1984-04-13)
conductor:
Quincy Jones (am 1984-04-13)
arranger:
Sammy Nestico
cover recording of:
Until the Real Thing Comes Along (am 1984-04-13)
Texter und Komponist(in):
Sammy Cahn, Saul Chaplin, L.E. Freeman, Mann Holiner und Alberta Nichols
publisher:
Anne-Rachel Music Corp., Cahn Music Company, Chappell & Co., Inc. (USA) und WB Music Corp. (1929–2019)
Frank Sinatra13:07
B3Stormy Weather
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1984-05-17)
recording engineer:
Steve Crimmel (US recording engineer) (am 1984-05-17), Mark Ettel (am 1984-05-17) und Phil Ramone (am 1984-05-17)
assistierende(r) Techniker(in):
Elliot Scheiner und Allen Sides
Produzent(in):
Quincy Jones
Mix:
Phil Ramone
Solo-Gitarre:
Lee Ritenour (am 1984-05-17)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1984-05-17)
Orchester:
Quincy Jones and His Orchestra (am 1984-05-17)
conductor:
Quincy Jones (am 1984-05-17)
arranger:
Sammy Nestico
cover recording of:
Stormy Weather (am 1984-05-17)
Texter:
Ted Koehler (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. und The Songwriters Guild
Frank Sinatra13:42
B4If I Should Lose You
recorded in:
New York, New York, Vereinigte Staaten (am 1984-04-17)
recording engineer:
Phil Ramone (am 1984-04-17)
assistierende(r) Techniker(in):
Elliot Scheiner und Allen Sides
Produzent(in):
Quincy Jones
Mix:
Phil Ramone
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1984-04-17)
Orchester:
Quincy Jones and His Orchestra (am 1984-04-17)
conductor:
Quincy Jones (am 1984-04-17)
arranger:
Sammy Nestico
cover recording of:
If I Should Lose You (am 1984-04-17)
Texter:
Leo Robin (US composer, lyricist & songwriter)
Komponist(in):
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Frank Sinatra12:41
B5A Hundred Years From Today
recorded in:
New York, New York, Vereinigte Staaten (am 1984-04-16)
recording engineer:
Phil Ramone (am 1984-04-16)
assistierende(r) Techniker(in):
Elliot Scheiner und Allen Sides
Produzent(in):
Quincy Jones
Mix:
Phil Ramone
Solo-Posaune:
Urbie Green (am 1984-04-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1984-04-16)
Orchester:
Quincy Jones and His Orchestra (am 1984-04-16)
conductor:
Quincy Jones (am 1984-04-16)
arranger:
Sammy Nestico
cover recording of:
A Hundred Years From Today (am 1984-04-16)
Texter:
Ned Washington und Joe Young (US lyricist)
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. und Warock Corp.
Frank Sinatra13:10
B6After You’ve Gone
recorded in:
New York, New York, Vereinigte Staaten (am 1984-04-13)
recording engineer:
Phil Ramone (am 1984-04-13)
assistierende(r) Techniker(in):
Elliot Scheiner und Allen Sides
Produzent(in):
Quincy Jones
Mix:
Phil Ramone
Gitarre:
George Benson (jazz guitarist/singer) (am 1984-04-13)
Solo-Vibraphon [Vibes]:
Lionel Hampton (am 1984-04-13)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1984-04-13)
Orchester:
Quincy Jones and His Orchestra (am 1984-04-13)
conductor:
Quincy Jones (am 1984-04-13)
arranger:
Frank Foster (saxophonist)
cover recording of:
After You’ve Gone (am 1984-04-13)
Texter:
Henry Creamer (Lyricist) (in 1918)
Komponist(in):
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. und Morley Music Corp.
Teil von:
For Me and My Gal (1942 movie)
Frank Sinatra13:18

Nennungen

Veröffentlichung

hergestellt in:Deutschland
liner notes:Stan Cornyn
hergestellt von:Record Service GmbH
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Bristol Productions (in 1984)
Qwest Records (in 1984)
Discogs:https://www.discogs.com/release/11728589 [Info]