Oorstrelend - NRC Handelsblad Muziekcollectie

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Zeventien legendarische opnamen uit de NRC Handelsblad Muziekselectie

Annotation last modified on 2017-07-30 19:26 UTC.

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Tristan und Isolde: Prelude
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon) and Otto Gerdes (conductor and producer)
producer:
Wolfgang Lohse
orchestra:
Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra) (in 1966-08)
conductor:
Karl Böhm (Austrian conductor) (in 1966-08)
recorded at:
Bayreuther Festspiele 1966
recorded at:
Richard-Wagner-Festspielhaus (Richard Wagner Festival Theater) in Bayreuth, Bayern (Bavaria), Germany (in 1966-08)
live recording of:
Tristan und Isolde, WWV 90: Akt I, Vorspiel (in 1966-08)
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
part of:
Tristan und Isolde, WWV 90: Akt I
Richard Wagner10:42
2La Damnation de Faust: Merci, doux crépuscule!
mezzo-soprano vocals:
Josephine Veasey (mezzo-soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
London Symphony Orchestra
conductor:
Sir Colin Davis (English conductor)
recording of:
La Damnation de Faust : Troisième Partie : Scène 9. Air de Faust « Merci, doux crépuscule ! » (Faust)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Troisième Partie
Hector Berlioz4:49
3La Damnation de Faust: D'amour l'ardente flamme
mezzo-soprano vocals:
Josephine Veasey (mezzo-soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
London Symphony Orchestra
conductor:
Sir Colin Davis (English conductor)
recording of:
La Damnation de Faust : Quatrième Partie, scène 15. « D'amour l'ardente flamme » … « Au son des trompettes » (Marguerite, Chœur)
composer:
Hector Berlioz (French composer)
librettist:
Hector Berlioz (French composer) and Almire Gandonnière (librettiste français)
part of:
La Damnation de Faust, op. 24: Quatrième Partie
part of:
La Damnation de Faust, op. 24: Quatrième Partie
Hector Berlioz8:39
4La Traviata: È strano! È strano!...Ah! fors'è lui...
soprano vocals [Violetta]:
Joan Sutherland (soprano)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Richard Bonynge (conductor and pianist)
recording of:
La traviata: Atto I. “Ah, fors’è lui” (Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
recording of:
La traviata: Atto I. Recitativo “È strano! è strano!” (Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi6:57
5La Traviata: O mio rimorso!...Alfredo?
soprano vocals [Violetta]:
Joan Sutherland (soprano)
tenor vocals [Alfredo]:
Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Richard Bonynge (conductor and pianist)
recording of:
La traviata: Atto II, scena 1. “Alfredo? Per Parigi or or partiva” (Violetta, Annina, Giuseppe, Germont)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
recording of:
La traviata: Atto II, scena 1. “Oh, mio rimorso! Oh, infamia!” (Alfredo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi6:49
6La Bohème: Che gelida manina
tenor vocals [Rodolfo]:
Roberto Alagna (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Riccardo Chailly (conductor)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:41
7La Bohème: Donde lieta uscì al tuo grido d'amore
soprano vocals [Mimì]:
Angela Gheorghiu (Romanian soprano)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Riccardo Chailly (conductor)
recording of:
La bohème: Atto III. no. 18. “Donde lieta uscì” (Mimì)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
Giacomo Puccini3:04
8L'Orfeo - Ben mi lusinga - Ahi, sventurato amante: Ei dorme, e la mia cetra
bass vocals:
John Tomlinson (English operatic bass)
tenor vocals:
Anthony Rolfe Johnson (tenor)
orchestra:
English Baroque Soloists (The English Baroque Soloists)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner)
recording of:
L'Orfeo: Atto terzo. Ahi, sventurato amante (Orfeo)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L’Orfeo: Atto terzo
recording of:
L'Orfeo: Atto terzo. Ben mi lusinga alquanto (Caronte)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
librettist:
Alessandro Striggio (The Younger, c. 1573-1630)
part of:
L’Orfeo: Atto terzo
recording of:
L'Orfeo: Atto terzo. Ei dorme, e la mia cetra (Orfeo)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
librettist:
Alessandro Striggio (The Younger, c. 1573-1630)
part of:
L’Orfeo: Atto terzo
Claudio Monteverdi5:25
9Don Giovanni: Don Giovanni, a cenar teco m'invitasti
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (mandolinist) (in 1994-07)
solo cello [violoncello]:
David Watkin (cellist) (in 1994-07)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Rodney Gilfry (baritone) (in 1994-07)
bass vocals [Il commendatore]:
Andrea Silvestrelli (operatic bass) (in 1994-07)
bass vocals [Leporello, servo di Don Giovanni]:
Ildebrando d’Arcangelo (operatic bass) (in 1994-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1994-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-07)
concertmaster:
Alison Bury (violinist) (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto II. “Don Giovanni, a cenar teco” … “Da qual tremore insolito” (Il Commendatore, Don Giovanni, Leporello) (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart5:23
10Don Giovanni: Ah! dov'è il perfido?
baritone vocals:
Rod Gilfry (baritone)
soprano vocals [Donna Elvira]:
Charlotte Margiono (soprano)
orchestra:
English Baroque Soloists (The English Baroque Soloists)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner)
recording of:
Don Giovanni: Atto II. “Ah! dove è il perfido” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart6:24