The Best of 1980–1990, Vol. II

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Don’t Worry Be Happy
Produzent(in):
Linda Goldstein
phonographisches Urheberrecht (℗) von:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1988) und EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1988)
Musikvideos:
Don’t Worry, Be Happy von Bobby McFerrin
recording of:
Don’t Worry, Be Happy (in 1988)
Texter und Komponist(in):
Bobby McFerrin
Verfasser(in):
Steve Sidwell (English composer & wind instrumentalist)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Probnoblem Music
Bobby McFerrin3.553:56
2Jealous Guy
Produzent(in):
Rhett Davies und Bryan Ferry
Mix:
Bob Clearmountain
E-Gitarre:
Phil Manzanera
Keyboard:
David Skinner (Twice As Much)
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1981) und Northern Songs Ltd. (in 1981)
cover recording of:
Jealous Guy
Texter und Komponist(in):
John Lennon (The Beatles)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., Chappell Music Ltd., EMI Blackwood Music (Canada) Ltd., EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Lenono Music, Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. und Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
sub-publisher:
Fujipacific Music, Inc. Division 2
Revision von:
Child of Nature
Roxy Music46:13
3I Get Weak
Produzent(in):
Rick Nowels
recording of:
I Get Weak
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing International Ltd., Universal/MCA Music Ltd. (not for release label use!) und Realsongs (in 1987)
Belinda Carlisle4.54:15
4I Got You Babe
Interpret(in):
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
cover recording of:
I Got You Babe
Texter und Komponist(in):
Sonny Bono
publisher:
Carlin Music, Chris Marc Music, Cotillion Music (BMI) und Warner/Chappell Music Ltd. (1996–2019)
UB40 & Chrissie Hynde2:52
5Self Control
leitende(r) Produzent(in):
Jack White (German producer Horst Nußbaum)
Produzent(in):
Robbie Buchanan (Canadian producer) und Jack White (German producer Horst Nußbaum)
arranger:
Robbie Buchanan (Canadian producer) und Harold Faltermeier
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
Musikvideos:
Self Control von Laura Branigan
cover recording of:
Self Control (in 1984)
Texter:
Steve Piccolo
zusätzliche(r) Verfasser(in):
Harro Steffen
Komponist(in):
Giancarlo Bigazzi und Raffaele Riefoli (Italian pop singer)
publisher:
Careers Music, Inc., Edition Sunrise Publishing Inc., Sugar Musik Verlags GmbH (publisher) und Sugarmusic Spa (publisher, do NOT use as label)
Laura Branigan4.33:59
6Girl I’m Gonna Miss You
Produzent(in):
Frank Farian
phonographisches Urheberrecht (℗) von:
Hansa (in 1989)
produced for:
Far Music Production
Musikvideos:
Girl I’m Gonna Miss You von Milli Vanilli
recording of:
Girl I’m Gonna Miss You
Verfasser(in):
Frank Farian, Dietmar Kawohl und Peter Bishoph
publisher:
FAR Music (publisher for Frank Farian)
Milli Vanilli34:26
7Nothing’s Gonna Stop Me Now
Techniker(in):
Mark McGuire (UK producer/engineer)
Produzent(in):
Matt Aitken, Stock Aitken Waterman, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
Mix:
Mixmaster Pete Hammond (UK producer aka “Mixmaster”)
phonographisches Urheberrecht (℗) von:
Zomba Productions Ltd. (in 1987)
aufgenommen bei und mixed at:
PWL Studios (London) in London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Nothing’s Gonna Stop Me Now von Samantha Fox
recording of:
Nothing’s Gonna Stop Me Now
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
publisher:
All Boys Music Ltd. und Hammer Musik GmbH
Samantha Fox33:43
8Temptation
Produzent(in):
B.E.F. und Greg Walsh (producer and engineer)
vocals:
Carol Kenyon
Orchestrator(in):
John Wesley Barker (synthesizer player)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982, in 1983)
recording of:
Temptation
Verfasser(in):
Glenn Gregory, Ian Craig Marsh und Martyn Ware
publisher:
Cradle of Filth Music Ltd. (publishing company for British metal band Cradle of Filth), Sound Diagrams (publisher), Virgin Music (Publishers) Ltd. und Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
Heaven 173.653:34
9I Come Undone
assistierende(r) Techniker(in):
Michael Morgan (engineer fl. 1980s)
Techniker(in):
Arthur Payson
zusätzliche(r) Techniker(in):
David Dale
Produzent(in):
Desmond Child
Mix:
Chris Lord‐Alge
Bass:
John Seigler
Gitarre:
Richie Sambora
Keyboard [keyboards]:
Robbie Kondor
Perkussion:
Savron Hudson
Schlagzeug:
Michael Braun (drummer)
zusätzlich Keyboard [keyboards]:
Al Greenwood
Hintergrundgesang:
Diana Grasselli, Jennifer Rush, Ellen Shipley und Myriam Valle
Interpret(in):
Jennifer Rush
sound effects:
Savron Hudson
phonographisches Urheberrecht (℗) von:
CBS Schallplatten GmbH, Germany (in 1987)
aufgenommen bei:
Giant Sound Recording in New York, New York, Vereinigte Staaten, Quad Recording in New York, New York, Vereinigte Staaten und Skyline Studios in New York, Vereinigte Staaten
mixed at:
Unique Recording Studio in Manhattan, New York, New York, Vereinigte Staaten
recording of:
I Come Undone
Texter und Komponist(in):
Morrie Brown (songwriter / producer) und Ellen Shipley
publisher:
Shipwreck Music (publisher) und Wavemaker Music Group Inc.
Jennifer Rush4.654:08
10You Got It
Techniker(in):
Richard Dodd (mastering engineer, producer and engineer), Phil McDonald (engineer and producer) und Don Smith (producer, engineer and mixer)
Produzent(in):
Jeff Lynne
Akustikgitarre:
Roy Orbison (in 1988-04) und Tom Petty (in 1988-04)
Bassgitarre, E-Gitarre, Keyboard und Klavier:
Jeff Lynne (in 1988-04)
Perkussion und Schlagzeug:
Phil Jones (Percussionist) (in 1988-04)
Hintergrundgesang:
Jeff Lynne (in 1988-04), Roy Orbison (in 1988-04) und Tom Petty (in 1988-04)
Sologesang:
Roy Orbison (in 1988-04)
phonographisches Urheberrecht (℗) von:
Roys Boy’s, LLC (in 1989, in 2014) und Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1989)
aufgenommen bei:
F.P.S.H.O.T. (Friar Park Studio) in Henley-on-Thames, Oxfordshire, England, Vereinigtes Königreich (in 1988-04), M.C. Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1988-04) und Rumbo Recorders in Canoga Park, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1988-04)
recording of:
You Got It (in 1988-04)
Verfasser(in):
Jeff Lynne, Roy Orbison und Tom Petty
publisher:
EMI Songs, Gone Gator Music (ASCAP affiliated), Island Music Ltd., MCA Gilbey, Mushroom Music (Mushroom label’s publishing company) und SBK Songs Ltd.
Roy Orbison4.553:32
11Karma Chameleon
Techniker(in):
Simon Frith, Simon Humphrey, Gordon Milne (engineer) und Mike Ross‐Trevor (engineer)
Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist) (in 1983)
E-Sitars, Gitarre, Keyboard, Klavier und Sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
Gast-Keyboard:
Phil Pickett (songwriter, producer, keyboard player) (in 1983)
Gast-Mundharmonika:
Judd Lander (in 1983)
Perkussion und Schlagzeug:
Jon Moss (in 1983)
Hintergrundgesang:
Helen Terry (UK singer) (in 1983)
Sologesang:
Boy George (in 1983)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2002, in 2003)
aufgenommen bei:
CBS Studios (London, 1972–1989) in London (Greater London), England, Vereinigtes Königreich (in 1983) und Red Bus Studios in London (Greater London), England, Vereinigtes Königreich (in 1983)
Musikvideos:
Karma Chameleon von Culture Club (English pop group)
recording of:
Karma Chameleon (in 1983)
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss und Phil Pickett (songwriter, producer, keyboard player)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) und BMG VM Music Ltd. (vom 2013-05 bis heute)
Culture Club44:13
12Private Dancer
Produzent(in):
Carter
Solo-Gitarre:
Jeff Beck (English rock guitarist)
Sologesang:
Tina Turner
remixer:
Humberto Gatica
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
Private Dancer
Texter und Komponist(in):
Mark Knopfler
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Rondor Music (London) Ltd., Shinko Music Entertainment Co., Ltd., Straitjacket Songs Ltd., Universal Music Publishing France (not for release label use!) und Universal Music Publishing, Synch Division
Tina Turner3.54:05
13Maid of Orleans
Techniker(in):
Howard Gray (UK producer, engineer, and electronic musician) und Brian Tench
Produzent(in):
Richard Manwaring (Producer) und Orchestral Manoeuvres in the Dark
phonographisches Urheberrecht (℗) von:
Dindisc (in 1981), Dinsong Limited (in 1981) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1981)
recording of:
Joan of Arc (Maid of Orleans)
Texter und Komponist(in):
Andy McCluskey
publisher:
April Musikverlag GmbH (publisher), Dinsong Ltd., EMI Virgin Music Ltd. (do not use this as a release label!) und Virgin Music (Publishers) Ltd.
Orchestral Manoeuvres in the Dark2.54:10
14Golden Brown
Koproduzent(in):
Steve Churchyard
Produzent(in):
Steve Churchyard und The Stranglers
Mix:
Tony Visconti
Interpret(in):
The Stranglers
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recording of:
Golden Brown
Verfasser(in):
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) und Dave Greenfield
publisher:
Complete Music, Complete Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. und Plumbshaft-Ltd.
The Stranglers4.453:29
15People Are People
Techniker(in):
Gareth Jones (UK producer/engineer)
Produzent(in):
Depeche Mode, Gareth Jones (UK producer/engineer) und Daniel Miller (British music producer and founder of Mute Records)
Sologesang:
Dave Gahan (in 1984-01)
phonographisches Urheberrecht (℗) von:
Mute Records (not for release label use! early 80s copyright for Mute) (in 1984) und Mute Records Ltd. (not for release label use! original company behind the Mute label) (in 1984)
aufgenommen bei:
Hansa Studios in Berlin, Deutschland (in 1984-01) und Music Works Studio in London (Greater London), England, Vereinigtes Königreich (in 1984-01)
mixed at:
Hansa Mischraum in Berlin, Deutschland
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 361)
recording of:
People Are People
Texter und Komponist(in):
Martin L. Gore
publisher:
Grabbing Hands Ltd. und Sonet (Scandinavia)
Depeche Mode4.33:54
16Heart and Soul
Techniker(in):
Jerry Napier
Produzent(in):
Roy Thomas Baker (producer)
andere Instrumente [other bits] und Solo-Gitarre [guitar solos]:
Taj Wyzgowski
andere Instrumente [some bits] und Gitarre [rhythm guitar]:
Ron Rogers (Ronald Phillip Rogers, T'Pau)
Bass:
Paul Jackson (T'Pau bassist)
Keyboard [keyboards]:
Michael Chetwood
Perkussion und Schlagzeug [drums]:
Tim Burgess (T'Pau drummer)
vocals:
Carol Decker
phonographisches Urheberrecht (℗) von:
Siren Records Ltd. (company and copyrights holder. File NO releases) (in 1987)
produced for:
RTB Audio Visual Productions USA (Also credited as R.T.B. Audio Visual Productions Inc., RTB Audio Visual Productions (USA) Inc. and other similar variants)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 69)
recording of:
Heart and Soul
Verfasser(in):
Carol Decker und Ron Rogers (Ronald Phillip Rogers, T'Pau)
publisher:
AMP Publishing Ltd und Virgin Music (Publishing) Ltd.
T’Pau4.254:17
17Shadow on the Wall
Gast Sologesang:
Roger Chapman
Interpret(in):
Roger Chapman
phonographisches Urheberrecht (℗) von:
Mike Oldfield (in 2013)
recording of:
Shadow on the Wall
Texter und Komponist(in):
Mike Oldfield
publisher:
Virgin Music (Publishers) Ltd.
Mike Oldfield4.55:09
18Walking on Sunshine
recorded in:
England, Vereinigtes Königreich
assistierende(r) Techniker(in):
Jon Goldberger (engineer)
Techniker(in) und Mix:
Scott Litt (producer and engineer)
Produzent(in):
Pat Collier und Katrina and the Waves (British‐American rock band)
zusätzliche(r) Produzent(in):
Scott Litt (producer and engineer)
Bassgitarre:
Vince de la Cruz
Gast-Blechblasinstrumente [Rumour Brass Section]:
Ray Beavis, Dick Hanson und John "Irish" Earl (Irish saxophonist)
Gast-Orgel:
Nick Glennie‐Smith
Gitarre [lead guitar]:
Kimberley Rew
Gitarre [rhythm guitar] und Sologesang:
Katrina Leskanich
Perkussion und Schlagzeug:
Alex Cooper (drummer, member of “Katrina and the Waves”)
Hintergrundgesang:
Alex Cooper (drummer, member of “Katrina and the Waves”), Vince de la Cruz und Kimberley Rew
Blechblasinstrumente arranger:
Eamon Fitzpatrick
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1985)
aufgenommen bei:
Alaska Studios in London (Greater London), England, Vereinigtes Königreich und Greenhouse Studio (London) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1984-12 bis 1985-03)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 91) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 378)
recording of:
Walking on Sunshine
Texter:
Kimberley Rew (in 1983)
Komponist(in):
Kimberley Rew
publisher:
EMI Music Publishing (do not use as a release label!), Kyboside Music, Megasongs Limited, Pondwater Music und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Katrina and the Waves3.953:59
2▶CD
3▶CD

Nennungen

Veröffentlichungsgruppe

Teil von:The Best of 1980–1990 (Nummer: 2) (Reihenfolge: 2)
Discogs:https://www.discogs.com/master/238132 [Info]