Douze transcriptions pour piano (après J.S. Bach): IV. No. 4 Bourrée de la 1e Partita, BWV 1002
~ Recording by Antony Gray
Appears on releases
| # | Title | Length | Track artist | Release title | Release artist | Release group type | Country/Date | Label | Catalog# |
|---|---|---|---|---|---|---|---|---|---|
| Official | |||||||||
| 2.6 | Douze transcriptions pour piano (après J.S. Bach): IV. No. 4 Bourrée de la 1e Partita, BWV 1002 | 3:35 | Camille Saint‐Saëns | Piano Works, Paraphrases and Transcriptions, Volume 2: Oratorio / Cantata / Occasional Pieces / J.S. Bach / Luis de Milan | Camille Saint‐Saëns; Antony Gray | Album |
| Divine Art | dda 21236 |
Relationships
| sound engineer: | Morgan Roberts |
|---|---|
| producer: | Simon Weir |
| instruments: | Antony Gray (Australian pianist) (in 2013-08) |
| recorded at: | The Menuhin Hall in Stoke d'Abernon, Surrey, England, United Kingdom (in 2013-08) |
|---|
| recording of: | Bourrée from Partita no. 1 for Solo Violin, BWV 1002 (for piano, Saint-Säens) |
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Related works
Bourrée from Partita no. 1 for Solo Violin, BWV 1002 (for piano, Saint-Säens)
| composer: | Johann Sebastian Bach (German Baroque period composer & musician) |
|---|---|
| arranger: | Camille Saint‐Saëns (composer) |
| part of: | Oeuvres de J.-S. Bach, Douze transcriptions pour le piano (order: 4) |
|---|---|
| arrangement of: | Violin Partita no. 1 in B minor, BWV 1002: VII. Tempo di Borea |
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