Summertime

~ Veröffentlichung von Louis Armstrong (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1You Rascal You
recording of:
I’ll Be Glad When You’re Dead, You Rascal You
Texter und Komponist(in):
Sam Theard
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Louis Armstrong with Louis Jordan3:07
2Do You Know What It Means to Miss New Orleans
recording of:
Do You Know What It Means to Miss New Orleans
Texter:
Eddie DeLange und Cathrine Legardh
Verfasser(in):
Louis Alter und Eddie DeLange
Komponist(in):
Louis Alter
Louis Armstrong3:04
3Where the Blues Were Born in New Orleans
recording of:
Where the Blues Were Born in New Orleans
Verfasser(in):
Bob Carleton und Charlie Dixon (Jazz banjoist)
Louis Armstrong3:09
4Sugar
cover recording of:
Sugar (That Sugar Baby o’ Mine)
Verfasser(in):
Edna Pinkard, Sidney Mitchell und Maceo Pinkard
Komponist(in):
Edna Alexander, Sidney Mitchell und Maceo Pinkard
publisher:
EMI Robbins Catalog (ASCAP) und Robbins Music Corp.
Louis Armstrong3:25
5(What Did I Do to Be So) Black and Blue
recording of:
Black and Blue
Texter:
Harry Brooks (jazz pianist & songwriter) und Andy Razaf
Komponist(in):
Fats Waller
publisher:
Memory Lane Music Ltd. und Redwood Music Ltd. (Carlin)
Louis Armstrong4:26
6Old Rockin’ Chair
recording of:
Rockin’ Chair (1929 Hoagy Carmichael song)
Texter:
Hoagy Carmichael
Komponist(in):
Hoagy Carmichael (in 1929)
publisher:
Songs of Peer, Ltd. (ASCAP)
Louis Armstrong5:04
7When the Saints Go Marching In
recording of:
When the Saints Go Marching In (Louis Armstrong’s version)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Louis Armstrong
Version von:
When the Saints Go Marching In
Louis Armstrong2:41
8I’m in the Mood for Love
recording of:
I’m in the Mood for Love
Texter:
Dorothy Fields (American librettist and lyricist)
Verfasser(in):
James Moody (jazz saxophonist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
CBS Hastings Catalog inc. und SBK Robbins Catalog, Inc.
Version von:
I’m in the Mood for Love
Louis Armstrong3:09
9Basin Street Blues
recording of:
Basin Street Blues
Texter und Komponist(in):
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Louis Armstrong5:12
10Gee Baby Ain’t I Good to You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-07-23)
Gitarre:
Herb Ellis (jazz guitarist) (am 1957-07-23)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1957-07-23)
Kontrabass:
Ray Brown (jazz bassist) (am 1957-07-23)
Schlagzeug:
Louie Bellson (am 1957-07-23)
Trompete:
Louis Armstrong (am 1957-07-23)
vocals:
Louis Armstrong (am 1957-07-23) und Ella Fitzgerald (American jazz singer) (am 1957-07-23)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1957-07-23)
cover recording of:
Gee, Baby Ain’t I Good to You (am 1957-07-23)
Texter:
Andy Razaf
Komponist(in):
Don Redman
publisher:
Michael H. Goldsen Inc. und Razaf Music
Teil von:
The Real Book (compilation of jazz standards, volume I)
Louis Armstrong with Ella Fitzgerald4:12
11Willow Weep for Me
Techniker(in):
Val Valentin (in 1957)
Produzent(in):
Norman Granz (in 1957)
Gitarre:
Herb Ellis (jazz guitarist) (in 1957)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1957)
Kontrabass:
Ray Brown (jazz bassist) (in 1957)
Schlagzeug:
Louie Bellson (in 1957)
Trompete:
Louis Armstrong (in 1957)
vocals:
Louis Armstrong (in 1957)
cover recording of:
Willow Weep for Me (in 1957)
Texter und Komponist(in):
Ann Ronell (in 1932)
publisher:
Ann Ronell Music und Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Louis Armstrong44:19
12You Can’t Lose a Broken Heart
recording of:
You Can’t Lose a Broken Heart
Texter:
Flournoy E. Miller
Komponist(in):
James P. Johnson
Louis Armstrong with Billie Holiday3:15
13Don’t Get Around Much Anymore
recording of:
Don’t Get Around Much Anymore
Texter:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. und Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Version von:
Never No Lament
Louis Armstrong3:39
14Sweet Lorraine
recording of:
Sweet Lorraine
Texter:
Mitchell Parish (in 1928)
Komponist(in):
Cliff Burwell (in 1928)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. und Mills Music, Inc.
Louis Armstrong5:13
15Stompin’ at the Savoy
Gitarre:
Herb Ellis (jazz guitarist) (am 1957-07-23)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1957-07-23)
Kontrabass:
Ray Brown (jazz bassist) (am 1957-07-23)
Schlagzeug:
Louie Bellson (am 1957-07-23)
Trompete:
Louis Armstrong (am 1957-07-23)
vocals:
Louis Armstrong (am 1957-07-23) und Ella Fitzgerald (American jazz singer) (am 1957-07-23)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1957-07-23)
cover recording of:
Stompin’ at the Savoy (am 1957-07-23)
Texter:
Andy Razaf
Komponist(in):
Benny Goodman (clarinetist and bandleader), Edgar Sampson und Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Louis Armstrong with Ella Fitzgerald3.655:15
16I Gotta Right to Sing the Blues
recording of:
I Gotta Right to Sing the Blues
Texter:
Ted Koehler (in 1932)
Komponist(in):
Harold Arlen (in 1932)
publisher:
Warner Bros., Inc. (not for release label use!)
Louis Armstrong3:55
17Top Hat, White Tie and Tails
recording of:
Top Hat, White Tie and Tails (from “Top Hat”)
Texter und Komponist(in):
Irving Berlin (in 1935)
Teil von:
Top Hat (1935 film)
Louis Armstrong4:12
18Let’s Call the Whole Thing Off
cover recording of:
Let’s Call the Whole Thing Off (from “Shall We Dance”)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
übersetzte Version von:
Vamos a dejarlo ya (Let's Call the Whole Thing Off)
Teil von:
Shall We Dance (1937 film soundtrack)
Louis Armstrong with Ella Fitzgerald4:13
19A Kiss to Build a Dream On
recording of:
A Kiss to Build a Dream On
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1935) und Bert Kalmar (in 1935)
Komponist(in):
Harry Ruby (in 1935)
publisher:
EMI Miller Catalog, Inc.
Teil von:
The 24th Academy Award for Best Original Song (Nummer: 2)
Teil von:
Fallout 2: A Post Nuclear Role Playing Game
Teil von:
The Strip (1951 film)
Louis Armstrong3:02
20We’ll Be Together Again
recording of:
We’ll Be Together Again
Texter:
Frankie Laine
Komponist(in):
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Cares Music, Cares Music Company, EDM Music, Fischer-Carey Music Co., Marmor Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Ltd., Sparta Florida Music Group Ltd., Terry Fischer Music Co., ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Louis Armstrong4:04