Christ lag in Todesbanden, BWV 4: II. Versus 1. Christ lag in Todesbanden

~ Recording by Ensemble Correspondances, Sébastien Daucé

Appears on releases

#TitleLengthTrack artistRelease titleRelease artistRelease group typeCountry/DateLabelCatalog#
Official
1.15Christ lag in Todesbanden, BWV 4: II. Versus 1. Christ lag in Todesbanden3:28Johann Sebastian BachChrist lag in Todesbanden: Cantatas BWV 4, 106, 131J.S. Bach; Ensemble Correspondances, Sébastien DaucéAlbum
  • -2025-11-28
harmonia mundiHMM 902745

Relationships

recording engineer:Alexandra Evrard (engineer) (from 2024-08-27 until 2024-08-29)
Alban Moraud (engineer) (from 2024-08-27 until 2024-08-29)
producer:Alexandra Evrard (engineer) (task: direction artistique)
Alban Moraud (engineer) (task: direction artistique)
choir vocals:Ensemble Correspondances
orchestra:Ensemble Correspondances (from 2024-08-27 until 2024-08-29)
conductor:Sébastien Daucé (chef d'orchestre et musicologue français) (from 2024-08-27 until 2024-08-29)
phonographic copyright (℗) by:harmonia mundi musique s.a.s. (not for release label use!) (in 2025)
recorded at:Chapelle Corneille in Rouen, Seine-Maritime, Normandie (Normandy), France (from 2024-08-27 until 2024-08-29)
recording of:Kantate, BWV 4 „Christ lag in Todesbanden“: II. Chor Versus I „Christ lag in Todes Banden“

Kantate, BWV 4 „Christ lag in Todesbanden“: II. Chor Versus I „Christ lag in Todes Banden“

composed in:Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:Martin Luther (German theologian of the Reformation) (in 1524)
part of:Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded) (movement) (order: 2)