Messiah: Part II No. 26 All we like sheep (chorus)
~ Recording by Amor Artis Chorale, English Chamber Orchestra, Johannes Somary
Appears on releases
Relationships
| recording engineer: | Robert Auger (engineer) (in 1970-07) |
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| producer: | Seymour Solomon (producer and founder of Vanguard Records) |
| harpsichord and organ: | Colin Tilney (harpsichordist) (in 1970-07) |
| choir vocals: | Amor Artis Chorale (in 1970-07) |
| orchestra: | English Chamber Orchestra (in 1970-07) |
| conductor: | Johannes Somary (in 1970-07) |
| phonographic copyright (℗) by: | Vanguard Classics (in 1990) |
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| recorded at: | Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07) |
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| recording of: | Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep” (in 1970-07) |
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Related works
Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep”
| composer: | George Frideric Handel (German‐British baroque composer) (in 1741) |
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| later parody versions: | We Love Sheep |
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| later versions: | Der Messias, K. 572: Teil II, Nr. 20. Coro: “Wie Schafe geh'n” |
| part of: | Messiah, HWV 56: Part II (order: 5) |
| arrangements: | Messiah, HWV 56: Part II, no. 26. All we like sheep have gone astray (Goossens-Beecham Edition) Messiah, HWV 56: Part II. Chorus: All We Like Sheep Have Gone Astray (Wilberg Edition) |
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