The Complete Reprise Studio Recordings

~ Veröffentlichung von Frank Sinatra (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

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Nr.TitelBewertungLänge
1This Is My Song
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1967-07-24)
Techniker(in):
Eddie Brackett und Phil Ramone
Produzent(in):
Jimmy Bowen (producer, rockabilly musician and songwriter)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1967-07-24)
conductor:
Ernie Freeman (am 1967-07-24)
arranger:
Ernie Freeman
cover recording of:
This Is My Song (am 1967-07-24)
Texter und Komponist(in):
Charlie Chaplin (filmmaker) (in 1966)
publisher:
Leeds Music und MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996)
Teil von:
A Countess From Hong Kong
22:28
2Don’t Sleep in the Subway
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1967-07-24)
Techniker(in):
Eddie Brackett und Phil Ramone
Produzent(in):
Jimmy Bowen (producer, rockabilly musician and songwriter)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1967-07-24)
conductor:
Ernie Freeman (am 1967-07-24)
arranger:
Ernie Freeman
cover recording of:
Don’t Sleep in the Subway (am 1967-07-24)
Texter:
Jackie Trent (English singer‐songwriter and actress)
Komponist(in):
Tony Hatch
publisher:
ATV Music, Duchess Music Corporation (BMI-affiliated) und Welbeck Music Ltd.
22:18
3Some Enchanted Evening
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1967-07-24)
Techniker(in):
Eddie Brackett und Phil Ramone
Produzent(in):
Jimmy Bowen (producer, rockabilly musician and songwriter)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1967-07-24)
conductor:
H.B. Barnum (am 1967-07-24)
arranger:
H.B. Barnum
cover recording of:
Some Enchanted Evening (South Pacific) (am 1967-07-24)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Williamson Music Company und Williamson Music, Inc.
Teil von:
South Pacific (Rodgers & Hammerstein musical)
22:35
4This Town
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1967-07-24)
Techniker(in):
Eddie Brackett und Phil Ramone
Produzent(in):
Jimmy Bowen (producer, rockabilly musician and songwriter)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1967-07-24)
conductor:
Billy Strange (am 1967-07-24)
arranger:
Billy Strange
cover recording of:
This Town (am 1967-07-24)
Texter und Komponist(in):
Lee Hazlewood
publisher:
Remick Music Corp.
22:59
5Younger Than Springtime
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1967-09-20)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1967-09-20)
arranger:
Billy Strange
recording of:
Younger Than Springtime (am 1967-09-20)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Williamson Music Company
Teil von:
South Pacific (Rodgers & Hammerstein musical)
cover recording of:
Younger Than Springtime (am 1967-09-20)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Williamson Music Company
Teil von:
South Pacific (Rodgers & Hammerstein musical)
2:42
6All I Need Is the Girl
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1967-12-11)
Techniker(in):
Lee Herschberg
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
alto saxophone:
Russell Procope und Johnny Hodges (am 1967-12-11)
baritone saxophone:
Harry Carney (, am 1967-12-11)
Klarinette:
Harry Carney, Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) und Russell Procope
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975), Bill Miller (pianist) und Duke Ellington (US composer, pianist & jazz bandleader) (am 1967-12-11)
Kontrabass:
Jeff Castleman (am 1967-12-11)
Posaune:
Chuck Connors (trombonist), Buster Cooper und Lawrence Brown (jazz trombonist) (am 1967-12-11)
Rohrblattinstrumente:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1967-12-11) und Russell Procope (am 1967-12-11)
Schlagzeug:
Sam Woodyard (am 1967-12-11)
Tenorsaxophon:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) und Paul Gonsalves (am 1967-12-11)
Trompete:
Mercer Ellington, Herbie Jones, Al Porcino, Cat Anderson (am 1967-12-11) und Cootie Williams (am 1967-12-11)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1967-12-11)
Orchester:
Duke Ellington and His Orchestra (am 1967-12-11)
conductor:
Billy May (am 1967-12-11)
arranger:
Billy May
cover recording of:
All I Need Is the Girl (Gypsy) (am 1967-12-11)
Texter:
Stephen Sondheim
Komponist(in):
Jule Styne
publisher:
Chappell & Co., Inc. (USA), Stratford Music Corporation und Williamson Music Company
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Gypsy
25:00
7Yellow Days
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1967-12-11)
Techniker(in):
Lee Herschberg
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
alto saxophone:
Russell Procope und Johnny Hodges (am 1967-12-11)
baritone saxophone:
Harry Carney (, am 1967-12-11)
Klarinette:
Harry Carney, Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) und Russell Procope
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975), Bill Miller (pianist) und Duke Ellington (US composer, pianist & jazz bandleader) (am 1967-12-11)
Kontrabass:
Jeff Castleman (am 1967-12-11)
Posaune:
Chuck Connors (trombonist), Buster Cooper und Lawrence Brown (jazz trombonist) (am 1967-12-11)
Rohrblattinstrumente:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1967-12-11) und Russell Procope (am 1967-12-11)
Schlagzeug:
Sam Woodyard (am 1967-12-11)
Tenorsaxophon:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) und Paul Gonsalves (am 1967-12-11)
Trompete:
Mercer Ellington, Herbie Jones, Al Porcino, Cat Anderson (am 1967-12-11) und Cootie Williams (am 1967-12-11)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1967-12-11)
Orchester:
Duke Ellington and His Orchestra (am 1967-12-11)
conductor:
Billy May (am 1967-12-11)
arranger:
Billy May
recording of:
Yellow Days (am 1967-12-11)
Texter:
Alan Bernstein
Komponist(in):
Álvaro Carrillo
basiert auf:
La mentira
14:58
8Indian Summer
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1967-12-11)
Techniker(in):
Lee Herschberg
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
alto saxophone:
Russell Procope und Johnny Hodges (am 1967-12-11)
baritone saxophone:
Harry Carney (, am 1967-12-11)
Klarinette:
Harry Carney, Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) und Russell Procope
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975), Bill Miller (pianist) und Duke Ellington (US composer, pianist & jazz bandleader) (am 1967-12-11)
Kontrabass:
Jeff Castleman (am 1967-12-11)
Posaune:
Chuck Connors (trombonist), Buster Cooper und Lawrence Brown (jazz trombonist) (am 1967-12-11)
Rohrblattinstrumente:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1967-12-11) und Russell Procope (am 1967-12-11)
Schlagzeug:
Sam Woodyard (am 1967-12-11)
Tenorsaxophon:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) und Paul Gonsalves (am 1967-12-11)
Trompete:
Mercer Ellington, Herbie Jones, Al Porcino, Cat Anderson (am 1967-12-11) und Cootie Williams (am 1967-12-11)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1967-12-11)
Orchester:
Duke Ellington and His Orchestra (am 1967-12-11)
conductor:
Billy May (am 1967-12-11)
arranger:
Billy May
cover recording of:
Indian Summer (am 1967-12-11)
Texter:
Al Dubin (in 1939)
Komponist(in):
Victor Herbert (American composer) (in 1919)
publisher:
Harms, Inc.
4:13
9Come Back to Me
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1967-12-11)
Techniker(in):
Lee Herschberg
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
alto saxophone:
Russell Procope und Johnny Hodges (am 1967-12-11)
baritone saxophone:
Harry Carney (, am 1967-12-11)
Klarinette:
Harry Carney, Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) und Russell Procope
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975), Bill Miller (pianist) und Duke Ellington (US composer, pianist & jazz bandleader) (am 1967-12-11)
Kontrabass:
Jeff Castleman (am 1967-12-11)
Posaune:
Chuck Connors (trombonist), Buster Cooper und Lawrence Brown (jazz trombonist) (am 1967-12-11)
Rohrblattinstrumente:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1967-12-11) und Russell Procope (am 1967-12-11)
Schlagzeug:
Sam Woodyard (am 1967-12-11)
Tenorsaxophon:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) und Paul Gonsalves (am 1967-12-11)
Trompete:
Mercer Ellington, Herbie Jones, Al Porcino, Cat Anderson (am 1967-12-11) und Cootie Williams (am 1967-12-11)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1967-12-11)
Orchester:
Duke Ellington and His Orchestra (am 1967-12-11)
conductor:
Billy May (am 1967-12-11)
arranger:
Billy May
cover recording of:
Come Back to Me (On a Clear Day You Can See Forever) (am 1967-12-11)
Texter:
Alan Jay Lerner (in 1965)
Komponist(in):
Burton Lane (in 1965)
publisher:
Chappell & Co., Inc. (USA) und Warner/Chappell Music, Inc.
Premiere bei:
Mark Hellinger Theatre in Manhattan, New York, New York, Vereinigte Staaten (am 1965-10-17)
Teil von:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
Teil von:
On a Clear Day You Can See Forever (1970 film soundtrack)
3:23
10Poor Butterfly
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1967-12-12)
Techniker(in):
Lee Herschberg
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
alto saxophone:
Russell Procope und Johnny Hodges (am 1967-12-12)
baritone saxophone:
Harry Carney (, am 1967-12-12)
Klarinette:
Harry Carney, Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) und Russell Procope
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975), Bill Miller (pianist) und Duke Ellington (US composer, pianist & jazz bandleader) (am 1967-12-12)
Kontrabass:
Jeff Castleman (am 1967-12-12)
Posaune:
Chuck Connors (trombonist), Buster Cooper und Lawrence Brown (jazz trombonist) (am 1967-12-12)
Rohrblattinstrumente:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1967-12-12) und Russell Procope (am 1967-12-12)
Schlagzeug:
Sam Woodyard (am 1967-12-12)
Tenorsaxophon:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) und Paul Gonsalves (am 1967-12-12)
Trompete:
Mercer Ellington, Herbie Jones, Al Porcino, Cat Anderson (am 1967-12-12) und Cootie Williams (am 1967-12-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1967-12-12)
Orchester:
Duke Ellington and His Orchestra (am 1967-12-12)
conductor:
Billy May (am 1967-12-12)
arranger:
Billy May
cover recording of:
Poor Butterfly (am 1967-12-12)
Texter:
John L. Golden (in 1916)
Komponist(in):
John Raymond Hubbell (composer, co-founder of ASCAP) (in 1916)
publisher:
Harms, Inc.
4:28
11Sunny
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1967-12-12)
Techniker(in):
Lee Herschberg
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
alto saxophone:
Russell Procope und Johnny Hodges (am 1967-12-12)
baritone saxophone:
Harry Carney (, am 1967-12-12)
Klarinette:
Harry Carney, Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) und Russell Procope
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975), Bill Miller (pianist) und Duke Ellington (US composer, pianist & jazz bandleader) (am 1967-12-12)
Kontrabass:
Jeff Castleman (am 1967-12-12)
Posaune:
Chuck Connors (trombonist), Buster Cooper und Lawrence Brown (jazz trombonist) (am 1967-12-12)
Rohrblattinstrumente:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1967-12-12) und Russell Procope (am 1967-12-12)
Schlagzeug:
Sam Woodyard (am 1967-12-12)
Tenorsaxophon:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) und Paul Gonsalves (am 1967-12-12)
Trompete:
Mercer Ellington, Herbie Jones, Al Porcino, Cat Anderson (am 1967-12-12) und Cootie Williams (am 1967-12-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1967-12-12)
Orchester:
Duke Ellington and His Orchestra (am 1967-12-12)
conductor:
Billy May (am 1967-12-12)
arranger:
Billy May
cover recording of:
Sunny (am 1967-12-12)
Texter und Komponist(in):
Bobby Hebb
publisher:
MRC Music Corp., Portable Music Co., Inc., Unichappell Music und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
14:13
12I Like the Sunrise
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1967-12-12)
Techniker(in):
Lee Herschberg
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
alto saxophone:
Russell Procope und Johnny Hodges (am 1967-12-12)
baritone saxophone:
Harry Carney (, am 1967-12-12)
Klarinette:
Harry Carney, Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) und Russell Procope
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975), Bill Miller (pianist) und Duke Ellington (US composer, pianist & jazz bandleader) (am 1967-12-12)
Kontrabass:
Jeff Castleman (am 1967-12-12)
Posaune:
Chuck Connors (trombonist), Buster Cooper und Lawrence Brown (jazz trombonist) (am 1967-12-12)
Rohrblattinstrumente:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1967-12-12) und Russell Procope (am 1967-12-12)
Schlagzeug:
Sam Woodyard (am 1967-12-12)
Tenorsaxophon:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) und Paul Gonsalves (am 1967-12-12)
Trompete:
Mercer Ellington, Herbie Jones, Al Porcino, Cat Anderson (am 1967-12-12) und Cootie Williams (am 1967-12-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1967-12-12)
Orchester:
Duke Ellington and His Orchestra (am 1967-12-12)
conductor:
Billy May (am 1967-12-12)
arranger:
Billy May
cover recording of:
Liberian Suite: I Like the Sunrise (am 1967-12-12)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1947)
publisher:
Duke Ellington Music und Tempo Music, Inc. (Duke Ellington’s music publishing company)
15:00
13Follow Me
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1967-12-12)
Techniker(in):
Lee Herschberg
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
alto saxophone:
Russell Procope und Johnny Hodges (am 1967-12-12)
baritone saxophone:
Harry Carney (, am 1967-12-12)
Klarinette:
Harry Carney, Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) und Russell Procope
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975), Bill Miller (pianist) und Duke Ellington (US composer, pianist & jazz bandleader) (am 1967-12-12)
Kontrabass:
Jeff Castleman (am 1967-12-12)
Posaune:
Chuck Connors (trombonist), Buster Cooper und Lawrence Brown (jazz trombonist) (am 1967-12-12)
Rohrblattinstrumente:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1967-12-12) und Russell Procope (am 1967-12-12)
Schlagzeug:
Sam Woodyard (am 1967-12-12)
Tenorsaxophon:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) und Paul Gonsalves (am 1967-12-12)
Trompete:
Mercer Ellington, Herbie Jones, Al Porcino, Cat Anderson (am 1967-12-12) und Cootie Williams (am 1967-12-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1967-12-12)
Orchester:
Duke Ellington and His Orchestra (am 1967-12-12)
conductor:
Billy May (am 1967-12-12)
arranger:
Billy May
cover recording of:
Follow Me (Camelot) (am 1967-12-12)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe
publisher:
Chappell & Co., Inc. (USA) und Chappell Music Ltd.
Teil von:
Camelot (full musical)
13:56
14My Way of Life
recorded in:
New York, New York, Vereinigte Staaten (am 1968-07-24)
Produzent(in):
Don Costa (US pop music arranger & producer)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1968-07-24)
conductor:
Bill Miller (pianist) (am 1968-07-24)
arranger:
Don Costa (US pop music arranger & producer)
cover recording of:
My Way of Life (am 1968-07-24)
Verfasser(in):
Bert Kaempfert (Berthold Heinrich Kämpfert, German orchestra leader, producer and songwriter), Herbert Rehbein und Carl Sigman
33:08
15Cycles
recorded in:
New York, New York, Vereinigte Staaten (am 1968-07-24)
Produzent(in):
Don Costa (US pop music arranger & producer)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1968-07-24)
conductor:
Bill Miller (pianist) (am 1968-07-24)
arranger:
Don Costa (US pop music arranger & producer)
recording of:
Cycles (am 1968-07-24)
Texter und Komponist(in):
Gayle Caldwell
publisher:
Irving Music (BMI) und Irving Music, Inc.
33:11
16Whatever Happened to Christmas?
recorded in:
New York, New York, Vereinigte Staaten (am 1968-07-24)
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1968-07-24)
conductor:
Nelson Riddle (am 1968-07-24)
arranger:
Don Costa (US pop music arranger & producer)
phonographisches Urheberrecht (℗) von:
Reprise Records (in 1975)
cover recording of:
Whatever Happened to Christmas (am 1968-07-24)
Texter und Komponist(in):
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
publisher:
Audio Arts Publishing Co. und Kayteekay Music, Inc.
33:05
17The Twelve Days of Christmas
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1968-08-12)
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1968-08-12), Frank Sinatra, Jr. (am 1968-08-12), Nancy Sinatra (am 1968-08-12) und Tina Sinatra (am 1968-08-12)
conductor:
Nelson Riddle (am 1968-08-12)
arranger:
Nelson Riddle
phonographisches Urheberrecht (℗) von:
Reprise Records (in 1975)
cover recording of:
The Twelve Days of Christmas (Cahn/Van Heusen lyric version, introduced by Frank Sinatra in 1968) (am 1968-08-12)
zusätzlicher Texter:
Sammy Cahn und Jimmy Van Heusen
Komponist(in):
[traditional] (special purpose artist)
publisher:
The Songwriters Guild, Warner/Chappell (Warner/Chappell Music, Inc.) und WB Music Corp. (1929–2019)
Version von:
The Twelve Days of Christmas
2.54:28
18The Bells of Christmas (Greensleeves)
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1968-08-12)
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1968-08-12), Frank Sinatra, Jr. (am 1968-08-12), Nancy Sinatra (am 1968-08-12) und Tina Sinatra (am 1968-08-12)
conductor:
Nelson Riddle (am 1968-08-12)
arranger:
Nelson Riddle
phonographisches Urheberrecht (℗) von:
Reprise Records (in 1975)
recording of:
The Bells of Christmas (Greensleeves) (am 1968-08-12)
Komponist(in):
Sammy Cahn und Jimmy Van Heusen
publisher:
Maraville Music Corp., The Songwriters Guild und WB Music Corp. (1929–2019)
33:40
19I Wouldn’t Trade Christmas
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1968-08-12)
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1968-08-12), Frank Sinatra, Jr. (am 1968-08-12), Nancy Sinatra (am 1968-08-12) und Tina Sinatra (am 1968-08-12)
conductor:
Nelson Riddle (am 1968-08-12)
arranger:
Nelson Riddle
phonographisches Urheberrecht (℗) von:
Reprise Records (in 1975)
recording of:
I Wouldn’t Trade Christmas (am 1968-08-12)
Komponist(in):
Sammy Cahn und Jimmy Van Heusen
publisher:
Maraville Music Corp., The Songwriters Guild und WB Music Corp. (1929–2019)
2.52:53
20The Christmas Waltz
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1968-08-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1968-08-12)
arranger:
Nelson Riddle
recording of:
The Christmas Waltz (am 1968-08-12)
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Barton Music Corp., Cahn Music Company, Chappell & Co., Inc. (USA), EMI Music Publishing (WP) Ltd., Producers Music Publishing Co., Quaytor Productions LLC, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), WB Music Corp. (1929–2019), WC Music Corp., Westminster Music Ltd., Windswept Pacific Music Ltd., ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division) und フジパシフィックミュージック (Fujipacific Music, Inc.)
3:10
13▶CD
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17▶CD
18▶CD
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20▶CD

Nennungen

Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/655651 [Info]
Wikidata:Q7727180 [Info]