Classic CD Issue 49: Joanna MacGregor

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Quartet for the End of Time - 7th mov, (beginning)
piano:
Joanna MacGregor (British pianist, conductor and composer)
violin:
Madeleine Mitchell (violinist)
partial recording of:
Quatuor pour la fin du Temps : VIII. Louange à l'Immortalité de Jésus (Quartet for the End of Time: VII. Praise to the Immortality of Jesus)
composer:
Olivier Messiaen (composer and organist) (in 1940)
part of:
Quatuor pour la fin du Temps (Quartet for the End of Time)
Olivier Messiaen4:36
212 Etudes, Op. 6 Nos. 5 and 9
piano:
Leslie Howard (Australian pianist) (from 1992-10-05 until 1992-10-10)
compilation of:
Étude en douze exercices, op. 6, S. 136: No. 5 in B-flat major by Leslie Howard (Australian pianist) and Étude en douze exercices, op. 6, S. 136: No. 9 in A-flat major by Leslie Howard (Australian pianist)
recording of:
Étude en douze exercices, S. 136: IX. Allegro grazioso (from 1992-10-05 until 1992-10-10)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Étude en douze exercices, S. 136
recording of:
Étude en douze exercices, S. 136: V. Moderato (from 1992-10-05 until 1992-10-10)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Étude en douze exercices, S. 136
Franz Liszt6:09
3Violin Concerto, Op. 47 third mov., Allegro ma non tanto (beginning)
violin:
Julian Rachlin (violinist / violist) (from 1992-09-26 until 1992-09-27)
orchestra:
Pittsburgh Symphony Orchestra (from 1992-09-26 until 1992-09-27)
conductor:
Lorin Maazel (conductor) (from 1992-09-26 until 1992-09-27)
edit of:
Concerto for Violin and Orchestra in D minor, op. 47: III. Allegro, ma non tanto by Julian Rachlin (violinist / violist), Pittsburgh Symphony Orchestra, Lorin Maazel (conductor)
partial recording of:
Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto (from 1992-09-26 until 1992-09-27)
composer:
Jean Sibelius (Finnish composer) (from 1903 until 1905)
part of:
Violin Concerto in D minor, op. 47
Jean Sibelius3:02
4Phaeton: Ouverture
orchestra:
Les Musiciens du Louvre (from 2005-05-27 until 2005-06-03)
conductor:
Marc Minkowski (bassoonist and conductor) (from 2005-05-27 until 2005-06-03)
recorded at:
Studio 103, Radio France in Paris, Île-de-France, France (from 2005-05-27 until 2005-06-03)
partial recording of:
Phaëton : Prologue (from 2005-05-27 until 2005-06-03)
composer:
Jean‐Baptiste Lully (composer)
librettist:
Philippe Quinault
part of:
Phaëton
Jean‐Baptiste Lully3:23
5Requiem: Lacrymosa
alto vocals:
Oralia Dominguez (mezzo soprano)
bass vocals:
Ivan Sardi (operatic bass)
choir vocals:
Chor der St. Hedwigs‐Kathedrale Berlin
soprano vocals:
Maria Stader (soprano)
tenor vocals:
Gabor Carelli (operatic tenor)
orchestra:
Radio–Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Ferenc Fricsay (conductor) (in 1960)
recording of:
Messa da requiem: IIj. Dies irae: Lacrymosa (quartetto solista, coro) (in 1960)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
Giuseppe Verdi7:23
6St Matthew Passion
choir vocals:
Groot Omroepkoor (Netherlands Radio Choir)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra)
conductor:
Eugen Jochum (conductor)
recording of:
Matthäus-Passion, BWV 244: Teil I, I. Chor I & II "Kommt, ihr Töchter, helft mir klagen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach8:50
7Romeo and Juliet: Fantasy Overture
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Sian Edwards (English conductor)
edit of:
Romeo and Juliet: Fantasy Overture by Royal Liverpool Philharmonic Orchestra, Sian Edwards (English conductor)
recording of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1869)
revised by:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1870, in 1880)
dedicated to:
Милий Алексеевич Балакирев (Mily Balakirev, composer, pianist, conductor)
part of:
The Tchaikovsky Handbook (number: TH 42) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 39)
revision of:
Romeo and Juliet (1870, rarely performed)
Pyotr Ilyich Tchaikovsky10:36
8Toccata in C major, Op. 7
piano:
Mikhail Kazakevich (pianist)
recording of:
Toccata in C major, op. 7
composer:
Robert Schumann (German classical composer) (from 1829 until 1833)
dedicated to:
Ludwig Schunke
part of:
Works of Robert Schumann by opus number (number: op. 7)
revision of:
Exercice pour le Pianoforte (earlier version of op. 7)
Robert Schumann6:37
9Radamisto, Atto II. “Ombra cara”
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra)
conductor:
Nicholas McGegan
recording of:
Radamisto, HWV 12: Atto II. "Ombra cara di mia sposa" (Radamisto)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Radamisto, HWV 12: Atto II
George Frideric Handel8:09
10Waltz in A flat major, Op. 34 No. 4
piano:
Евгений Кисин (Evgeny Kissin, Russian classical pianist)
recording of:
Waltz no. 2 in A‐flat major, op. 34 no. 1
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1835 until 1838)
part of:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 94) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 208)
part of:
Waltzes, op. 34
Fryderyk Chopin4:53
11Sadko Gorat kamennyi; Gorat prehasnyj
baritone vocals:
Дмитрий Хворостовский (Dmitri Hvorostovsky, Russian operatic baritone)
vocals:
Валерий Гергиев (Valery Gergiev, conductor)
orchestra:
Симфонический оркестр Мариинского театра (Mariinsky Theatre Orchestra, fka Kirov Orchestra till 1992)
partial recording of:
Садко (Sadko)
composer and librettist:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (until 1896)
Nikolai Rimsky-Korsakov5:14
12La clemenza di Tito, Atto II. “Se al volto mai ti senti”
engineer:
Michael Brammann (sound engineer) (in 1993-03)
producer:
Helmut A. Muhle
orchestra:
Orchester der Oper Zürich (aka Philharmonia Zürich) (in 1993-03)
conductor:
Nikolaus Harnoncourt (conductor) (in 1993-03)
recorded at:
Kirche Altstetten in Zurich (Zürich), Zürich (Canton of Zürich), Switzerland (in 1993-03)
recording of:
La clemenza di Tito, K. 621: Act II, Scene IV. No. 14 Terzetto "Se al volto mai ti senti" (Sesto, Vitellia, Publio) (in 1993-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart5:38
13Hark the Echoing Air
archlute:
Nigel North (English lute player)
harpsichord:
Paul Nicholson (harpsichordist & organist)
viola da gamba:
Richard Boothby (viol and cello player)
soprano vocals:
Nancy Argenta (soprano)
recording of:
The Fairy Queen, Z. 629: Part IV "Epithalamium": "Hark! hark! the echoing air"
composer:
Henry Purcell (Baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell2:09

Credits

Release

part of:Classic CD (Future Publishing release series) (number: 49) (order: 41)