Baroque Gold

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1Musica sull'acqua - Alla Hornpipe dalla Suite n.2 in re magg. HWV 349
recording engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Wolf Erichson (engineer/producer)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1990-12)
balance engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion) (in 1990-12)
concertmaster:
Guillermo Figueroa (in 1990-12)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1990-12)
recording of:
Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe (in 1990-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 2 in D major, HWV 349
Georg Friedrich Händel2:45
2Variazioni Goldberg BWV 988 - Aria
harpsichord:
Ottavio Dantone (harpsichordist, organist and conductor) (from 2003-06-01 until 2003-06-03)
recorded at:
Salone d'Onore di Casa Romei (Ferrara) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 2003-06-01 until 2003-06-03)
recording of:
Goldberg-Variationen, BWV 988: Aria (opening) (from 2003-06-01 until 2003-06-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach4:31
3Vespro Della Beata Vergine - Deus in adiutorium
choir vocals:
Regensburger Domspatzen (Regensburg Cathedral Choir, German / Regensburger cathedral choir)
orchestra:
Hamburger Bläserkreis für Alte Musik
conductor:
Hanns‐Martin Schneidt (harpsichordist, organist, conductor)
recording of:
Vespro della Beata Vergine, SV 206: I. "Deus in adiutorium" / II. Toccata "Domine ad adiuvandum"
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi2:13
4"l'Inverno" - Largo Le quattre stagione op. 8 - concerto n.4 in fa min. RV 297
recorded in:
Cremona, Cremona (Province of Cremona), Lombardia, Italy (in 1987-09)
engineer:
Roger de Schot
producer:
Erik Smith (British producer, pianist and harpsichordist)
editor:
Fiona Gale and Albert Kos (engineer/editor)
violin:
Salvatore Accardo (violinist and conductor) (in 1987-09)
orchestra:
I solisti delle settimane musicali internazionali di Napoli (in 1987-09)
balance engineer:
Hans Lauterslager
phonographic copyright (℗) by:
Philips Digital Classics (this may likely be a series than an actual label) (in 1988)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo (in 1987-09)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi2:28
5Minuetto I/II dalla Partita no.1 in si bem.magg. BWV825
piano:
Ramin Bahrami (pianist)
recording of:
Partita no. 1 in B-flat major, BWV 825: V. Menuet I
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 1 in B-flat major, BWV 825
recording of:
Partita no. 1 in B-flat major, BWV 825: VI. Menuet II
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Johan Sebastian Bach: Paraphrase Über Die Partita No. 1 in B-Dur: Reprise
part of:
Partita no. 1 in B-flat major, BWV 825
Johann Sebastian Bach2:34
6Adagio dal Concerto per oboe e archi in re min. op. 9 n. 2
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch
oboe:
David Reichenberg (oboist) (in 1984-06)
orchestra:
The English Concert (in 1984-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1984-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1984-06)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1984-06)
recording of:
Concerto for Oboe in D minor, op. 9 no. 2: II. Adagio (in 1984-06)
composer:
Tomaso Giovanni Albinoni (Italian Baroque composer)
part of:
Concerto for Oboe in D minor, op. 9 no. 2
Tomaso Giovanni Albinoni4:02
7Sonata K450 in sol min. - Allegrissimo
Domenico Scarlatti2:56
8La Poule
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Nouvelles Suites de Pièces de Clavecin: La Poule
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Nouvelles Suites de Pièces de Clavecin: Suite in G major/G minor
Jean‐Philippe Rameau2:59
9Largo dal Concerto per clavicembalo e archi in fa min. BWV 1056
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1980-11)
orchestra:
The English Concert (in 1980-11)
conductor and concertmaster:
Trevor Pinnock (conductor / harpsichord) (in 1980-11)
balance engineer:
Karl-August Naegler (balance engineer) and Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1981)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1980-11, in 1981-02)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (in 1980-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
Johann Sebastian Bach2:53
10Musica da tavola - Vivace dal Quartetto in sol magg. (excerpt)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne)
conductor:
Reinhard Goebel (violinist and conductor)
Georg Philipp Telemann2:30
11"Che farò senza Euridice?" da Orfeo ed Euridice
mezzo-soprano vocals [Orfeo]:
Teresa Berganza (mezzo-soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Alexander Gibson (conductor)
recording of:
Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo)
composer:
Christoph Willibald Gluck (composer)
librettist:
Ranieri de’ Calzabigi
part of:
Orfeo ed Euridice, Wq. 30: Atto III (Italian version)
Christoph Willibald Gluck3:53
12Concerto Brandeburghese n. 3 in sol magg. BWV 1048 - Allegro
producer:
Hans Weber (producer/engineer)
harpsichord:
Edith Picht‐Axenfeld (pianist / harpsichordist) (from 1964-08-17 until 1964-08-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-08-17 until 1964-08-24)
conductor:
Herbert von Karajan (conductor) (from 1964-08-17 until 1964-08-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-08-17 until 1964-08-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (from 1964-08-17 until 1964-08-24)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro (from 1964-08-17 until 1964-08-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach6:52
13Concerto grosso in sol min. op. 8 n. 6 - Grave. Vivace
producer:
Hans Weber (producer/engineer)
cello:
Ottomar Borwitzky (cellist) (from 1970-08-19 until 1970-08-23)
harpsichord:
Waldemar Döling (harpsichordist) (from 1970-08-19 until 1970-08-23) and Wolfgang Meyer (organist, harpsichordist) (from 1970-08-19 until 1970-08-23)
violin:
Thomas Brandis (violinist) (from 1970-08-19 until 1970-08-23) and Emil Maas (violinist) (from 1970-08-19 until 1970-08-23)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1970-08-19 until 1970-08-23)
conductor:
Herbert von Karajan (conductor) (from 1970-08-19 until 1970-08-23)
balance engineer:
Günter Hermanns (producer/engineer) (from 1970-08-19 until 1970-08-23)
recorded at:
Französische Kirche (St. Moritz) in St. Moritz, Graubünden, Switzerland (from 1970-08-19 until 1970-08-23)
recording of:
Concerto grosso in G minor, op. 8 no. 6 "Christmas Concerto": I. Grave - Vivace (from 1970-08-19 until 1970-08-23)
composer:
Giuseppe Torelli (violinist and composer)
part of:
Concerto grosso in G minor, op. 8 no. 6 "Christmas Concerto"
Giuseppe Torelli3:49
14"Gloria in excelsis Deo" dal Gloria in re magg. RV 589
miscellaneous support:
Charlotte Kriesch (task: coordination)
executive producer:
Dr. Peter Czornyj
producer:
Arend Prohmann (producer / editor)
choir vocals:
The English Concert Choir (in 1992-12)
orchestra:
The English Concert (in 1992-12)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1992-12)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1992-12)
recorded at:
Basilica di Santa Maria Maggiore in Roma (Rome), Roma, Lazio, Italy (in 1992-12)
recording of:
Gloria in D major, RV 589: I. Gloria in excelsis Deo (in 1992-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
Antonio Vivaldi2:24
15Capriccio sopra la Battaglia
harpsichord:
Christopher Hogwood (conductor, harpsichordist)
recording of:
Capriccio sopra la Battaglia, F 2.31
composer:
Girolamo Frescobaldi (composer) (in 1637)
part of:
Frescobaldi Thematic Catalogue Online (number: F 2.31)
part of:
Il primo libro de toccate (1637) (Il primo libro de toccate d’intavolatura di cimbalo et organo, partite di diverse arie et corrente, balletti, ciaccone, passachagli (Rome: Borboni, 1637))
Girolamo Frescobaldi3:04
16Concerto per violino in do min. BVW1060 - Adagio
recorded in:
London (Greater London), England, United Kingdom (in 1982-06)
oboe:
Heinz Holliger (Swiss oboist, composer, and conductor)
solo oboe:
Heinz Holliger (Swiss oboist, composer, and conductor) (in 1982-06)
solo violin and violin:
Gidon Kremer (violinist) (in 1982-06)
orchestra:
Academy of St Martin in the Fields (in 1982-06)
conductor:
Heinz Holliger (Swiss oboist, composer, and conductor) (in 1982-06)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1982-06)
recording of:
Concerto for Violin & Oboe in C minor, BWV 1060R: II. Adagio (reconstructed arrangement for violin & oboe of BWV 1060) (in 1982-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Concerto in C minor for Two Harpsichords, BWV 1060: II. Largo ovvero Adagio
is based on:
Concerto Pour Deux Clavecins, BWV 1060: II. Adagio (Arr. Pour Flutes) (Recorder consort arrangements)
part of:
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings)
Johann Sebastian Bach5:23
17Concerto per liuto in re magg. (trasc. per chitarra) - Largo
recording engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Hans‐Rudolf Müller (engineer) and Gregor Zielinsky (Balance engineer)
classical guitar:
Göran Söllscher (classical guitarist) (in 1984-09)
guitar:
Göran Söllscher (classical guitarist)
orchestra:
Camerata Bern (in 1984-09)
conductor:
Thomas Füri (violinist and conductor) (in 1984-09)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1984-09)
recorded at:
Studio Radio DRS in Bern, Bern (Canton of Bern), Switzerland (in 1984-09)
recording of:
Concerto for Lute in D major, RV 93: II. Largo (in 1984-09)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Lute in D major, RV 93
Antonio Vivaldi5:07
18Le Carrillon de Cithère
harpsichord:
George Malcolm (English harpsichordist, conductor)
recording of:
Quatorzième ordre de clavecin en ré majeur: No. 7. Le Carillon de Cythère
composer:
François Couperin (French composer of the Baroque era) (in 1722)
part of:
Quatorzième ordre de clavecin en ré majeur
François Couperin2:21
19Badinerie dalla Suite per orchestra n. 2 in si min. BWV 1067
engineer and balance engineer:
Karl-August Naegler (balance engineer)
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch
cello:
Anthony Pleeth (cellist) (in 1978-06)
double bass and violone:
Richard Webb (cellist) (in 1978-06)
flute:
Lisa Beznosiuk (flautist)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1978-06)
transverse flute:
Stephen Preston (flutist) (in 1978-06)
viola:
Trevor Jones (British violist, ex. Salomon Quartet) (in 1978-06)
violin:
Monica Huggett (violinist) (in 1978-06) and Simon Standage (English violinist and conductor) (in 1978-06)
orchestra:
The English Concert (in 1978-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1978-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1979) and Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-06)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (in 1978-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:35
20"Halleluja" dal Messiah
sound engineer:
Hans‐Peter Schweigmann (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch
editor:
Ulrich Vette (engineer)
choir vocals:
The English Concert Choir (in 1988-01)
orchestra:
The English Concert (in 1988-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-01)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1988)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-01)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (in 1988-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel3:55