Retro Lunchbox: Flashback Flix

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Hazy Shade of Winter
Produzent(in):
Rick Rubin (US record producer, former co‐president of Columbia Records)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1987), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1987), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1987) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1987)
Musikvideos:
Hazy Shade of Winter von The Bangles
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 3)
cover recording of:
A Hazy Shade of Winter
Texter und Komponist(in):
Paul Simon (of Simon & Garfunkel)
publisher:
Paul Simon Music und Universal/MCA Music Ltd. (not for release label use!)
Bangles4.62:47
2King of Wishful Thinking
recording engineer:
Paul Erickson (recording engineer)
membranophone-Programmierung:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
Programmierung:
Peter Wolf (US rock vocalist, member of J. Geils Band)
leitende(r) Produzent(in):
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
Produzent(in):
Peter Wolf (US rock vocalist, member of J. Geils Band) und Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
Mix:
Tom Lord‐Alge
Gast-Gitarre:
David Williams (session guitarist and songwriter)
Gast-Horn:
Gary Grant (brass), Jerry Hey, Dan Higgins (saxophonist and woodwind recording artist) und Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
Keyboard:
Peter Wolf (US rock vocalist, member of J. Geils Band)
Gast Hintergrundgesang:
Lynn Davis (vocalist), Dorian Holley, Phillip Ingram (Soul and R&B singer-songwriter and keyboardist) und Alfie Silas
arranger:
Jerry Hey und Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1990)
recording of:
King of Wishful Thinking
Verfasser(in):
Peter Cox (Artist and songwriter), Richard Drummie und Martin Page
publisher:
Bug Music (music publishing), Campbell Connelly & Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Sony/ATV Music Publishing (UK) Ltd., Warner Chappell und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Go West34:03
3Maniac
Produzent(in):
Phil Ramone und Michael Sembello
Mix:
Tommy Vicari
Cello:
Dennis Karmazyn
elektronisches Schlagzeug / E-Drums:
Carlos Vega
Gitarre und Synthesizer:
Michael Sembello
Keyboard und Synthesizer:
Dennis Matkosky
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 22)
recording of:
Maniac
Verfasser(in):
Dennis Matkosky und Michael Sembello
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Intersong Music, Intersong Music Ltd., Intersong USA, Inc. (publisher), Riva Music Ltd., Rondor Music (London) Ltd., Sony/ATV Harmony, Warner Bros. Music Co. Inc., Warner Bros. Music Corp. und WB Music Corp. (1929–2019)
Teil von:
The 56th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1983 nominee)
Michael Sembello44:20
4Breakin'... There's No Stopping Us
recording of:
Breakin’… There’s No Stopping Us
Komponist(in):
Ollie E. Brown (US drummer, session musician & record producer) und Jerry Knight
Ollie & Jerry4:34
5Fame
vocals:
Irene Cara
phonographisches Urheberrecht (℗) von:
Metro–Goldwyn–Mayer, Inc. (pre‐MGM/UA Entertainment Co. era, 1924–1981) (in 1980)
recording of:
Fame
Texter:
Dean Pitchford
Komponist(in):
Michael Gore (composer)
publisher:
EMI Affiliated Catalog Inc.
Teil von:
The 53rd Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1980 winner)
Irene Cara35:16
6I Can See Clearly Now
Produzent(in):
Paul Henton
zusätzliche(r) Produzent(in):
Jimmy Bralower
remixer:
Jimmy Bralower
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1993)
cover recording of:
I Can See Clearly Now
Texter und Komponist(in):
Johnny Nash (US reggae/pop singer-songwriter)
publisher:
Cayman Music, CP Masters B V, Dovan Music, Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Artemis Music Limited, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Jimmy Cliff4.53:18
7Da' Butt
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 61)
recording of:
Da Butt
Verfasser(in):
Marcus Miller (jazz musician) und Mark Stevens (US funk musician/songwriter, brother of Chaka Khan)
E.U.3:55
8Let's Hear It for the Boy
Produzent(in):
George Duke
Mix:
Tom Perry (engineer), Tommy Vicari und Erik Zobler
Analoger Synthesizer [Prophet V], elektronisches Schlagzeug / E-Drums [Linn Drums], Minimoog [Mini-Moog] und Moog [Memory Moog]:
George Duke
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Hintergrundgesang:
George Merrill, Shannon Rubicam und Deniece Williams (US soul/funk vocalist/songwriter)
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding), CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Let’s Hear It for the Boy
Texter:
Dean Pitchford
Komponist(in):
Thomas Snow (US keyboardist/songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 57th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1984 nominee)
Deniece Williams3.64:23
9Axel F
Produzent(in):
Harold Faltermeyer
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) und Geffen Records (in 1984)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 70)
recording of:
Axel F (Beverly Hills Cop)
Komponist(in):
Harold Faltermeyer
Harold Faltermeyer4.153:03
10Look What You've Done to Me
Produzent(in):
David Foster (Canadian music producer, arranger and composer) und Bill Schnee
Bass:
Mike Porcaro
Gitarre:
Don Felder
Keyboard:
David Foster (Canadian music producer, arranger and composer)
Schlagzeug:
Jeff Porcaro
Hintergrundgesang:
Glenn Frey (US musician/singer/songwriter, member of the Eagles), Don Henley und Timothy B. Schmit
recording of:
Look What You’ve Done to Me
Texter:
Boz Scaggs
Komponist(in):
David Foster (Canadian music producer, arranger and composer) und Boz Scaggs
Boz Scaggs5:15
11To Live and Die in L.A.
recording engineer:
David Motion
Produzent(in):
Steve Jolley und Tony Swain (songwriter, producer)
recording of:
To Live and Die in L.A.
Texter und Komponist(in):
Jack Hues
publisher:
Chong Music Ltd. und Spirit One Music
Wang Chung4:55
12Pretty in Pink
recording of:
Pretty in Pink
Verfasser(in):
John Ashton, Richard Butler (singer), Tim Butler (co‐founder of The Psychedelic Furs), Vincent Paul Davey, Duncan Kilburn und Roger Morris (UK guitarist for The Psychedelic Furs)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30) und EMI Songs Ltd.
The Psychedelic Furs4:41
13Invincible
recording of:
Invincible (Pat Benatar)
Verfasser(in):
Simon Climie und Holly Knight
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) und Mike Chapman Publishing Enterprises
Pat Benatar4:29
14Heaven in Your Eyes
Produzent(in):
Paul Dean (Canadian guitarist) und John Dexter (Songwriter, Producer and A&R executive)
Bassgitarre:
Scott Smith (Canadian bassist for Loverboy)
Gitarre:
Paul Dean (Canadian guitarist)
Keyboard:
Doug Johnson (Canadian keyboardist for Loverboy)
Schlagzeug:
Matt Frenette
Sologesang:
Mike Reno
remixer:
Keith Olsen (US producer and engineer)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label), CBS Inc. (US broadcasting company; file no releases here!) (in 1986), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1986) und Sony Music Entertainment Canada Inc. (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1986)
aufgenommen bei:
Mushroom Studios in Vancouver, British Columbia, Kanada
recording of:
Heaven in Your Eyes
Verfasser(in):
Paul Dean (Canadian guitarist), John Dexter (Songwriter, Producer and A&R executive), Mae Moore und Mike Reno
publisher:
BMG Music Publishing Ltd., EMI April Music Inc., EMI Music Publishing (do not use as a release label!), EMI Songs Ltd., Irving Music Corp (publisher), Rondor Music (London) Ltd., Duke Reno Music (in 1986), Ensign Music Corporation (in 1986), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1986), Irving Music, Inc. (in 1986), Poetical License Publishing (in 1986) und Sordid Songs (in 1986)
Loverboy44:04
15Holding Out for a Hero
Programmierung:
Phil Shenale
Partner-Produzent(in):
Arthur Pyson, Neil Dorfsman und John Jansen (US recording engineer and producer)
Produzent(in):
Jim Steinman
Bassposaune:
Dave Taylor (US jazz bass trombonist)
drum machine [Linn Drums]:
Sterling Smith und Art Wood (US session drummer/percussionist)
elektronisches Schlagzeug / E-Drums [Simmons Drums]:
Art Wood (US session drummer/percussionist)
Gitarre:
Hiram Bullock
Klavier:
Sterling Smith
Posaune:
Jim Pugh (US trombonist) und Tom Malone (US trombonist)
Synthesizer:
Phil Shenale und Sterling Smith
Tenorsaxophon:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
Trompete:
Alan Rubin und Lew Soloff
Hintergrundgesang:
Rory Dodd, Eric Thayer und Holly Sherwood
Blechblasinstrumente [horn] arranger:
Tom Malone (US trombonist)
vocals arranger:
Rory Dodd, Eric Thayer und Holly Sherwood
zusätzlich vocals arranger:
Ellen Foley
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), SONY Music (Sony Music, global brand, excluding JP, owned by Sony Music Entertainment) (in 1984), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2008)
recording of:
Holding Out for a Hero
Texter:
Dean Pitchford
Komponist(in):
Jim Steinman
publisher:
BMG Music Publishing Ltd., Ensign Music Corp., Famous Chappell, Famous Chappell Ltd. (UK-based music publishing company.), Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Harmony UK, Sony/ATV Melody und Sony/ATV Music Publishing LLC (1995–2020)
basiert auf:
Stark Raving Love
Bonnie Tyler4.355:50