Platinum & Gold Collection

~ Veröffentlichung von Melissa Manchester (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1You Should Hear How She Talks About You
Produzent(in):
Arif Mardin
alto saxophone:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
Bassgitarre [bass]:
Abe Laborielle
Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Schlagzeug:
Jeff Porcaro
Synthesizer:
Robbie Buchanan (Canadian producer)
Hintergrundgesang:
Ula Hedwig, Will Lee (US jazz/rock bassist) und Millie Whiteside
Sologesang:
Melissa Manchester
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1982)
recording of:
You Should Hear How She Talks About You
Texter:
Dean Pitchford
Komponist(in):
Tom Snow (US keyboardist/songwriter)
publisher:
Body Electric Music, Pitchford Music und Snow Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und 大洋音楽 (Taiyō Music)
4.54:16
2Midnight Blue
recording engineer:
Bob Schaper
Produzent(in):
Vini Poncia
Mix:
Bill Schnee
Akustikgitarre und E-Gitarre:
David Wolfert
Bassgitarre [bass]:
Cooker LoPresti
Hybrid-Piano:
James Newton Howard (American score composer)
Klavier und Sologesang:
Melissa Manchester
Perkussion und Schlagzeug:
Kirk Bruner
Hintergrundgesang:
Melissa Manchester und Vini Poncia
Saiteninstrumente arranger:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975)
mixed at:
Sound Labs in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Midnight Blue
Texter:
Carole Bayer Sager
Komponist(in):
Melissa Manchester
publisher:
New York Times Music Corp. (publisher) (beendet), Rumanian Pickleworks Company (beendet), Alley Music Corp., BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management) und Trio Music Company
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
43:58
3Just You and I
recording engineer und Mix:
Bob Schaper
Produzent(in):
Vini Poncia
vocals:
Melissa Manchester
phonographisches Urheberrecht (℗) von:
Arista Records Ltd. (not for release label use!) (in 1976) und Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1976)
produced for:
Richard Perry Productions
mixed at:
Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Just You and I
Verfasser(in):
Carole Bayer Sager und Melissa Manchester
publisher:
Alley Music Corp., BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management) und Trio Music Company
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
44:07
4Don’t Cry Out Loud
Techniker(in):
Milt Calise
Produzent(in) und Mix:
Harry Maslin
Bassgitarre:
David Hungate
Gitarre:
Dennis Budimir und Lee Ritenour
Klavier:
Bill Payne
Schlagzeug:
Jim Keltner
Sologesang:
Melissa Manchester
arranger:
Barry Fasman
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1978)
produced for:
Melissa Manchester Productions, Inc.
aufgenommen bei:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
Don’t Cry Out Loud
Texter:
Carole Bayer Sager (in 1976)
Komponist(in):
Peter Allen (Australian singer‐songwriter) (in 1976)
publisher:
Begonia Melodies Inc., Chappell Music Co. Inc., Chappell Music Ltd., Irving Music (BMI), Rondor Music, Rondor Music (London) Ltd. und Woolnough Music
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
53:52
5Just Too Many People
recording engineer:
Bob Schaper
Produzent(in):
Vini Poncia
Mix:
Bill Schnee
Akustikgitarre und E-Gitarre:
David Wolfert
baritone saxophone:
John Rotella (woodwind)
Bassgitarre [bass]:
Cooker LoPresti
Hybrid-Piano:
James Newton Howard (American score composer)
Klavier und Sologesang:
Melissa Manchester
Posaune:
Lew McCreary
Schlagzeug:
Kirk Bruner
Tenorsaxophon:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
Trompete:
Steve Madaio
Hintergrundgesang:
Melissa Manchester und Vini Poncia
conductor:
Melissa Manchester (Saiteninstrumente)
Blechblasinstrumente [horns] arranger und Saiteninstrumente arranger:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975)
mixed at:
Sound Labs in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Just Too Many People
Verfasser(in):
Melissa Manchester und Vini Poncia
publisher:
BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management) und EMI Blackwood Music Inc.
53:39
6Better Days
recording engineer und Mix:
Bob Schaper
Produzent(in):
Vini Poncia
Synthesizer [ARP synthesizer]:
James Newton Howard (American score composer)
vocals:
Melissa Manchester
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1976)
produced for:
Richard Perry Productions
mixed at:
Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Better Days (Looks as Though We’re Doing Somethin’ Right)
Texter:
Carole Bayer Sager
Komponist(in):
Melissa Manchester
publisher:
Rumanian Pickleworks Company (beendet), BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), New York Times Music Corp. (publisher) (in 1977) und Rumanian Pickleworks Music Co. (in 1977)
54:22
7Through the Eyes of Love (theme from the motion picture “Ice Castles”)
Produzent(in):
Arif Mardin
vocals:
Melissa Manchester
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1979)
recording of:
Through the Eyes of Love (Ice Castles, theme)
Texter:
Carole Bayer Sager
Komponist(in):
Marvin Hamlisch
publisher:
EMI Gold Horizon Music Corp. und EMI Golden Torch Music Corp.
Teil von:
The 52nd Academy Award for Best Original Song (Nummer: 2)
4:14
8Nice Girls
assistierende(r) Techniker(in):
Robert Feist, John Kovarek und Gary Skardina
Techniker(in):
Jeremy Smith (producer/engineer)
Produzent(in):
Arif Mardin
assistierende(r) Mix:
Julie Last und Steve Benben
Mix:
Arif Mardin und Michael O’Reilly (engineer)
Bassgitarre [bass]:
Nathan East
Gitarre:
Dan Carter (guitarist), Michael Landau und Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Hybrid-Piano und Synthesizer:
Robbie Buchanan (Canadian producer)
Schlagzeug:
Carlos Vega
Tenorsaxophon:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
Vibraphon:
Arif Mardin
zusätzlich Synthesizer:
Pete Cannarozzi
Hintergrundgesang:
Robin Beck, Eva Haskell, Jude Johnstone, Will Lee (US jazz/rock bassist), Sharon O’Neal und Millie Whiteside
Sologesang:
Melissa Manchester
arranger:
Robbie Buchanan (Canadian producer) und Arif Mardin
recording of:
Nice Girls
Verfasser(in):
Jan Buckingham, Steve Buckingham (producer) und Mark Gray (US country music artist)
publisher:
Daticabo Publishing Co., Duck Songs (US publisher) und Warner House of Music
3:43
9Whenever I Call You Friend
Techniker(in):
Ed Seay
Produzent(in):
Steve Buckingham (producer)
Bassgitarre [bass]:
Tom Robb
Gitarre:
Larry Byrom
Keyboard [keyboards]:
Alan Feingold und Randy McCormick (session musician and songwriter)
Perkussion:
Mickey Buckins (American singer-songwriter, session musician, producer and engineer) und James Stroud
Schlagzeug:
James Stroud
Hintergrundgesang:
Arnold McCuller
Sologesang:
Melissa Manchester
Saiteninstrumente arranger:
Steven Cagan
recording of:
Whenever I Call You “Friend”
Texter:
Ken Loggins und Melissa Manchester
Komponist(in):
Ken Loggins
publisher:
BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), Milk Money Music (in 1978) und Rumanian Pickleworks Company (in 1978)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
4:47
10No One Can Love You More Than Me
4:17
11Be Somebody
assistierende(r) Techniker(in):
Linda Tyler (engineer)
Techniker(in):
Bob Schaper
Produzent(in):
Vini Poncia
Chimes [bell chimes]:
Kirk Bruner
E-Sitars:
David Wolfert
Hybrid-Piano:
James Newton Howard (American score composer)
Röhrenglocken [orchestra bells]:
Stanley Schwartz
Hintergrundgesang:
Brie Howard, Joe Bean, Steve Nelson (guitarist) und Vini Poncia
vocals:
Melissa Manchester
Saiteninstrumente arranger:
James Newton Howard (American score composer)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1976)
aufgenommen bei und mixed at:
Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Be Somebody
Verfasser(in):
Melissa Manchester, Vini Poncia und Johnny Vastano
publisher:
BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management) und EMI Blackwood Music Inc.
3:42
12Stevie’s Wonder
recording engineer:
Bob Schaper
Produzent(in):
Vini Poncia
Mix:
Bill Schnee
Bassgitarre [bass]:
Cooker LoPresti
Cuíca, Perkussion und Schlagzeug:
Kirk Bruner
E-Gitarre:
David (Soon) Wolfert
Hybrid-Piano und Synthesizer [ARP synthesizer]:
James Newton Howard (American score composer)
Klavier, Hintergrundgesang und Sologesang:
Melissa Manchester
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975)
mixed at:
Sound Labs in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Stevie’s Wonder
Texter:
Carole Bayer Sager
Komponist(in):
Melissa Manchester
publisher:
Alley Music Corp., BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management) und Trio Music Company
33:34

Nennungen

Veröffentlichungsgruppe

Teil von:Platinum & Gold Collection (Reihenfolge: 16)