Now Millennium '00-'01

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 4 vorhanden)

Titelliste

1▶CD
2▶CD
3▼CD
Nr.TitelKünstlerBewertungLänge
1Can’t Get You Out of My Head
drum machine-Programmierung:
Rob Davis (songwriter/producer was in Mud)
Techniker(in) und Mix:
Tim Orford
Produzent(in):
Rob Davis (songwriter/producer was in Mud) und Cathy Dennis
E-Gitarre und Keyboard:
Rob Davis (songwriter/producer was in Mud)
Hintergrundgesang und Sologesang:
Kylie Minogue
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2001) und KDB Pty Limited (in 2001)
produced for:
19 Productions
Musikvideos:
Can’t Get You Out of My Head von Kylie Minogue
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 27), Billboard Year-End Hot 100 singles of 2002 (Nummer: 45) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 207)
recording of:
Can’t Get You Out of My Head
Texter:
Cathy Dennis
Komponist(in):
Rob Davis (songwriter/producer was in Mud)
publisher:
Colgems-EMI Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Toxic Songs Ltd., Universal Music (plain logo: “Universal Music”), Universal‐MCA Music Publishing (US), Universal/MCA Music Limited (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Kylie Minogue43:51
2Don’t Stop Movin’
Programmierung und Produzent(in):
Simon Ellis (producer)
zusätzliche Programmierung:
Stephen Lipson, Chuck Norman und Richard Robson
Techniker(in):
James Reynolds (mixer/writer/music producer)
zusätzliche(r) Produzent(in):
Stephen Lipson
Mix:
Heff Moraes
Bass:
Ernie McKone
Instrumente:
Dave Rainger
Keyboard:
Simon Ellis (producer)
Sologesang:
Bradley McIntosh
zusätzlich Sologesang und zusätzlich Soprangesang:
Jo O’Meara
conductor:
Nick Ingman
Interpret(in):
S Club 7 (formerly “S Club 7”)
arranger:
Nick Ingman
phonographisches Urheberrecht (℗) von:
S Club Ltd. (in 2001)
Samples:
Billie Jean (album / single version) von Michael Jackson (“King of Pop”)
Musikvideos:
Don’t Stop Movin’ von S Club 7 (formerly “S Club 7”)
recording of:
Don’t Stop Movin’
Verfasser(in):
Tina Barrett, Paul Cattermole, Simon Ellis (producer), Jonathan Lee (singer, S Club 7 & musicals), Bradley McIntosh, Jo O’Meara, Sheppard Solomon, Hannah Spearritt und Rachel Stevens
publisher:
19 Music Ltd., BMG Songs, Concord Entertainment Ltd, Irving Music, Inc., Jumbo Boom Boom Publishing, Rondor Music (London) Ltd. und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
S Club 73.153:52
3I’m a Slave 4 U
recording engineer:
Andrew Coleman (recording/mix engineer, Neptunes-associated) und Brian Garten (Engineer)
assistierende(r) Techniker(in):
Tim Roberts (engineer) und Ryan Smith (NY, US-based engineer/mastering)
Produzent(in):
The Neptunes (US producer duo Chad Hugo & Pharrell Williams)
Mix:
Serban Ghenea
Instrumente:
Chad Hugo und Pharrell Williams
Sologesang:
Britney Spears
phonographisches Urheberrecht (℗) von:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 2001)
aufgenommen bei:
Master Sound Studios (Virginia) in Virginia Beach, Virginia, Vereinigte Staaten und Right Track Studios in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Windmark Recording in Virginia Beach, Virginia, Vereinigte Staaten
Musikvideos:
I’m a Slave 4 U von Britney Spears, I’m a Slave 4 U (Angle 1) von Britney Spears, I’m a Slave 4 U (Angle 2) von Britney Spears und I’m a Slave 4 U (Angle 3) von Britney Spears
recording of:
I’m a Slave 4 U
Verfasser(in):
Chad Hugo und Pharrell Williams
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., Songs MP und Waters of Nazareth
Britney Spears3.553:25
4Get Ur Freak On
recording of:
Get Ur Freak On
Verfasser(in):
Melissa Elliott (American rapper, singer, dancer & record producer) und Timothy Mosley
Missy Elliott3:31
5Let Me Blow Ya Mind
Assistent recording engineer:
John Tyree (engineer)
recording engineer:
Mauricio “Veto” Iragorri
sonstige Unterstützung:
Larry Chatman
Produzent(in):
Dr. Dre (Andre Young, rap producer) und Scott Storch (producer)
Mix:
Dr. Dre (Andre Young, rap producer)
Gitarre:
Mike Elizondo
Keyboard [keyboards]:
Scott Storch (producer)
Gast vocals:
Gwen Stefani
Hintergrundgesang:
Eve (US rapper/singer) und Stevie J. (US hip-hop producer/songwriter Steven Jordan)
aufgenommen bei:
Record One in Sherman Oaks, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Let Me Blow Ya Mind
Verfasser(in):
A. Young (Dr. Dre, Andre Young, rap producer), E. Jeffers (US rapper/singer), M. Elizondo, S. Jordan (US hip-hop producer/songwriter Steven Jordan) und S. Storch (producer)
publisher:
Aint Nuthin’ Goin’On But F****’ Music, Blackjack Entertainment, Blondie Rockwell Publishing, Dead Game Publishing, Elvismambo Music, Fivecard, Music of Windswept, Scott Storch Music, TVT (copyright holder, no releases here please) und WB Music Corp. (1929–2019)
Eve feat. Gwen Stefani3.13:48
6Family Affair
Techniker(in):
Mauricio “Veto” Iragorri und Chris Ribando
Produzent(in):
Dr. Dre (Andre Young, rap producer)
vocals:
Mary J. Blige
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 2001)
recording of:
Family Affair
Verfasser(in):
Andre Young (Dr. Dre, Andre Young, rap producer), Mary J. Blige, Mike Elizondo, Camara Kambon und Bruce Miller (younger half-brother of Mary J. Blige/co-writer for her)
zusätzliche(r) Verfasser(in):
Luchana N. Lodge, Melvin Charles Bradford (US west coast hip‐hop producer Melvin Bradford; Aftermath Entertainment) und Paula Miller
Mary J. Blige4.554:27
7U Remind Me
recording of:
U Remind Me
Verfasser(in):
Edmund Clement und Anita McCloud
Usher34:08
8It Wasn’t Me
recording engineer und Mix:
Shaun Pizzonia
Produzent(in):
Shaun Pizzonia und Sting International
Blechblasinstrumente:
Kevin Bachelor und Jerry Johnson (saxophonist with roots reggae band Steel Pulse)
Geige / Violine:
Gwen Laster
Gitarre:
R. Zapata
Keyboard:
Nigel Staff
membranophone und Perkussion [drums]:
Shaun Pizzonia
Hintergrundgesang:
Brian & Tony Gold und Shaun Pizzonia
Sologesang:
Ricardo Ducent und Shaggy (Orville Richard Burrell, dancehall and reggae singer)
vocals und Interpret(in):
Ricardo “Rik Rok” Ducent
phonographisches Urheberrecht (℗) von:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2000, in 2001)
produced for:
Big Yard Music Group
aufgenommen bei und mixed at:
Ranch Recording Studio in New York, Vereinigte Staaten
Musikvideos:
It Wasn't Me von Shaggy (Orville Richard Burrell, dancehall and reggae singer) featuring Ricardo “RikRok” Ducent
Teil von:
My VH1 Music Awards – Your Song Kicked Ass but Was Played Too Damn Much Nominees (2001) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 273)
recording of:
It Wasn’t Me
Verfasser(in):
Brian Thompson, Orville Burrell (Orville Richard Burrell, dancehall and reggae singer), Shaun Pizzonia und Ricardo Ducent
publisher:
Livingsting Music
basiert auf:
Smile Happy
Shaggy feat. Ricardo Ducent3.553:48
9Perfect Gentleman
Bearbeitung von:
Perfect Gentleman von Wyclef Jean (Haitian rapper, musician and actor)
recording of:
Perfect Gentleman
Verfasser(in):
Jerry Duplessis, Hope Harris (Hope Harris, vocalist, wyclef jean related), Wyclef Jean (Haitian rapper, musician and actor) und Harry Tait
quotes lyrics from:
No Sex
Wyclef Jean23:17
10Case of the Ex (Whatcha Gonna Do)
Bearbeitung von:
Case of the Ex (Whatcha Gonna Do) von Mýa (US | R&B)
recording of:
Case of the Ex (Watcha Gonna Do)
Verfasser(in):
Traci Hale (American R&B songwriter), Christopher Stewart (producer, C. “Tricky” Stewart) und Tab
Mýa43:18
1121 Seconds
Produzent(in):
Synth (So Solid Crew producer)
recording of:
21 Seconds
Verfasser(in):
Asher D (So Solid Crew rapper), Face (UK garage vocalist Jason Moore, member of So Solid Crew), G‐Man (So Solid Crew MC), Harvey (MC from So Solid Crew), Kaish, Mac (UKG vocalist), Lisa Maffia, Mega Man (So Solid Crew member), Romeo (UK rapper, member of So Solid Crew), Skat D und Synth (So Solid Crew producer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
So Solid Crew32:43
12We Come 1
Assistent recording engineer:
Peanut
recording engineer:
Grippa
Programmierung:
Rollo (Rollo Armstrong of Faithless)
Produzent(in) und Mix:
Rollo (Rollo Armstrong of Faithless) und Sister Bliss
Keyboard:
Sister Bliss
Schlagzeug:
Andy Treacy
vocals:
Maxi Jazz
aufgenommen bei:
Grayhound Recordings in San Francisco, California (Kalifornien), Vereinigte Staaten (in 2001)
recording of:
We Come 1
Texter:
Maxi Jazz
Verfasser(in):
Maxi Jazz, Rollo (Rollo Armstrong of Faithless) und Sister Bliss
Komponist(in):
Rollo (Rollo Armstrong of Faithless) und Sister Bliss
publisher:
Champion Music, Universal Music Publishing Group und Warner/Chappell (Warner/Chappell Music, Inc.)
Faithless2.753:43
13Touch Me
Techniker(in):
Jonathan Miller (UK engineer) und Rui da Silva
Produzent(in):
Rui da Silva
Gitarre:
Fraser T. Smith
Keyboard:
Rui da Silva
Gast Sologesang:
Cassandra Fox (UK vocalist, aka Cass Fox, Cassandra or Cass, "Music Matters", "Touch Me")
vocals und Interpret(in):
Cassandra Fox (UK vocalist, aka Cass Fox, Cassandra or Cass, "Music Matters", "Touch Me")
recording of:
Touch Me
Texter:
Cassandra Fox (UK vocalist, aka Cass Fox, Cassandra or Cass, "Music Matters", "Touch Me")
Komponist(in):
Rui da Silva
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Notting Hill Music (publisher)
Rui da Silva feat. Cassandra Fox3.53:28
14Another Chance
Techniker(in) und Mix:
David Darlington (engineer at Bass Hit Studio, producer, songwriter and musician)
Produzent(in):
Roger Sanchez
Bassgitarre und Gitarre:
Christoff (techno producer/guitarist Chris Haliani)
Keyboard:
Scars (techno keyboardist Henri Struck)
phonographisches Urheberrecht (℗) von:
Defected Records Ltd. (in 2001)
mixed at:
Indeep Studios in New York, New York, Vereinigte Staaten
Samples:
I Won’t Hold You Back von Toto (US rock group)
Bearbeitung von:
Another Chance von Roger Sanchez
Musikvideos:
Another Chance von Roger Sanchez
recording of:
Another Chance
Komponist(in):
Steve Lukather (guitarist, vocalist, composer, producer and arranger) und Roger Sanchez
publisher:
BMG Songs, Inc., Indeep Music und Warner/Chappell Music, Inc.
basiert auf:
I Won’t Hold You Back
Roger Sanchez3.53:28
15Crying at the Discoteque
Produzent(in):
Alexander Bard, Anders Hansson (producer / writer / performer) und Johan Strandkvist
Teil von:
The Downloader’s Music Source Book (Nummer: 324)
recording of:
Crying at the Discoteque
Verfasser(in):
Alexander Bard, Bernard Edwards (American bassist and record producer), Michael Goulos, Anders Hansson (producer / writer / performer), Nile Rodgers und Anders Wollbeck (pop music songwriter and producer)
basiert auf:
Spacer
Alcazar43:51
16Take Me Home (A Girl Like Me)
recording engineer:
Bacon & Quarmby
Programmierung:
Damian LeGassick und Yoad Nevo
zusätzliche Programmierung und zusätzliche(r) Techniker(in):
Jake Davies
Techniker(in), Produzent(in) und Mix:
Damian LeGassick
zusätzliche(r) Produzent(in):
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
Bassgitarre:
Guy Pratt
Gitarre und Keyboard:
Damian LeGassick
Sologesang:
Sophie Ellis‐Bextor
remixer:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 2001)
aufgenommen bei:
Strongroom Studios in Shoreditch, Hackney, London (Greater London), England, Vereinigtes Königreich
produced at:
Townhouse Studios in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
recording of:
Take Me Home (A Girl Like Me)
Verfasser(in):
Michelle Aller, Sophie Ellis‐Bextor und Bob Esty (disco songwriter - producer from Massachusetts)
publisher:
Right Song Inc. und Rondor Music
basiert auf:
Take Me Home
Sophie Ellis‐Bextor54:08
17The Music’s No Good Without You
recording of:
The Music's No Good Without You
zusätzlicher Texter:
Cher
Cher4:01
18Little L
Programmierung:
Paul Stoney
Produzent(in):
Jay Kay (English singer, Jamiroquai) und The Pope
Mix:
The Pope
Musikvideos:
Little L von Jamiroquai
recording of:
Little L
Verfasser(in):
Jay Kay (English singer, Jamiroquai) und Toby Smith
Jamiroquai33:58
19Inner Smile
Schlagzeug-Programmierung:
Wayne Rodriques
Produzent(in):
Gregg Alexander und Johnny Mac (singer and guitar player from Little Rock, Arkansas)
Mix:
Ash Howes (British mixer, writer and musician)
Gitarre:
Ally McErlaine (Scottish guitarist)
Keyboard:
Eddie Campbell (Scottish keyboardist for Texas/The Incredible Blondes), Johnny McElhone und Rick Nowles
Hintergrundgesang:
Eddie Campbell (Scottish keyboardist for Texas/The Incredible Blondes), Rick Nowles und Sharleen Spiteri
recording of:
Inner Smile
Texter und Komponist(in):
Gregg Alexander, Johnny McElhone, Rick Nowels und Sharleen Spiteri
publisher:
EMI 10 Music, Future Furniture und Keepin’ It Real, How ’Bout You?
Texas3.353:50
20I’m Like a Bird
Programmierung:
Track & Field
Produzent(in):
Nelly Furtado und Track & Field
Mix:
Brad Haehnel
Bass:
Mike Elizondo
Gitarrensynthesizer:
Field (Canadian producer, songwriter & musician)
Schlagzeug:
Russ Miller (US session drummer)
shakers:
Brad Haehnel
Vibraphon:
Allan Molnar
Hintergrundgesang und Sologesang:
Nelly Furtado
mixed at:
Can‐Am Recorders in Tarzana, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
I’m Like a Bird von Nelly Furtado
recording of:
I’m Like a Bird
Texter und Komponist(in):
Nelly Furtado
publisher:
Nelstar Publishing
Nelly Furtado4.44:04
21Drops of Jupiter (Tell Me)
recording engineer:
Nick DiDia und Brett Eliason
Programmierung:
Scott Underwood (Drummer for Train)
assistierende(r) Techniker(in):
Karl Egsieker und Steve Genewick
Techniker(in):
Steve Churchyard
zusätzliche(r) Techniker(in):
Ryan Williams (US recording engineer/producer)
Produzent(in):
Brendan O’Brien (engineer)
Mix:
John Burton (engineer), Brett Eliason und Brendan O’Brien (engineer)
Bass:
Charlie Colin und Rob Hotchkiss
Bratsche / Viola:
Evan Wilson (viola player)
Cello:
Dan Smith (cellist) und Suzie Katayama
Geige / Violine:
Michael Markman
Gitarre und Hintergrundgesang:
Charlie Colin, Rob Hotchkiss und Jimmy Stafford (member of Train)
Keyboard:
Brendan O’Brien (engineer) und Scott Underwood (Drummer for Train)
Klavier:
Chuck Leavell
Mandoline:
Jimmy Stafford (member of Train)
Perkussion:
Pat Monahan und Scott Underwood (Drummer for Train)
Schlagzeug:
Scott Underwood (Drummer for Train)
Sologesang:
Pat Monahan
conductor:
Paul Buckmaster
arranger:
Paul Buckmaster
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2001)
Musikvideos:
Drops of Jupiter von Train (US pop rock band)
Teil von:
My VH1 Music Awards – Your Song Kicked Ass but Was Played Too Damn Much Nominees (2001) und My VH1 Music Awards - Damn I Wish I Wrote That! (song of the year) Nominees (2001)
recording of:
Drops of Jupiter
Verfasser(in):
Charlie Colin, Rob Hotchkiss, Pat Monahan, Jimmy Stafford (member of Train) und Scott Underwood (Drummer for Train)
publisher:
Blue Lamp Music, EMI April Music Inc., EMI Blackwood Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!) und EMI Music Publishing Ltd. (PRS‐affiliated)
Train4.54:20
4▶CD

Nennungen

Veröffentlichungsgruppe

Teil von:Now Millennium (Spin-off of UK "Now That's What I Call Music!" series) (Reihenfolge: 1)