NOW That’s What I Call 60s Pop

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

Copyright: This compilation ℗ 2023 Now That's What I Call Music LLP

Anmerkung zuletzt geändert am 2024-11-26 20:23 UTC.

Titelliste

1Digitales Medium
2Digitales Medium
3Digitales Medium
4Digitales Medium
Nr.TitelKünstlerBewertungLänge
1River Deep – Mountain High
recording of:
River Deep – Mountain High
Verfasser(in):
Jeff Barry (in 1966), Ellie Greenwich (in 1966) und Phil Spector (in 1966)
publisher:
ABKCO Music, ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Belinda Music, Bug Music (Windswept Account), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Blackwood Music Inc., EMI Music Publishing Scandinavia AB, Leiber Stoller Songs Ltd., Mecolico Music, Mother Bertha Music Inc., Trio Music (publisher), Trio Music Co., Inc., Trio Music Company, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc., Universal/Polygram Music Publishing, Warner Chappell, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und 日本アブコ音楽出版 (ABKCO Japan Publishing)
Ike & Tina Turner3:35
2Stop! In the Name of Love (single version / mono)
recording of:
Stop! In the Name of Love
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Supremes2:51
3Dancing in the Street (“16 Big Hits” version)
Martha Reeves and the Vandellas2:40
4Going to a Go‐Go
recording of:
Going to a Go‐Go
Verfasser(in):
Warren “Pete” Moore, Smokey Robinson, Bobby Rogers und Marvin Tarplin
publisher:
EMI Music (do not use as release label! this is a music publisher) und Jobete Music (appears also as: Jobete Msc.)
Smokey Robinson & The Miracles2:46
5Respect
recording engineer:
Tom Dowd (am 1967-02-14)
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1967-02-14)
Bassgitarre:
Tommy Cogbill (am 1967-02-14)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-02-14)
Klavier:
Aretha Franklin (am 1967-02-14)
Kornett:
Melvin Lastie (am 1967-02-14)
Orgel:
Spooner Oldham (am 1967-02-14)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1967-02-14)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-02-14) und King Curtis (saxophonist) (am 1967-02-14)
Hintergrundgesang:
Carolyn Franklin (am 1967-02-14) und Erma Franklin (am 1967-02-14)
vocals:
Aretha Franklin (am 1967-02-14)
conductor:
Tom Dowd (am 1967-02-14)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-02-14)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 21), New York Post: 100 Greatest Covers (2007) (Nummer: 52) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
cover recording of:
Respect (am 1967-02-14)
Texter und Komponist(in):
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell und Warner/Chappell North America
Aretha Franklin3.92:26
6Walkin’ Back to Happiness (1997 remaster)
Helen Shapiro2:29
7I Only Want to Be With You (stereo)
Produzent(in):
John Franz
phonographisches Urheberrecht (℗) von:
Mercury Ltd (not for release label use!) (in 1963)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1963)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 31) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 323)
recording of:
I Only Want to Be With You (Dusty Springfield song) (in 1963)
Verfasser(in):
Mike Hawker und Ivor Raymonde
publisher:
Chappell & Co Ltd., Chappell Music Ltd., Springfield Music Ltd., Warner Chappell, Warner Chappell Music, Inc., Chappell & Co. (bis 1987) und Warner/Chappell Music International Ltd. (vom 1987 bis heute)
Dusty Springfield4.42:35
8Everlasting LoveLove Affair43:01
9Baby Now That I’ve Found You (stereo)
recording of:
Baby Now That I’ve Found You
Texter und Komponist(in):
Tony Macaulay und John MacLeod (producer & songwriter, partner of Tony Macaulay)
publisher:
ATV Music Ltd., Belmont (publisher), BMG Music Pub. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Sony/ATV Music Pub. Ltd.
The Foundations2:36
10Needles and Pins
The Searchers2:12
11Friday on My Mind
The Easybeats2:55
12Have I the Right
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recording of:
Have I the Right (in 1964)
Verfasser(in):
Alan Blaikley und Ken Howard (English songwriter, one half of the songwrting team Ken Howard & Alan Blaikley, author and television director)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Ivy Music Ltd.
The Honeycombs32:57
13Dizzy
Tommy Roe2:55
14Ob‐La‐DI, Ob‐La‐Da
Marmalade3:10
15Lily the Pink
The Scaffold4:18
16Up, Up and Away
The 5th Dimension2:37
17Born Free
Matt Monro2:46
18Make Your Own Kind of Music (single version)
Cass Elliot2:22
19Cinderella Rockefella
arranger:
Phil Dennys
phonographisches Urheberrecht (℗) von:
Phonogram GmbH (in 1967), Phonogram Ltd. (not for release label use!) (in 1967), PolyGram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1967), Philips (von 1967 bis 1968), Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (von 1967 bis 1968), Phonogram, Inc. (von 1967 bis 1968) und Phonogram (in 1979)
cover recording of:
Cinderella Rockefella (in 1967)
Texter:
Nancy Ames
Komponist(in):
Mason Williams (US classical guitarist, composer, writer, comedian & poet)
publisher:
Irving (BMI), Laetrec Music, Music Publishers of Africa (M.P.A.), Rondor Music (Australia) und Rondor Music (London) Ltd.
Esther & Abi Ofarim2:29
20Je t’aime moi non plus
Produzent(in):
Jean-Claude Desmarty
vocals:
Jane Birkin (in 1968-11) und Serge Gainsbourg (in 1968-11)
Orchester:
Arthur Greenslade & His Orchestra (in 1968-11)
conductor:
Arthur Greenslade (in 1968-11)
arranger:
Arthur Greenslade
recording of:
Je t’aime… Moi non plus (in 1968-11)
Texter und Komponist(in):
Serge Gainsbourg
publisher:
Heath Levy Music Co. Ltd. und Shapiro Bernstein & Co. Ltd.
Serge Gainsbourg & Jane Birkin44:21
21The End of the World
Skeeter Davis2:37
22The Last Waltz
Engelbert Humperdinck2:58

Nennungen

Veröffentlichung

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Veröffentlichungsgruppe

Teil von:Now That’s What I Call…... (UK compilations outside the main numbered series or subseries) (Reihenfolge: 121)