Formel Eins: 60 Nr.1 Hits, Volume 2

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Eye of the Tiger
assistant engineer:
Hill Swimmer
engineer:
Phil Bonnano and Mike Clink
producer:
Jim Peterik and Frankie Sullivan (US guitarist and songwriter, member of Survivor)
phonographic copyright (℗) by:
Scotti Bros. Industries Inc (company credits only; do not use as release label!) (in 1982), Volcano Entertainment III, L.L.C. (in 1982, in 1985) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2016)
recorded at:
Rumbo Recorders in Canoga Park, Los Angeles, California, United States
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 28) and VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 63)
recording of:
Eye of the Tiger
writer:
Jim Peterik and Frankie Sullivan (US guitarist and songwriter, member of Survivor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Easy Action Music, Ensign Music Corporation, Holy Moley Music, Rude Music (publisher; do NOT use as release label), Rude Music Inc, Sony/ATV Harmony UK, Sony/ATV Melody, Three Wise Boys Music LLC, Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (, until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (until 2017-03-31) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 55th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1982 nominee)
Survivor4.24:05
2Ich will Spaß
producer:
Axel Klopprogge
phonographic copyright (℗) by:
CBS Schallplatten GmbH (in 1982) and Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1982)
produced for:
Ton & Vision (production company)
recording of:
Ich will Spaß (in 1982)
lyricist and composer:
Axel Klopprogge
publisher:
April Musikverlag GmbH (publisher) (, in 1982), Chartbreaker (publisher), IEM MV and Chart Breaker (publisher) (in 1982)
Markus3:03
3Nothing’s Gonna Stop Us Now
performer:
Starship (continuation of Jefferson Starship) (in 1987)
phonographic copyright (℗) by:
BMG Music (in 1985, in 1987), BMG Entertainment (in 1987) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1987)
recording of:
Nothing’s Gonna Stop Us Now (in 1987)
writer:
Albert Hammond and Diane Warren (US songwriter)
arranger:
Narada Michael Walden
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), WB Music Corp. (1929–2019) and Windswept Pacific Music Ltd. (publishing company)
part of:
The 60th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1987 nominee)
cover recording of:
Nothing’s Gonna Stop Us Now
writer:
Albert Hammond and Diane Warren (US songwriter)
arranger:
Narada Michael Walden
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), WB Music Corp. (1929–2019) and Windswept Pacific Music Ltd. (publishing company)
part of:
The 60th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1987 nominee)
Starship3.754:29
4A Little Peace
recording of:
A Little Peace
lyricist:
Bernd Meinunger
composer:
Ralph Siegel
translator:
Paul Greedus
translated version of:
Ein bißchen Frieden
Nicole3:00
5Felicità
recording of:
Felicità
lyricist:
Cristiano Minellono
composer:
Gino de Stefani and Dario Farina
Al Bano & Romina Power33:13
6C’est la ouate
producer:
Philippe Chany
phonographic copyright (℗) by:
Chany (in 1986)
recording of:
C’est la ouate
lyricist:
Pierre Grillet and Caroline Loeb
composer:
Philippe Chany
Caroline Loeb43:50
7Codo (…düse im Sauseschritt)
recording engineer:
Richard Oesterreicher Jr. (Richard Oesterreicher III) (in 1983)
producer:
Annette Humpe (in 1983)
mixer:
Gareth Jones (UK producer/engineer) (in 1983)
drums (drum set):
Peter Kolbert (in 1983)
effects:
Christian Teuscher (in 1983)
electric bass guitar:
Robert Pistracher (in 1983)
electric guitar:
Peter Vieweger (in 1983)
background vocals:
Annette Humpe (in 1983) and Inga Humpe (in 1983)
lead vocals:
Manfred Tauchen (in 1983)
spoken vocals:
Joesi Prokopetz (in 1983)
recorded at:
Austrophon Studios in Landstraße, Wien (Vienna), Austria (in 1983)
mixed at:
Hansa Studios in Berlin, Germany (in 1983)
recording of:
Codo (… düse im Sauseschritt) (in 1983)
lyricist:
Annette Humpe, Georg Januszewski, Joesi Prokopetz and Manfred Tauchen
composer:
Annette Humpe, Joesi Prokopetz and Manfred Tauchen
DÖF4:25
8Africa
recording of:
Africa (French version)
lyricist:
Jean-Michel Bériat (French singer-songwriter)
composer:
Jean-Pierre Goussaud
Rose Laurens43:31
999 Red Balloons
producer:
Jay Faires, Tricia Holloway, Reinhold Heil (from 1982 until 1983) and Manne Praeker (from 1982 until 1983)
lead vocals:
Nena (the person, performing solo since 1987) (in 1983)
phonographic copyright (℗) by:
CBS Schallplatten GmbH (in 1983), Sony BMG Music Entertainment (Germany) GmbH (use as © & ℗ holders or as distributors only, between 2005/03/24–2009/01/14) (in 1983) and Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1983)
recorded at:
Spliff Studio in Berlin, Germany (from 1982 until 1983)
part of:
TV Cream: Real 100 Best Singles Ever (number: 64)
recording of:
99 Red Balloons (from 1982 until 1983)
lyricist:
Carlo Karges (in 1982)
composer:
Jörn‐Uwe Fahrenkrog‐Petersen (in 1982)
translator:
Kevin McAlea (in 1983)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and EMI Songs Ltd.
translated version of:
99 Luftballons
Nena3.83:49
10Words
producer:
Jean-Michel Gallois-Montbrun (Rolando Tambin) and Frédéric Leibovitz
arranger:
Daniel Darras, F.R. David and Frédéric Leibovitz
phonographic copyright (℗) by:
Carrère (just “Carrère" or “Disques Carrère”, not “CARRÈRE MUSIC”) (in 1982)
recording of:
Words
lyricist:
Martin Kupersmith and Louis Sandy Yagura
writer:
Martin Kupersmith, Louis Sandy Yagura and Robert Fitoussi (French artist)
composer:
Robert Fitoussi (French artist)
publisher:
Fable Music and Warner Chappell
translated version of:
Sen můj a Lízin
F.R. David4.43:21
11True
producer:
Steve Jolley, Spandau Ballet and Tony Swain (songwriter, producer)
performer:
Spandau Ballet
phonographic copyright (℗) by:
Chrysalis (in 1983) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
music videos:
True by Spandau Ballet
recording of:
True
lyricist and composer:
Gary Kemp
publisher:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. and Reformation Publishing Inc.
Spandau Ballet3.655:36
12I Should Have Known Better
acoustic guitar:
Graham Lyle
electric bass guitar:
John McKenzie (English blues bassist)
membranophone:
Simon Kirk
percussion:
Martin Ditcham
recorded at:
Livingston Studios in Wood Green, Haringey, London (Greater London), England, United Kingdom
recording of:
I Should Have Known Better (1984 song)
writer:
Jim Diamond (Scottish singer/songwriter/guitarist) and Graham Lyle
publisher:
Diamond Brothers Music, Goodsingle Ltd. (publisher), Hornall Music Ltd. (limited company) and Rondor Music (London) Ltd.
Jim Diamond54:08
13Wherever I Lay My Hat (That’s My Home)
producer:
Laurie Latham
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983) and Sony Music Entertainment (Germany) GmbH & Co. KG (not for release label use! for copyrights use only, existed from 2001/06/08–2004/09/23) (in 2002)
cover recording of:
Wherever I Lay My Hat (That’s My Home)
writer:
Marvin Gaye, Barrett Strong and Norman Whitfield
publisher:
Jobete Music (UK) Ltd.
parody version of:
Wherever I Lay
Paul Young54:11
14The Power of Love
engineer:
Stuart Bruce and Stephen Lipson
additional producer:
Stephen Lipson
producer:
Trevor Horn
bass guitar:
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
drums (drum set):
Peter Gill (UK drummer for Frankie Goes to Hollywood)
guest keyboard:
Andrew Richards (Strawbs keyboard player/record producer) and Anne Dudley (English score composer)
guest percussion:
Luís Jardim
guitar:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
lead vocals:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) and Paul Rutherford (member of Frankie Goes to Hollywood)
strings arranger and additional arranger:
Anne Dudley (English score composer)
phonographic copyright (℗) by:
Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recording of:
The Power of Love
writer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) and Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) and Rubet Music Publishing, Inc.
Frankie Goes to Hollywood45:30
15Smooth Operator
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1994)
recording of:
Smooth Operator
lyricist and composer:
Sade Adu and Raymond St. John
publisher:
Angel Music Ltd., Peer Music, Peermusic (UK) Limited, Peermusic Ltd. (BMI), SM Publishing (UK) Limited (Sony Music, 2009–2020), Sony/ATV Songs LLC, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Sade4.654:19
16Uptown Girl
assistant engineer:
Scott James (US recording engineer) and Mike Mairé
engineer and mixer:
Jim Boyer (producer/engineer)
producer:
Phil Ramone
drums (drum set):
Liberty DeVitto (US drummer) (in 1983)
electric bass guitar:
Doug Stegmeyer (bass player, aka Slug Douglas) (in 1983)
electric guitar:
David Brown (guitarist for Billy Joel) (in 1983)
piano and lead vocals:
Billy Joel (American singer‐songwriter and pianist) (in 1983)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1983), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1987)
mixed at:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, United States
music videos:
Uptown Girl by Billy Joel (American singer‐songwriter and pianist)
part of:
BILLIONS CLUB and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 443)
recording of:
Uptown Girl (in 1983)
lyricist and composer:
Billy Joel (American singer‐songwriter and pianist)
publisher:
EMI Songs Ltd., CBS Songs Ltd. (in 1983) and Joelsongs (in 1983)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Billy Joel4.13:15
17Out of Touch
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984)
recording of:
Out of Touch
lyricist and composer:
Daryl Hall and John Oates
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Gelfand, Rennert & Feldman, Hot Cha Music Co., Intersong Music, Unichappell Music, Inc., Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell Music, Inc. and Warner/Chappell North America
Hall & Oates4.653:57
18Footloose
producer:
Lee DeCarlo and Kenny Loggins
bass guitar:
Nathan East
bass synthesizer:
Michael Boddicker
drums (drum set):
Tris Imboden
guitar:
Buzz Feiten
instruments:
Michael Boddicker
keyboard:
Neil Larsen and Steven Wood (US soundtrack composer, member of Honk)
percussion:
Michael Boddicker and Paulinho da Costa (Brazilian percussionist)
background vocals:
Marilyn Dorman, Richey Washington and Steven Wood (US soundtrack composer, member of Honk)
lead vocals:
Kenny Loggins
remixer:
Humberto Gatica
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1984), Sony BMG Music Entertainment Inc. (in 1984) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Footloose
lyricist:
Dean Pitchford
composer:
Kenny Loggins
publisher:
BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Ensign Music LLC, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Island Music (Island Music Ltd.), Milk Money Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Harmony, Sony/ATV Melody, Sony/ATV Music Publishing Ltd. and Universal Music Publishers MGB Australia Pty Ltd
part of:
The 57th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1984 nominee)
Kenny Loggins4.13:46
19Belfast Child
producer:
Trevor Horn and Stephen Lipson
arranger:
Simple Minds (Scottish rock band)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1989)
recording of:
Belfast Child
lyricist:
Jim Kerr (of Simple Minds)
composer:
[traditional] (special purpose artist)
arranger:
Charlie Burchill, Jim Kerr (of Simple Minds) and Michael MacNeil
publisher:
EMI Music Publishing (do not use as a release label!)
is based on:
She Moved Through the Fair
Simple Minds46:42
20I Feel for You
bass, drum machine and guitar:
Reggie Griffin (in 1984)
chromatic harmonica:
Stevie Wonder (in 1984)
drums (drum set):
Steve Ferrone (in 1984)
keyboard and synthesizer:
Robbie Buchanan (Canadian producer) (in 1984), David Frank (American keyboardist, producer, writer; The System) (in 1984), Reggie Griffin (in 1984) and Philippe Saisse (in 1984)
background vocals and lead vocals:
Chaka Khan (in 1984)
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1984)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 395)
cover recording of:
I Feel for You (in 1984)
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music
Chaka Khan3.755:45
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Release group

part of:Formel Eins: 60 Nr.1 Hits (number: 2) (order: 2)