Bach 333: Instrumental & supplement (second half)

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Tracklist

1CD: Violin Sonatas & Partitas BWV 1001-1004 (Milstein)
2CD: Violin Sonatas & Partitas BWV 1004-1006 (Grumiaux)
3CD: Violin Sonatas & Partitas BWV 1001, 1003, 1004, 1006 (Kremer / Mullova / Batiashvili / Jansen)
4CD: Cello Suites 1-3 (Fournier)
5CD: Cello Suites 4-6 (Fournier)
6CD: Solo & Chamber Works (Alternative Instrumentations)
7CD: Clavier-Büchlein W. F. Bach (1)
8CD: Clavier-Büchlein W. F. Bach (2) / A. M. Bach (1722)
9CD: Notenbüchlein A. M. Bach (1725) (1)
10CD: Notenbüchlein A. M. Bach (1725) (2)
11CD: Schemelli Gesangbuch BWV 439-474
12CD: Schemelli Gesangbuch BWV 475-507
13CD: Bach: Early Influences
14CD: Concertos at Weimar (Telemann / Prince Johann Ernst)
15CD: Concertos at Weimar (Vivaldi)
16CD: Concertos at Weimar (Vivaldi / A. & B. Marcello)
17CD: The Bach Family
18CD: Bach & Other Composers (c. 1715-1730)
19CD: Bach & Other Composers (c. 1730-1742)
20CD: Bach & Other Composers (1742-1750)
21CD: Bach Renewed (From Bach's Sons to Mahler)
#TitleArtistRatingLength
1Gaudete omnes populi – Manebit verbum Domini, F 103 (after Cantata "Ein feste Burg ist unser Gott", BWV 80): 1. Gaudete omnes populi after BWV 80/1
producer:
Jens Schünemann
choir vocals:
Chorus Musicus Köln (German / Cologne chamber choir) (from 2014-10 until 2014-11)
orchestra:
Das Neue Orchester (from 2014-10 until 2014-11)
conductor:
Christoph Spering (conductor and organist) (from 2014-10 until 2014-11)
balance engineer:
Christoph Rieseberg (engineer)
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2014-10 until 2014-11)
partial recording of:
Gaudete omnes populi, F. 103 (after Cantata “Ein feste Burg ist unser Gott” BWV 80)
composer:
Wilhelm Friedemann Bach (German composer)
part of:
Wilhelm Friedemann Bach. Studien zur Musikgeschichte (Falck [F.]) (number: F. 103)
Wilhelm Friedemann Bach5:10
2Gaudete omnes populi – Manebit verbum Domini, F 103 (after Cantata "Ein feste Burg ist unser Gott", BWV 80): 2. Manebit verbum Domini after BWV 80/5
producer:
Jens Schünemann
choir vocals:
Chorus Musicus Köln (German / Cologne chamber choir) (from 2014-10 until 2014-11)
orchestra:
Das Neue Orchester (from 2014-10 until 2014-11)
conductor:
Christoph Spering (conductor and organist) (from 2014-10 until 2014-11)
balance engineer:
Christoph Rieseberg (engineer)
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 2014-10 until 2014-11)
partial recording of:
Gaudete omnes populi, F. 103 (after Cantata “Ein feste Burg ist unser Gott” BWV 80)
composer:
Wilhelm Friedemann Bach (German composer)
part of:
Wilhelm Friedemann Bach. Studien zur Musikgeschichte (Falck [F.]) (number: F. 103)
Wilhelm Friedemann Bach3:36
3"Jauchzet Gott in allen Landen", BWV 51 (Additional instrumentation by Wilhelm Friedemann Bach): 1. [Aria:] Jauchzet Gott in allen Landen!
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
performer:
Christine Schäfer (soprano) (in 1999-01)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01) and Sendesaal, DeutschlandRadio in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": I. Aria "Jauchzet Gott in allen Landen" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach3:52
4"Jauchzet Gott in allen Landen", BWV 51 (Additional instrumentation by Wilhelm Friedemann Bach): 2. Recitative: Wir beten zu dem Tempel an
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
performer:
Christine Schäfer (soprano) (in 1999-01)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01) and Sendesaal, DeutschlandRadio in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": II. Recitativo "Wir beten zu dem Tempel an" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach2:07
5"Jauchzet Gott in allen Landen", BWV 51 (Additional instrumentation by Wilhelm Friedemann Bach): 3. Aria: Höchster, Höchster, mache deine Güte
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
performer:
Christine Schäfer (soprano) (in 1999-01)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01) and Sendesaal, DeutschlandRadio in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": III. Aria "Höchster, mache deine Güte" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach3:12
6"Jauchzet Gott in allen Landen", BWV 51 (Additional instrumentation by Wilhelm Friedemann Bach): 4. Chorale: Sei Lob und Preis mit Ehren
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
performer:
Christine Schäfer (soprano) (in 1999-01)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01) and Sendesaal, DeutschlandRadio in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": IV. Chorale "Sei Lob und Preis mit Ehren" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach3:11
7"Jauchzet Gott in allen Landen", BWV 51 (Additional instrumentation by Wilhelm Friedemann Bach): [Aria:] Halleluja
executive producer:
Dr. Marion Thiem and David R. Murray
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Christine Schäfer (soprano) (in 1999-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1999-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1999-01)
performer:
Christine Schäfer (soprano) (in 1999-01)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01) and Sendesaal, DeutschlandRadio in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1999-01)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": V. "Alleluja" (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach2:13
8Introduction to the Credo, H 848 (of the Mass in B minor, BWV 232)
producer:
Sebastian Braun (classical engineer and producer)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 2014-06)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2014-06)
conductor:
Hans-Christoph Rademann (choral conductor) (in 2014-06)
balance engineer:
Toine Mertens (Dutch recording engineer)
recorded at:
Konzerthaus Berlin in Berlin, Germany (in 2014-06)
recording of:
Einleitung zum Credo, H 848
composer:
Carl Philipp Emanuel Bach (German classical composer)
part of:
Thematic catalogue of the works of Carl Philipp Emanuel Bach (Helm [H.]) (number: H. 848)
Carl Philipp Emanuel Bach1:31
9Credo in unum Deum (from Mass in B minor, BWV 232)
producer:
Sebastian Braun (classical engineer and producer)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 2014-06)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2014-06)
conductor:
Hans-Christoph Rademann (choral conductor) (in 2014-06)
balance engineer:
Toine Mertens (Dutch recording engineer)
recorded at:
Konzerthaus Berlin in Berlin, Germany (in 2014-06)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Carl Philipp Emanuel Bach2:01
10Iphigénie en Tauride, Wq 46: Accompagnato & Aria (Act 4): Non, cet affreux devoir – Je t’implore et je tremble after Gigue from Partita, BWV 825
producer:
Arend Prohmann (producer / editor)
soprano vocals:
Mireille Delunsch (soprano) (in 1999-03)
orchestra:
Les Musiciens du Louvre (in 1999-03)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1999-03)
balance engineer:
Joël Soupiron
recorded at:
Radio France (unknown studio of Radio France) in Paris, Île-de-France, France (in 1999-03)
recording of:
Iphigénie en Tauride, Wq. 46: Act IV. Aria "Non, cet affreux devoir"
composer:
Christoph Willibald Gluck (composer)
librettist:
Nicolas-François Guillard
part of:
Iphigénie en Tauride, Wq. 46
Christoph Willibald Gluck3:41
115 Four-Part Fugues, K 405 (Arrangements for String Quartet after The Well-Tempered Clavier, Book II): Fugue in C minor after BWV 871
recording engineer:
Hans‐Ulrich Bastin
producer, editor and balance engineer:
Wolfgang Mitlehner
string quartet:
Hagen Quartett (Hagen Quartet, Austrian string quartet) (in 2000-11)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (from 2002 to present)
recorded at:
Schloß Mondsee in Mondsee, Oberösterreich (Upper Austria), Austria (in 2000-11)
engineered at:
Mondsee, Schloß, Festsaal in Mondsee, Oberösterreich (Upper Austria), Austria (in 2000-11)
recording of:
Fugue for Four Voices after J.S. Bach, K. 405 no. 1 in C minor (BWV 871) (in 2000-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1744)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
arrangement of:
The Well-Tempered Clavier, Book II: Prelude and Fugue no. 2 in C minor, BWV 871: Fugue
Wolfgang Amadeus Mozart1:33
125 Four-Part Fugues, K 405 (Arrangements for String Quartet after The Well-Tempered Clavier, Book II): Fugue in E flat major after BWV 876
recording engineer:
Hans‐Ulrich Bastin
producer, editor and balance engineer:
Wolfgang Mitlehner
string quartet:
Hagen Quartett (Hagen Quartet, Austrian string quartet) (in 2000-11)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (from 2002 to present)
recorded at:
Schloß Mondsee in Mondsee, Oberösterreich (Upper Austria), Austria (in 2000-11)
engineered at:
Mondsee, Schloß, Festsaal in Mondsee, Oberösterreich (Upper Austria), Austria (in 2000-11)
recording of:
Fugue for Four Voices after J.S. Bach, K. 405 no. 2 in E-flat major (BWV 876) (in 2000-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1744)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
arrangement of:
The Well-Tempered Clavier, Book II: Prelude and Fugue no. 7 in E-flat major, BWV 876: Fugue
Wolfgang Amadeus Mozart2:03
135 Four-Part Fugues, K 405 (Arrangements for String Quartet after The Well-Tempered Clavier, Book II): Fugue in E major after BWV 878
recording engineer:
Hans‐Ulrich Bastin
producer, editor and balance engineer:
Wolfgang Mitlehner
string quartet:
Hagen Quartett (Hagen Quartet, Austrian string quartet) (in 2000-11)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (from 2002 to present)
recorded at:
Schloß Mondsee in Mondsee, Oberösterreich (Upper Austria), Austria (in 2000-11)
engineered at:
Mondsee, Schloß, Festsaal in Mondsee, Oberösterreich (Upper Austria), Austria (in 2000-11)
recording of:
Fugue for Four Voices after J.S. Bach, K. 405 no. 3 in E major (BWV 878) (in 2000-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1744)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
arrangement of:
The Well-Tempered Clavier, Book II: Prelude and Fugue no. 9 in E major, BWV 878: Fugue
Wolfgang Amadeus Mozart3:07
145 Four-Part Fugues, K 405 (Arrangements for String Quartet after The Well-Tempred Clavier, Book II): Fugue in D-sharp minor after BWV 877
recording engineer:
Hans‐Ulrich Bastin
producer, editor and balance engineer:
Wolfgang Mitlehner
string quartet:
Hagen Quartett (Hagen Quartet, Austrian string quartet) (in 2000-11)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (from 2002 to present)
recorded at:
Schloß Mondsee in Mondsee, Oberösterreich (Upper Austria), Austria (in 2000-11)
engineered at:
Mondsee, Schloß, Festsaal in Mondsee, Oberösterreich (Upper Austria), Austria (in 2000-11)
recording of:
Fugue for Four Voices after J.S. Bach, K. 405 no. 4 in D minor (BWV 877) (in 2000-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1744)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
arrangement of:
The Well-Tempered Clavier, Book II: Prelude and Fugue no. 8 in D-sharp minor, BWV 877: Fugue
Wolfgang Amadeus Mozart2:18
155 Four-Part Fugues, K 405 (Arrangements for String Quartet after The Well-Tempered Clavier, Book II): Fugue in D major after BWV 874
recording engineer:
Hans‐Ulrich Bastin
producer, editor and balance engineer:
Wolfgang Mitlehner
string quartet:
Hagen Quartett (Hagen Quartet, Austrian string quartet) (in 2000-11)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (from 2002 to present)
recorded at:
Schloß Mondsee in Mondsee, Oberösterreich (Upper Austria), Austria (in 2000-11)
engineered at:
Mondsee, Schloß, Festsaal in Mondsee, Oberösterreich (Upper Austria), Austria (in 2000-11)
recording of:
Fugue for Four Voices after J.S. Bach, K. 405 no. 5 in D major (BWV 874) (in 2000-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1744)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
arrangement of:
The Well-Tempered Clavier, Book II: Prelude and Fugue no. 5 in D major, BWV 874: Fugue
Wolfgang Amadeus Mozart1:29
16Fugue in B-flat minor, Hess 38 (Arrangement for String Quintet after Fugue, BWV 867 from The Well-Tempered Clavier, Book I)
producer:
Johannes Kammann
orchestra:
Die Kölner Akademie (in 2018-01)
conductor:
Michael Alexander Willens (conductor) (in 2018-01)
balance engineer:
Gunther Rose (engineer)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2018-01)
recording of:
Fugue in B-flat minor, Hess 38 (Arrangement for String Quintet after Fugue BWV 867)
composer:
Ludwig van Beethoven (German composer)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 38)
Ludwig van Beethoven1:58
17St Matthew Passion (1841 version): 39. Aria: Erbarme dich, mein Gott
producer:
Sid McLauchlan (engineer/producer)
cello:
Kristin von der Goltz (cellist) (in 2008-12)
harpsichord and organ:
北谷直樹 (Naoki Kitaya, Organ and Harpsichord) (in 2008-12)
theorbo:
Rosario Conte (in 2008-12)
violin:
Hilary Hahn (violinist) (in 2008-12)
soprano vocals:
Christine Schäfer (soprano) (in 2008-12)
orchestra:
Münchener Kammerorchester (Munich Chamber Orchestra) (in 2008-12)
conductor:
Alexander Liebreich (conductor) (in 2008-12)
balance engineer:
Stephan Flock
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2009)
recorded at:
Himmelfahrtskirche (München-Sendling) in München (Munich), Bayern (Bavaria), Germany (in 2008-12)
recording of:
St Matthew Passion, BWV 244: 39. Aria: Erbarme dich, mein Gott (1841 arrangement by Mendelssohn)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Felix Mendelssohn (composer) (until 1841)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott"
part of:
St Matthew Passion, BWV 244 (1841 arrangement by Mendelssohn)
Felix Mendelssohn6:28
18St Matthew Passion (1841 version): 48. Recitative: "Und siehe da, der Vorhang im Tempel zerriss" / Chorus: "Wahrlich, dieser ist Gottes Sohn gewesen" / Recitative: "Und es waren viel Weiber da"
producer and balance engineer:
Bert van der Wolf (producer, engineer)
baritone vocals:
Maarten Koningsberger (baritone) (in 2014-04)
choir vocals:
Consensus Vocalis (in 2014-04)
tenor vocals:
Jörg Dürmüller (in 2014-04)
orchestra:
Netherlands Symphony Orchestra (in 2014-04)
conductor:
Jan Willem de Vriend (conductor / violinist) (in 2014-04)
recorded at:
Muziekcentrum Enschede in Enschede, Overijssel, Netherlands, Kingdom of the Netherlands (in 2014-04)
recording of:
St Matthew Passion, BWV 244: 48. Recitative: Und siehe da, der Vorhang im Tempel zerriss (1841 arrangement by Mendelssohn)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Felix Mendelssohn (composer) (until 1841)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista)
part of:
St Matthew Passion, BWV 244 (1841 arrangement by Mendelssohn)
Felix Mendelssohn1:55
19St Matthew Passion (1841 version): 49. Recitative: "Am Abend, da es kühle war"
producer and balance engineer:
Bert van der Wolf (producer, engineer)
baritone vocals:
Maarten Koningsberger (baritone) (in 2014-04)
choir vocals:
Consensus Vocalis (in 2014-04)
tenor vocals:
Jörg Dürmüller (in 2014-04)
orchestra:
Netherlands Symphony Orchestra (in 2014-04)
conductor:
Jan Willem de Vriend (conductor / violinist) (in 2014-04)
recorded at:
Muziekcentrum Enschede in Enschede, Overijssel, Netherlands, Kingdom of the Netherlands (in 2014-04)
recording of:
St Matthew Passion, BWV 244: 49. Recitative: Am Abend, da es kühle war (1841 arrangement by Mendelssohn)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Felix Mendelssohn (composer) (until 1841)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, LXIV. Recitativo (Basso) "Am Abend, da es kühle war"
part of:
St Matthew Passion, BWV 244 (1841 arrangement by Mendelssohn)
Felix Mendelssohn1:40
20St Matthew Passion (1841 version): 50. Aria: "Mache dich, mein Herze, rein"
producer and balance engineer:
Bert van der Wolf (producer, engineer)
baritone vocals:
Maarten Koningsberger (baritone) (in 2014-04)
choir vocals:
Consensus Vocalis (in 2014-04)
tenor vocals:
Jörg Dürmüller (in 2014-04)
orchestra:
Netherlands Symphony Orchestra (in 2014-04)
conductor:
Jan Willem de Vriend (conductor / violinist) (in 2014-04)
recorded at:
Muziekcentrum Enschede in Enschede, Overijssel, Netherlands, Kingdom of the Netherlands (in 2014-04)
recording of:
St Matthew Passion, BWV 244: 50. Aria: Mache dich, mein Herze, rein (1841 arrangement by Mendelssohn)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Felix Mendelssohn (composer) (until 1841)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein"
part of:
St Matthew Passion, BWV 244 (1841 arrangement by Mendelssohn)
Felix Mendelssohn2:45
215 Studies for Piano, Anh. 1a/1: No. 3. Presto (1st version)
producer:
Wolfgang Gottschalk
piano:
Georg Friedrich Schenck (pianist) (in 1990-09)
balance engineer:
Geert Puhlmann
recording of:
Five Studies, Anh. Ia/1 no. 3: Presto after J. S. Bach, 1st version
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
piano arranger:
Johannes Brahms (German composer)
part of:
5 Studies, Anh. 1a
Johannes Brahms2:51
225 Studies for Piano, Anh. 1a/1: No. 4. Presto (2nd version) (after Sonata for Solo Violin No. 1 in G minor, BWV 1001)
producer:
Wolfgang Gottschalk
piano:
Georg Friedrich Schenck (pianist) (in 1990-09)
balance engineer:
Geert Puhlmann
recording of:
Five Studies, Anh. Ia/1 no. 4: Presto after J. S. Bach, 2nd version
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
piano arranger:
Johannes Brahms (German composer)
part of:
5 Studies, Anh. 1a
Johannes Brahms2:55
23Suite for Orchestra (after Orchestral Suites, BWV 1067 and BWV 1068): 1. Ouverture (BWV 1067)
producer:
Andrew Cornall (engineer / producer)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (in 2000-09)
conductor:
Riccardo Chailly (conductor) (in 2000-09)
balance engineer:
Jonathan Stokes (engineer)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2000-09)
recording of:
Orchestral Suite no. 2 in B minor, BWV 1067: Ouverture (orch. Mahler)
orchestrator:
Gustav Mahler (composer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: I. Ouverture (Orchestral Suite no. 2 in B minor, BWV 1067: I. Overture)
part of:
Suite from Orchestral Works of Bach (orch. Mahler)
Gustav Mahler6:33
24Suite for Orchestra (after Orchestral Suites, BWV 1067 and BWV 1068): 2. Rondeau / Badinerie (BWV 1067)
producer:
Andrew Cornall (engineer / producer)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (in 2000-09)
conductor:
Riccardo Chailly (conductor) (in 2000-09)
balance engineer:
Jonathan Stokes (engineer)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2000-09)
recording of:
Orchestral Suite no. 2 in B minor, BWV 1067: Badinerie (orch. Mahler)
orchestrator:
Gustav Mahler (composer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie)
part of:
Suite from Orchestral Works of Bach (orch. Mahler)
Gustav Mahler3:46
25Suite for Orchestra (after Orchestral Suites, BWV 1067 and BWV 1068): 3. Air (BWV 1068)
producer:
Andrew Cornall (engineer / producer)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (in 2000-09)
conductor:
Riccardo Chailly (conductor) (in 2000-09)
balance engineer:
Jonathan Stokes (engineer)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2000-09)
recording of:
Orchestral Suite no. 3 in D major, BWV 1068: Air (orch. Mahler)
orchestrator:
Gustav Mahler (composer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
part of:
Suite from Orchestral Works of Bach (orch. Mahler)
Gustav Mahler5:06
26Suite for Orchestra (after Orchestral Suites, BWV 1067 and BWV 1068): 4. Gavotte I / Gavotte II (BWV 1068)
producer:
Andrew Cornall (engineer / producer)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (in 2000-09)
conductor:
Riccardo Chailly (conductor) (in 2000-09)
balance engineer:
Jonathan Stokes (engineer)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2000-09)
recording of:
Orchestral Suite no. 3 in D major, BWV 1068: Gavotte 1 & 2 (orch. Mahler)
orchestrator:
Gustav Mahler (composer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: III. Gavotte I & II
part of:
Suite from Orchestral Works of Bach (orch. Mahler)
Gustav Mahler3:37
22CD: Bach Reimagined (Chaconne & Passacaglia)
23CD: Bach Orchestrated (Reger to Stokowski)
24CD: Inspired by Bach (Gounod to Pärt)
25CD: Bach & The Virtuoso Piano (Liszt and Busoni)
26CD: Bach & The Virtuoso Piano (The 20th Century)
27CD: Bach à la Jazz
28CD: New Colours of Bach

Credits

Release group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]