Porgy and Bess: Porgy, I Hates to Go
~ Recording by Angel Blue, Alexandria Crichlow, Lester Lynch, The Philadelphia Orchestra, Marin Alsop
Appears on releases
| # | Title | Length | Track artist | Release title | Release artist | Release group type | Country/Date | Label | Catalog# |
|---|---|---|---|---|---|---|---|---|---|
| Official | |||||||||
| 1.11 | Porgy and Bess: Porgy, I Hates to Go | 2:05 | George Gershwin | Porgy and Bess (Highlights) | George Gershwin; Angel Blue, Lester Lynch, Chauncey Packer, Kevin Short, Morgan State University Choir, The Philadelphia Orchestra, Marin Alsop | Album + Live |
| Pentatone (renamed from PentaTone Classics in 2014) | PTC 5186 883 |
| 1.11 | Porgy and Bess: Porgy, I Hates to Go | 2:05 | George Gershwin | Porgy and Bess (Highlights) (96.0kHz/24bit) | George Gershwin; Angel Blue, Lester Lynch, Chauncey Packer, Kevin Short, Morgan State University Choir, The Philadelphia Orchestra, Marin Alsop | Album + Live |
| Pentatone (renamed from PentaTone Classics in 2014) | PTC 5186 883 |
Relationships
| recording engineer: | Dirk Sobotka |
|---|---|
| producer: | Job Maarse |
| solo baritone vocals [Porgy]: | Lester Lynch (baritone) (in 2020-03) |
| solo soprano vocals [Bess]: | Angel Blue (crossover opera singer) (in 2020-03) |
| solo soprano vocals [Maria]: | Alexandria Crichlow (soprano) (in 2020-03) |
| orchestra: | The Philadelphia Orchestra (in 2020-03) |
| conductor: | Marin Alsop (conductor) (in 2020-03) |
| balance engineer: | Mark Donahue (engineer) |
| recorded at: | Kimmel Center for the Performing Arts: Verizon Hall in Philadelphia, Pennsylvania, United States (in 2020-03) |
|---|
| recording of: | Porgy and Bess: Act II (in 2020-03: partial) |
|---|
Related works
Porgy and Bess: Act II
| composer: | George Gershwin (composer) |
|---|
| part of: | Porgy and Bess (order: 3) |
|---|---|
| parts: | Porgy and Bess: Act II, Scene I Porgy and Bess: Act II, Scene II Porgy and Bess: Act II, Scene III Porgy and Bess: Act II, Scene IV Porgy and Bess: Act II. “Oh, Doctor Jesus” (this title appears several times in Act II) |
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