Broadcast News

~ Release by Bill Conti (see all versions of this release, 1 available)

Annotation

Limited Collector's Edition of 2000 copies

Annotation last modified on 2013-03-29 18:16 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Young Tom (movie version)
engineer:
Lee DeCarlo and Joel Moss
producer:
Nick Redman (Soundtrack and Film Producer)
editor:
Bob Badami, Sally Boldt and Dan Hersch (mastering engineer)
orchestra:
Hollywood Symphony Orchestra (American symphony orchestra based in Los Angeles, California) (from 1987-11 until 1987-12)
phonographic copyright (℗) by:
Varèse Sarabande Records, LLC (not for release label use!)
recorded at:
Twentieth Century-Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States (from 1987-11 until 1987-12)
recording of:
Young Tom (movie version) (from 1987-11 until 1987-12)
orchestrator:
Jack Eskew (musical arranger/orchestrator)
composer:
Bill Conti
Bill Conti1:44
2Young Jane / Main Title
engineer:
Lee DeCarlo and Joel Moss
producer:
Nick Redman (Soundtrack and Film Producer)
editor:
Bob Badami, Sally Boldt and Dan Hersch (mastering engineer)
orchestra:
Hollywood Symphony Orchestra (American symphony orchestra based in Los Angeles, California) (from 1987-11 until 1987-12)
phonographic copyright (℗) by:
Varèse Sarabande Records, LLC (not for release label use!)
recorded at:
Twentieth Century-Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States (from 1987-11 until 1987-12)
recording of:
Broadcast News: Young Jane / Main Title (from 1987-11 until 1987-12)
orchestrator:
Jack Eskew (musical arranger/orchestrator)
composer:
Bill Conti
Bill Conti2:44
3Tom And Jane
engineer:
Lee DeCarlo and Joel Moss
producer:
Nick Redman (Soundtrack and Film Producer)
editor:
Bob Badami, Sally Boldt and Dan Hersch (mastering engineer)
orchestra:
Hollywood Symphony Orchestra (American symphony orchestra based in Los Angeles, California) (from 1987-11 until 1987-12)
phonographic copyright (℗) by:
Varèse Sarabande Records, LLC (not for release label use!)
recorded at:
Twentieth Century-Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States (from 1987-11 until 1987-12)
recording of:
Tom And Jane (from 1987-11 until 1987-12)
orchestrator:
Jack Eskew (musical arranger/orchestrator)
composer:
Bill Conti
Bill Conti1:37
4Phone Call
engineer:
Lee DeCarlo and Joel Moss
producer:
Nick Redman (Soundtrack and Film Producer)
editor:
Bob Badami, Sally Boldt and Dan Hersch (mastering engineer)
orchestra:
Hollywood Symphony Orchestra (American symphony orchestra based in Los Angeles, California) (from 1987-11 until 1987-12)
phonographic copyright (℗) by:
Varèse Sarabande Records, LLC (not for release label use!)
recorded at:
Twentieth Century-Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States (from 1987-11 until 1987-12)
recording of:
Phone Call (from 1987-11 until 1987-12)
orchestrator:
Jack Eskew (musical arranger/orchestrator)
composer:
Bill Conti
Bill Conti1:23
5First Day
engineer:
Lee DeCarlo and Joel Moss
producer:
Nick Redman (Soundtrack and Film Producer)
editor:
Bob Badami, Sally Boldt and Dan Hersch (mastering engineer)
orchestra:
Hollywood Symphony Orchestra (American symphony orchestra based in Los Angeles, California) (from 1987-11 until 1987-12)
phonographic copyright (℗) by:
Varèse Sarabande Records, LLC (not for release label use!)
recorded at:
Twentieth Century-Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States (from 1987-11 until 1987-12)
recording of:
First Day (from 1987-11 until 1987-12)
orchestrator:
Jack Eskew (musical arranger/orchestrator)
composer:
Bill Conti
Bill Conti0:48
6Blair’s Run
engineer:
Lee DeCarlo and Joel Moss
producer:
Nick Redman (Soundtrack and Film Producer)
editor:
Bob Badami, Sally Boldt and Dan Hersch (mastering engineer)
orchestra:
Hollywood Symphony Orchestra (American symphony orchestra based in Los Angeles, California) (from 1987-11 until 1987-12)
phonographic copyright (℗) by:
Varèse Sarabande Records, LLC (not for release label use!)
recorded at:
Twentieth Century-Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States (from 1987-11 until 1987-12)
recording of:
Blair’s Run (from 1987-11 until 1987-12)
orchestrator:
Jack Eskew (musical arranger/orchestrator)
composer:
Bill Conti
Bill Conti1:33
7Old News Theme
engineer:
Lee DeCarlo and Joel Moss
producer:
Nick Redman (Soundtrack and Film Producer)
editor:
Bob Badami, Sally Boldt and Dan Hersch (mastering engineer)
orchestra:
Hollywood Symphony Orchestra (American symphony orchestra based in Los Angeles, California) (from 1987-11 until 1987-12)
phonographic copyright (℗) by:
Varèse Sarabande Records, LLC (not for release label use!)
recorded at:
Twentieth Century-Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States (from 1987-11 until 1987-12)
recording of:
Old News Theme (from 1987-11 until 1987-12)
orchestrator:
Jack Eskew (musical arranger/orchestrator)
composer:
Bill Conti
Bill Conti0:42
8Tom’s Rise
engineer:
Lee DeCarlo and Joel Moss
producer:
Nick Redman (Soundtrack and Film Producer)
editor:
Bob Badami, Sally Boldt and Dan Hersch (mastering engineer)
orchestra:
Hollywood Symphony Orchestra (American symphony orchestra based in Los Angeles, California) (from 1987-11 until 1987-12)
phonographic copyright (℗) by:
Varèse Sarabande Records, LLC (not for release label use!)
recorded at:
Twentieth Century-Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States (from 1987-11 until 1987-12)
recording of:
Tom’s Rise (from 1987-11 until 1987-12)
orchestrator:
Jack Eskew (musical arranger/orchestrator)
composer:
Bill Conti
Bill Conti1:42
9The Special Report (movie version)
engineer:
Lee DeCarlo and Joel Moss
producer:
Nick Redman (Soundtrack and Film Producer)
editor:
Bob Badami, Sally Boldt and Dan Hersch (mastering engineer)
orchestra:
Hollywood Symphony Orchestra (American symphony orchestra based in Los Angeles, California) (from 1987-11 until 1987-12)
phonographic copyright (℗) by:
Varèse Sarabande Records, LLC (not for release label use!)
recorded at:
Twentieth Century-Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States (from 1987-11 until 1987-12)
recording of:
The Special Report (movie version) (from 1987-11 until 1987-12)
orchestrator:
Jack Eskew (musical arranger/orchestrator)
composer:
Bill Conti
Bill Conti1:53
10Piano One
engineer:
Lee DeCarlo and Joel Moss
producer:
Nick Redman (Soundtrack and Film Producer)
editor:
Bob Badami, Sally Boldt and Dan Hersch (mastering engineer)
orchestra:
Hollywood Symphony Orchestra (American symphony orchestra based in Los Angeles, California) (from 1987-11 until 1987-12)
phonographic copyright (℗) by:
Varèse Sarabande Records, LLC (not for release label use!)
recorded at:
Twentieth Century-Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States (from 1987-11 until 1987-12)
recording of:
Piano One (from 1987-11 until 1987-12)
orchestrator:
Jack Eskew (musical arranger/orchestrator)
composer:
Bill Conti
Bill Conti2:00
11Bonding
engineer:
Lee DeCarlo and Joel Moss
producer:
Nick Redman (Soundtrack and Film Producer)
editor:
Bob Badami, Sally Boldt and Dan Hersch (mastering engineer)
orchestra:
Hollywood Symphony Orchestra (American symphony orchestra based in Los Angeles, California) (from 1987-11 until 1987-12)
phonographic copyright (℗) by:
Varèse Sarabande Records, LLC (not for release label use!)
recorded at:
Twentieth Century-Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States (from 1987-11 until 1987-12)
recording of:
Bonding (from 1987-11 until 1987-12)
orchestrator:
Jack Eskew (musical arranger/orchestrator)
composer:
Bill Conti
Bill Conti1:06
12Post-Report Celebration
engineer:
Lee DeCarlo and Joel Moss
producer:
Nick Redman (Soundtrack and Film Producer)
editor:
Bob Badami, Sally Boldt and Dan Hersch (mastering engineer)
orchestra:
Hollywood Symphony Orchestra (American symphony orchestra based in Los Angeles, California) (from 1987-11 until 1987-12)
phonographic copyright (℗) by:
Varèse Sarabande Records, LLC (not for release label use!)
recorded at:
Twentieth Century-Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States (from 1987-11 until 1987-12)
recording of:
Post-Report Celebration (from 1987-11 until 1987-12)
orchestrator:
Jack Eskew (musical arranger/orchestrator)
composer:
Bill Conti
Bill Conti1:36
13Friendship (movie version)
engineer:
Lee DeCarlo and Joel Moss
producer:
Nick Redman (Soundtrack and Film Producer)
editor:
Bob Badami, Sally Boldt and Dan Hersch (mastering engineer)
orchestra:
Hollywood Symphony Orchestra (American symphony orchestra based in Los Angeles, California) (from 1987-11 until 1987-12)
phonographic copyright (℗) by:
Varèse Sarabande Records, LLC (not for release label use!)
recorded at:
Twentieth Century-Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States (from 1987-11 until 1987-12)
recording of:
Friendship (movie version) (from 1987-11 until 1987-12)
orchestrator:
Jack Eskew (musical arranger/orchestrator)
composer:
Bill Conti
Bill Conti1:01
14News Theme Ballad
engineer:
Lee DeCarlo and Joel Moss
producer:
Nick Redman (Soundtrack and Film Producer)
editor:
Bob Badami, Sally Boldt and Dan Hersch (mastering engineer)
orchestra:
Hollywood Symphony Orchestra (American symphony orchestra based in Los Angeles, California) (from 1987-11 until 1987-12)
phonographic copyright (℗) by:
Varèse Sarabande Records, LLC (not for release label use!)
recorded at:
Twentieth Century-Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States (from 1987-11 until 1987-12)
recording of:
News Theme Ballad (from 1987-11 until 1987-12)
orchestrator:
Jack Eskew (musical arranger/orchestrator)
composer:
Michel Camilo
Michel Camilo2:25
15Italian Embassy
engineer:
Lee DeCarlo and Joel Moss
producer:
Nick Redman (Soundtrack and Film Producer)
editor:
Bob Badami, Sally Boldt and Dan Hersch (mastering engineer)
orchestra:
Hollywood Symphony Orchestra (American symphony orchestra based in Los Angeles, California) (from 1987-11 until 1987-12)
phonographic copyright (℗) by:
Varèse Sarabande Records, LLC (not for release label use!)
recorded at:
Twentieth Century-Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States (from 1987-11 until 1987-12)
recording of:
Italian Embassy (from 1987-11 until 1987-12)
orchestrator:
Jack Eskew (musical arranger/orchestrator)
composer:
Bill Conti
Bill Conti2:42
16Potentially Bad News
engineer:
Lee DeCarlo and Joel Moss
producer:
Nick Redman (Soundtrack and Film Producer)
editor:
Bob Badami, Sally Boldt and Dan Hersch (mastering engineer)
orchestra:
Hollywood Symphony Orchestra (American symphony orchestra based in Los Angeles, California) (from 1987-11 until 1987-12)
phonographic copyright (℗) by:
Varèse Sarabande Records, LLC (not for release label use!)
recorded at:
Twentieth Century-Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States (from 1987-11 until 1987-12)
recording of:
Potentially Bad News (from 1987-11 until 1987-12)
orchestrator:
Jack Eskew (musical arranger/orchestrator)
composer:
Bill Conti
Bill Conti1:53
17Tailor Made (movie version)
engineer:
Lee DeCarlo and Joel Moss
producer:
Nick Redman (Soundtrack and Film Producer)
editor:
Bob Badami, Sally Boldt and Dan Hersch (mastering engineer)
orchestra:
Hollywood Symphony Orchestra (American symphony orchestra based in Los Angeles, California) (from 1987-11 until 1987-12)
phonographic copyright (℗) by:
Varèse Sarabande Records, LLC (not for release label use!)
recorded at:
Twentieth Century-Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States (from 1987-11 until 1987-12)
recording of:
Tailor Made (movie version) (from 1987-11 until 1987-12)
orchestrator:
Jack Eskew (musical arranger/orchestrator)
composer:
Bill Conti
Bill Conti1:31
18Correspondents Dinner
engineer:
Lee DeCarlo and Joel Moss
producer:
Nick Redman (Soundtrack and Film Producer)
editor:
Bob Badami, Sally Boldt and Dan Hersch (mastering engineer)
orchestra:
Hollywood Symphony Orchestra (American symphony orchestra based in Los Angeles, California) (from 1987-11 until 1987-12)
phonographic copyright (℗) by:
Varèse Sarabande Records, LLC (not for release label use!)
recorded at:
Twentieth Century-Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States (from 1987-11 until 1987-12)
recording of:
Correspondents Dinner (from 1987-11 until 1987-12)
orchestrator:
Jack Eskew (musical arranger/orchestrator)
composer:
Bill Conti
Bill Conti1:20
19Dinner Dance
engineer:
Lee DeCarlo and Joel Moss
producer:
Nick Redman (Soundtrack and Film Producer)
editor:
Bob Badami, Sally Boldt and Dan Hersch (mastering engineer)
orchestra:
Hollywood Symphony Orchestra (American symphony orchestra based in Los Angeles, California) (from 1987-11 until 1987-12)
phonographic copyright (℗) by:
Varèse Sarabande Records, LLC (not for release label use!)
recorded at:
Twentieth Century-Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States (from 1987-11 until 1987-12)
recording of:
Dinner Dance (from 1987-11 until 1987-12)
orchestrator:
Jack Eskew (musical arranger/orchestrator)
composer:
Bill Conti
Bill Conti1:08
20Jefferson Memorial (movie version)
engineer:
Lee DeCarlo and Joel Moss
producer:
Nick Redman (Soundtrack and Film Producer)
editor:
Bob Badami, Sally Boldt and Dan Hersch (mastering engineer)
orchestra:
Hollywood Symphony Orchestra (American symphony orchestra based in Los Angeles, California) (from 1987-11 until 1987-12)
phonographic copyright (℗) by:
Varèse Sarabande Records, LLC (not for release label use!)
recorded at:
Twentieth Century-Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States (from 1987-11 until 1987-12)
recording of:
Jefferson Memorial (movie version) (from 1987-11 until 1987-12)
orchestrator:
Jack Eskew (musical arranger/orchestrator)
composer:
Michael Gore (composer)
Michael Gore2:08
21Dead Lead
engineer:
Lee DeCarlo and Joel Moss
producer:
Nick Redman (Soundtrack and Film Producer)
editor:
Bob Badami, Sally Boldt and Dan Hersch (mastering engineer)
orchestra:
Hollywood Symphony Orchestra (American symphony orchestra based in Los Angeles, California) (from 1987-11 until 1987-12)
phonographic copyright (℗) by:
Varèse Sarabande Records, LLC (not for release label use!)
recorded at:
Twentieth Century-Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States (from 1987-11 until 1987-12)
recording of:
Dead Lead (from 1987-11 until 1987-12)
orchestrator:
Jack Eskew (musical arranger/orchestrator)
composer:
Bill Conti
Bill Conti0:29
22Jane Calls Tom (movie version)
engineer:
Lee DeCarlo and Joel Moss
producer:
Nick Redman (Soundtrack and Film Producer)
editor:
Bob Badami, Sally Boldt and Dan Hersch (mastering engineer)
orchestra:
Hollywood Symphony Orchestra (American symphony orchestra based in Los Angeles, California) (from 1987-11 until 1987-12)
phonographic copyright (℗) by:
Varèse Sarabande Records, LLC (not for release label use!)
recorded at:
Twentieth Century-Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States (from 1987-11 until 1987-12)
recording of:
Jane Calls Tom (movie version) (from 1987-11 until 1987-12)
orchestrator:
Jack Eskew (musical arranger/orchestrator)
composer:
Michael Gore (composer)
Bill Conti0:38
23Storm Clouds
engineer:
Lee DeCarlo and Joel Moss
producer:
Nick Redman (Soundtrack and Film Producer)
editor:
Bob Badami, Sally Boldt and Dan Hersch (mastering engineer)
orchestra:
Hollywood Symphony Orchestra (American symphony orchestra based in Los Angeles, California) (from 1987-11 until 1987-12)
phonographic copyright (℗) by:
Varèse Sarabande Records, LLC (not for release label use!)
recorded at:
Twentieth Century-Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States (from 1987-11 until 1987-12)
recording of:
Storm Clouds (from 1987-11 until 1987-12)
orchestrator:
Jack Eskew (musical arranger/orchestrator)
composer:
Bill Conti
Bill Conti0:39
24The Firings Begin
engineer:
Lee DeCarlo and Joel Moss
producer:
Nick Redman (Soundtrack and Film Producer)
editor:
Bob Badami, Sally Boldt and Dan Hersch (mastering engineer)
orchestra:
Hollywood Symphony Orchestra (American symphony orchestra based in Los Angeles, California) (from 1987-11 until 1987-12)
phonographic copyright (℗) by:
Varèse Sarabande Records, LLC (not for release label use!)
recorded at:
Twentieth Century-Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States (from 1987-11 until 1987-12)
recording of:
The Firings Begin (from 1987-11 until 1987-12)
orchestrator:
Jack Eskew (musical arranger/orchestrator)
composer:
Bill Conti
Bill Conti2:10
25Firings (movie version)
engineer:
Lee DeCarlo and Joel Moss
producer:
Nick Redman (Soundtrack and Film Producer)
editor:
Bob Badami, Sally Boldt and Dan Hersch (mastering engineer)
orchestra:
Hollywood Symphony Orchestra (American symphony orchestra based in Los Angeles, California) (from 1987-11 until 1987-12)
phonographic copyright (℗) by:
Varèse Sarabande Records, LLC (not for release label use!)
recorded at:
Twentieth Century-Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States (from 1987-11 until 1987-12)
recording of:
Firings (movie version) (from 1987-11 until 1987-12)
orchestrator:
Jack Eskew (musical arranger/orchestrator)
composer:
Michael Gore (composer)
Michael Gore1:12
26The Kiss
engineer:
Lee DeCarlo and Joel Moss
producer:
Nick Redman (Soundtrack and Film Producer)
editor:
Bob Badami, Sally Boldt and Dan Hersch (mastering engineer)
orchestra:
Hollywood Symphony Orchestra (American symphony orchestra based in Los Angeles, California) (from 1987-11 until 1987-12)
phonographic copyright (℗) by:
Varèse Sarabande Records, LLC (not for release label use!)
recorded at:
Twentieth Century-Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States (from 1987-11 until 1987-12)
recording of:
The Kiss (from 1987-11 until 1987-12)
orchestrator:
Jack Eskew (musical arranger/orchestrator)
composer:
Michael Gore (composer)
Michael Gore0:46
27Restaurant Farewell
engineer:
Lee DeCarlo and Joel Moss
producer:
Nick Redman (Soundtrack and Film Producer)
editor:
Bob Badami, Sally Boldt and Dan Hersch (mastering engineer)
orchestra:
Hollywood Symphony Orchestra (American symphony orchestra based in Los Angeles, California) (from 1987-11 until 1987-12)
phonographic copyright (℗) by:
Varèse Sarabande Records, LLC (not for release label use!)
recorded at:
Twentieth Century-Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States (from 1987-11 until 1987-12)
recording of:
Restaurant Farewell (from 1987-11 until 1987-12)
orchestrator:
Jack Eskew (musical arranger/orchestrator)
composer:
Bill Conti
Bill Conti1:38
28The Tear Falls
engineer:
Lee DeCarlo and Joel Moss
producer:
Nick Redman (Soundtrack and Film Producer)
editor:
Bob Badami, Sally Boldt and Dan Hersch (mastering engineer)
orchestra:
Hollywood Symphony Orchestra (American symphony orchestra based in Los Angeles, California) (from 1987-11 until 1987-12)
phonographic copyright (℗) by:
Varèse Sarabande Records, LLC (not for release label use!)
recorded at:
Twentieth Century-Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States (from 1987-11 until 1987-12)
recording of:
The Tear Falls (from 1987-11 until 1987-12)
orchestrator:
Jack Eskew (musical arranger/orchestrator)
composer:
Bill Conti
Bill Conti1:41
29Airport
engineer:
Lee DeCarlo and Joel Moss
producer:
Nick Redman (Soundtrack and Film Producer)
editor:
Bob Badami, Sally Boldt and Dan Hersch (mastering engineer)
orchestra:
Hollywood Symphony Orchestra (American symphony orchestra based in Los Angeles, California) (from 1987-11 until 1987-12)
phonographic copyright (℗) by:
Varèse Sarabande Records, LLC (not for release label use!)
recorded at:
Twentieth Century-Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States (from 1987-11 until 1987-12)
recording of:
Airport (from 1987-11 until 1987-12)
orchestrator:
Jack Eskew (musical arranger/orchestrator)
composer:
Bill Conti
Bill Conti2:14
30Gazebo
engineer:
Lee DeCarlo and Joel Moss
producer:
Nick Redman (Soundtrack and Film Producer)
editor:
Bob Badami, Sally Boldt and Dan Hersch (mastering engineer)
orchestra:
Hollywood Symphony Orchestra (American symphony orchestra based in Los Angeles, California) (from 1987-11 until 1987-12)
phonographic copyright (℗) by:
Varèse Sarabande Records, LLC (not for release label use!)
recorded at:
Twentieth Century-Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States (from 1987-11 until 1987-12)
recording of:
Gazebo (from 1987-11 until 1987-12)
orchestrator:
Jack Eskew (musical arranger/orchestrator)
composer:
Bill Conti
Bill Conti1:55
31Young Tom
engineer:
Lee DeCarlo and Joel Moss
producer:
Nick Redman (Soundtrack and Film Producer)
editor:
Bob Badami, Sally Boldt and Dan Hersch (mastering engineer)
orchestra:
Hollywood Symphony Orchestra (American symphony orchestra based in Los Angeles, California) (from 1987-11 until 1987-12)
phonographic copyright (℗) by:
Varèse Sarabande Records, LLC (not for release label use!)
recorded at:
Twentieth Century-Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States (from 1987-11 until 1987-12)
Bill Conti1:17
32Young Tom Part 2
engineer:
Lee DeCarlo and Joel Moss
producer:
Nick Redman (Soundtrack and Film Producer)
editor:
Bob Badami, Sally Boldt and Dan Hersch (mastering engineer)
orchestra:
Hollywood Symphony Orchestra (American symphony orchestra based in Los Angeles, California) (from 1987-11 until 1987-12)
phonographic copyright (℗) by:
Varèse Sarabande Records, LLC (not for release label use!)
recorded at:
Twentieth Century-Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States (from 1987-11 until 1987-12)
Bill Conti0:56
33First Day (alternate)
engineer:
Lee DeCarlo and Joel Moss
producer:
Nick Redman (Soundtrack and Film Producer)
editor:
Bob Badami, Sally Boldt and Dan Hersch (mastering engineer)
orchestra:
Hollywood Symphony Orchestra (American symphony orchestra based in Los Angeles, California) (from 1987-11 until 1987-12)
phonographic copyright (℗) by:
Varèse Sarabande Records, LLC (not for release label use!)
recorded at:
Twentieth Century-Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States (from 1987-11 until 1987-12)
Bill Conti1:06
34The Special Report Part 1
engineer:
Lee DeCarlo and Joel Moss
producer:
Nick Redman (Soundtrack and Film Producer)
editor:
Bob Badami, Sally Boldt and Dan Hersch (mastering engineer)
orchestra:
Hollywood Symphony Orchestra (American symphony orchestra based in Los Angeles, California) (from 1987-11 until 1987-12)
phonographic copyright (℗) by:
Varèse Sarabande Records, LLC (not for release label use!)
recorded at:
Twentieth Century-Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States (from 1987-11 until 1987-12)
Bill Conti0:43
35Post-Report Celebration (alternate)
engineer:
Lee DeCarlo and Joel Moss
producer:
Nick Redman (Soundtrack and Film Producer)
editor:
Bob Badami, Sally Boldt and Dan Hersch (mastering engineer)
orchestra:
Hollywood Symphony Orchestra (American symphony orchestra based in Los Angeles, California) (from 1987-11 until 1987-12)
phonographic copyright (℗) by:
Varèse Sarabande Records, LLC (not for release label use!)
recorded at:
Twentieth Century-Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States (from 1987-11 until 1987-12)
Michael Gore1:43
36Friendship
engineer:
Lee DeCarlo and Joel Moss
producer:
Nick Redman (Soundtrack and Film Producer)
editor:
Bob Badami, Sally Boldt and Dan Hersch (mastering engineer)
orchestra:
Hollywood Symphony Orchestra (American symphony orchestra based in Los Angeles, California) (from 1987-11 until 1987-12)
phonographic copyright (℗) by:
Varèse Sarabande Records, LLC (not for release label use!)
recorded at:
Twentieth Century-Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States (from 1987-11 until 1987-12)
Bill Conti1:23
37Italian Embassy
engineer:
Lee DeCarlo and Joel Moss
producer:
Nick Redman (Soundtrack and Film Producer)
editor:
Bob Badami, Sally Boldt and Dan Hersch (mastering engineer)
orchestra:
Hollywood Symphony Orchestra (American symphony orchestra based in Los Angeles, California) (from 1987-11 until 1987-12)
phonographic copyright (℗) by:
Varèse Sarabande Records, LLC (not for release label use!)
recorded at:
Twentieth Century-Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States (from 1987-11 until 1987-12)
Bill Conti2:39
38Italian Embassy (alternate)
engineer:
Lee DeCarlo and Joel Moss
producer:
Nick Redman (Soundtrack and Film Producer)
editor:
Bob Badami, Sally Boldt and Dan Hersch (mastering engineer)
orchestra:
Hollywood Symphony Orchestra (American symphony orchestra based in Los Angeles, California) (from 1987-11 until 1987-12)
phonographic copyright (℗) by:
Varèse Sarabande Records, LLC (not for release label use!)
recorded at:
Twentieth Century-Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States (from 1987-11 until 1987-12)
Bill Conti2:46
39Tailor Made
engineer:
Lee DeCarlo and Joel Moss
producer:
Nick Redman (Soundtrack and Film Producer)
editor:
Bob Badami, Sally Boldt and Dan Hersch (mastering engineer)
orchestra:
Hollywood Symphony Orchestra (American symphony orchestra based in Los Angeles, California) (from 1987-11 until 1987-12)
phonographic copyright (℗) by:
Varèse Sarabande Records, LLC (not for release label use!)
recorded at:
Twentieth Century-Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States (from 1987-11 until 1987-12)
Bill Conti1:32
40Correspondents Dinner
engineer:
Lee DeCarlo and Joel Moss
producer:
Nick Redman (Soundtrack and Film Producer)
editor:
Bob Badami, Sally Boldt and Dan Hersch (mastering engineer)
orchestra:
Hollywood Symphony Orchestra (American symphony orchestra based in Los Angeles, California) (from 1987-11 until 1987-12)
phonographic copyright (℗) by:
Varèse Sarabande Records, LLC (not for release label use!)
recorded at:
Twentieth Century-Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States (from 1987-11 until 1987-12)
Bill Conti1:21
41Correspondents Dinner (alternate)
engineer:
Lee DeCarlo and Joel Moss
producer:
Nick Redman (Soundtrack and Film Producer)
editor:
Bob Badami, Sally Boldt and Dan Hersch (mastering engineer)
orchestra:
Hollywood Symphony Orchestra (American symphony orchestra based in Los Angeles, California) (from 1987-11 until 1987-12)
phonographic copyright (℗) by:
Varèse Sarabande Records, LLC (not for release label use!)
recorded at:
Twentieth Century-Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States (from 1987-11 until 1987-12)
Bill Conti1:20
42Jefferson Memorial
engineer:
Lee DeCarlo and Joel Moss
producer:
Nick Redman (Soundtrack and Film Producer)
editor:
Bob Badami, Sally Boldt and Dan Hersch (mastering engineer)
orchestra:
Hollywood Symphony Orchestra (American symphony orchestra based in Los Angeles, California) (from 1987-11 until 1987-12)
phonographic copyright (℗) by:
Varèse Sarabande Records, LLC (not for release label use!)
recorded at:
Twentieth Century-Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States (from 1987-11 until 1987-12)
Bill Conti2:02
43Jane Calls Tom
engineer:
Lee DeCarlo and Joel Moss
producer:
Nick Redman (Soundtrack and Film Producer)
editor:
Bob Badami, Sally Boldt and Dan Hersch (mastering engineer)
orchestra:
Hollywood Symphony Orchestra (American symphony orchestra based in Los Angeles, California) (from 1987-11 until 1987-12)
phonographic copyright (℗) by:
Varèse Sarabande Records, LLC (not for release label use!)
recorded at:
Twentieth Century-Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States (from 1987-11 until 1987-12)
Bill Conti0:56
44Firings
engineer:
Lee DeCarlo and Joel Moss
producer:
Nick Redman (Soundtrack and Film Producer)
editor:
Bob Badami, Sally Boldt and Dan Hersch (mastering engineer)
orchestra:
Hollywood Symphony Orchestra (American symphony orchestra based in Los Angeles, California) (from 1987-11 until 1987-12)
phonographic copyright (℗) by:
Varèse Sarabande Records, LLC (not for release label use!)
recorded at:
Twentieth Century-Fox Scoring Stage (Newman Scoring Stage) in Century City, Los Angeles, California, United States (from 1987-11 until 1987-12)
Bill Conti2:09