Greatest Hits of the 70’s (8 CD Box)

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1It’s a Heartache
Produzent(in):
Dave Mackay (producer), David Mackay (Australian producer, arranger, musical director), Ronnie Scott (a British pop music promoter, group manager and songwriter) und Steve Wolfe (producer, songwriter and guitar player)
Akustikgitarre und Hintergrundgesang:
Steve Wolfe (producer, songwriter and guitar player)
Bass:
Kevin Dunne
Perkussion und Schlagzeug:
Micky Gibbins (drummer for Badfinger)
vocals:
Bonnie Tyler
phonographisches Urheberrecht (℗) von:
Castle Copyrights Ltd. (in 1977), RCA Ltd. (UK arm of RCA) (in 1977), Sanctuary Copyrights Ltd. (in 1977), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1977), Soundbarrier Ltd. (production company) (in 1977, in 1978), Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1995), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
produced for:
Soundbarrier Ltd. (production company)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 24)
recording of:
It’s a Heartache
Verfasser(in):
Ronnie Scott (a British pop music promoter, group manager and songwriter) und Steve Wolfe (producer, songwriter and guitar player)
publisher:
BMG Music Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Lojo Music, Scott/Wolfe Songs Ltd., Universal Music Publishing International Ltd., Universal Music Publishing MGB Ltd., Mighty Music (publisher) (in 1977) und RAK Publishing (in 1977)
Bonnie Tyler3.83:29
2Back Home
recording engineer:
Albert Kos (engineer/editor) (in 1970-07)
Produzent(in):
Fred Haayen
E-Bass, Keyboard, Klavier und mellotron:
Rinus Gerritsen (bass player) (in 1970-07)
E-Gitarre:
Barry Hay (in 1970-07) und George Kooymans (in 1970-07)
Perkussion und Schlagzeug:
Cesar Zuiderwijk (Dutch drummer, member of Golden Earring) (in 1970-07)
Sologesang:
Barry Hay (in 1970-07)
vocals:
George Kooymans (in 1970-07)
phonographisches Urheberrecht (℗) von:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1970) und Red Bullet Productions B.V. (in 1970)
produced for:
Red Bullet Productions
aufgenommen bei:
Phonogram Studios in Hilversum, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands (in 1970-07)
recording of:
Back Home (in 1970-07)
Texter und Komponist(in):
George Kooymans
Verfasser(in):
Barry Hay und George Kooymans
publisher:
Dayglow Music, Inc. und New Dayglow B.V.
Golden Earring3.53:52
3Ready Steady Go
Techniker(in):
Alan Winstanley (English record producer)
Produzent(in):
Martin Rushent
Bassgitarre:
Tony James (UK bassist/guitarist)
Gitarre:
Bob Derwood Andrews
Schlagzeug:
Mark Laff
Sologesang:
Billy Idol (English rock singer‐songwriter)
Bearbeitung von:
Ready Steady Go (Phil Wainman version) von Generation X (English post‐punk band aka “Gen X”)
recording of:
Ready Steady Go
Texter und Komponist(in):
Billy Idol (English rock singer‐songwriter) und Tony James (UK bassist/guitarist)
publisher:
Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Publishing Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Generation X52:58
4No More Heroes
Techniker(in):
Alan Winstanley (English record producer)
Produzent(in):
Martin Rushent
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977)
aufgenommen bei:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (in 1977-07)
recording of:
No More Heroes (in 1977-07)
Verfasser(in):
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) und Dave Greenfield
publisher:
Complete Music Ltd.
The Stranglers4.653:29
5Ever Fallen in Love (With Someone You Shouldn’t’ve)
Techniker(in):
Doug Bennett (producer, engineer) und Martin Rushent
Produzent(in) und Mix:
Martin Rushent
arranger:
Buzzcocks (English punk band)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978, in 1989)
aufgenommen bei und mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 276)
recording of:
Ever Fallen in Love (With Someone You Shouldn’t’ve)
Texter und Komponist(in):
Pete Shelley (Buzzcocks lead singer) (in 1977-11)
publisher:
Complete Music Ltd.
Buzzcocks4.42:42
6My Sharona
Bass:
Prescott Niles (in 1979-04)
Gitarre [lead guitar]:
Berton Averre (in 1979-04)
Gitarre [rhythm guitar] und Sologesang:
Doug Fieger (in The Knack) (in 1979-04)
Schlagzeug:
Bruce Gary (in 1979-04)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 2002), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
My Sharona (in 1979-04)
Verfasser(in):
Berton Averre und Douglas Fieger (in The Knack)
publisher:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia und Wise Brothers Music LLC
The Knack3.94:01
7Tomorrow Night
recording of:
Tomorrow Night
Texter und Komponist(in):
Vincent Crane
publisher:
Onward Music Ltd. und Westminster Music Ltd.
Atomic Rooster3:58
8Showdown
Techniker(in):
Denny Bridges und John Middleton (engineer)
Produzent(in):
Jeff Lynne
Bass und Hintergrundgesang:
Michael d’Albuquerque (in 1973-04)
Cello:
Mike Edwards (English Cellist that was a member of ELO) (in 1973-04) und Colin Walker (English Cellist that was a member of ELO) (in 1973-04)
Geige / Violine:
Wilfred Gibson (UK violinist) (in 1973-04)
Gitarre und Sologesang:
Jeff Lynne (in 1973-04)
Klavier und Moog:
Richard Tandy (keyboardist for Electric Light Orchestra) (in 1973-04)
Perkussion und Schlagzeug:
Bev Bevan (English rock drummer) (in 1973-04)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1973, in 2005, in 2011), Jet Records (in 1973), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1973) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1973)
aufgenommen bei:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (in 1973-04)
recording of:
Showdown (in 1973-04)
geschrieben in:
Birmingham, West Midlands, England, Vereinigtes Königreich
Texter und Komponist(in):
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Ltd., EMI U Catalog Inc. (publisher; do NOT use as release label), Jet Music Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Electric Light Orchestra4.44:11
9Hello Suzie
recording of:
Hello Suzie
Komponist(in):
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
publisher:
Westminster Music Ltd.
The Move4:56
10Up Against the Wall
Techniker(in):
Bill Price (UK producer/engineer)
Produzent(in):
Chris Thomas (UK record producer / remixer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recording of:
Up Against the Wall
Verfasser(in):
Roy Butterfield und Tom Robinson (British singer-songwriter, bassist and radio presenter)
Tom Robinson Band53:35
11Man From Manhattan
Produzent(in):
Freddie Mercury
Akustikgitarre und Sologesang:
Eddie Howell
Bassgitarre und E-Bass:
Jerome Rimson
E-Gitarre und Gitarre:
Brian May (Queen guitarist)
Klavier:
Freddie Mercury
Schlagzeug:
Barry De Souza
Hintergrundgesang:
Brian May (Queen guitarist) und Freddie Mercury
vocals:
Eddie Howell
recording of:
The Man From Manhattan
Texter und Komponist(in):
Eddie Howell
Eddie Howell3:21
12Silver Lady
phonographisches Urheberrecht (℗) von:
David Soul (in 1977)
recording of:
Silver Lady (in 1977)
Verfasser(in):
Tony Macaulay und Geoff Stephens
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Macaulay Music Ltd., Polygram International Music Publishing Ltd. und PolyGram Music Publishing
David Soul53:42
13Baby Jump
recording of:
Baby Jump
Texter und Komponist(in):
Ray Dorset
publisher:
SM Publishing (UK) Limited (Sony Music, 2009–2020) und Sony/ATV Music Publishing (UK) Ltd.
Mungo Jerry4:00
14On My Radio
recording of:
On My Radio
Texter und Komponist(in):
Neol Davies (British musician and founder of The Selecter)
publisher:
Fairwood Music Ltd.
The Selecter4.23:07
15A Message to You Rudy
Produzent(in):
Elvis Costello
Gast-Posaune:
Rico Rodriguez (Jamaican trombonist)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 132)
cover recording of:
A Message to You, Rudy
Texter und Komponist(in):
Dandy Livingstone
recording of:
A Message to You, Rudy
Texter und Komponist(in):
Dandy Livingstone
The Specials feat. Rico42:56
16Don’t Look Back (You’ve Gotta Walk)
cover recording of:
Don’t Look Back
Verfasser(in):
Smokey Robinson und Ronald White (soul singer, founding member of The Miracles)
publisher:
Jobete Music (appears also as: Jobete Msc.) und Jobete Music Co., Inc.
Peter Tosh3:44
17The Second Time Around
recording of:
The Second Time Around
Verfasser(in):
William Shelby und Leon Sylvers
publisher:
Rondor Music (Ldn) Ltd., Rosy Music (ASCAP-affiliated) und Spectrum VII
Shalamar3:42
18El Bimbo
recording of:
El Bimbo
Komponist(in):
Claude Morgan (1970s French producer) (in 1974-06)
Bimbo Jet2:31
2▼CD
Nr.TitelKünstlerBewertungLänge
1Spanish Stroll
Bass:
Rubén Sigüenza
Gitarre:
Willy DeVille und Louis X. Erlanger
Klavier:
Bobby Leonards
membranophone:
Thomas R. "Manfred" Allen, Jr.
Sologesang:
Willy DeVille
phonographisches Urheberrecht (℗) von:
USM (for ℗ & © use only; Universal Strategic Marketing, a division of Universal Music B.V.) (in 2015)
recording of:
Spanish Stroll
Texter und Komponist(in):
Willy DeVille
Mink DeVille53:37
2Dyna-mite
Produzent(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
phonographisches Urheberrecht (℗) von:
RAK Records Ltd. (in 1973)
recording of:
Dyna-Mite
Texter und Komponist(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
Mud52:58
3Magic
Produzent(in):
Alan Parsons (of The Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974, in 1975, in 2003)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 41)
recording of:
Magic
Verfasser(in):
Billy Lyall und David Paton (of Pilot)
publisher:
Beechwood Music Corp., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Robbins Music Corp. Ltd.
Pilot4.753:04
4Dancing on a Saturday Night
Produzent(in):
Barry Blue (singer, producer, and songwriter)
phonographisches Urheberrecht (℗) von:
Bell (50s-70s US/UK pop, later became Arista) (in 1973), Crimson Copyrights Ltd. (in 1973) und Demon Music Group (in 1973)
recording of:
Dancin’ (On a Saturday Night)
Verfasser(in):
Barry Blue (singer, producer, and songwriter) und Lynsey de Paul
publisher:
ATV Music Ltd., Sony/ATV Music Publishing (UK) Ltd. und Sony/ATV Music Publishing Australia Pty Ltd.
Barry Blue3:07
5You to Me Are Everything
Produzent(in):
Ken Gold
phonographisches Urheberrecht (℗) von:
Pye Records (in 1976) und Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1976)
recording of:
You to Me Are Everything
Verfasser(in):
Michael Denne und Ken Gold
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Screen Gems–EMI Music Ltd.
The Real Thing3.653:23
6And the Beat Goes On
recording of:
And the Beat Goes On
Verfasser(in):
William Shelby, Stephen Shockley und Leon Sylvers
publisher:
Notting Hill Music (UK) Ltd. und Sony/ATV Music Publishing (UK) Ltd.
The Whispers3.353:24
7Rapper’s Delight
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 101), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 248) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 427)
recording of:
Rapper’s Delight (am 1979-08-02)
Verfasser(in):
Bernard Edwards (American bassist and record producer), Guy O'Brien (US rapper Guy Anthony O’Brien), Henry Jackson, Michael Wright, Sylvia Robinson und Nile Rodgers
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
basiert auf:
Good Times
The Sugarhill Gang4.54:51
8Whodunit
recording of:
Whodunit
Verfasser(in):
Freddie Perren und Keni St. Lewis
Tavares3.53:36
9Greased Lightning
Produzent(in):
Louis St. Louis (American songwriter, music arranger and singer)
Mix:
David J. Holman
Saxophon:
Ray Pizzi
Sologesang:
John Travolta (American actor and singer)
zusätzlich vocals:
Jeff Conaway (actor)
Horn arranger und Saiteninstrumente arranger:
Michael Melvoin
arranger:
John Farrar, Michael Gibson (trombone) und Louis St. Louis (American songwriter, music arranger and singer)
phonographisches Urheberrecht (℗) von:
RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (vom 1978 bis heute) und RSO Records (US company that owned the RSO label, not the label itself.) (in 1978)
recording of:
Greased Lightnin’ (Grease, 1971 musical)
Verfasser(in):
Warren Casey und Jim Jacobs
publisher:
Edwin H. Morris & Company (a division of MPL Communications Inc.) (vom 1978 bis heute)
Teil von:
Grease (1971 musical)
John Travolta4.653:16
10Roll Over Beethoven
cover recording of:
Roll Over Beethoven
Texter und Komponist(in):
Chuck Berry (in 1956-01)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dualtone Words and Songs, Isalee Music Publishing Company und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
sub-publisher:
Fujipacific Music, Inc. und Rock ’n’ Roll Music
Electric Light Orchestra6:44
11Kung Fu Fighting
arranger:
Gerry Shury
recording of:
Kung Fu Fighting
Texter und Komponist(in):
Carl Douglas
publisher:
Carren Music (publisher) und 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
basiert auf:
[Oriental Riff]
Carl Douglas4.23:17
12Dreams Are Ten a Penny
recording of:
Dreams Are Ten a Penny
Verfasser(in):
John Carter (songwriter & producer, b. 1942) und Gillian Shakespeare (songwriter)
publisher:
Image Music (Australian) und Peermusic Ltd. (BMI)
Kincade2:36
13Freedom Come, Freedom Go
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1971)
recording of:
Freedom Come, Freedom Go
Verfasser(in):
Roger Cook (US‐based British singer, songwriter and producer) (in 1971), Roger Greenaway (in 1971), Albert Hammond (in 1971) und Mike Hazlewood (in 1971)
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) und PolyGram Music Publishing
The Fortunes3:16
14Donna
Techniker(in) und Mix:
Eric Stewart
Produzent(in):
10cc
Akustikgitarre, Bass, E-Gitarre, Resonatorgitarre [dobro] und Tamburin:
Graham Gouldman (in 1972-05)
Moog, Akustikgitarre, E-Gitarre, Hybrid-Piano, Flügel, mellotron und Perkussion:
Lol Creme (in 1972-05)
Moog, E-Gitarre und Slide-Gitarre:
Eric Stewart (in 1972-05)
Perkussion und Schlagzeug:
Kevin Godley (in 1972-05)
vocals:
Lol Creme (in 1972-05), Kevin Godley (in 1972-05), Graham Gouldman (in 1972-05) und Eric Stewart (in 1972-05)
phonographisches Urheberrecht (℗) von:
Strawberry Productions (copyright holder for 10cc) (in 1973) und Jonathan King Enterprises Ltd. (in 2007)
recorded by:
U.K. Records Ltd.
aufgenommen bei:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, Vereinigtes Königreich (in 1972-05)
recording of:
Donna (in 1972-05)
Verfasser(in):
Lol Creme und Kevin Godley
publisher:
St. Anne’s Music Ltd. (in 1973)
10cc3.852:55
15Sugar Candy Kisses
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1975)
recording of:
Sugar Candy Kisses
Verfasser(in):
Wayne Bickerton und Tony Waddington
publisher:
Music for Africa (South Africa)
Mac & Katie Kissoon3:18
16Beach Baby
phonographisches Urheberrecht (℗) von:
Peermusic Ltd. (BMI) (in 1974)
recording of:
Beach Baby
Verfasser(in):
John Carter (songwriter & producer, b. 1942) und Gillian Shakespeare (songwriter)
publisher:
Image Music (Australian) und Peermusic Pty. Ltd. (Australia)
First Class4.54:54
17Brother Louie
Produzent(in):
Mickie Most (English record producer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1973) und RAK Records Ltd. (in 1973)
recording of:
Brother Louie
Verfasser(in):
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) und Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
EMI Music Publishing (PRS‐affiliated), Finchley Music und RAK Publishing Ltd.
Hot Chocolate4.54:58
18Be Good to Yourself
cover recording of:
Be Good to Yourself
Texter und Komponist(in):
Andy Fraser (English bassist, member of Free)
Frankie Miller2:59
3▼CD
Nr.TitelKünstlerBewertungLänge
1Child in Time
Techniker(in):
Andy Knight (UK engineer)
Produzent(in):
Deep Purple
E-Bass:
Roger Glover (von 1969-10 bis 1970-04)
E-Gitarre:
Ritchie Blackmore (von 1969-10 bis 1970-04)
Hammond-Orgel:
Jon Lord (von 1969-10 bis 1970-04)
Schlagzeug:
Ian Paice (von 1969-10 bis 1970-04)
Sologesang:
Ian Gillan (von 1969-10 bis 1970-04)
phonographisches Urheberrecht (℗) von:
HEC Enterprises Ltd. (in 1995)
aufgenommen bei:
IBC Studios in London (Greater London), England, Vereinigtes Königreich (von 1969-10 bis 1970-04)
Teil von:
SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2005 der Badener (Baden-Württemberg) (Nummer: 6), SWR1 Hitparade 2005 der Württemberger (Baden-Württemberg) (Nummer: 5), SWR1 Hitparade 2006 (Baden-Württemberg) (Nummer: 6), SWR1 Hitparade 2007 (Baden-Württemberg) (Nummer: 4), SWR1 Hitparade 2008 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2009 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2010 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2011 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2012 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2013 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2014 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2015 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2016 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2017 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2018 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2019 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2020 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2021 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2022 (Baden-Württemberg) (Nummer: 3) und SWR1 Hitparade 2023 (Baden-Württemberg) (Nummer: 3)
recording of:
Child in Time (von 1969-10 bis 1970-04)
Verfasser(in):
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord und Ian Paice
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Publishing (do not use as a release label!), EMI Music Publishing France, HEC Music, Henrees Music co., EMI Music Publishing Japan C.F. division (bis 2021-06-30), EMI Music Publishing Japan Ltd., Sony Division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
basiert auf:
Bombay Calling
Deep Purple4.510:15
2Dance With the Devil
Produzent(in):
Mickie Most (English record producer)
phonographisches Urheberrecht (℗) von:
RAK Records Ltd. (in 1973)
recording of:
Dance With the Devil
Komponist(in):
Phil Dennys und Michael Hayes
publisher:
RAK Publishing Ltd.
Cozy Powell23:24
3Long Cool Woman in a Black Dress
Techniker(in):
John Punter
Produzent(in):
The Hollies und Ron Richards
phonographisches Urheberrecht (℗) von:
The Hollies Ltd. (in 1971) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (am 1971-07-16, von 1971-07-27 bis 1971-07-30)
recording of:
Long Cool Woman in a Black Dress (von 1971-07-16 bis 1971-07-30)
Verfasser(in):
Allan Clarke (of The Hollies), Roger Cook (US‐based British singer, songwriter and producer) und Roger Greenaway
The Hollies4.153:16
4Radar Love
recording engineer:
Pieter Nieboer
leitende(r) Produzent(in):
Fred Haayen
Produzent(in):
Golden Earring
Mix:
Damon Lyon-Shaw
Akustikgitarre und E-Gitarre:
George Kooymans
E-Bass und Keyboard:
Rinus Gerritsen (bass player)
Perkussion und Schlagzeug:
Cesar Zuiderwijk (Dutch drummer, member of Golden Earring)
Slide-Gitarre:
Eelco Gelling
vocals:
Barry Hay und George Kooymans
arranger:
Golden Earring
phonographisches Urheberrecht (℗) von:
Dutch Record Company (in 1973), Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1973), Red Bullet Productions B.V. (in 1973), Track Records Ltd. (in 1973) und Geffen Records (in 1974)
produced for:
Red Bullet Productions
aufgenommen bei:
Phonogram Studios in Hilversum, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands
mixed at:
IBC Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Radar Love
Texter:
Barry Hay
Komponist(in):
George Kooymans
publisher:
Dayglow Music (publisher), Larry Shayne Music, Inc., Louvigny-Marquee Music Ltd., New Dayglow Music, Snamyook Music (publisher associated with George Kooymans) und Sony/ATV Music Publishing
Golden Earring4.36:23
5Silver Machine
Produzent(in):
Doctor Technichal (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) und Hawkwind
Bassgitarre und Sologesang:
Lemmy Kilmister (“Lemmy” from Motörhead) (am 1972-02-13)
flute und Saxophon:
Nik Turner (am 1972-02-13)
Gitarre:
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) (am 1972-02-13)
Schlagzeug:
Simon King (drummer) (am 1972-02-13)
Synthesizer:
Dik Mik Davies (am 1972-02-13) und Del Dettmar (am 1972-02-13)
zusätzlich Bassgitarre und zusätzlich Gitarre:
Guy Pratt (am 1972-02-13)
vocals:
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) (am 1972-02-13), Robert Calvert (South African-British writer, poet, and musician, lead vocals for Hawkwind) (am 1972-02-13) und Nik Turner (am 1972-02-13)
remixer:
The Scourge of the Earth
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
aufgenommen bei:
Roundhouse in Camden Town, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (am 1972-02-13)
mixed at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich
Bearbeitung von:
Silver Machine (12″ mix) von Hawkwind infected by The Scourge of the Earth
live recording of:
Silver Machine (am 1972-02-13)
Texter:
Robert Calvert (South African-British writer, poet, and musician, lead vocals for Hawkwind)
Komponist(in):
Sylvia MacManus (UK guitarist/synthesizer singer/songwriter, member of Hawkwind)
publisher:
EMI United Partnership Ltd., United Artists Music und United Partnership Ltd.
recording of:
Silver Machine
Texter:
Robert Calvert (South African-British writer, poet, and musician, lead vocals for Hawkwind)
Komponist(in):
Sylvia MacManus (UK guitarist/synthesizer singer/songwriter, member of Hawkwind)
publisher:
EMI United Partnership Ltd., United Artists Music und United Partnership Ltd.
Hawkwind3.654:38
6Milk and Alcohol
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recording of:
Milk and Alcohol (in 1978-09)
Verfasser(in):
Nick Lowe (UK singer/songwriter/instrumentalist/producer) und Gypie Mayo
publisher:
Plangent Visions Music Ltd. und Rock Music Co., Ltd.
Dr. Feelgood4.152:37
7Motor Bikin’
Techniker(in):
Douglas Hopkins (engineer)
Produzent(in):
Mickie Most (English record producer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recording of:
Motor Bikin’
Texter und Komponist(in):
Chris Spedding
Chris Spedding3.352:37
82-4-6-8 Motorway
Produzent(in):
Vic Maile
Bass:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (am 1977-09-14)
Gitarre:
Danny Kustow (am 1977-09-14)
Klavier und Orgel:
Mark Ambler (am 1977-09-14)
Schlagzeug:
Dolphin Taylor (am 1977-09-14)
vocals:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (am 1977-09-14)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977)
aufgenommen bei:
Berwick Street Studios in Westminster, London (Greater London), England, Vereinigtes Königreich (am 1977-09-14)
recording of:
2‐4‐6‐8 Motorway (am 1977-09-14)
Texter und Komponist(in):
Tom Robinson (British singer-songwriter, bassist and radio presenter)
publisher:
Konkwest Music Limited
Tom Robinson Band4.253:17
9Rubber Bullets
Techniker(in) und Mix:
Eric Stewart
Produzent(in):
10cc
Akustikgitarre, Bass, E-Gitarre, Resonatorgitarre [dobro] und Tamburin:
Graham Gouldman (in 1972)
Moog, Akustikgitarre, E-Gitarre, Hybrid-Piano, Flügel, mellotron und Perkussion:
Lol Creme (in 1972)
Moog, E-Gitarre und Slide-Gitarre:
Eric Stewart (in 1972)
Perkussion und Schlagzeug:
Kevin Godley (in 1972)
vocals:
Lol Creme (in 1972), Kevin Godley (in 1972), Graham Gouldman (in 1972) und Eric Stewart (in 1972)
phonographisches Urheberrecht (℗) von:
Strawberry Productions (copyright holder for 10cc) (in 1973) und Jonathan King Enterprises Ltd. (in 2007)
aufgenommen bei:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, Vereinigtes Königreich (in 1972)
recording of:
Rubber Bullets (in 1972)
Verfasser(in):
Lol Creme, Kevin Godley und Graham Gouldman
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und St. Anne’s Music Ltd. (in 1973)
10cc4.655:17
10Nutbush City Limits
Produzent(in):
Ike Turner
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1973), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1973), United Artists (in 1973) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
Nutbush City Limits
Texter und Komponist(in):
Tina Turner
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music und Valley Spring Music Corp.
Ike & Tina Turner3.752:58
11Your Generation
Produzent(in):
Phil Wainman
Bassgitarre:
Tony James (UK bassist/guitarist)
Gitarre:
Bob Derwood Andrews
Schlagzeug:
Mark Laff
Sologesang:
Billy Idol (English rock singer‐songwriter)
recording of:
Your Generation
Texter und Komponist(in):
Billy Idol (English rock singer‐songwriter) und Tony James (UK bassist/guitarist)
Generation X53:15
12Isn’t It Time
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1977)
recording of:
Isn’t It Time
Verfasser(in):
Jack Conrad (producer and songwriter) und Ray Kennedy (singer, songwriter, and record producer based in L.A.)
publisher:
EMI Music (do not use as release label! this is a music publisher), Jacon Music, Seven Summits Music, Sony/ATV Melody, Sony/ATV Music Publishing Australia Pty Ltd. und X‐Ray Music
The Babys44:01
13Peaches
Techniker(in):
Alan Winstanley (English record producer)
Produzent(in):
Martin Rushent
assistierende(r) Mix:
Benny King (engineer)
Mix:
Doug Bennett (producer, engineer)
Bassgitarre:
Jean‐Jacques Burnel (von 1976-12-20 bis 1977-01-28)
Gitarre und Sologesang:
Hugh Cornwell (English rock musician) (von 1976-12-20 bis 1977-01-28)
Keyboard:
Dave Greenfield (von 1976-12-20 bis 1977-01-28)
Schlagzeug:
Jet Black (UK drummer Brian Duffy, member of The Stranglers) (von 1976-12-20 bis 1977-01-28)
Herausgeber:
EMI April Music Inc.
aufgenommen bei:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (von 1976-12-20 bis 1977-01-28)
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
produced at:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (von 1977-01 bis 1977-02)
recording of:
Peaches (von 1976-12-20 bis 1977-01-28)
Verfasser(in):
Brian Duffy (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) und Dave Greenfield
publisher:
Albion Music Ltd., April Music Ltd., Complete Music, Complete Music Ltd., Musik-Edition Discoton GmbH und Universal Music Publishing MGB Ltd.
The Stranglers4.154:06
14Sylvia
recording engineer:
George Chkiantz (in 1972-07)
Produzent(in):
Mike Vernon
Bassgitarre:
Bert Ruiter (in 1972-07)
Gitarre:
Jan Akkerman (in 1972-07)
Keyboard:
Thijs van Leer (in 1972-07)
Schlagzeug:
Pierre van der Linden (in 1972-07)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1972-07)
recording of:
Sylvia (in 1972-07)
Komponist(in):
Thijs van Leer
publisher:
Radio Tele Music (publisher; do NOT use as release label)
Focus3.653:27
15This Perfect Day
recording of:
This Perfect Day
Texter und Komponist(in):
Chris Bailey (Irish punk vocalist, member of The Saints) und Ed Kuepper
Saiteninstrumente arranger:
Steve Hitchcock
The Saints42:11
16Cotton Fields
cover recording of:
Cotton Fields
Texter und Komponist(in):
Huddie William Ledbetter
The Beach Boys3:01
17Here Comes the Sun
Produzent(in):
Steve Harley
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1976)
cover recording of:
Here Comes the Sun
Texter und Komponist(in):
George Harrison (The Beatles)
publisher:
Harrisongs Ltd. und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Teil von:
Reprise
Steve Harley & Cockney Rebel3.652:59
18He’s Gonna Step on You Again
recording of:
He’s Gonna Step on You Again
Verfasser(in):
Christos Demitriou und John Kongos
publisher:
Essex Music of Australia Pty. Ltd.
John Kongos4:16
4▼CD
Nr.TitelKünstlerBewertungLänge
1The Air That I Breathe
Techniker(in):
Mike Jarratt (recording, mixing and lacquer cutting engineer) und Alan Parsons (of The Alan Parsons Project)
Produzent(in):
The Hollies und Ron Richards
vocals:
Allan Clarke (of The Hollies) (von 1973-11-15 bis 1973-11-22), Tony Hicks (von 1973-11-15 bis 1973-11-22) und Terry Sylvester (singer and guitarist) (von 1973-11-15 bis 1973-11-22)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1973), The Hollies Ltd. (in 1973, in 1974, in 2008) und Polydor International GmbH (not for release label use!) (in 1974)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1973-11-15 bis 1973-11-22)
cover recording of:
The Air That I Breathe (von 1973-11-15 bis 1973-11-22)
Verfasser(in):
Albert Hammond und Mike Hazlewood
publisher:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd. und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Hollies3.84:05
2Don’t Throw It All Away
Gary Benson3:21
3When You’re in Love With a Beautiful Woman
Produzent(in):
Ron Haffkine
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979)
recording of:
When You’re in Love With a Beautiful Woman
Texter und Komponist(in):
Even Stevens (singer / songwriter)
publisher:
ATV Music, Debdave Music, Edition Intro Gebr Meisel GmbH, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Screen Gems–EMI Music Ltd. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Dr. Hook42:53
4Please Don’t Go
Produzent(in):
Harry Wayne Casey und Richard Finch
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
recording of:
Please Don’t Go
Verfasser(in):
Harry Wayne Casey und Richard Finch
publisher:
EMI Music Publishing (do not use as a release label!), EMI Songs und EMI Songs Ltd.
KC and the Sunshine Band43:50
5Loving You
Produzent(in):
Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer) und Stevie Wonder
Bassgitarre:
Reggie McBride
Becken, Klavier, Mundharmonika und Schlagzeug:
El Toro Negro
Conga:
Kwasi "Rocki" Dzidzornu
Gitarre:
Marlo Henderson und Michael Sembello
Schlagzeug [drum kit]:
Ollie E. Brown (US drummer, session musician & record producer) und El Toro Negro
Hintergrundgesang:
Shirley Brewer, Lani Groves, Deniece Williams (US soul/funk vocalist/songwriter) und Yvonne Wright
vocals:
Minnie Riperton
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1993)
recording of:
Lovin’ You
Verfasser(in):
Minnie Riperton und Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
publisher:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
sub-publisher:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton3.53:23
6Tired of Toein’ the Line
recording of:
Tired of Toein’ the Line
Verfasser(in):
Rocky Burnette und Ronald Donavon Coleman
publisher:
Cheshire Music Inc., NFC, Onward Music Ltd. und キュー・ミュージック・ジャパン (Q Music Japan)
Rocky Burnette4.53:42
7Dancing in the City
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978) und Harvest (UK based sub‐label of EMI, re‐activated in 2013 under Capitol Music Group in Hollywood, CA) (in 1978)
recording of:
Dancing in the City (in 1978)
Verfasser(in):
Kit Hain und Julian Marshall
publisher:
EMI Music Publishing (do not use as a release label!), Gallo Music Publishers, Hornall Brothers Music Ltd. (limited company) und Rondor Music (London) Ltd.
Marshall Hain3:38
8Norma Jean Wants to Be a Movie Star
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1974)
recording of:
Norma Jean Wants to Be a Movie Star
Texter und Komponist(in):
J.C. Cunningham (American songwriter)
Cunningham23:38
9If You Can’t Give Me Love
Produzent(in):
Mike Chapman (Australian producer and songwriter)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978, in 1980) und RAK Records Ltd. (in 1978)
produced for:
Chinnichap (production company and publisher)
recording of:
If You Can’t Give Me Love (in 1980)
Texter und Komponist(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG Music Publishing Ltd., Chinnichap (production company and publisher), Chinnichap Ltd. (production company), RAK Publishing Ltd. und Universal Music–MGB Songs
Suzi Quatro4.53:52
10Hot Child in the City
phonographisches Urheberrecht (℗) von:
Chrysalis Records, Inc. (not for release label use!) (in 1976, in 1978), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 22)
recording of:
Hot Child in the City
Verfasser(in):
Nick Gilder und Jim McCulloch (Canadian guitarist for Sweeney Todd/Nick Gilder)
publisher:
Beechwood Music Canada und Beechwood Music Corp.
Nick Gilder53:08
11The Wall Street Shuffle
Produzent(in):
10cc
Akustikgitarre, Bassgitarre, E-Gitarre und Perkussion und Bassgitarre, Gitarre und Perkussion:
Graham Gouldman (in 1974)
E-Gitarre und Gitarre und Gitarre, Keyboard und Perkussion:
Lol Creme (in 1974)
Gitarre und Keyboard, Hybrid-Piano, Flügel, Gitarre, mellotron und Orgel und Sologesang:
Eric Stewart (in 1974)
Schlagzeug und Perkussion:
Kevin Godley (in 1974)
vocals:
Lol Creme (in 1974), Kevin Godley (in 1974), Graham Gouldman (in 1974) und Eric Stewart (in 1974)
phonographisches Urheberrecht (℗) von:
Jonathan King Enterprises (in 2007)
recorded by:
U.K. Records Ltd.
aufgenommen bei:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, Vereinigtes Königreich (in 1974)
recording of:
The Wall Street Shuffle (in 1974)
Verfasser(in):
Graham Gouldman und Eric Stewart
publisher:
St. Anne’s Music Ltd.
10cc3.73:52
12Popcorn
phonographisches Urheberrecht (℗) von:
Musicor (American record label) (in 1972)
cover recording of:
Popcorn (in 1972)
Komponist(in):
Gershon Kingsley
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Hot Butter4.352:33
13Paloma Blanca
phonographisches Urheberrecht (℗) von:
EMI Music Holland B.V. (record company currently known as EMI Music Netherlands B.V. don't use as release label) (in 1975)
recording of:
Paloma blanca
Texter und Komponist(in):
Hans Bouwens
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Holland B.V., Musik Unserer Zeit (publisher; do NOT use as release label), RMI (publisher) und EMI Music Holland B.V. (record company currently known as EMI Music Netherlands B.V. don't use as release label) (in 1975)
George Baker Selection32:48
14Lay Your Love on Me
Produzent(in):
Mickie Most (English record producer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978), RAK Records (copyrights holder) (in 1978) und RAK (in 1979)
recording of:
Lay Your Love on Me
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG Music und Universal Music Publishing MGB Australia
Racey3:13
15Mexico
recording of:
Mexico
Texter und Komponist(in):
Jimmy Driftwood und Les Humphries
publisher:
Edition Opry Rose und Goldy-Musikverlag Hans Sikorski GmbH
Version von:
The Battle of New Orleans
Les Humphries Singers4:05
16Darlin’
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978)
cover recording of:
Darlin’
Texter und Komponist(in):
Oscar Stewart Blandamer
publisher:
Sony/ATV Music Publishing Australia Pty Ltd.
Frankie Miller3:07
17If I Had Words
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 45)
cover recording of:
If I Had Words
Komponist(in):
Camille Saint‐Saëns (composer)
arranger:
Jonathan Hodge
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!)
basiert auf:
Symphony no. 3 in C minor “avec orgue”, op. 78: II. Allegro moderato — Presto — Maestoso — Allegro
Scott Fitzgerald & Yvonne Keeley23:51
18Don’t Let It Die
recording of:
Don’t Let It Die
Texter, Verfasser(in) und Komponist(in):
Hurricane Smith (UK producer/engineer, performed as Hurricane Smith)
Hurricane Smith2:36
5▼CD
Nr.TitelKünstlerBewertungLänge
1Hocus Pocus
recording engineer:
Jerry Boys (von 1971-04-13 bis 1971-05-14)
Interpret(in):
Focus (Dutch progressive rock group) (von 1971-04-13 bis 1971-05-14)
recording of:
Hocus Pocus (von 1971-04-13 bis 1971-05-14)
Komponist(in):
Jan Akkerman und Thijs van Leer
Focus4.756:40
2Tears of a Clown
Produzent(in):
Bob Sargeant
cover recording of:
The Tears of a Clown
Texter:
Smokey Robinson
Komponist(in):
Henry Cosby, Smokey Robinson und Stevie Wonder
publisher:
Black Bull Music, Inc., Jobete Music Ltd und Jobette Music (UK) Ltd.
The Beat32:43
3Something Better Change
Techniker(in):
Alan Winstanley (English record producer)
Produzent(in):
Martin Rushent
aufgenommen bei:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (in 1977-07)
recording of:
Something Better Change (in 1977-07)
Texter und Komponist(in):
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) und Dave Greenfield
publisher:
Albion Music Ltd., Complete Music Ltd. und Irving Music, Inc.
The Stranglers33:36
4Little Girl
Produzent(in):
T. Keating
Bass:
John Thomas
Gitarre:
Rick Mansworth und Pete Fresh (aka Pete Fresh)
Schlagzeug:
Paul Sordid (drummer in The Banned)
vocals:
Rick Mansworth und Paul Sordid (drummer in The Banned)
cover recording of:
Little Girl (Syndicate of Sound)
Texter und Komponist(in):
Don Baskin und Bob Gonzalez
The Banned52:19
5Valley of the Dolls
recording of:
Valley of the Dolls
Verfasser(in):
Billy Idol (English rock singer‐songwriter) und Tony James (UK bassist/guitarist)
Generation X3:33
6Straw Dogs
recording of:
Straw Dogs
Texter:
Gordon Ogilvie (Irish journalist)
Komponist(in):
Stiff Little Fingers
Stiff Little Fingers3:31
7Judy Teen
recording of:
Judy Teen
Texter und Komponist(in):
Steve Harley
Steve Harley & Cockney Rebel53:42
8Tell Me Your Plans
The Shirts3:06
97 Teen
recording of:
7 Teen
Verfasser(in):
Martin Sheller (member of The Regents) und Damian Pew
publisher:
Tooti Frooti Ltd. (publisher) (in 1980)
The Regents3:23
10Homicide
Techniker(in):
Alan Winstanley (English record producer)
Produzent(in):
Martin Rushent
recording of:
Homicide (999)
Verfasser(in):
Nick Cash (UK punk vocalist/guitarist for 999) und Guy Days
publisher:
R.L. August Music Co.
99953:43
11Brontosaurus
Techniker(in):
Roger Wake (engineer)
Produzent(in):
Jeff Lynne und Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
Bass:
Rick Price (the Move and Electric Light Orchestra bassist) (in 1970)
Gitarre:
Jeff Lynne (in 1970) und Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (in 1970)
Klavier:
Jeff Lynne (in 1970)
Schlagzeug und Perkussion:
Bev Bevan (English rock drummer) (in 1970)
Sologesang:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (in 1970)
phonographisches Urheberrecht (℗) von:
Cube (London)
aufgenommen bei:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich (in 1970)
recording of:
Brontosaurus (in 1970)
Verfasser(in):
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
publisher:
Onward Music Ltd. (in 1970) und TRO-Essex Music, Inc. (in 1970)
The Move3.654:25
12Don’t Take No for an Answer
recording of:
Don’t Take No for an Answer
Texter und Komponist(in):
Tom Robinson (British singer-songwriter, bassist and radio presenter)
Tom Robinson Band4:36
13A Walk in the Park
Produzent(in):
Jeremy Paul (British producer, engineer & remixer Jeremy Paul Solomons)
recording of:
A Walk in the Park
Texter und Komponist(in):
Nicholas Charles Bailey
Nick Straker Band3:47
14I Go to Pieces
cover recording of:
I Go to Pieces
Texter und Komponist(in):
Del Shannon
publisher:
Belinda Music, BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), BUG Music Group, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mole Hole Music und Unichappell Music, Inc.
Cotton, Lloyd & Christian2:54
15Don’t Give Up on Us
vocals:
David Soul
phonographisches Urheberrecht (℗) von:
David Soul (in 1976)
phonographisches Urheberrecht (℗) von:
David Soul (in 1976), Private Stock Records, Ltd. (not for release label use, for company relationships only) (in 1976) und Private Stock (in 1977)
recording of:
Don’t Give Up on Us (in 1976)
Texter und Komponist(in):
Tony Macaulay
publisher:
Macaulay Music Ltd., PolyGram Music Publishing Ltd. und Universal Music Publishing International Ltd.
David Soul33:37
16Girls
Produzent(in):
Al Goodman (US 70s R&B singer/producer) und Harry Ray
recording of:
Girls
Verfasser(in):
Venus Dodson (Jazz singer), Al Goodman (US 70s R&B singer/producer) und Harry Ray
Moments and Whatnauts23:10
17Boogie on Up
Rokotto45:39
18Ain’t Gonna Bump No More (With No Big Fat Woman)
Produzent(in):
Buddy Killen
phonographisches Urheberrecht (℗) von:
Dial (60s/70s Nashville) (in 1977)
recording of:
Ain’t Gonna Bump No More (With No Big Fat Woman)
Verfasser(in):
Buddy Killen und Bennie Lee McGinty
Joe Tex3:31
6▶CD
7▶CD
8▶CD

Nennungen

Veröffentlichungsgruppe

Teil von:Greatest Hits of the (Label: Disky) (Nummer: 70) (Reihenfolge: 3)
Discogs:https://www.discogs.com/master/478965 [Info]