Choral Adagios

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

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Copyright: © 2004 Decca Music Group Limited
This Compilation ℗ 2004 Decca Music Group Limited

Anmerkung zuletzt geändert am 2024-08-01 17:02 UTC.

Titelliste

1▶Digitales Medium
2▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Herz und Mund und Tat und Leben, Cantata BWV 147: Jesu, Joy of Man's Desiring
Produzent(in):
Harley Usill
Orgel:
Peter White (English organist) (in 1958-10)
Chorgesang:
Choir of St John’s College, Cambridge (in 1958-10)
conductor:
George Guest (organist and conductor) (in 1958-10)
chorus master:
George Guest (organist and conductor)
aufgenommen bei:
Chapel of St John's College, Cambridge in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (in 1958-10)
recording of:
Jesu, Joy of Man’s Desiring (in 1958-10)
Orchestrator(in):
Leopold Stokowski (conductor)
Texter:
Robert Bridges (poet)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
übersetzte Version von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1723-07-02)
Texter:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
Teil von:
Classic 100: Piano (2025) (Nummer: 15)
Teil von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach7:26
2Crux Fidelis (after "Ombra ma fu"- Xerses, HWV 40)
Instrumente:
Capricorn (UK classical ensemble)
Chorgesang:
Choir of New College Oxford
conductor:
Edward Higginbottom (keyboardist, organist)
recording of:
Crux fidelis
Komponist(in):
George Frideric Handel (German‐British baroque composer)
arranger:
Edward Higginbottom (keyboardist, organist)
Arrangement von:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
George Frideric Handel2:28
3What Sweeter Music
Chorgesang:
Choir of New College Oxford
conductor:
Edward Higginbottom (keyboardist, organist)
recording of:
What Sweeter Music
Texter:
Robert Herrick (English poet)
Komponist(in):
John Rutter (English choral music composer, conductor, arranger and producer, born 1945) (in 1988)
publisher:
Oxford University Press
John Rutter4:05
4String Quintet in C major, D. 956: 2. Adagio (Arr. Runswick)
Chorgesang:
London Voices
conductor:
Terry Edwards (British choir director)
recording of:
String Quintet in C major, D. 956: II. Adagio (catch-all for arrangements)
Komponist(in):
Franz Schubert (composer) (in 1828)
Arrangement von:
String Quintet in C major, D. 956: II. Adagio
Franz Schubert6:50
5Shenandoah
Chorgesang:
The Tabernacle Choir at Temple Square (fka Mormon Tabernacle Choir)
conductor:
Jerold Ottley (conductor)
recording of:
Shenandoah (arr. Erb)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
James Erb
Arrangement von:
Shenandoah
[traditional]3:47
6Requiem, op. 48: 7. In paradisum
Produzent(in):
Paul Myers (classical record producer)
Chorgesang:
Chœur de l’Orchestre symphonique de Montréal (Orchestre Symphonique de Montréal Chorus) (in 1987-10)
Orchester:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1987-10)
conductor:
Charles Dutoit (conductor) (in 1987-10)
chorus master:
Iwan Edwards (in 1987-10)
Tonmeister(in):
John Dunkerley (engineer) (in 1987-10)
aufgenommen bei:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Kanada (in 1987-10)
recording of:
Requiem, op. 48: VII. In Paradisum (1890, second version) (in 1987-10)
Komponist(in):
Gabriel Fauré (French composer) (von 1886 bis 1900)
publisher:
Éditions Durand (1947–present)
enthalten in:
28 Days Later
Teil von:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:17
7String Quartet no. 2 in D major: 3. Notturno (Arr. Runswick)
Cello:
Christopher van Kampen (British cellist)
Chorgesang:
London Voices
conductor:
Terry Edwards (British choir director)
recording of:
String Quartet no. 2 in D major: III. Notturno (catch-all for arrangements)
Komponist(in):
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
Arrangement von:
String Quartet no. 2 in D major: III. Notturno. Andante
Alexander Borodin6:07
8Piano Concerto no. 1 in B-flat minor, op. 23, TH. 55: 2. Andantino semplice - Prestissimo - Tempo I (Arr. Runswick)
Klavier:
Peter Aronsky
Chorgesang:
London Voices
conductor:
Terry Edwards (British choir director)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (catch-all for arrangements)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (catch-all for arrangements)
Pyotr Tchaikovsky5:18
9Vespers (All-Night Vigil), op. 37: 3. "Blazhen muzh"
Chorgesang:
The Choir of New College, Oxford
conductor:
Edward Higginbottom (keyboardist, organist)
recording of:
Всенощное бдение, op. 37: 3. Блажен муж (All-Night Vigil, op. 37: III. Blessed is the Man)
Komponist(in):
Сергей Васильевич Рахманинов (Sergei Rachmaninow, Russian composer) (in 1915)
Teil von:
Всенощное бдение, op. 37 (All-Night Vigil, Op. 37, All-Night Vigil by Sergei Rachmaninoff)
Sergei Rachmaninov6:09
10Symphony no. 7 in A, op. 92: 2. Allegretto (Arr. Runswick)
Chorgesang:
London Voices
conductor:
Terry Edwards (British choir director)
recording of:
Symphony no. 7 in A major, op. 92: II. Allegretto (catch‐all for arrangements)
Komponist(in):
Ludwig van Beethoven (German composer)
Arrangement von:
Symphony no. 7 in A major, op. 92: II. Allegretto
Teil von:
Symphony no. 7 in A major, op. 92 (catch‐all for arrangements)
Ludwig van Beethoven8:17
11Piano Concerto no. 21 in C major, K. 467: 2. Andante (Arr. Runswick)
Klavier:
Peter Aronsky
Chorgesang:
London Voices
conductor:
Terry Edwards (British choir director)
recording of:
Concerto for Piano no. 21 in C major, K. 467 “Elvira Madigan”: II. Andante (catch-all for arrangements)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Arrangement von:
Concerto for Piano no. 21 in C major, K. 467: II. Andante
Wolfgang Amadeus Mozart7:17
12Cantique de Jean Racine, op. 11
Produzent(in):
James Walker (ballet/opera conductor, classical recordings producer for Decca)
Orgel:
Stephen Cleobury (organist, conductor) (von 1975-07-28 bis 1975-07-29)
Chorgesang:
Choir of St John’s College, Cambridge (von 1975-07-28 bis 1975-07-29)
conductor:
George Guest (organist and conductor) (von 1975-07-28 bis 1975-07-29)
aufgenommen bei:
St John’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (von 1975-07-28 bis 1975-07-29)
recording of:
Cantique de Jean Racine, op. 11 (for choir and piano or organ) (von 1975-07-28 bis 1975-07-29)
Texter:
Jean Racine (French dramatist)
Komponist(in):
Gabriel Fauré (French composer) (in 1865)
gewidmet:
César Franck (Belgian‐born French composer)
Teil von:
Works of Gabriel Fauré by opus number (Nummer: op. 11)
Gabriel Fauré5:47
13Te Lucis ante Terminum (after "Song of the Birds")
Harfe:
Helen Tunstall
Chorgesang:
Choir of New College Oxford
conductor:
Edward Higginbottom (keyboardist, organist)
recording of:
Te lucis ante terminum
basiert auf:
El cant dels ocells (The Song of the Birds, for cello and piano, Casals)
Pau Casals2:22
14Matthäus-Passion, BWV 244, Pt. 2: No. 68, Wir setzen uns mit Tränen nieder
Produzent(in):
Ray Minshull (record producer)
Chorgesang:
Stuttgarter Hymnus-Chorknaben
Orchester:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1964-07)
conductor:
Karl Münchinger (German conductor) (in 1964-07)
chorus master:
Gerhard Wilhelm (choir master)
aufgenommen bei:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Deutschland (in 1964-07)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (in 1964-07)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Librettist:
Picander
Teil von:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach7:31