Classic 80s Pop

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Take On Me
Bass-Programmierung:
Magne Furuholmen
Produzent(in):
Alan Tarney
Mix:
a‐ha (Norwegian synth‐pop band) und John Ratcliff
drum machine und Gitarre:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Keyboard:
Magne Furuholmen
Hintergrundgesang:
Magne Furuholmen und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Sologesang:
Morten Harket
phonographisches Urheberrecht (℗) von:
Rhino Entertainment Company (not for release label use!) (in 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1985) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985, in 2004)
Musikvideos:
Take On Me (official music video, 2019 4K remaster of 1985 version with diegetic audio) von a‐ha (Norwegian synth‐pop band) und Take On Me (official music video, 1985 Steve Barron version) von a‐ha (Norwegian synth‐pop band)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 26), The Downloader’s Music Source Book (Nummer: 284) und BILLIONS CLUB
recording of:
Take On Me
Verfasser(in):
Magne Furuholmen, Morten Harket und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. und EMI Music Publishing (do not use as a release label!)
Version von:
Miss Eerie
a‐ha4.253:49
2Lay All Your Love on Me
Techniker(in):
Michael B. Tretow
Produzent(in):
Benny Andersson (ABBA) und Björn Ulvaeus
Bassgitarre:
Rutger Gunnarsson (am 1980-09-09)
Gitarre:
Lasse Wellander (am 1980-09-09)
Keyboard und Synthesizer:
Benny Andersson (ABBA) (am 1980-09-09)
Schlagzeug:
Ola Brunkert (am 1980-09-09)
Hintergrundgesang:
Frida (Swedish singer and member of ABBA) (am 1980-09-09)
Sologesang:
Agnetha Fältskog (am 1980-09-09)
arranger:
Benny Andersson (ABBA) und Björn Ulvaeus
phonographisches Urheberrecht (℗) von:
Polar Music International AB (in 1980)
aufgenommen bei:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Schweden (am 1980-09-09)
mixed at:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Schweden (am 1980-10-10)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 49)
recording of:
Lay All Your Love on Me (am 1980-09-09)
Verfasser(in):
Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
Bocu Music Ltd., EMI Music Publishing (do not use as a release label!), Union Songs Music, Universal Music Publishing Group, Universal/Union Songs Musikförlag AB, Artwork Music Co., Inc. (vom 1980 bis ????) und Countless Songs, Ltd. (vom 1980 bis ????)
Teil von:
Mamma Mia! (1999 musical)
ABBA3.74:33
3Walking on Sunshine
recorded in:
England, Vereinigtes Königreich
assistierende(r) Techniker(in):
Jon Goldberger (engineer)
Techniker(in) und Mix:
Scott Litt (producer and engineer)
Produzent(in):
Pat Collier und Katrina and the Waves (British‐American rock band)
zusätzliche(r) Produzent(in):
Scott Litt (producer and engineer)
Bassgitarre:
Vince de la Cruz
Gast-Blechblasinstrumente [Rumour Brass Section]:
Ray Beavis, Dick Hanson und John "Irish" Earl (Irish saxophonist)
Gast-Orgel:
Nick Glennie‐Smith
Gitarre [lead guitar]:
Kimberley Rew
Gitarre [rhythm guitar] und Sologesang:
Katrina Leskanich
Perkussion und Schlagzeug:
Alex Cooper (drummer, member of “Katrina and the Waves”)
Hintergrundgesang:
Alex Cooper (drummer, member of “Katrina and the Waves”), Vince de la Cruz und Kimberley Rew
Blechblasinstrumente arranger:
Eamon Fitzpatrick
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1985)
aufgenommen bei:
Alaska Studios in London (Greater London), England, Vereinigtes Königreich und Greenhouse Studio (London) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1984-12 bis 1985-03)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 91) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 378)
recording of:
Walking on Sunshine
Texter:
Kimberley Rew (in 1983)
Komponist(in):
Kimberley Rew
publisher:
EMI Music Publishing (do not use as a release label!), Kyboside Music, Megasongs Limited, Pondwater Music und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Katrina and the Waves3.953:55
4Power of Love
recording engineer:
Jim Gaines und Robert Missbach
assistierende(r) Techniker(in):
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) und Jim “Watts” Vereecke
zusätzliche(r) Techniker(in):
Michael Christopher (engineer), Phil Kaffel und Malcolm Pollack
Produzent(in):
Bob Clearmountain, Jellybean (US producer John Benitez) und Huey Lewis and the News (American pop rock band)
Mix:
Robert Missbach
Bassgitarre:
Mario Cipollina
Gitarre:
Johnny Colla (US sax & guitarist for Huey Lewis & the News) und Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
Keyboard:
Sean Hopper (US Keyboardist for Huey Lewis & the News)
Mundharmonika:
Huey Lewis
Perkussion und Schlagzeug:
Bill Gibson (US drummer for Huey Lews & the News)
Saxophon:
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
vocals:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) und Huey Lewis
phonographisches Urheberrecht (℗) von:
Chrysalis Records, Inc. (not for release label use!) (in 1984, in 1985, in 1986) und Chrysalis (in 1985)
aufgenommen bei:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten, Studio D Recording in Sausalito, California (Kalifornien), Vereinigte Staaten und The Plant Studios (1981–2008) in Sausalito, California (Kalifornien), Vereinigte Staaten
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
Musikvideos:
The Power of Love (full length) von Huey Lewis and the News (American pop rock band)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 108)
recording of:
The Power of Love (Back to the Future)
Verfasser(in):
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) und Huey Lewis
publisher:
Cause and Effect Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Huey Lewis Music, Hulex Music (publisher), Kinda Blue Music, Mushroom Music (Mushroom label’s publishing company) und WB Music Corp. (1929–2019)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Teil von:
The 58th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1985 nominee)
Teil von:
Back to the Future: the Musical
Huey Lewis and the News43:54
5Neverending Story
Produzent(in):
Giorgio Moroder
Hintergrundgesang:
Beth Andersen (US pop vocalist)
Sologesang:
Limahl
vocals:
Beth Anderson (US pop vocalist) und Limahl
Interpret(in):
Limahl
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) und Neue Constantin Film Productions GmbH
Teil von:
Cachitos Nochevieja 2022 (Nummer: 51)
recording of:
Never Ending Story (theme from the 1984 film “The NeverEnding Story”)
Texter:
Keith Forsey (drummer, producer and songwriter)
Komponist(in):
Giorgio Moroder
publisher:
Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Limahl3.353:32
6Notorious
recording of:
Notorious
Verfasser(in):
Simon Le Bon (singer for Duran Duran), Nick Rhodes und John Taylor (UK bassist for Duran Duran)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Skintrade Music Ltd.
Duran Duran4:16
7Each Time You Break My Heart
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1986)
recording of:
Each Time You Break My Heart
Verfasser(in):
Stephen Bray und Madonna Louise Veronica Ciccone (“Queen of Pop”)
publisher:
Warner Bros. (holding: file NO releases)
Nick Kamen3.54:32
8Too Shy
Schlagzeug-Programmierung:
Jez Strode
Techniker(in):
Colin Thurston
Produzent(in):
Nick Rhodes und Colin Thurston
Bassgitarre:
Nick Beggs
E-Bow [e bow] und Gitarre:
Steve Askew
Synthesizer:
Stuart Croxford Neale
Sologesang:
Limahl
zusätzlich vocals:
Nick Beggs und Stuart Croxford Neale
arranger:
Kajagoogoo
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982, in 1983)
Musikvideos:
Too Shy von Kajagoogoo
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 9) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 27)
recording of:
Too Shy
Texter:
Nick Beggs und Christopher Hamill
Komponist(in):
Steve Askew, Nick Beggs, Christopher Hamill, Stuart Croxford Neale und Jez Strode
publisher:
EMI Songs und Tritec Music Ltd. (publisher and copyrights holder)
Kajagoogoo3.553:41
9Too Good to Be Forgotten
cover recording of:
Too Good to Be Forgotten
Verfasser(in):
Barbara Acklin (singer and songwriter) und Eugene Record
Amazulu3:00
10Drop the Pilot
assistierende(r) Techniker(in):
Niko Bolas
Techniker(in) und Produzent(in):
Val Garay
Bass:
Bryan Garofalo
Gitarre:
Joan Armatrading, Craig Hull und Tim Pierce (US session guitarist)
Keyboard:
Steve Goldstein
Perkussion:
M. L. Benoit
Schlagzeug:
Craig Krampf
vocals:
Joan Armatrading
phonographisches Urheberrecht (℗) von:
A&M Records (in 1983) und A&M Records, Ltd. (in 1983)
recording of:
Drop the Pilot
Komponist(in):
Joan Armatrading
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music Pty. Ltd. und Polygram Music
Joan Armatrading43:38
11Self-Control
leitende(r) Produzent(in):
Jack White (German producer Horst Nußbaum)
Produzent(in):
Robbie Buchanan (Canadian producer) und Jack White (German producer Horst Nußbaum)
arranger:
Robbie Buchanan (Canadian producer) und Harold Faltermeier
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
Musikvideos:
Self Control von Laura Branigan
cover recording of:
Self Control (in 1984)
Texter:
Steve Piccolo
zusätzliche(r) Verfasser(in):
Harro Steffen
Komponist(in):
Giancarlo Bigazzi und Raffaele Riefoli (Italian pop singer)
publisher:
Careers Music, Inc., Edition Sunrise Publishing Inc., Sugar Musik Verlags GmbH (publisher) und Sugarmusic Spa (publisher, do NOT use as label)
Laura Branigan4.34:06
12Heart and Soul
Bearbeitung von:
Heart and Soul von T’Pau
recording of:
Heart and Soul
Verfasser(in):
Carol Decker und Ron Rogers (Ronald Phillip Rogers, T'Pau)
publisher:
AMP Publishing Ltd und Virgin Music (Publishing) Ltd.
T’Pau3:37
13We Belong
assistierende(r) Techniker(in):
Dave Hernandez (Dave “Zulu” Hernandez, engineer)
Produzent(in):
Pete Coleman und Neil Giraldo (multi-instrumentalist, songwriter, producer)
assistierende(r) Mix:
Murray Dvorkin und Bino Espinoza
Bassgitarre:
Donnie Nossov
Gitarre und Mundharmonika:
Neil Giraldo (multi-instrumentalist, songwriter, producer)
Keyboard:
Charles Giordano (American keyboardist and accordionist)
Perkussion:
Charles Giordano (American keyboardist and accordionist), Neil Giraldo (multi-instrumentalist, songwriter, producer) und Myron Grombacher
Schlagzeug:
Myron Grombacher
zusätzlich Gast-Bassgitarre:
Roger Capps
Sologesang:
Pat Benatar
phonographisches Urheberrecht (℗) von:
Chrysalis (in 1981) und Chrysalis Records, Inc. (not for release label use!) (in 1984)
mixed at:
Soundcastle (Interactive Studios) in Santa Monica, California (Kalifornien), Vereinigte Staaten und The Complex Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
We Belong
Verfasser(in):
Eric Lowen und Dan Navarro (singer/songwriter/voice actor)
publisher:
Screen Gems–EMI Music Ltd. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Pat Benatar4.43:39
14Fool for Your Loving
Techniker(in), Produzent(in) und Mix:
Mike Clink und Keith Olsen (US producer and engineer)
Bassgitarre:
Rudy Sarzo
Gitarre:
Steve Vai
Keyboard:
Alan Pasqua
Schlagzeug:
Tommy Aldridge
Hintergrundgesang:
Tommy Funderburk und Glenn Hughes (UK rock bassist and vocalist)
Sologesang:
David Coverdale
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
Musikvideos:
Fool for Your Loving (1988 version) von Whitesnake
recording of:
Fool for Your Loving
Verfasser(in):
David Coverdale, Bernie Marsden und Micky Moody
publisher:
Colgems-EMI Music Inc., EMI Music Publishing (WP) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Seabreeze Music Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Windswept Pacific Music Ltd., 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present), WB Music Corp. (1929–2019) (bis 2019-05-28), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30), WC Music Corp. (vom 2019-05-28 bis heute) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Whitesnake3.854:08
15Legs
Techniker(in):
Terry Manning (US recording engineer)
Produzent(in):
Bill Ham (manager of ZZ Top)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983)
aufgenommen bei:
Ardent Studios in Memphis, Tennessee, Vereinigte Staaten
Bearbeitung von:
Legs von ZZ Top
recording of:
Legs
Verfasser(in):
Frank Beard (ZZ Top drummer), Billy Gibbons und Dusty Hill
publisher:
Music of Stage Three, Songs of Mosaic und Hamstein Music Co. (publisher) (in 1983)
ZZ Top4.353:33
16I Wanna Be a Flintstone
The Screaming Blue Messiahs2:30
17Some Like It Hot
Techniker(in) und Mix:
Jason Corsaro (U.S. music engineer, and record producer)
zusätzliche(r) Techniker(in):
Rob Eaton, Steve Rinkoff und Tony Taverner
Produzent(in):
Bernard Edwards (American bassist and record producer)
Bassgitarre:
John Taylor (UK bassist for Duran Duran)
Gitarre:
Andy Taylor (of Duran Duran)
Schlagzeug:
Tony Thompson (drummer, best known for his work in CHIC)
Sologesang:
Robert Palmer (English singer‐songwriter)
Interpret(in):
Robert Palmer (English singer‐songwriter), Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Tony Thompson (drummer, best known for his work in CHIC)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
mixed at und engineered at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
recording of:
Some Like It Hot
Verfasser(in):
Robert Palmer (English singer‐songwriter), Andy Taylor (of Duran Duran) und John Taylor (UK bassist for Duran Duran)
publisher:
Bungalow Music, EMI Songs, Polygram Music und Tritec Music Ltd. (publisher and copyrights holder)
The Power Station45:05
18Real Wild Child (Wild One)
drum machine [Linn drum]-Programmierung:
David Richards (Swiss-based producer and engineer) (von 1986-04 bis 1986-05)
Techniker(in):
David Richards (Swiss-based producer and engineer)
Produzent(in) und Mix:
David Bowie (English singer‐songwriter) und David Richards (Swiss-based producer and engineer)
Bass, Schlagzeug, Orgel, Sampler [Akai S900], Synthesizer [Yamaha DX7] und Geige / Violine:
Erdal Kızılçay (von 1986-04 bis 1986-05)
Gitarre:
Kevin Armstrong (UK guitarist, producer & songwriter) (von 1986-04 bis 1986-05) und Steve Jones (Sex Pistols member) (von 1986-04 bis 1986-05)
Hintergrundgesang:
Kevin Armstrong (UK guitarist, producer & songwriter) (von 1986-04 bis 1986-05), David Bowie (English singer‐songwriter) (von 1986-04 bis 1986-05) und Erdal Kızılçay (von 1986-04 bis 1986-05)
Sologesang:
Iggy Pop (von 1986-04 bis 1986-05)
phonographisches Urheberrecht (℗) von:
A&M Records (in 1986)
aufgenommen bei:
Mountain Recording Studios (original Montreux location, 1975–2002) in Montreux, Vaud (Kanton Waadt), Schweiz (von 1986-04 bis 1986-05)
cover recording of:
Wild One (Real Wild Child) (von 1986-04 bis 1986-05)
Verfasser(in):
Johnny Greenan, Johnny O’Keefe und Dave Owens (US songwriter, known for "Wild One")
publisher:
Melodie der Welt (publisher), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited und Southern Music (publisher)
Iggy Pop3.853:37
19Owner of a Lonely Heart
Techniker(in):
Gary Langan
Produzent(in):
Trevor Horn
Bassgitarre:
Chris Squire (Yes bassist) (in 1983)
Gitarre:
Trevor Rabin (South African musician and score composer) (in 1983)
Keyboard:
Tony Kaye (in 1983)
Schlagzeug:
Alan White (Yes drummer) (in 1983)
Sologesang:
Jon Anderson (Yes/Jon & Vangelis) (in 1983)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1983, in 2003) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983, in 2003)
aufgenommen bei:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich (in 1983)
recording of:
Owner of a Lonely Heart (in 1983)
Verfasser(in):
Jon Anderson (Yes/Jon & Vangelis), Trevor Horn, Trevor Rabin (South African musician and score composer) und Chris Squire (Yes bassist)
publisher:
Affirmative Music (publisher), BMG Chrysalis Scandinavia AB (not for release label use! file releases under its imprint “BMG Chrysalis”), BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC (PRS-affiliated), Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc. (BMI affiliated), Tremander Songs, Unforgettable Songs (ASCAP-affiliated), Unforgettable Songs Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
エイベックス・ミュージック・パブリッシング 第7出版事業部 (Avex Music Publishing, 7th Publishing Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Yes3.94:26
20You Can Leave Your Hat On
Techniker(in):
Brian Reeves
Produzent(in):
Richie Zito
Mix:
Rik Pekkonen
Bass und Synthesizer:
Arthur Barrow
Gitarre:
Richie Zito
Horn:
Dick Hyde, Steve Madaio und Joel Peskin
membranophone:
Michael Baird
Hintergrundgesang:
Maxine Sharp, Julia Waters und Maxine Waters
Sologesang:
Joe Cocker
aufgenommen bei:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
You Can Leave Your Hat On
Texter und Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WC Music Corp., Randy Newman (publisher) (in 1972), Randy Newman Music (in 1972, in 1976) und WB Music Corp. (1929–2019) (in 1972, in 1976)
recording of:
You Can Leave Your Hat On
Texter und Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WC Music Corp., Randy Newman (publisher) (in 1972), Randy Newman Music (in 1972, in 1976) und WB Music Corp. (1929–2019) (in 1972, in 1976)
Joe Cocker3.854:15
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