Il barbiere di Siviglia: Atto II: Aria: “Contro un cor che accende amore”

~ Recording by Sonia Ganassi, Ramón Vargas, Failoni Chamber Orchestra (Budapest), Will Humburg

Appears on releases

#TitleLengthTrack artistRelease titleRelease artistRelease group typeCountry/DateLabelCatalog#
Official
1.11Il barbiere di Siviglia: Atto II: Aria: “Contro un cor che accende amore”7:17Gioachino RossiniThe Barber of Seville (highlights)Gioachino Rossini; Roberto Servile, Sonia Ganassi, Ramón Vargas, Angelo Romero, Franco de Grandis, Hungarian Radio Chorus, Failoni Chamber Orchestra (Budapest), Will HumburgAlbum
Naxos8.553436
3.11The Barber of Seville: Act II. Aria: “Contro un cor che accende amore” (Rosina, Conte)7:17Gioachino RossiniGreat OperaMozart, Rossini, Verdi, Bizet, Leoncavallo, Mascagni, PucciniAlbum + Compilation
Naxos8.501054
24.11The Barber of Seville: Act II. Aria: Contro un cor che accende amore7:17Gioachino RossiniThe Anniversary CollectionVarious ArtistsAlbum + Compilation
Naxos8.503293
24.11The Barber of Seville: Act II. Aria: Contro un cor che accende amore7:17Gioachino RossiniThe Anniversary CollectionVarious ArtistsAlbum + Compilation
Naxos8.503293

Relationships

engineer:Gábor Mocsáry (in 1992-11)
producer:Tamás Benedek (in 1992-11)
mezzo-soprano vocals:Sonia Ganassi (mezzo-soprano) (from 1992-11-16 until 1992-11-28)
tenor vocals:Ramón Vargas (tenor) (from 1992-11-16 until 1992-11-28)
orchestra:Failoni Chamber Orchestra (Budapest) (Failoni Chamber Orchestra) (from 1992-11-16 until 1992-11-28)
conductor:Will Humburg (conductor) (from 1992-11-16 until 1992-11-28)
recorded at:Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1992-11-16 until 1992-11-28)
recording of:Il barbiere di Siviglia: Atto II, No. 11. Aria “Contro un cor” (Rosina, Conte) (from 1992-11-16 until 1992-11-28)

Related works

Il barbiere di Siviglia: Atto II, No. 11. Aria “Contro un cor” (Rosina, Conte)

composer:Gioachino Rossini (composer)
librettist:Cesare Sterbini
part of:Il barbiere di Siviglia: Atto II (order: 5)