A Little Tenderness: 20 Soul Ballads

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Try a Little Tenderness
cover recording of:
Try a Little Tenderness
Texter:
James Campbell (British songwriter and music publisher) und Reginald Connelly
Komponist(in):
Harry M. Woods (American 1920/30s songwriter)
publisher:
BMG Recordi ex Recordi G.&C., EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Warner Chappell und Campbell Connelly & Co. Ltd. (am 1932-11-04)
Otis Redding3:59
2You’ll Never Find Another Love
recording of:
You’ll Never Find Another Love Like Mine
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Lou Rawls3:32
3Best Thing That Ever Happened to Me
cover recording of:
Best Thing That Ever Happened to Me
Texter und Komponist(in):
James D. Weatherly (American singer/songwriter)
Gladys Knight & the Pips43:45
4Love on a Two‐Way Street
The Moments53:47
5Love to Keep You in My Mind
recording of:
Love to Keep You in My Mind
Texter und Komponist(in):
Curtis Mayfield
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Curtis Mayfield3:47
6Me and Mrs. Jones
recording of:
Me and Mrs. Jones
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
Yamaha Music Entertainment (Japanese label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Billy Paul4:38
7Tell It Like It Is
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 381)
recording of:
Tell It Like It Is
Verfasser(in):
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) und Lee Diamond
publisher:
Conrad Music (publisher; do NOT use as release label) und Olrap Publishing Co., Inc.
Aaron Neville3:08
8Reunited
Produzent(in):
Freddie Perren
recording of:
Reunited
Verfasser(in):
Dino Fekaris und Freddie Perren
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Peaches & Herb5:42
9Oh Girl
recording of:
Oh Girl
Texter und Komponist(in):
Eugene Record
publisher:
Unichappell Music, Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Chi‐Lites3:34
10To Be Loved
recording of:
To Be Loved
Verfasser(in):
Berry Gordy, Jr., Tyran Carlo und Gwen Gordy (US songwriter/composer, née Gwendolyn Gordy)
Jackie Wilson2:28
11If You Need Me
cover recording of:
If You Need Me
Verfasser(in):
Robert Bateman (R&B singer/songwriter/record producer), Wilson Pickett und Sonny Sanders
publisher:
Belinda (beendet), Cotillion Music Inc. (BMI) und Lupine Music
Solomon Burke2:30
12Bring It On Home to Me
Techniker(in):
Al Schmitt
Produzent(in):
Sam Cooke (American singer and songwriter, “King of Soul”), Luigi Creatore und Hugo Peretti
Bass:
Ray Pohlman
Bratsche / Viola:
Wilbert Nuttycombe (strings) und Irving Weinper
Cello:
Cecil Figelski (String player) und Armand Kaproff
Geige / Violine:
Elliott Fisher, Marvin Limonick, Myron Sandler, Joseph Saxon, Ralph Schaeffer und Marshall Sosson
Gitarre:
Clifton White, René Hall und Tommy Tedesco (guitar)
Klavier:
Ernest Freeman
Perkussion und Schlagzeug:
Frank Capp
Saxophon:
William Green (woodwind)
Sologesang:
Sam Cooke (American singer and songwriter, “King of Soul”)
zusätzlich vocals:
Lou Rawls
conductor:
René Hall
arranger:
René Hall
aufgenommen bei:
RCA Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-04-26)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1962 (Nummer: 16)
cover recording of:
Bring It On Home to Me (am 1962-04-26)
Texter und Komponist(in):
Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music, ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) und Kags Music Corp.
Sam Cooke3.652:41
13If You Don’t Know Me by Now
Produzent(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
Hintergrundgesang:
The Blue Notes (Harold Melvin’s group, 1954–mid‐1960s) (in 1972)
Sologesang:
Harold Melvin (in 1972)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972, in 1991)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1972)
recording of:
If You Don’t Know Me by Now (in 1972)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Island Music Ltd., Mighty Three Music, Sony/ATV Music Publishing Australia Pty Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America und Warner/Chappell Music Australia Pty. Ltd.
Harold Melvin & The Blue Notes3.753:30
14Let’s Get It On (live)
live recording of:
Let’s Get It On
Verfasser(in):
Marvin Gaye und Ed Townsend
publisher:
Cherritown Music Co., Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd und Stone Diamond Music Corporation
Marvin Gaye5:24
15Love Is Blue / I Can Sing a Rainbow
The Dells3:18
16Just Be True
recording of:
Just Be True
Texter und Komponist(in):
Curtis Mayfield
Gene Chandler2:31
17When Someting Is Wrong With My Baby
recording of:
When Something Is Wrong With My Baby
Komponist(in):
Isaac Hayes und David Porter (US soul musician, producer & songwriter)
publisher:
Rondor, Rondor Music, Rondor Music (Australia) Pty Ltd, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Chappell und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Sam & Dave3:15
18What a Diff’rence a Day Makes
recorded in:
New York, New York, Vereinigte Staaten (am 1959-02-19)
Produzent(in):
Clyde Otis (American songwriter and record producer)
baritone saxophone:
Charles Davis (saxophone player) (am 1959-02-19)
flute:
Jerome Richardson (am 1959-02-19)
Gitarre:
Kenny Burrell (am 1959-02-19)
Klavier:
Joe Zawinul (jazz and fusion keyboard player) (am 1959-02-19)
Kontrabass:
Milt Hinton (am 1959-02-19)
Schlagzeug:
Panama Francis (US swing jazz drummer) (am 1959-02-19)
Sologesang:
Dinah Washington (am 1959-02-19)
vocals:
Dinah Washington (am 1959-02-19)
Orchester:
Belford Hendricks' Orchestra (am 1959-02-19)
conductor:
Belford Hendricks (composer, pianist, conductor, arranger and record producer) (am 1959-02-19)
arranger:
Belford Hendricks (composer, pianist, conductor, arranger and record producer)
cover recording of:
What a Diff’rence a Day Made (am 1959-02-19)
Texter:
Stanley Adams (US lyricist & songwriter)
Komponist(in):
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC und Zomba Golden Sands Enterprises, Inc.
basiert auf:
Cuando vuelva a tu lado
Dinah Washington2.82:31
19Why Can’t We Live Together
recording of:
Why Can’t We Live Together
Texter und Komponist(in):
Timmy Thomas
publisher:
EMI Longitude Music, Sherlyn Music, Southern Music Publishing Company Limited und ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Timmy Thomas3:43
20Let It Be Me
Interpret(in):
Betty Everett (US 1950–80s soul singer & pianist)
Jerry Butler & Betty Everett2:49