Matthäus-Passion: Am Abend aber kam ein reicher Mann (Evangelium)
~ Recording by Das Neue Orchester, Christoph Spering
Appears on releases
| # | Title | Length | Track artist | Release title | Release artist | Release group type | Country/Date | Label | Catalog# |
|---|---|---|---|---|---|---|---|---|---|
| Official | |||||||||
| 2.26 | Matthäus-Passion: Am Abend aber kam ein reicher Mann (Evangelium) | 0:37 | Johann Sebastian Bach arr. Felix Mendelssohn Bartholdy | Matthäus-Passion (version Leipzig 1841) | Bach, Mendelssohn Bartholdy; Jochens, Lika, Kazimierczuk, Browner, Schäfer, Selig, Chorus Musicus, Das Neue Orchester, Christoph Spering | Album |
| Opus 111 | OPS-30-72/73 |
Relationships
| engineer: | Meinhard Schwarzer |
|---|---|
| co-producer: | Ludwig Rink |
| producer: | Yolanta Skura |
| editor: | Alexia Benoît |
| orchestra: | Das Neue Orchester (from 1992-04-16 until 1992-04-25) |
| conductor: | Christoph Spering (conductor and organist) (from 1992-04-16 until 1992-04-25) |
| recorded at: | Deutschlandradio Studios in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1992-04-16 until 1992-04-25) |
|---|
Related works
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista)
| composer: | Johann Sebastian Bach (German Baroque period composer & musician) |
|---|---|
| librettist: | Picander |
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