Pure… Drive

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Runaway Train
assistierende(r) Techniker(in):
David Michael Dill (engineer) und Dan Gellert (sound engineer)
Produzent(in):
Michael Beinhorn
assistierende(r) Mix:
Craig Doubet (recording engineer) und Steve Sisco
Mix:
Andy Wallace (engineer)
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1992) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1992)
recording of:
Runaway Train
Texter und Komponist(in):
Dave Pirner
publisher:
EMI Music Publishing Taiwan (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), LFR Music, Standing Water Music, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell North America Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und WB Music Corp. (1929–2019)
Soul Asylum4.44:26
2Hey Stoopid
recording engineer:
Paul Northfield (von 1990 bis 1991)
assistierende(r) Techniker(in):
George Cowan (US engineer), Scott Jochim, Dave Levy und Brian Scheuble
leitende(r) Produzent(in):
Bob Pfeifer
Produzent(in):
Peter Collins (producer)
assistierende(r) Mix:
Brian Scheuble
Bassgitarre:
Hugh McDonald (bassist) (von 1990 bis 1991)
Gast-Gitarre:
Joe Satriani (von 1990 bis 1991) und Slash (Guns N’ Roses guitarist) (von 1990 bis 1991)
Gitarre:
Stef Burns (von 1990 bis 1991)
Keyboard:
John Webster (Canadian keyboardist) (von 1990 bis 1991)
Schlagzeug:
Mickey Curry (von 1990 bis 1991)
Synclavier:
Steve Croes (von 1990 bis 1991)
Gast Hintergrundgesang:
Zachary Nevel (von 1990 bis 1991), Ozzy Osbourne (von 1990 bis 1991) und Joe Satriani (von 1990 bis 1991)
Hintergrundgesang:
Sherwood Ball (songwriter, not to be confused with guitarist Ernie Ball) (von 1990 bis 1991), Scott Bender (von 1990 bis 1991), Lance Bulen (von 1990 bis 1991), Stan Bush (von 1990 bis 1991), Cali (US musician, daughter of Alice Cooper) (von 1990 bis 1991), Gary Falcone (von 1990 bis 1991), Mike Finnigan (keyboardist) (von 1990 bis 1991), Kelly Keeling (von 1990 bis 1991), Corky McClennan (von 1990 bis 1991), Shaun Murphy (von 1990 bis 1991), Tony Palmucci (von 1990 bis 1991), Jack Ponti (von 1990 bis 1991), Vic Pepe (von 1990 bis 1991) und Terry Wood (US vocalist) (von 1990 bis 1991)
Sologesang:
Alice Cooper (the singer, active as a solo artist 1975–present) (von 1990 bis 1991)
arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger), Victor Pepe und Jack Ponti
Hintergrundgesang arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger), Jack Ponti und Vic Pepe
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1991), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1991) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
aufgenommen bei:
Bearsville Studios in Bearsville, New York, Vereinigte Staaten (von 1990 bis 1991) und The Complex Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1990 bis 1991)
mixed at:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Hey Stoopid (von 1990 bis 1991)
Verfasser(in):
Alice Cooper (the singer, active as a solo artist 1975–present), Bob Pfeifer, Jack Ponti und Vic Pepe
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Ezra Music, Fifeman, Inc., Sony Music Publishing (worldwide except Japan, ended 1995) (, von 1991 bis 1995), Sony/ATV Music Publishing Scandinavia, Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Scandinavia, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), BMG Songs, Inc. (vom 1991 bis ????), EMI Blackwood Music Inc. (vom 1991 bis ????), Ezra Music Corp. (vom 1991 bis heute), Fifeman Music (vom 1991 bis heute), Jack Ponti Music (vom 1991 bis heute), Little Elvis Music (vom 1991 bis heute) und WB Music Corp. (1929–2019) (von 1991 bis 2019-05-28)
sub-publisher:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper3.24:35
3Carry on Wayward Son
Produzent(in):
Jeff Glixman
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1976) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
recording of:
Carry On Wayward Son
Texter und Komponist(in):
Kerry Livgren
publisher:
Kirshner CBS Music Publishing, Kirshner-Warner Bros Music Ltd., Don Kirshner Music Inc. (vom 1976 bis heute) und EMI Blackwood Music Inc. (vom 1976 bis heute)
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Kansas43:26
4Race With the Devil
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1968, in 1969) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1968)
recording of:
Race With the Devil
Verfasser(in):
Adrian Gurvitz
publisher:
Campbell Connelly & Co. Ltd., Radio Music Britain und Universal/MCA Music Ltd. (not for release label use!)
The Gun4.253:35
5Hard Rock Road
Steppenwolf43:31
6Broken Wings
Techniker(in):
Paul DeVilliers
Produzent(in):
Paul DeVilliers und Mr. Mister (American pop rock band)
Bassgitarre und Sologesang:
Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
Gitarre:
Steve Farris (US session guitarist, member of Mr. Mister)
Keyboard:
Steve George (US keyboardist for Mr. Mister & Pages)
Schlagzeug:
Pat Mastelotto
phonographisches Urheberrecht (℗) von:
BMG Music (in 1985), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1985) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1985)
recording of:
Broken Wings
Verfasser(in):
Steve George (US keyboardist for Mr. Mister & Pages), John Lang (US songwriter for Mr. Mister & Pages) und Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
publisher:
Ali‐Aja Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Entente Music (publisher; do NOT use as release label), Indolent Sloth Music, Panola Park Music, Poppy‐Due Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Mr. Mister3.854:42
7Straight to Your HeartBad English34:09
8Tuff Enuff
Techniker(in):
Carey Taylor
Produzent(in):
Dave Edmunds
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 96)
recording of:
Tuff Enuff
Texter und Komponist(in):
Kim Wilson
publisher:
Hello Mr. Wilson
The Fabulous Thunderbirds3.53:20
9Pride and Joy
Assistent recording engineer:
James Geddes
recording engineer:
Richard Mullen
assistierende(r) Produzent(in):
Mikie Harris
leitende(r) Produzent(in):
John Hammond (producer)
Produzent(in):
Double Trouble (assoc. with Stevie Ray Vaughan), Richard Mullen und Stevie Ray Vaughan
assistierende(r) Mix:
Harry Spiridakis und Don Wershba (engineer)
Mix:
Lincoln Clapp (engineer)
Bassgitarre:
Tommy Shannon
Gitarre:
Stevie Ray Vaughan
Schlagzeug:
Chris Layton
vocals:
Stevie Ray Vaughan
aufgenommen bei:
Down Town Studio in Los Angeles, California (Kalifornien), Vereinigte Staaten und Riverside Sound in Austin, Texas, Vereinigte Staaten
mixed at:
Mediasound Studios in New York, New York, Vereinigte Staaten
recording of:
Pride and Joy
Texter und Komponist(in):
Stevie Ray Vaughan
publisher:
Wixen Music UK Ltd.
Stevie Ray Vaughan and Double Trouble4.253:40
10Black Magic Woman
Produzent(in):
Fred Catero und Carlos Santana
Bassgitarre:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (am 1970-07-04)
Conga:
Michael Carabello (percussionist) (am 1970-07-04) und Jose Chepito Áreas (am 1970-07-04)
Gitarre:
Carlos Santana (am 1970-07-04)
Keyboard:
Gregg Rolie (keyboardist and vocalist) (am 1970-07-04)
membranophone:
Michael Shrieve (drummer) (am 1970-07-04)
Timbales:
Jose Chepito Áreas (am 1970-07-04)
vocals:
Gregg Rolie (keyboardist and vocalist) (am 1970-07-04) und Carlos Santana (am 1970-07-04)
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1970), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1970) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970, in 1974)
aufgenommen bei:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten (am 1970-07-04)
Teil von:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 28)
cover recording of:
Black Magic Woman (am 1970-07-04)
Texter und Komponist(in):
Peter Green (former member of Fleetwood Mac)
publisher:
Bourne Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), King Music Publ. Co. Ltd. und Murbo Music Publishers, Inc.
Santana3.83:15
11Hold Your Head Up
Produzent(in):
Rod Argent und Chris White (UK bassist for The Zombies)
Bass:
Jim Rodford
Gitarre:
Russ Ballard
Keyboard:
Rod Argent
Schlagzeug:
Robert Henrit
vocals:
Rod Argent und Russ Ballard
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Hold Your Head Up
Verfasser(in):
Rod Argent und Chris White (UK bassist for The Zombies)
publisher:
Al Gallico Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Essex (publisher), Mainstay Music, Inc., Marquis Songs USA und Verulum Music Co Ltd
sub-publisher:
シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
Argent4.356:18
12I Wouldn’t Want to Be Like You
assistierende(r) Techniker(in):
Chris Blair (senior mastering engineer at Abbey Road Studios, London, UK) und Patrick Stapley
Techniker(in) und Produzent(in):
Alan Parsons (of The Alan Parsons Project)
Bassgitarre:
David Paton (of Pilot)
Gitarre:
Ian Bairnson
Keyboard:
Eric Woolfson
Schlagzeug:
Stuart Tosh
Sologesang:
Lenny Zakatek
conductor:
Andrew Powell (known for contributions to Alan Parsons Project)
Orchestrator(in):
Andrew Powell (known for contributions to Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1977)
aufgenommen bei und mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
I Wouldn’t Want to Be Like You
Verfasser(in) und Komponist(in):
Alan Parsons (of The Alan Parsons Project) und Eric Woolfson
publisher:
American Woolfsongs Ltd. und Irving Music, Inc.
The Alan Parsons Project3.83:23
13Arms of Mary
Produzent(in):
Howard Albert und Ron Albert
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1975)
recording of:
Arms of Mary (in 1976)
Texter und Komponist(in):
Iain Sutherland (Sutherland Brothers)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Island Music Ltd., Skerry Rock Ltd. und Smash Brothers Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Sutherland Brothers & Quiver52:38
14Cab
Interpret(in):
Train (US pop rock band)
recording of:
Cab
Verfasser(in):
Train (US pop rock band)
Train2.753:23
15Ventura Highway (live)
aufgenommen bei:
XM Performance Theater in Washington, D.C., Vereinigte Staaten (in 2005-08)
live recording of:
Ventura Highway (in 2005-10)
Texter und Komponist(in):
Dewey Bunnell
publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
America43:46
16Layla
The Charlie Daniels Band3:01
17Somebody to Love
recording engineer:
David Hassinger (am 1966-11-03)
Produzent(in):
Rick Jarrard (von 1966-10-31 bis 1966-11-22)
Bass:
Jack Casady (von 1966-10-31 bis 1966-11-22)
Gitarre [lead guitar]:
Jorma Kaukonen (American blues, folk, and rock guitarist) (von 1966-10-31 bis 1966-11-22)
Gitarre [rhythm guitar]:
Paul Kantner (von 1966-10-31 bis 1966-11-22)
Schlagzeug:
Spencer Dryden (von 1966-10-31 bis 1966-11-22)
Sologesang:
Grace Slick (von 1966-10-31 bis 1966-11-22)
vocals:
Marty Balin (von 1966-10-31 bis 1966-11-22) und Paul Kantner (von 1966-10-31 bis 1966-11-22)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1967) und RCA (RCA Records: simple ‘RCA’ or ‘RCA’ with lightning bolt in circle) (in 1967)
aufgenommen bei:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1966-10-31 bis 1966-11-22)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 274)
recording of:
Somebody to Love (Jefferson Airplane song) (von 1966-10-31 bis 1966-11-22)
Texter und Komponist(in):
Darby Slick
publisher:
Copperpenny Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music (BMI), Irving Music, Inc., Knockout Music Company, Rondor Music, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing, Synch Division und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Jefferson Airplane4.552:58
4CD

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Teil von:Pure… (Reihenfolge: 24)