You'd Be So Nice to Come Home To
~ Recording by Ben Webster
Appears on releases
| # | Title | Length | Track artist | Release title | Release artist | Release group type | Country/Date | Label | Catalog# |
|---|---|---|---|---|---|---|---|---|---|
| Official | |||||||||
| 1.6 | You'd Be So Nice to Come Home To | 4:18 | Ben Webster | Verve Jazz Masters 43: Ben Webster | Ben Webster | Album + Compilation |
| Verve (jazz label, aka “Verve Records”, use this for release labels) | 314 525 431-2 |
Relationships
| double bass: | Ray Brown (jazz bassist) (on 1957-10-16) |
|---|---|
| drums (drum set): | Alvin Stoller (on 1957-10-16) |
| guitar: | Herb Ellis (jazz guitarist) (on 1957-10-16) |
| piano: | Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-16) |
| tenor saxophone: | Coleman Hawkins (on 1957-10-16) Ben Webster (on 1957-10-16) |
| recording of: | You’d Be So Nice to Come Home To (on 1957-10-16: instrumental) |
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Related works
You’d Be So Nice to Come Home To
| lyricist and composer: | Cole Porter (composer) (in 1943) |
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| publisher: | Chappell & Co. Chappell & Co., Inc. (USA) Warner Chappell Music Ltd. (no slash; used 1988–1996) Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) |
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| later translated versions: | Koma Heim |
|---|
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