Four Classic Albums

~ Veröffentlichung von John Coltrane (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelBewertungLänge
1Bags & Trane
recording engineer:
Tom Dowd (am 1959-01-15)
Produzent(in):
Nesuhi Ertegun
Klavier:
Hank Jones (piano) (am 1959-01-15)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-01-15)
Schlagzeug:
Connie Kay (am 1959-01-15)
Tenorsaxophon:
John Coltrane (am 1959-01-15)
Vibraphon:
Milt Jackson (am 1959-01-15)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-01-15)
recording of:
Bags & Trane (am 1959-01-15)
Komponist(in):
Milt Jackson
7:21
2Three Little Words
recording engineer:
Tom Dowd (am 1959-01-15)
Produzent(in):
Nesuhi Ertegun
Bass und Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-01-15)
Klavier:
Hank Jones (piano) (am 1959-01-15)
Schlagzeug:
Connie Kay (am 1959-01-15)
Tenorsaxophon:
John Coltrane (am 1959-01-15)
Vibraphon:
Milt Jackson (am 1959-01-15)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-01-15)
instrumental cover recording of:
Three Little Words (am 1959-01-15)
Texter:
Bert Kalmar (in 1930)
Komponist(in):
Harry Ruby (in 1930)
publisher:
Bug Music (music publishing), Chappell und MPL Music Publishing Inc.
adaptations:
As três palavrinhas
7:27
3The Night We Called It A Day
recording engineer:
Tom Dowd (am 1959-01-15)
Produzent(in):
Nesuhi Ertegun
Klavier:
Hank Jones (piano) (am 1959-01-15)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-01-15)
Schlagzeug:
Connie Kay (am 1959-01-15)
Tenorsaxophon:
John Coltrane (am 1959-01-15)
Vibraphon:
Milt Jackson (am 1959-01-15)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-01-15)
instrumental cover recording of:
The Night We Called It a Day (am 1959-01-15)
Texter:
Tom Adair
Komponist(in):
Matt Dennis (American singer, pianist, band leader)
publisher:
BMI/Embassy Music Corp. und Dorsey Brothers Music
4:19
4Be-bop
recording engineer:
Tom Dowd (am 1959-01-15)
Produzent(in):
Nesuhi Ertegun
Klavier:
Hank Jones (piano) (am 1959-01-15)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-01-15)
Schlagzeug:
Connie Kay (am 1959-01-15)
Tenorsaxophon:
John Coltrane (am 1959-01-15)
Vibraphon:
Milt Jackson (am 1959-01-15)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-01-15)
instrumental cover recording of:
Be-Bop (am 1959-01-15)
Komponist(in):
Dizzy Gillespie
publisher:
MCA Inc./ASCAP (this was the US media company that became Universal Studios, Inc. in Dec 1996)
7:57
5The Late Late Blues
recording engineer:
Tom Dowd (am 1959-01-15)
Produzent(in):
Nesuhi Ertegun
Klavier:
Hank Jones (piano) (am 1959-01-15)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-01-15)
Schlagzeug:
Connie Kay (am 1959-01-15)
Tenorsaxophon:
John Coltrane (am 1959-01-15)
Vibraphon:
Milt Jackson (am 1959-01-15)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-01-15)
recording of:
The Late Late Blues (am 1959-01-15)
Komponist(in):
Milt Jackson
9:30
6Giant Steps
recording engineer:
Tom Dowd (am 1959-05-05) und Phil Iehle (am 1959-05-05)
Produzent(in):
Nesuhi Ertegun
Klavier:
Tommy Flanagan (am 1959-05-05)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-05-05)
Schlagzeug:
Art Taylor (am 1959-05-05)
Tenorsaxophon:
John Coltrane (am 1959-05-05)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-05-05)
recording of:
Giant Steps (am 1959-05-05)
Komponist(in):
John Coltrane
publisher:
Jowcol Music
Teil von:
The Real Book (compilation of jazz standards, volume I)
3.34:43
7Cousin Mary
recording engineer:
Tom Dowd (am 1959-05-04) und Phil Iehle (am 1959-05-04)
Produzent(in):
Nesuhi Ertegun
Klavier:
Tommy Flanagan (am 1959-05-04)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-05-04)
Schlagzeug:
Art Taylor (am 1959-05-04)
Tenorsaxophon:
John Coltrane (am 1959-05-04)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-05-04)
recording of:
Cousin Mary (original instrumental version) (am 1959-05-04)
Komponist(in):
John Coltrane
publisher:
Jowcol Music
45:45
8Countdown
recording engineer:
Tom Dowd (am 1959-05-04) und Phil Iehle (am 1959-05-04)
Produzent(in):
Nesuhi Ertegun
Klavier:
Tommy Flanagan (am 1959-05-04)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-05-04)
Schlagzeug:
Art Taylor (am 1959-05-04)
Tenorsaxophon:
John Coltrane (am 1959-05-04)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-05-04)
recording of:
Countdown (am 1959-05-04)
Komponist(in):
John Coltrane
publisher:
Jowcol Music
32:21
9Spiral
recording engineer:
Tom Dowd (am 1959-05-04) und Phil Iehle (am 1959-05-04)
Produzent(in):
Nesuhi Ertegun (am 1959-05-04)
Klavier:
Tommy Flanagan (am 1959-05-04)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-05-04)
Schlagzeug:
Art Taylor (am 1959-05-04)
Tenorsaxophon:
John Coltrane (am 1959-05-04)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-05-04)
recording of:
Spiral (am 1959-05-04)
Komponist(in):
John Coltrane
publisher:
Jowcol Music
45:57
10Syeeda's Song Flute
recording engineer:
Tom Dowd (am 1959-05-05) und Phil Iehle (am 1959-05-05)
Produzent(in):
Nesuhi Ertegun
Klavier:
Tommy Flanagan (am 1959-05-05)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-05-05)
Schlagzeug:
Art Taylor (am 1959-05-05)
Tenorsaxophon:
John Coltrane (am 1959-05-05)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-05-05)
recording of:
Syeeda's Song Flute (am 1959-05-05)
Komponist(in):
John Coltrane
47:01
11Naima
recording engineer:
Tom Dowd (am 1959-12-02) und Phil Iehle (am 1959-12-02)
Produzent(in):
Nesuhi Ertegun
Klavier:
Wynton Kelly (am 1959-12-02)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-12-02)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1959-12-02)
Tenorsaxophon:
John Coltrane (am 1959-12-02)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-12-02)
recording of:
Naima (original instrumental version) (am 1959-12-02)
Komponist(in):
John Coltrane
named after artist:
Juanita Naima Grubbs
publisher:
Jowcol Music
44:20
12Mr P.C.
recording engineer:
Tom Dowd (am 1959-05-05) und Phil Iehle (am 1959-05-05)
Produzent(in):
Nesuhi Ertegun
Klavier:
Tommy Flanagan (am 1959-05-05)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-05-05)
Schlagzeug:
Art Taylor (am 1959-05-05)
Tenorsaxophon:
John Coltrane (am 1959-05-05)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-05-05)
recording of:
Mr. P.C. (am 1959-05-05)
Komponist(in):
John Coltrane
named after artist:
Paul Chambers (US jazz bassist)
publisher:
Jowcol Music
46:57
13Giant Steps (alternate take)
Klavier:
Tommy Flanagan (am 1959-05-05)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-05-05)
Schlagzeug:
Art Taylor (am 1959-05-05)
Tenorsaxophon:
John Coltrane (am 1959-05-05)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) und Rhino Entertainment Company (not for release label use!) (in 2020)
aufgenommen bei:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-05-05)
recording of:
Giant Steps (am 1959-05-05)
Komponist(in):
John Coltrane
publisher:
Jowcol Music
Teil von:
The Real Book (compilation of jazz standards, volume I)
4:53

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Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/3186618 [Info]