Legends II

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Woman
tecnico:
Lee DeCarlo
produttore:
Jack Douglas, John Lennon (The Beatles) e Yoko Ono (Japanese‐American musician and artist)
voce principale:
John Lennon (The Beatles)
diritti fonografici (℗) detenuti da:
The David Geffen Company (legal rights relating to Geffen Records) (nel 1980) e Calderstone Productions Limited (nel 2016)
video musicali:
Woman di John Lennon (The Beatles)
registrazione di:
Woman
paroliere e compositore:
John Lennon (The Beatles)
editore:
Geffen/Kaye Music, Lenono Music e フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
John Lennon43:27
2Better Be Home Soon
tecnico di registrazione:
Tchad Blake
produttore:
Mitchell Froom
tecnico di missaggio:
Bob Clearmountain
basso elettrico [bass] :
Nick Seymour (Nicholas More Seymour)
batteria :
Paul Hester (Australian drummer for Crowded House/Split Enz)
chitarra e voce principale:
Neil Finn
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1988)
mixata per:
Fast Forward Productions, Ltd.
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 38)
registrazione di:
Better Be Home Soon
paroliere e compositore:
Neil Finn
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Kobalt Music Publishing Australia P/L, Mushroom Music (Mushroom label’s publishing company), Mushroom Music Pty. Ltd., Mushroom Music Publishing, Mushroom Publishing e Roundhead Music (BMI) (Neil Finn)
Crowded House3.53:08
3A Whiter Shade of Pale
produttore:
Denny Cordell
batteria ospite :
Bill Eyden
chitarra :
Ray Royer
chitarra basso :
David Knights
organo Hammond :
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
voce:
Gary Brooker
diritti fonografici (℗) detenuti da:
Onward Music Ltd. (nel 1967)
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 57) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 271)
registrazione di:
A Whiter Shade of Pale
paroliere:
Keith Reid
compositore:
Gary Brooker e Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
editore:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) e Westminster Music Ltd.
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
si basa su:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
si basa su:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.13:59
4Sister Golden Hair
assistente tecnico:
Tom Anderson (engineer)
tecnico:
Geoff Emerick (British recording engineer)
produttore:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
altri strumenti :
America (US folk/soft rock band)
batteria e percussione :
Willie Leacox
chitarra basso :
David Dickey (U.S. drummer and bassist)
voce:
America (US folk/soft rock band)
arrangiatore:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1975), Warner Music H.K. Ltd. (nel 1997) e Rhino Entertainment Company (not for release label use!) (nel 2011)
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 12) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 264)
registrazione di:
Sister Golden Hair
paroliere e compositore:
Gerald Beckley
editore:
Warner/Chappell Music Australia Pty. Ltd.
America4.13:16
5Brown Eyed Girl
tecnico di registrazione:
Brooks Arthur (il 1967-03-28)
produttore:
Bert Russell Berns
batteria :
Gary Chester (studio drummer and educator) (il 1967-03-28)
chitarra :
Al Gorgoni (guitarist, composer, arranger, and producer) (il 1967-03-28), Hugh McCracken (il 1967-03-28) e Van Morrison (il 1967-03-28)
chitarra basso :
Eric Gale (il 1967-03-28)
organo :
Garry Sherman (mid-20th century composer, arranger & conductor) (il 1967-03-28)
voce di accompagnamento:
The Sweet Inspirations (il 1967-03-28)
voce principale:
Van Morrison (il 1967-03-28)
esecutore:
Van Morrison (il 1967-03-28)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment Inc. (nel 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1967), Charly Records (nel 1968) e Exile Productions Ltd. (not for Label Release) (nel 1973)
registrata presso:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, Stati Uniti (il 1967-03-28) e A&R Recording Studio (original studio, 1958–1967) in New York, New York, Stati Uniti (il 1967-04-07)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 71) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 109)
registrazione di:
Brown Eyed Girl (dal 1967-03-28 al 1967-04-07)
paroliere e compositore:
Van Morrison
editore:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (nel 1967) e Polygram Publishing AB (nel 1992)
Van Morrison3.53:04
6Wouldn’t It Be Nice
tecnico:
Larry Levine (il 1966-01-22) e Ralph Valentin (dal 1966-03 al 1966-04)
produttore:
Brian Wilson (Beach Boys co‐founder)
basso elettrico :
Carol Kaye (il 1966-01-22) e Ray Pohlman (il 1966-01-22)
batteria :
Hal Blaine (U.S. studio drummer and percussionist) (il 1966-01-22)
chitarra :
Bill Pitman (il 1966-01-22)
chitarra a 12 corde :
Jerry Cole (il 1966-01-22)
chitarra basso :
Lyle Ritz (il 1966-01-22)
chitarra mandolino :
Barney Kessel (il 1966-01-22)
fisarmonica :
Carl Fortina (il 1966-01-22) e Frank Marocco (il 1966-01-22)
percussione :
Frank Capp (il 1966-01-22)
pianoforte :
Al De Lory (il 1966-01-22)
pianoforte [track piano] :
Larry Knechtel (il 1966-01-22)
sassofono baritono :
Jay Migliori (il 1966-01-22)
sassofono tenore :
Steve Douglas (American saxophonist, flautist and clarinetist) (il 1966-01-22) e Plas Johnson (il 1966-01-22)
tromba :
Roy Caton (trumpet player) (il 1966-01-22)
voce di accompagnamento:
Al Jardine (guitarist and singer) (il 1966-01-22), Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (il 1966-01-22), Carl Wilson (Beach Boys) (il 1966-01-22) e Dennis Wilson (Beach Boys) (il 1966-01-22)
voce principale:
Mike Love (Beach Boys) (il 1966-01-22) e Brian Wilson (Beach Boys co‐founder) (il 1966-01-22)
arrangiatore:
Brian Wilson (Beach Boys co‐founder)
registrata presso:
Columbia Studios (Hollywood, 1961–1972) in Hollywood, Los Angeles, California, Stati Uniti (il 1966-01-22) e Gold Star Studios in Hollywood, Los Angeles, California, Stati Uniti (il 1966-01-22)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 297)
registrazione di:
Wouldn’t It Be Nice (il 1966-01-22)
paroliere:
Tony Asher (US lyricist, worked on Pet Sounds), Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music (BMI), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Beach Boys4.42:26
7We’ve Gotta Get Out of This Place
produttore:
Mickie Most (English record producer)
voce:
Eric Burdon
diritti fonografici (℗) detenuti da:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (nel 1965) e Columbia Pictures Industries, Inc. (nel 1965)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 35), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 233)
registrazione di:
We Gotta Get Out of This Place
paroliere:
Cynthia Weil
compositore:
Barry Mann
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Francis, Day & Hunter (nel 1979)
sub-editore:
EMI Music Publishing Japan, Fujipacific Division (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Animals3.83:16
8In the Air Tonight
assistente tecnico:
Nick Launay e Karen Segal (engineer)
tecnico:
Hugh Padgham
assistente produttore:
Hugh Padgham
produttore:
Phil Collins (of Genesis) e Hugh Padgham
chitarra :
Daryl Stuermer (nel 1980)
chitarra basso :
John Giblin (nel 1980)
piano Rhodes, drum machine, batteria, sintetizzatore e vocoder e voce principale:
Phil Collins (of Genesis) (nel 1980)
violino :
Sharokav (nel 1980)
arrangiatore:
Phil Collins (of Genesis)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1981) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1981)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 35) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 291)
registrazione di:
In the Air Tonight (nel 1980)
paroliere e compositore:
Phil Collins (of Genesis)
editore:
EMI April Music Inc., Hit & Run Music (Publishers) Limited, Imagem Music, Philip Collins Ltd., Effectsound Ltd. (publisher) (nel 1980, nel 1981), Hit & Run Music (Publishing) Ltd (nel 1980) e Pun Music, Inc. (nel 1981)
parte di:
Risky Business (film soundtrack)
Phil Collins4.35:30
9Daydream Believer
produttore:
Chip Douglas
basso :
Chip Douglas (dal 1967-06-14 al 1967-08-09)
batteria :
Eddie Hoh (dal 1967-06-14 al 1967-08-09)
chitarra :
Michael Nesmith (dal 1967-06-14 al 1967-08-09)
percussione :
William E. Martin (dal 1967-06-14 al 1967-08-09)
pianoforte :
Peter Tork (dal 1967-06-14 al 1967-08-09)
tromba :
Pete Candoli (dal 1967-06-14 al 1967-08-09), Al Porcino (dal 1967-06-14 al 1967-08-09) e Manuel Stevens (dal 1967-06-14 al 1967-08-09)
trombone :
Richard Noel (trombonist) (dal 1967-06-14 al 1967-08-09)
trombone basso :
Richard Leith (trombonist) (dal 1967-06-14 al 1967-08-09) e Phil Teele (dal 1967-06-14 al 1967-08-09)
violino :
Nathan Kaproff (dal 1967-06-14 al 1967-08-09), George Kast (dal 1967-06-14 al 1967-08-09), Alex Murray (violinist) (dal 1967-06-14 al 1967-08-09) e Erno Neufeld (dal 1967-06-14 al 1967-08-09)
voce di accompagnamento:
Micky Dolenz (dal 1967-06-14 al 1967-08-09)
voce principale:
Davy Jones (The Monkees member) (dal 1967-06-14 al 1967-08-09)
arrangiatore corno e archi :
Shorty Rogers (trumpet)
video musicali:
Daydream Believer di The Monkees
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 39)
registrazione di:
Daydream Believer (dal 1967-06-14 al 1967-08-09)
paroliere e compositore:
John Stewart (singer-songwriter (Kingston Trio))
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Monkees4.652:58
10Who Can It Be Now
tecnico:
Jim Barbour e Peter McIan
tecnico aggiunto:
Paul Ray (70s/80s US engineer)
produttore:
Peter McIan
basso :
John Rees
batteria :
Jerry Speiser (drummer for Men at Work)
chitarra :
Colin Hay e Ron Strykert
sassofono :
Greg Ham (member of Men at Work)
voce:
Colin Hay
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1981, nel 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1981), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1982) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1996)
registrata presso:
Richmond Recorders in Melbourne, Victoria, Australia
registrazione di:
Who Can It Be Now?
paroliere e compositore:
Colin Hay
editore:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd. e EMI Songs Ltd.
Men at Work4.43:22
11The Tide Is High
assistente tecnico:
Gary Boatner (engineer) e Doug Schwartz (mastering engineer)
tecnico:
Lenise Bent
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Clem Burke (nel 1980)
chitarra :
Frank Infante (nel 1980) e Chris Stein (nel 1980)
chitarra basso :
Nigel Harrison (nel 1980)
percussione ospite :
Alex Acuña (nel 1980), Ollie E. Brown (US drummer, session musician & record producer) (nel 1980) e Emil Richards (nel 1980)
tastiera :
Jimmy Destri (nel 1980)
timpani :
Chris Stein (nel 1980)
voce di accompagnamento [girl-group backup vocals]:
The ‘B’ Girls e Deborah Harry
voce principale:
Deborah Harry (nel 1980)
arrangiatore strumenti:
Jimmie Haskell
diritti fonografici (℗) detenuti da:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1980), Chrysalis Records, Inc. (not for release label use!) (nel 1980, nel 2001), Capitol Records (imprint of Capitol Records, Inc.) (nel 2001), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 2001) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 2001)
registrata presso:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (nel 1980) e United Western Recorders in Hollywood, Los Angeles, California, Stati Uniti (nel 1980)
registrazione cover di:
The Tide Is High (nel 1980)
autore:
John Holt (nel 1967)
autore aggiunto:
Howard Barrett (nel 1967) e Tyrone Evans (nel 1967)
editore:
B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group e Sparta Florida Music Group Ltd.
Blondie4.154:43
12Sweet Talkin’ Woman
tecnico:
Mack (German rock producer/engineer Reinhold Mack)
produttore:
Jeff Lynne
basso :
Kelly Groucutt (nel 1977)
batteria e percussione :
Bev Bevan (English rock drummer) (nel 1977)
chitarra , sintetizzatore e voce principale:
Jeff Lynne (nel 1977)
tastiera :
Richard Tandy (keyboardist for Electric Light Orchestra) (nel 1977)
violino :
Mik Kaminski (nel 1977)
direttore d'orchestra:
Louis Clark (nel 1977)
arrangiatore:
Louis Clark, Jeff Lynne e Richard Tandy (keyboardist for Electric Light Orchestra)
diritti fonografici (℗) detenuti da:
Epic Records (J-pop label, established 1978; use ONLY for releases by Japanese domestic artists after 2001!) (nel 1977), Jet Records (nel 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1977, nel 2005) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977)
registrata presso:
Musicland Studios (Munich) in München (Munich), Bayern (Baviera), Germania (nel 1977)
mixata presso:
Musicland Studios (Munich) in München (Munich), Bayern (Baviera), Germania
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 86)
registrazione di:
Sweet Talkin’ Woman (nel 1977)
paroliere e compositore:
Jeff Lynne
editore:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Ltd., Polygon Publishing Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), Jet Music Inc. (nel 1977) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Electric Light Orchestra4.453:51
13Stuck in the Middle With You
tecnico di registrazione:
Geoff Emerick (British recording engineer) (nel 1972) e John Mills (recording/mix engineer) (nel 1972)
produttore:
Jerry Leiber e Mike Stoller
basso elettrico :
Tony Williams (bass) (nel 1972)
batteria :
Rod Coombes (nel 1972)
chitarra :
Paul Pilnick (nel 1972) e Gerry Rafferty (nel 1972)
tastiera :
Joe Egan (Scottish singer-songwriter) (nel 1972)
voce:
Joe Egan (Scottish singer-songwriter) (nel 1972) e Gerry Rafferty (nel 1972)
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1972) e A&M Records, Ltd. (nel 1972)
video musicali:
Stuck in the Middle With You di Stealers Wheel
registrazione di:
Stuck in the Middle With You (nel 1972)
paroliere e compositore:
Gerald Rafferty e Joe Egan (Scottish singer-songwriter)
editore:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. e Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealer's Wheel4.13:27
14Downhearted
tecnico:
Ross Cockle
produttore:
David Briggs (producer, guitarist of Little River Band)
armonica (a bocca) :
James Reyne
batteria :
Bill McDonough
chitarra e chitarra slide :
Simon Binks
percussione :
Bill McDonough e Derek Pellicci
sassofono :
Bill Harrower
tastiera :
Peter Jones (Australian pianist/composer), Mal Logan, Keith McKay e Eddie Rayner (New Zealand keyboardist, singer, songwriter & producer)
voce:
Bill McDonough, James Reyne, Brad Robinson, Mal Stainton e Paul Williams (bassist in 'Australian Crawl')
registrata presso e mixata presso:
AAV Studios (fka Armstrong Studios until 1974) in Melbourne, Victoria, Australia
registrazione di:
Downhearted (dal 1981-03 al 1981-04)
autore:
Sean Higgins (songwriter), Bill McDonough e Guy McDonough
editore:
Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Australian Crawl33:09
15Ain’t No Sunshine
tecnico di registrazione:
Bill Halverson (nel 1971) e Bill Lazarus (nel 1971)
produttore:
Booker T. Jones
tecnico di missaggio:
John Golden (mastering engineer)
basso elettrico :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (nel 1971)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (nel 1971)
chitarra acustica :
Stephen Stills (nel 1971)
voce principale:
Bill Withers (nel 1971)
arrangiatore archi :
Booker T. Jones
diritti fonografici (℗) detenuti da:
CBS Inc. (US broadcasting company; file no releases here!) (nel 1971) e Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1972)
parte di:
BILLIONS CLUB, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 179), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 280) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 309)
registrazione di:
Ain’t No Sunshine (nel 1971)
paroliere e compositore:
Bill Withers
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) e EMI Songs Ltd.
Bill Withers4.552:07
16I’m Not in Love
diritti fonografici (℗) detenuti da:
Phonogram Ltd. (London) (company name, NOT a label!) (nel 1975)
registrazione di:
I’m Not in Love
autore:
Graham Gouldman e Eric Stewart
editore:
EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. (, nel 1975), Schubert Music Publishing, St. Anne's Music e St. Anne’s Music Ltd.
sub-editore:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
10cc5:54
17You’ve Lost That Lovin’ Feelin’
tecnico:
Larry Levine
produttore:
Jerry Bruckheimer, Don Simpson (American film producer, screenwriter, and actor) e Phil Spector
voce:
Bobby Hatfield (dal 1964-08 al 1964-11) e Bill Medley (dal 1964-08 al 1964-11)
arrangiatore:
Jack Nitzsche (American musician and score composer) e Gene Page (conductor, composer, arranger and record producer)
diritti fonografici (℗) detenuti da:
Spectrum Music (Universal Music Group budget label) e Polydor International (nel 1964)
registrata presso:
Gold Star Studios in Hollywood, Los Angeles, California, Stati Uniti (dal 1964-08 al 1964-11)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 34)
registrazione di:
You’ve Lost That Lovin’ Feelin’ (dal 1964-08 al 1964-11)
autore:
Barry Mann, Phil Spector e Cynthia Weil
editore:
ABKCO Music Publishing Pty Ltd, ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Columbia Music (Publisher. Do not use as a release label.), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Mother Bertha Music Inc., Screen Gems–Columbia Music, Inc. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-editore:
EMI Music Publishing Germany (GmbH & Co. KG), Screen Gems-Columbia Music Ltd., Screen Gems–EMI Music Ltd., 日本アブコ音楽出版 (ABKCO Japan Publishing), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Righteous Brothers33:44
18With a Little Help From My Friends
produttore:
Denny Cordell
tecnico di missaggio:
Tony Visconti
batteria :
Barrie James Wilson
chitarra :
Jimmy Page
chitarra basso :
Chris Stainton (keyboard player, session musician and songwriter)
organo :
Tommy Eyre
voce di accompagnamento:
Madeline Bell, Rosetta Hightower e Sunny Weetman
diritti fonografici (℗) detenuti da:
Straight Ahead Productions Ltd. (nel 1968)
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 86)
registrazione cover di:
With a Little Help From My Friends
autore:
John Lennon (The Beatles) e Paul McCartney (The Beatles)
editore:
ATV (Northern Songs Catalog), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. (, nel 1967), Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Tunes LLC (ASCAP) (dal 1967 a oggi)
Joe Cocker3.85:13

Accreditamenti

Pubblicazione

stampata a:Australia
copyright (©) detenuto da e diritti fonografici (℗) detenuti da:EMI Music Australia (defunct holding company, not for release label use!) (nel 2003)
Discogs:https://www.discogs.com/release/9024936 [info]
ASIN:DE: B0000D8HKM [info]