| # | Title | Rating | Length |
|---|
| 1 | A Wonderful Time Up There | | 2:06 |
| 2 | Anastasia- producer:
- Randy Wood
- cello:
- Cy Bernard (on 1956-11-11) and Victor Gottlieb (on 1956-11-11)
- clarinet:
- Ryland Weston (on 1956-11-11)
- double bass:
- Larry Breen (on 1956-11-11)
- drums (drum set):
- Irv Kluger (on 1956-11-11)
- French horn:
- John Grass (on 1956-11-11)
- guitar:
- Barney Kessel (on 1956-11-11) and Jack Marshall (on 1956-11-11)
- harp:
- Ann Mason Stockton (on 1956-11-11)
- piano:
- Milt Rogers (on 1956-11-11)
- saxophone:
- Babe Russin (on 1956-11-11), Justin Gordon (on 1956-11-11) and Dave Pell (on 1956-11-11)
- trombone:
- Joe Howard (on 1956-11-11), Murray McEachern (on 1956-11-11) and Dick Noel (on 1956-11-11)
- trumpet:
- Virgil Evans (on 1956-11-11), Ralph Harden (on 1956-11-11) and Anthony Terran (on 1956-11-11)
- vibraphone:
- Bernie Mattinson (on 1956-11-11)
- viola:
- Gareth Nuttycombe (on 1956-11-11)
- violin:
- Sidney Fagatt (on 1956-11-11), David Frisina (on 1956-11-11), Dan Lube (on 1956-11-11), Manuel Compinsky (on 1956-11-11), Wilbert Nuttycombe (on 1956-11-11), Nick Pisani (on 1956-11-11), Lou Raderman (on 1956-11-11), Jacques Ray (on 1956-11-11), Mischa Russell (on 1956-11-11), Eudice Shapiro (on 1956-11-11) and John De Voogdt (on 1956-11-11)
- choir vocals:
- [unknown] (on 1956-11-11)
- vocals:
- Pat Boone (on 1956-11-11)
- conductor:
- Billy Vaughn (on 1956-11-11)
- recorded at:
- Radio Recorders Studios in West Hollywood, California, United States (on 1956-11-11)
- recording of:
- Anastasia (on 1956-11-11)
- writer:
- Alfred Newman and Paul Francis Webster
- publisher:
- Leo Feist
| | 2:53 |
| 3 | For a Penny | | 2:16 |
| 4 | I'll Be Home | | 2:58 |
| 5 | I'll See You in My Dreams | | 2:47 |
| 6 | Johnny Will | | 2:25 |
| 7 | Kansas City | | 2:09 |
| 8 | I'm in Love With You | | 2:24 |
| 9 | Memphis | | 2:35 |
| 10 | Our Day Will Come | | 2:01 |
| 11 | I'm Waiting Just for You | | 2:16 |
| 12 | Sugar Moon | | 1:54 |
| 13 | Sweet Little Sixteen | | 2:37 |
| 14 | Why, Baby Why? | | 2:00 |