Samson, HWV 57: Act Three, Scene 1. Recitative: "More trouble is behind: for Harapha" (Micah, Samson, Harapha)
~ Aufnahme von Jonathan Best, Thomas Randle, Catherine Wyn-Rogers, The Symphony of Harmony and Invention, Harry Christophers
Erscheint in Veröffentlichungen
| Nr. | Titel | Länge | Titelinterpret | Veröffentlichungstitel | Veröffentlichungskünstler | Veröffentlichungsgruppen-Typ | Land/Datum | Label | Katalognr. |
|---|---|---|---|---|---|---|---|---|---|
| Offiziell | |||||||||
| 20.1 | Samson, HWV 57: Act Three, Scene 1. Recitative: "More trouble is behind: for Harapha" (Micah, Samson, Harapha) | 1:24 | George Frideric Handel | Handel: The Great Oratorios | George Frideric Handel | Album + Compilation |
| Decca Classics (“DECCA” in white uppercase on a blue‐over‐red rectangular block; until 1999, for use outside of North America only) | 4830142 |
Beziehungen
| Techniker(in): | Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) |
|---|---|
| Bass-Gesang [Harapha]: | Jonathan Best (operatic bass) (in 2002) |
| Hochgesang [Micah]: | Catherine Wyn-Rogers (mezzo-soprano) (in 2002) |
| Tenor-Gesang [Samson]: | Thomas Randle (tenor) (in 2002) |
| Orchester: | The Symphony of Harmony and Invention (in 2002) |
| conductor: | Harry Christophers (conductor) (in 2002) |
| phonographisches Urheberrecht (℗) von: | The Sixteen Productions Ltd. (in 2002) |
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| aufgenommen bei: | St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 2002) |
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| recording of: | Samson, HWV 57: Act III. Recitative: More trouble is behind (Micah/Samson/Harapha) (in 2002) |
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Verbundene Werke
Samson, HWV 57: Act III. Recitative: More trouble is behind (Micah/Samson/Harapha)
| Komponist(in): | George Frideric Handel (German‐British baroque composer) |
|---|---|
| Librettist: | Newburgh Hamilton |
| Teil von: | Samson, HWV 57: Act III (Reihenfolge: 1) |
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