Real Eighties: Hits plus Extended Mixes

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Rip It Up
recording of:
Rip It Up
lyricist and composer:
Edwyn Collins
Orange Juice3:40
2Oblivious
engineer:
John Brand (engineer)
producer:
John Brand (engineer) and Bernie Clarke (keyboard / producer)
bass guitar:
Campbell Owens
drums (drum set) and percussion:
Dave Ruffy
guitar:
Roddy Frame
keyboard:
Bernie Clarke (keyboard / producer)
vocals:
Roddy Frame
arranger:
Roddy Frame
recording of:
Oblivious
lyricist and composer:
Roddy Frame
Aztec Camera53:11
3The Killing Moon
recording engineer and producer:
David Lord (British composer, engineer and producer)
mixer:
Echo & the Bunnymen and Gil Norton (British record producer)
arranger:
Adam Peters
recording of:
The Killing Moon
writer:
Pete de Freitas, Ian McCulloch (Echo & the Bunnymen), Les Pattinson and Will Sergeant
Echo & the Bunnymen4.255:45
4In Between Days
engineer:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
producer and mixer:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) and Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
bass guitar:
Simon Gallup
bass guitar [6-string bass] and lead vocals:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
drums (drum set):
Boris Williams
guitar:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure) and Porl Thompson
keyboard:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure), Porl Thompson and Lol Tolhurst
phonographic copyright (℗) by:
Fiction Records Ltd. (not for release label use! please use “Fiction” for that instead)
music videos:
In Between Days by The Cure
part of:
Indie 88: Top 500 Indie Rock Songs (number: 320)
recording of:
In Between Days
lyricist and composer:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
publisher:
APB Music Co.
The Cure42:57
5Spellbound (12″ mix)
co-producer:
Nigel Gray (UK producer)
producer:
Nigel Gray (UK producer) and Siouxsie and the Banshees
recording of:
Spellbound
lyricist:
Steven Severin
composer:
John McGeoch, Peter Clarke (UK drummer Peter Clarke of The Banshees, The Creatures, etc.), Steven Severin and Siouxsie Sioux (Susan Janet Ballion)
Siouxsie and the Banshees54:39
6Whip It
associate producer:
Robert Margouleff
producer:
DEVO (new wave/rock band)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
recorded at:
The Record Plant (Sausalito, 1972-1981) in Sausalito, California, United States
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 15), Paste: The 50 Greatest One-Hit Wonders of All Time (number: 42), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 63) and Indie 88: Top 500 Indie Rock Songs (number: 463)
recording of:
Whip It (Devo song)
writer:
Gerald Casale and Mark Mothersbaugh
publisher:
DEVO Music, EMI Virgin Music Australia Pty Ltd and Nymph Music
DEVO4.12:38
7Call Me (12″ mix)
assistant engineer:
Gary Boatner (engineer) and Doug Schwartz (mastering engineer)
engineer:
Lenise Bent
producer:
Giorgio Moroder
bass guitar:
Nigel Harrison (in 1980-01)
drums (drum set):
Clem Burke (in 1980-01)
guitar and timpani:
Chris Stein (in 1980-01)
keyboard:
Jimmy Destri (in 1980-01)
lead vocals:
Deborah Harry (in 1980-01)
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) and Paramount Pictures Corp. (in 1980)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (in 1980-01) and United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980-01)
recording of:
Call Me (in 1980-01)
lyricist:
Deborah Harry
composer:
Giorgio Moroder
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody and Sony/ATV Music Publishing Australia Pty Ltd.
sub-publisher:
Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Blondie58:03
8Reward
producer:
Clive Langer and Alan Winstanley (English record producer)
recording of:
Reward
composer:
Julian Cope and Alan Gill
The Teardrop Explodes4.52:41
9Duel
engineer:
Bobby Kraushaar
producer:
S. J. Lipson
mixer:
Horn and Lipson
performer:
Claudia Brücken, Michael Mertens (German musician & producer), Ralf Dorper and Suzanne Freytag
phonographic copyright (℗) by:
ZTT (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1985)
part of:
TV Cream: Real 100 Best Singles Ever (number: 6)
recording of:
Duel
lyricist:
Ralf Dörper
composer:
Claudia Brücken, Ralf Dörper, Susanne Freytag and Michael Mertens (German musician & producer)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS)
Propaganda3.654:47
10Hounds of Love
assistant engineer:
Pearse Dunne
engineer:
Haydn Bendall (producer and engineer), James Guthrie, Paul Hardiman, Del Palmer, Brian Tench and Nigel Walker (UK producer/engineer/guitarist)
producer:
Kate Bush
mixer:
Julian Mendelsohn (Australian record producer and engineer)
cello:
Jonathan Williams (cellist)
drums (drum set):
Stuart Elliott (session drummer, member of Cockney Rebel) and Charlie Morgan (British drummer and percussionist)
vocals:
Kate Bush
phonographic copyright (℗) by:
EMI America Records (holding – file NO releases here!) (in 1985), EMI Korea (in 1985), EMI Records (not for release label use!) (in 1985), EMI Records Group N.A. (in 1985), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985), Noble & Brite Ltd. (in 1985), Novercia Ltd. (in 1985), Oasis (in 1985), CEMA Special Markets (a division of Capitol‐EMI Music, Inc.) (in 1993), Universal Domestic Division (do not use as a release label! sub-division of Universal Music GmbH) (in 2006), Noble and Brite (in 2011) and Noble & Brite Ltd (in 2018)
recorded at:
Wickham Farm Home Studio in Welling, Bexley (London Borough of Bexley), London (Greater London), England, United Kingdom
engineered at:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
recording of:
Hounds of Love
lyricist and composer:
Kate Bush
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Kate Bush Ltd. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Kate Bush4.13:02
11Senses Working Overtime
engineer:
Hugh Padgham
producer:
Hugh Padgham and XTC (English rock band)
edit of:
Senses Working Overtime by XTC (English rock band)
recording of:
Senses Working Overtime
lyricist and composer:
Andy Partridge
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
XTC4.54:33
12Pretty in Pink
engineer:
Will Gosling and Phil Thornalley
producer:
Steve Lillywhite
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1981) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1981, in 1986)
recording of:
Pretty in Pink
writer:
John Ashton, Richard Butler (singer), Tim Butler (co‐founder of The Psychedelic Furs), Vincent Paul Davey, Duncan Kilburn and Roger Morris (UK guitarist for The Psychedelic Furs)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30) and EMI Songs Ltd.
The Psychedelic Furs4.654:00
13405 Lines
The Monochrome Set3:13
14Psycho Killer (live)
additional mixer:
Chris Frantz and Jerry Harrison (Talking Heads & producer)
assistant mixer:
Robin Laine, Nick Del Re, Linda Randazzo and Glenn Rosenstein
mixer:
E. T. Thorngren
mixed at:
Sigma Sound Studios (New York) in New York, New York, United States and Soundworks (New York) in New York, New York, United States
live recording of:
Psycho Killer (in 1983-12)
lyricist:
David Byrne (Talking Heads), Chris Frantz and Tina Weymouth
writer:
David Byrne (Talking Heads), Christopher Frantz and Martina Weymouth
composer:
David Byrne (Talking Heads)
publisher:
Bleu Disque Music Co., Inc. (publisher), Index Music, Inc., Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) and Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Talking Heads54:25
15Strange Little Girl
producer:
Steve Churchyard
mixer:
Tony Visconti
recording of:
Strange Little Girl
lyricist and composer:
Brian Duffy (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician), Dave Greenfield and Hans Wärmling
publisher:
Complete Music Ltd., EMI Music Publishing Limited (PRS‐affiliated) and Incomplete Music Inc.
The Stranglers3.52:39
16Ghost Town (12″ mix)
producer:
John Collins (producer)
recording of:
Ghost Town
lyricist and composer:
Jerry Dammers
publisher:
BMG Rights Management (UK) Limited (not for release label use! see annotation)
The Specials46:00
3▶CD