The Very Best Of: Strawberry Letter 23

~ Release by The Brothers Johnson (see all versions of this release, 1 available)

Tracklist

1CD
#TitleRatingLength
1Is It Love That We're Missin'
assistant engineer:
Joan DeCola
engineer:
Phil Schier
producer:
Quincy Jones
guest lead vocals:
George Johnson (member of Brothers Johnson, guitar)
phonographic copyright (℗) by:
A&M Records, Inc. and A&M Records (in 1976)
recording of:
Is It Love That We're Missin'? (in 1975)
writer:
George Johnson (member of Brothers Johnson, guitar) and Debbie Smith (wrote "Is It Love That We're Missin'")
3:52
2I'll Be Good to You
recording of:
I’ll Be Good to You
writer:
George Johnson (member of Brothers Johnson, guitar) and Louis Johnson (bass, member of Brothers Johnson)
4:46
3Thunder Thumbs and Lightnin' Licks
4:50
4Get the Funk Out Ma Face
42:27
5Free and Single
4:09
6Tomorrow
recording of:
Tomorrow
composer:
George Johnson (member of Brothers Johnson, guitar) and Louis Johnson (bass, member of Brothers Johnson)
3:00
7Strawberry Letter 23
cover recording of:
Strawberry Letter 23
lyricist and composer:
Shuggie Otis
publisher:
Shugiterius Music
4.654:59
8Runnin' for Your Lovin'
5:04
9"Q"
3:25
10Ain't We Funkin' Now
recording of:
Ain't We Funkin' Now
3:21
11Ride-O-Rocket
3:25
12Mista' Cool
3:27
13Stomp!
recording of:
Stomp!
writer:
George Johnson (member of Brothers Johnson, guitar), Louis Johnson (bass, member of Brothers Johnson), Valerie Johnson and Rod Temperton
34:07
14Light Up the Night
recording engineer and mixer:
Bruce Swedien
synthesizer programming:
Steve Porcaro
assistant engineer:
John Van Nest, Ralph Osborn (engineer), Randy Pipes (Music Engineer) and Tim Gerrity (engineer)
alto saxophone:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
analog synthesizer [Prophet 5] and bass:
Louis Johnson (bass, member of Brothers Johnson)
baritone saxophone and soprano saxophone:
Kim Hutchcroft
drums (drum set):
John Robinson (session drummer)
electric piano:
Greg Phillinganes
euphonium, slide brass instruments [slide trumpet] and trombone:
Bill Reichenbach (jazz trombonist)
flugelhorn and trumpet:
Gary Grant (brass) and Jerry Hey
flute and tenor saxophone:
Kim Hutchcroft and Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
French horn:
Jerry Hey
guitar:
George Johnson (member of Brothers Johnson, guitar) and Louis Johnson (bass, member of Brothers Johnson)
horn:
The Seawind Horns
percussion:
Paulinho da Costa (Brazilian percussionist) and Richard Heath
piano:
Greg Phillinganes and Louis Johnson (bass, member of Brothers Johnson)
synthesizer:
Greg Phillinganes, Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist) and Steve Porcaro
background vocals:
Alex Weir, Augie Johnson, George Johnson (member of Brothers Johnson, guitar), Jim Gilstrap, Josie James, Louis Johnson (bass, member of Brothers Johnson), Merry Clayton, Michael Jackson (“King of Pop”), Quincy Jones, Richard Heath, Scherrie Payne (R&B singer-songwriter), Susaye Greene-Brown and Valerie Johnson
lead vocals:
George Johnson (member of Brothers Johnson, guitar)
vocals:
Louis Johnson (bass, member of Brothers Johnson)
conductor:
Bill Reichenbach (jazz trombonist) (strings)
horn arranger and strings arranger:
Jerry Hey
synthesizer arranger:
Johnny Mandel (American composer and arranger), Quincy Jones and Rod Temperton
arranger:
Quincy Jones, Rod Temperton and The Brothers Johnson
background vocals arranger:
Quincy Jones and Rod Temperton
phonographic copyright (℗) by:
A&M Records, Inc. (in 1980, in 1996)
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States, Allen Zentz Recording in Encino, California, United States and Kendun Recorders in Burbank, California, United States
mixed at:
Kendun Recorders in Burbank, California, United States
recording of:
Light Up the Night
writer:
George Johnson (member of Brothers Johnson, guitar), Louis Johnson (bass, member of Brothers Johnson) and Rod Temperton
53:47
15Treasure
recording engineer and mixer:
Bruce Swedien
synthesizer programming:
Steve Porcaro
assistant engineer:
John Van Nest, Ralph Osborn (engineer), Randy Pipes (Music Engineer) and Tim Gerrity (engineer)
alto saxophone:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
analog synthesizer [Prophet 5] and bass:
Louis Johnson (bass, member of Brothers Johnson)
baritone saxophone and soprano saxophone:
Kim Hutchcroft
drums (drum set):
John Robinson (session drummer)
electric piano:
Greg Phillinganes
euphonium, slide brass instruments [slide trumpet] and trombone:
Bill Reichenbach (jazz trombonist)
flugelhorn and trumpet:
Gary Grant (brass) and Jerry Hey
flute and tenor saxophone:
Kim Hutchcroft and Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
French horn:
Jerry Hey
guitar:
George Johnson (member of Brothers Johnson, guitar) and Louis Johnson (bass, member of Brothers Johnson)
horn:
The Seawind Horns
percussion:
Paulinho da Costa (Brazilian percussionist) and Richard Heath
piano:
Greg Phillinganes and Louis Johnson (bass, member of Brothers Johnson)
synthesizer:
Greg Phillinganes, Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist) and Steve Porcaro
background vocals:
Alex Weir, Augie Johnson, George Johnson (member of Brothers Johnson, guitar), Jim Gilstrap, Josie James, Louis Johnson (bass, member of Brothers Johnson), Merry Clayton, Michael Jackson (“King of Pop”), Quincy Jones, Richard Heath, Scherrie Payne (R&B singer-songwriter), Susaye Greene-Brown and Valerie Johnson
lead vocals:
Richard Heath
vocals:
Louis Johnson (bass, member of Brothers Johnson)
conductor:
Bill Reichenbach (jazz trombonist) (strings)
horn arranger and strings arranger:
Jerry Hey
synthesizer arranger:
Johnny Mandel (American composer and arranger), Quincy Jones and Rod Temperton
arranger:
Quincy Jones, Rod Temperton and The Brothers Johnson
background vocals arranger:
Quincy Jones and Rod Temperton
phonographic copyright (℗) by:
A&M Records, Inc. (in 1980, in 1996)
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States, Allen Zentz Recording in Encino, California, United States and Kendun Recorders in Burbank, California, United States
mixed at:
Kendun Recorders in Burbank, California, United States
recording of:
Treasure
writer:
Rod Temperton
44:11
16In the Way
3:33
17The Real Thing
3:54
18Welcome to the Club
4:30
19Funk It (Funkadelala)
4:06
20You Keep Me Coming Back
4:20