Dunkirk

~ Release by Hans Zimmer (see all versions of this release, 6 available)

Tracklist

1CD
#TitleArtistRatingLength
1The Mole
recording engineer:
Laurence Anslow (UK engineer AIR Studios) and Geoff Foster (sound engineer)
assistant engineer:
John Witt Chapman (engineer), Forest Christenson and Alex Ferguson (engineer)
engineer:
Chuck Choi and Stephanie McNally (engineer)
producer:
Lorne Balfe (Scottish score composer), Steven Kofsky (music producer and composer), Christopher Nolan (Filmmaker) and Hans Zimmer (German score composer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor) and Ryan Rubin
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
phonographic copyright (℗) by:
WaterTower Music
recorded at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
The Mole
composer:
Edward Elgar (composer) and Hans Zimmer (German score composer)
Hans Zimmer25:29
2We Need Our Army Back
recording engineer:
Laurence Anslow (UK engineer AIR Studios) and Geoff Foster (sound engineer)
assistant engineer:
John Witt Chapman (engineer), Forest Christenson and Alex Ferguson (engineer)
engineer:
Chuck Choi and Stephanie McNally (engineer)
producer:
Lorne Balfe (Scottish score composer), Steven Kofsky (music producer and composer), Christopher Nolan (Filmmaker) and Hans Zimmer (German score composer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor) and Ryan Rubin
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
phonographic copyright (℗) by:
WaterTower Music
recorded at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
We Need Our Army Back
composer:
Hans Zimmer (German score composer)
Hans Zimmer16:04
3Shivering Soldier
recording engineer:
Laurence Anslow (UK engineer AIR Studios) and Geoff Foster (sound engineer)
assistant engineer:
John Witt Chapman (engineer), Forest Christenson and Alex Ferguson (engineer)
engineer:
Chuck Choi and Stephanie McNally (engineer)
producer:
Lorne Balfe (Scottish score composer), Steven Kofsky (music producer and composer), Christopher Nolan (Filmmaker) and Hans Zimmer (German score composer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor) and Ryan Rubin
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
phonographic copyright (℗) by:
WaterTower Music
recorded at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Shivering Soldier
composer:
Hans Zimmer (German score composer)
Hans Zimmer12:51
4Supermarine
recording engineer:
Laurence Anslow (UK engineer AIR Studios) and Geoff Foster (sound engineer)
assistant engineer:
John Witt Chapman (engineer), Forest Christenson and Alex Ferguson (engineer)
engineer:
Chuck Choi and Stephanie McNally (engineer)
producer:
Lorne Balfe (Scottish score composer), Steven Kofsky (music producer and composer), Christopher Nolan (Filmmaker) and Hans Zimmer (German score composer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor) and Ryan Rubin
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
phonographic copyright (℗) by:
WaterTower Music
recorded at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Supermarine
composer:
Hans Zimmer (German score composer)
Hans Zimmer27:59
5The Tide
recording engineer:
Laurence Anslow (UK engineer AIR Studios) and Geoff Foster (sound engineer)
assistant engineer:
John Witt Chapman (engineer), Forest Christenson and Alex Ferguson (engineer)
engineer:
Chuck Choi and Stephanie McNally (engineer)
producer:
Lorne Balfe (Scottish score composer), Steven Kofsky (music producer and composer), Christopher Nolan (Filmmaker) and Hans Zimmer (German score composer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor) and Ryan Rubin
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
phonographic copyright (℗) by:
WaterTower Music
recorded at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
The Tide
composer:
Edward Elgar (composer) and Hans Zimmer (German score composer)
Hans Zimmer13:49
6Regimental Brothers
recording engineer:
Laurence Anslow (UK engineer AIR Studios) and Geoff Foster (sound engineer)
assistant engineer:
John Witt Chapman (engineer), Forest Christenson and Alex Ferguson (engineer)
engineer:
Chuck Choi and Stephanie McNally (engineer)
producer:
Lorne Balfe (Scottish score composer), Steven Kofsky (music producer and composer), Christopher Nolan (Filmmaker) and Hans Zimmer (German score composer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor) and Ryan Rubin
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
phonographic copyright (℗) by:
WaterTower Music
recorded at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Regimental Brothers
composer:
Lorne Balfe (Scottish score composer), Edward Elgar (composer) and Hans Zimmer (German score composer)
Hans Zimmer and Lorne Balfe15:02
7Impulse
recording engineer:
Laurence Anslow (UK engineer AIR Studios) and Geoff Foster (sound engineer)
assistant engineer:
John Witt Chapman (engineer), Forest Christenson and Alex Ferguson (engineer)
engineer:
Chuck Choi and Stephanie McNally (engineer)
producer:
Lorne Balfe (Scottish score composer), Steven Kofsky (music producer and composer), Christopher Nolan (Filmmaker) and Hans Zimmer (German score composer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor) and Ryan Rubin
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
phonographic copyright (℗) by:
WaterTower Music
recorded at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Impulse
composer:
Hans Zimmer (German score composer)
Hans Zimmer12:34
8Home
recording engineer:
Laurence Anslow (UK engineer AIR Studios) and Geoff Foster (sound engineer)
assistant engineer:
John Witt Chapman (engineer), Forest Christenson and Alex Ferguson (engineer)
engineer:
Chuck Choi and Stephanie McNally (engineer)
producer:
Lorne Balfe (Scottish score composer), Steven Kofsky (music producer and composer), Christopher Nolan (Filmmaker) and Hans Zimmer (German score composer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor) and Ryan Rubin
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
phonographic copyright (℗) by:
WaterTower Music
recorded at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Home
composer:
Edward Elgar (composer), Benjamin Wallfisch (English score composer) and Hans Zimmer (German score composer)
Hans Zimmer and Benjamin Wallfisch16:00
9The Oil
recording engineer:
Laurence Anslow (UK engineer AIR Studios) and Geoff Foster (sound engineer)
assistant engineer:
John Witt Chapman (engineer), Forest Christenson and Alex Ferguson (engineer)
engineer:
Chuck Choi and Stephanie McNally (engineer)
producer:
Lorne Balfe (Scottish score composer), Steven Kofsky (music producer and composer), Christopher Nolan (Filmmaker) and Hans Zimmer (German score composer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor) and Ryan Rubin
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
phonographic copyright (℗) by:
WaterTower Music
recorded at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
The Oil
composer:
Hans Zimmer (German score composer)
Hans Zimmer16:10
10Variation 15 (Dunkirk)
recording engineer:
Laurence Anslow (UK engineer AIR Studios) and Geoff Foster (sound engineer)
assistant engineer:
John Witt Chapman (engineer), Forest Christenson and Alex Ferguson (engineer)
engineer:
Chuck Choi and Stephanie McNally (engineer)
producer:
Lorne Balfe (Scottish score composer), Steven Kofsky (music producer and composer), Christopher Nolan (Filmmaker) and Hans Zimmer (German score composer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor) and Ryan Rubin
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
phonographic copyright (℗) by:
WaterTower Music
recorded at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Variation 15 (Dunkirk)
composer:
Edward Elgar (composer), Benjamin Wallfisch (English score composer) and Hans Zimmer (German score composer)
Benjamin Wallfisch5:52
11End Titles
recording engineer:
Laurence Anslow (UK engineer AIR Studios) and Geoff Foster (sound engineer)
assistant engineer:
John Witt Chapman (engineer), Forest Christenson and Alex Ferguson (engineer)
engineer:
Chuck Choi and Stephanie McNally (engineer)
producer:
Lorne Balfe (Scottish score composer), Steven Kofsky (music producer and composer), Christopher Nolan (Filmmaker) and Hans Zimmer (German score composer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor) and Ryan Rubin
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
phonographic copyright (℗) by:
WaterTower Music
recorded at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
End Titles
composer:
Lorne Balfe (Scottish score composer), Edward Elgar (composer), Benjamin Wallfisch (English score composer) and Hans Zimmer (German score composer)
Benjamin Wallfisch, Lorne Balfe and Hans Zimmer17:13

Credits

Release

art direction:Sandeep Sriram
liner notes:Christopher Nolan (Filmmaker)
producer:Christopher Nolan (Filmmaker)
Hans Zimmer (German score composer)
electronic instruments [sequencer] programming:Steve Mazzaro (Composer, producer and arranger from Los Angeles, USA)
synthesizer [synth] programming:Hans Zimmer (German score composer)
mastering:Patricia Sullivan (mastering engineer at Bernie Grundman Mastering)
solo cello:Steve Erdody
solo cello [acoustic cello] and solo electric cello:Tina Guo
solo double bass [bass]:Nico Abondolo
solo hardingfele [hardanger fiddle] and solo viola:Michael Levine
solo other instruments [exotic instruments]:Chas Smith
solo percussion:Satnam Singh Ramgotra
solo trumpet:Johnny Britt
Jon Lewis (trumpeter)
solo violin:Michael Levine
Ben Powell (violinist)
mastered at:Bernie Grundman Mastering (Los Angeles) in Hollywood, Los Angeles, California, United States
Discogs:https://www.discogs.com/release/10663016 [info]
ASIN:US: B072KSDX9B [info]
other databases:https://rateyourmusic.com/release/album/hans-zimmer/dunkirk.p/ [info]