BWV 244: Und da sie ihn verspottet hatten / Ja freilich will in uns / Komm, süßes Kreuz

~ Recording by Matthias Jahrmärker, Christopher Watson, Berlin Baroque, Gerhard Oppelt

Appears on releases

#TitleLengthTrack artistRelease titleRelease artistRelease group typeCountry/DateLabelCatalog#
Official
3.2BWV 244: Und da sie ihn verspottet hatten / Ja freilich will in uns / Komm, süßes Kreuz7:54Johann Sebastian BachMatthäuspassionJoh. Seb. Bach; Berliner Figuralchor, Cantores Minores, Berlin BaroqueAlbum + Live
  • DE2012-04-06

Relationships

bass vocals:Matthias Jahrmärker
tenor vocals [Evangelist]:Christopher Watson (tenor)
orchestra:Berlin Baroque
conductor:Gerhard Oppelt (organist and conductor)
recorded at:Berliner Philharmonie: Kammermusiksaal in Mitte, Berlin, Germany
recording of:Matthäus-Passion, BWV 244: Teil II, LV. "Und da sie ihn verspottet hatten" (Evangelista)
Matthäus-Passion, BWV 244: Teil II, LVI. Recitativo (Basso) "Ja freilich will in uns das Fleisch und Blut"
Matthäus-Passion, BWV 244: Teil II, LVII. Aria (Basso) "Komm, süßes Kreuz, so will ich sagen"

Related works

Matthäus-Passion, BWV 244: Teil II, LV. "Und da sie ihn verspottet hatten" (Evangelista)

composer:Johann Sebastian Bach (German Baroque period composer & musician)
librettist:Picander
later translated versions:St. Matthew Passion, BWV 244: Part II, LXIV. Recit (evangelist) "And After That They had Mocked Him"
part of:Matthäus-Passion, BWV 244: Teil II (order: 26)

Matthäus-Passion, BWV 244: Teil II, LVI. Recitativo (Basso) "Ja freilich will in uns das Fleisch und Blut"

composer:Johann Sebastian Bach (German Baroque period composer & musician)
librettist:Picander
later translated versions:St. Matthew Passion, BWV 244: Part II, LXV. Recit. (Bass) "In Truth, to Bear the Cross"
part of:Matthäus-Passion, BWV 244: Teil II (order: 27)

Matthäus-Passion, BWV 244: Teil II, LVII. Aria (Basso) "Komm, süßes Kreuz, so will ich sagen"

composer:Johann Sebastian Bach (German Baroque period composer & musician)
librettist:Picander
later translated versions:St. Matthew Passion, BWV 244: Part II, LXVI Aria (Bass) "Come, Healing Cross"
part of:Matthäus-Passion, BWV 244: Teil II (order: 28)