La Divina: Maria Callas in All Her Roles 1

~ Release by Maria Callas (see all versions of this release, 3 available)

Tracklist

1▶CD: Vincenzo Bellini: Norma (Act 1, Scene 1) (Studio, Recorded 1954)
2▶CD: Vincenzo Bellini: Norma (Act 1, Scene 2) (Studio, Recorded 1954)
3▶CD: Vincenzo Bellini: Norma (Act 2) (Studio, Recorded 1954)
4▶CD: Vincenzo Bellini: Norma (Act 1 beginning) (Studio, Recorded 1960)
5▶CD: Vincenzo Bellini: Norma (Act 1 conclusion) (Studio, Recorded 1960)
6▶CD: Vincenzo Bellini: Norma (Act 2) (Studio, Recorded 1960)
7▶CD: Vincenzo Bellini: I puritani (Act 1) (Studio, Recorded 1953)
8▶CD: Vincenzo Bellini: I puritani (Acts 2 & 3) (Studio, Recorded 1953)
9▶CD: Vincenzo Bellini: La sonnambula (Act 1) (Studio, Recorded 1957)
10▶CD: Vincenzo Bellini: La sonnambula (Act 2) (Studio, Recorded 1957)
11▶CD: Georges Bizet: Carmen (Act 1, Act 2 beginning) (Studio, Recorded 1964)
12▶CD: Georges Bizet: Carmen (Act 2 conclusion, Acts 3 & 4) (Studio, Recorded 1964)
13▼CD: Luigi Cherubini: Medea (Act 1) (Studio, Recorded 1957)
#TitleArtistRatingLength
1Medea: Sinfonia (Orchestra)
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Médée: Overture (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
part of:
Medea (Italian translation of Franz Lachner's 1855 German version of the Cherubini/Hoffmann French opéra-comique Médée)
part of:
Médée
Luigi Cherubini6:56
2Medea: Act I. “Che? Quando già corona Amor” (Ancelle, Coro, Glauce)
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-09-12 until 1957-09-19)
soprano vocals [Glauce]:
Renata Scotto (operatic soprano) (from 1957-09-12 until 1957-09-19)
soprano vocals [Prima ancella]:
Lidia Morimpietri (soprano) (from 1957-09-12 until 1957-09-19)
soprano vocals [Seconda ancella]:
Elvira Galassi (soprano / mezzo-soprano) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
chorus master:
Norberto Mola (chorus master) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto I. Introduzione “Quando già corona Amor“ (Ancelle di Glauce, Glauce, coro) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto I
Luigi Cherubini6:55
3Medea: Act I. “O Amore, vieni a me!” (Glauce)
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
soprano vocals [Glauce]:
Renata Scotto (operatic soprano) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto I. Aria “O Amore, vieni a me!” (Glauce) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto I
Luigi Cherubini5:14
4Medea: Act I. “No, non temer” (Creonte, Glauce, Giasone)
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
baritone vocals [Creonte]:
Giuseppe Modesti (operatic bass-baritone) (from 1957-09-12 until 1957-09-19)
soprano vocals [Glauce]:
Renata Scotto (operatic soprano) (from 1957-09-12 until 1957-09-19)
tenor vocals [Giasone]:
Mirto Picchi (tenor) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto I. Recitativo “No, non temer” (Creonte, Glauce) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto I
Luigi Cherubini2:10
5Medea: Act I. “O bella Glauce” (Coro, Glauce)
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-09-12 until 1957-09-19)
soprano vocals [Glauce]:
Renata Scotto (operatic soprano) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
chorus master:
Norberto Mola (chorus master) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto I. Marcia e coro “O bella Glauce” (coro, Glauce) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto I
Luigi Cherubini2:32
6Medea: Act I. “Colco! Pensier fatal!” (Glauce, Giasone, Creonte)
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
baritone vocals [Creonte]:
Giuseppe Modesti (operatic bass-baritone) (from 1957-09-12 until 1957-09-19)
soprano vocals [Glauce]:
Renata Scotto (operatic soprano) (from 1957-09-12 until 1957-09-19)
tenor vocals [Giasone]:
Mirto Picchi (tenor) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto I. “Ah, Colco! Pensier fatal!” (Glauce, Giasone, Creonte) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto I
Luigi Cherubini1:56
7Medea: Act I. “Or che più non vedrò” (Giasone)
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
tenor vocals [Giasone]:
Mirto Picchi (tenor) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto I. Aria “Or che più non vedrò” (Giasone) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto I
Luigi Cherubini2:36
8Medea: Act I. “Ah, già troppo turbò” (Creonte)
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
baritone vocals [Creonte]:
Giuseppe Modesti (operatic bass-baritone) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto I. “Ah! Già troppo turbò” (Creonte) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto I
Luigi Cherubini0:36
9Medea: Act I. “Pronube dive” (Creonte, Coro, Glauce, Giasone)
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
baritone vocals [Creonte]:
Giuseppe Modesti (operatic bass-baritone) (from 1957-09-12 until 1957-09-19)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-09-12 until 1957-09-19)
soprano vocals [Glauce]:
Renata Scotto (operatic soprano) (from 1957-09-12 until 1957-09-19)
tenor vocals [Giasone]:
Mirto Picchi (tenor) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
chorus master:
Norberto Mola (chorus master) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto I. Terzetto e coro “Pronube dive” (Creonte, coro, Glauce, Giasone) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto I
Luigi Cherubini3:58
10Medea: Act I. “Signor! Ferma una donna” (Capo delle guardie, Creonte, Medea, Giasone, Glauce, Coro)
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
baritone vocals [Creonte]:
Giuseppe Modesti (operatic bass-baritone) (from 1957-09-12 until 1957-09-19)
bass vocals [Capo delle guardie]:
Alfredo Giacomotti (operatic bass) (from 1957-09-12 until 1957-09-19)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-09-12 until 1957-09-19)
soprano vocals [Glauce]:
Renata Scotto (operatic soprano) (from 1957-09-12 until 1957-09-19)
soprano vocals [Medea]:
Maria Callas (soprano) (from 1957-09-12 until 1957-09-19)
tenor vocals [Giasone]:
Mirto Picchi (tenor) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
chorus master:
Norberto Mola (chorus master) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto I. “Signor! Ferma una donna a vostre soglie sta” (Capitano, Creonte, Medea, Giasone, Glauce, coro) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto I
recording of:
Medea: Atto I. Terzetto e coro “Pronube dive” (Creonte, coro, Glauce, Giasone) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto I
Luigi Cherubini4:10
11Medea: Act I. “Qui tremar devi tu” (Creonte, Glauce, Coro)
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
baritone vocals [Creonte]:
Giuseppe Modesti (operatic bass-baritone) (from 1957-09-12 until 1957-09-19)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-09-12 until 1957-09-19)
soprano vocals [Glauce]:
Renata Scotto (operatic soprano) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
chorus master:
Norberto Mola (chorus master) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto I. Aria “Qui tremar devi tu” (Creonte, Glauce, coro) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto I
Luigi Cherubini2:14
12Medea: Act I. “Taci, Giason” (Medea, Giasone)
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
soprano vocals [Medea]:
Maria Callas (soprano) (from 1957-09-12 until 1957-09-19)
tenor vocals [Giasone]:
Mirto Picchi (tenor) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto I. Recitativo “Taci, Giasone“ (Medea, Giasone) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto I
Luigi Cherubini2:27
13Medea: Act I. “Dei tuoi figli la madre” (Medea)
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
soprano vocals [Medea]:
Maria Callas (soprano) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto I. Aria “Dei tuoi figli la madre” (Medea) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini (in 1909)
part of:
Medea: Atto I
Luigi Cherubini4:26
14Medea: Act I. “Son vane qui minacce” (Giasone)
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
tenor vocals [Giasone]:
Mirto Picchi (tenor) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto I. “Son vane qui minacce” (Giasone) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto I
recording of:
Medea: Atto I. Aria “Dei tuoi figli la madre” (Medea) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini (in 1909)
part of:
Medea: Atto I
Luigi Cherubini0:31
15Medea: Act I. “Nemici senza cor” (Medea, Giasone)
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
soprano vocals [Medea]:
Maria Callas (soprano) (from 1957-09-12 until 1957-09-19)
tenor vocals [Giasone]:
Mirto Picchi (tenor) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto I. Duetto “Nemici senza core” (Medea, Giasone) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto I
Luigi Cherubini4:23
14▶CD: Luigi Cherubini: Medea (Acts 2 & 3) (Studio, Recorded 1957)
15▶CD: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (Studio, Recorded 1953)
16▶CD: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (Studio, Recorded 1953)
17▶CD: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (Studio, Recorded 1959)
18▶CD: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (Studio, Recorded 1959)
19▶CD: Ruggero Leoncavallo: I pagliacci (Studio, Recorded 1954)
20▶CD: Pietro Mascagni: Cavalleria rusticana (Studio, Recorded 1953)
21▶CD: Amilcare Ponchielli: La Gioconda (Act 1) (Studio, Recorded 1952)
22▶CD: Amilcare Ponchielli: La Gioconda (Act 2) (Studio, Recorded 1952)
23▶CD: Amilcare Ponchielli: La Gioconda (Acts 3 & 4) (Studio, Recorded 1952)
24▶CD: Amilcare Ponchielli: La Gioconda (Act 1) (Studio, Recorded 1959)
25▶CD: Amilcare Ponchielli: La Gioconda (Act 2) (Studio, Recorded 1959)
26▶CD: Amilcare Ponchielli: La Gioconda (Acts 3 & 4) (Studio, Recorded 1959)
27▶CD: Giacomo Puccini: La bohème (Acts 1 & 2) (Studio, Recorded 1956)
28▶CD: Giacomo Puccini: La bohème (Acts 3 & 4) (Studio, Recorded 1956)
29▶CD: Giacomo Puccini: Madama Butterfly (Act 1, Act 2 beginning) (Studio, Recorded 1955)
30▶CD: Giacomo Puccini: Madama Butterfly (Act 2 conclusion) (Studio, Recorded 1955)
31▶CD: Giacomo Puccini: Manon Lescaut (Acts 1 & 2) (Studio, Recorded 1957)
32▶CD: Giacomo Puccini: Manon Lescaut (Acts 3 & 4) (Studio, Recorded 1957)
33▶CD: Giacomo Puccini: Tosca (Act 1) (Studio, Recorded 1953)
34▶CD: Giacomo Puccini: Tosca (Acts 2 & 3) (Studio, Recorded 1953)
35▶CD: Giacomo Puccini: Tosca (Act 1) (Studio, Recorded 1964 & 1965)
36▶CD: Giacomo Puccini: Tosca (Acts 2 & 3) (Studio, Recorded 1964 & 1965)
37▶CD: Giacomo Puccini: Turandot (Acts 1 & 2) (Studio, Recorded 1957)
38▶CD: Giacomo Puccini: Turandot (Acts 3) (Studio, Recorded 1957)
39▶CD: Gioachino Rossini: Il barbiere di Siviglia (Act 1 beginning) (Studio, Recorded 1957)
40▶CD: Gioachino Rossini: Il barbiere di Siviglia (Act 1 conclusion, Act 2) (Studio, Recorded 1957)
41▶CD: Gioachino Rossini: Il turco in Italia (Act 1) (Studio, Recorded 1954)
42▶CD: Gioachino Rossini: Il turco in Italia (Act 2) (Studio, Recorded 1954)
43▶CD: Giuseppe Verdi: Aida (Acts 1 & 2) (Studio, Recorded 1955)
44▶CD: Giuseppe Verdi: Aida (Acts 3 & 4) (Studio, Recorded 1955)
45▶CD: Giuseppe Verdi: Un ballo in maschera (Act 1, Act 2 beginning) (Studio, Recorded 1956)