The Teen Years: In the Still of the Nite

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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1▼CD
#TitoloArtistaValutazioneDurata
1Oh Carol
diritti fonografici (℗) detenuti da:
BMG Music
registrazione di:
Oh! Carol (nel 1959)
paroliere:
Howard Greenfield
compositore:
Neil Sedaka
editore:
Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Universal Music Careers
Neil Sedaka32:18
2Diana
voce:
Paul Anka (Canadian singer, songwriter and actor)
direttore d'orchestra:
Don Costa (US pop music arranger & producer)
parte di:
Huffington Post: 100 Best Canadian Songs Ever (numero: 26)
registrazione di:
Diana (il 1957-05-20)
paroliere e compositore:
Paul Anka (Canadian singer, songwriter and actor)
editore:
Pamco Music Inc. (conclusa), Epa Publishing, Robert Mellin Music Publishing Corp. e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-editore:
ミュージカル・ライツ・東京 株式会社 (Musical Lights Tokyo)
Paul Anka4.22:26
3Only the Lonely
registrata a:
Nashville, Tennessee, Stati Uniti (il 1960-03-26)
produttore:
Fred Foster
batteria [drums] :
Buddy Harman (Session drummer and songwriter) (il 1960-03-26)
chitarra :
Hank Garland (il 1960-03-26) e Harold Bradley (il 1960-03-26)
contrabbasso [bass] :
Bob Moore (U.S. bassist and bandleader) (il 1960-03-26)
pianoforte :
Floyd Cramer (il 1960-03-26)
voce:
Roy Orbison (il 1960-03-26)
voce di accompagnamento:
Joe Melson (il 1960-03-26) e The Anita Kerr Singers (mixed vocal group) (il 1960-03-26)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 2) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
Only the Lonely (Know the Way I Feel) (il 1960-03-26)
autore:
Joe Melson e Roy Orbison
editore:
Acuff-Rose Music Limited (UK) e Acuff-Rose Publications, Inc. (BMI) (il 1960-05-04)
è stata commissionata da:
Rondor Music (London) Ltd.
Roy Orbison4.72:26
4Peggy Sue
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (il 1957-07-01)
batteria :
Jerry Allison (il 1957-07-01)
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-07-01) e Niki Sullivan (il 1957-07-01)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-07-01)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1957) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1957)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1957-07-01)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 194) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 370)
registrazione di:
Peggy Sue (dal 1957-06-29 al 1957-07-01)
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), Peermusic (UK) Limited, Southern Music (publisher) e Wren Music Co.
Buddy Holly4.52:32
5Who's Sorry Now
voce:
Connie Francis (American former actress and chart-topping singer)
diritti fonografici (℗) detenuti da:
Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1958)
registrazione cover di:
Who’s Sorry Now? (1923 song)
paroliere:
Bert Kalmar (nel 1923) e Harry Ruby (nel 1923)
compositore:
Ted Snyder (nel 1923)
editore:
B. Feldman & Co. Ltd. (publisher est. 1946), Waterson, Berlin & Snyder (il 1923-03-07) e Mills Music Corporation (nel 1929)
Connie Francis4.52:19
6Sealed With a Kiss
voce:
Brian Hyland
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1962)
registrazione cover di:
Sealed With a Kiss
autore:
Gary Geld e Peter Udell
eseguita per la prima volta da:
The Four Voices (nel 1960-05)
editore:
Chappell & Co., Inc. (USA), Suqence Music, Inc., United Artists (publisher) e Pogo Music Corp. (nel 1962)
sub-editore:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
Brian Hyland42:43
7When
voce:
Kalin Twins
direttore d'orchestra:
Jack Pleis
parte di:
Billboard Hot 100: 1958-08-04 (numero: 5)
registrazione di:
When
autore:
Paul Evans (50s US rock n roll singer/songwriter) e Jack Reardon (American songwriter)
Kalin Twins32:28
8Cathy's Clown
basso :
Floyd Chance (il 1960-03-18)
batteria :
Buddy Harman (Session drummer and songwriter) (il 1960-03-18)
chitarra :
Don Everly (il 1960-03-18)
pianoforte :
Floyd Cramer (il 1960-03-18)
esecutore:
The Everly Brothers (il 1960-03-18)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 30) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 149)
registrazione di:
Cathy’s Clown (il 1960-03-18)
paroliere e compositore:
Don Everly
autore:
Don Everly e Phil Everly
editore:
Acuff-Rose (BMI) e MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
The Everly Brothers3.52:26
9A Teenager in Love
esecutore:
Dion & The Belmonts
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 7)
registrazione di:
A Teenager in Love (nel 1959)
paroliere:
Doc Pomus
compositore:
Mort Shuman (US singer, pianist & songwriter)
Dion & The Belmonts3.652:34
10You're Sixteen
registrazione di:
You’re Sixteen
autore:
Bob Sherman (American songwriter) e Dick Sherman
editore:
Viva Music, Inc, Warner/Chappell Music Ltd. (1996–2019) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (nel 1960)
Johnny Burnette41:58
11Things
registrazione di:
Things
paroliere e compositore:
Bobby Darin
editore:
Alley Music Corp. e Trio Music Company
Bobby Darin2:33
12Save the Last Dance for Me
registrazione di:
Save the Last Dance for Me
autore:
Doc Pomus e Mort Shuman (US singer, pianist & songwriter)
editore:
Hill and Range Southwind Mus S A (BMI-affiliated), Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., The Manor Music Co. Ltd., Trio Music Co., Inc., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Hill and Range Songs, Inc. (publisher) (nel 1974) e Trio Music (publisher) (nel 1974)
The Drifters2:28
13Poetry in Motion
registrazione cover di:
Poetry in Motion
autore:
Mike Anthony (US songwriter) e Paul Kaufman (songwriter)
Johnny Tillotson2:31
14Chapel of Love
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 18) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 279)
registrazione di:
Chapel of Love
autore:
Jeff Barry, Ellie Greenwich e Phil Spector
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company, Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), 日本アブコ音楽出版 (ABKCO Japan Publishing), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
The Dixie Cups42:49
15It's Only Make Believe
registrazione di:
It’s Only Make Believe (il 1958-05-07)
autore:
Jack Nance (nel 1958) e Conway Twitty (nel 1958)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Tree Publishing Co., Inc. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Conway Twitty42:15
16Will You Still Love Me Tomorrow
batteria [drums] :
Gary Chester (studio drummer and educator) (nel 1960)
pianoforte :
Paul Griffin (American pianist, session musician) (nel 1960)
timpano :
Carole King (nel 1960)
voce:
Doris Coley (nel 1960), Addie Harris (nel 1960) e Beverly Lee (singer for The Shirelles) (nel 1960)
voce principale:
Shirley Owens (nel 1960)
diritti fonografici (℗) detenuti da:
HHO Licensing Ltd.
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 33), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 125), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 151)
registrazione di:
Will You Love Me Tomorrow (Carole King song) (nel 1960)
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
Lushmole Music, Pathe Publications (Far East) Limited, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Shirelles3.82:44
17Smoke Gets in Your Eyes
registrazione cover di:
Smoke Gets in Your Eyes
paroliere:
Otto Harbach
compositore:
Jerome Kern
editore:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
parte di:
Roberta
The Platters2:40
2▼CD
#TitoloArtistaValutazioneDurata
1All I Have to Do Is Dream
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 141) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 323)
registrazione di:
All I Have to Do Is Dream (il 1958-03-06)
paroliere e compositore:
Boudleaux Bryant
editore:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e Acuff-Rose Publications, Inc. (BMI) (il 1958-04-21)
The Everly Brothers42:22
2Young Love
Tab Hunter2:28
3Sheila
Tommy Roe2:02
4Travelin' Man
registrazione di:
Travelin’ Man
paroliere e compositore:
Jerry Fuller (nel 1961)
editore:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd. e Sony/ATV Music Publishing LLC (1995–2020)
Rick Nelson2:24
5When I Grow Up to Be a Man
tecnico e editor:
Chuck Britz
produttore:
Brian Wilson (Beach Boys co‐founder)
tecnico di missaggio:
Brian Wilson (Beach Boys co‐founder) (nel 1964)
armonica (a bocca) :
Cappy Lewis (il 1964-08-05)
basso elettrico :
Al Jardine (guitarist and singer) (il 1964-08-05)
batteria e charleston :
Dennis Wilson (Beach Boys) (il 1964-08-05)
chitarra elettrica :
Carl Wilson (Beach Boys) (dal 1964-08-05 al 1964-08-10)
chitarra elettrica solista :
Carl Wilson (Beach Boys) (il 1964-08-10)
clavicembalo [electric harpsichord] e pianoforte verticale :
Brian Wilson (Beach Boys co‐founder) (il 1964-08-05)
voce di accompagnamento:
Al Jardine (guitarist and singer) (il 1964-08-10) e Carl Wilson (Beach Boys) (il 1964-08-10)
voce di accompagnamento e voce principale:
Brian Wilson (Beach Boys co‐founder) (il 1964-08-10)
voce di baritono:
Dennis Wilson (Beach Boys) (il 1964-08-10)
voce di basso e voce principale:
Mike Love (Beach Boys) (il 1964-08-10)
voce principale:
Mike Love (Beach Boys) (nel 1964-08, dal 1964-08-05 al 1964-08-10) e Brian Wilson (Beach Boys co‐founder) (nel 1964-08, dal 1964-08-05 al 1964-08-10)
arrangiatore:
Brian Wilson (Beach Boys co‐founder)
registrata presso:
Western Recorders, Studio 3 in Hollywood, Los Angeles, California, Stati Uniti (il 1964-08-05, il 1964-08-10) e Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (dal 1964-08-05 al 1964-08-10)
mixata presso:
Western Recorders, Studio 3 in Hollywood, Los Angeles, California, Stati Uniti (nel 1964)
editing effettuato presso:
Western Recorders, Studio 3 in Hollywood, Los Angeles, California, Stati Uniti (il 1964-08-10)
registrazione di:
When I Grow Up (to Be a Man) (dal 1964-08-05 al 1964-08-10)
paroliere:
Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music, Inc.
registrazione di:
When I Grow Up (to Be a Man) (nel 1964-08)
paroliere:
Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music, Inc.
The Beach Boys2.251:59
6Rhythm of the Rain
registrazione di:
Rhythm of the Rain
paroliere e compositore:
John Gummoe
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Cascades2:31
7Blueberry Hill
produttore:
Dave Bartholomew
diritti fonografici (℗) detenuti da:
Everest Records (classical), Liberty (a division of UMG Recordings, Inc.) (nel 1957) e EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1991)
registrata presso:
Master Recorders in Hollywood, Los Angeles, California, Stati Uniti
edit di:
Blueberry Hill (Imperial) di Fats Domino
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 17), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 81) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 147)
registrazione cover di:
Blueberry Hill (il 1956-06-27)
paroliere:
Al Lewis (Tin Pan Alley era lyricist) e Larry Stock
autore:
Al Lewis (Tin Pan Alley era lyricist), Vincent Rose (early-20th century violinist, pianist, composer & bandleader) e Larry Stock
compositore:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company e Victoria Music Publishing Co. Ltd.
parte di:
12 Monkeys Soundtrack
Fats Domino4.652:23
8Venus
voce:
Frankie Avalon (American actor, singer)
direttore d'orchestra e maestro del coro:
Peter de Angelis
diritti fonografici (℗) detenuti da:
Chancellor Records Inc. (nel 1959)
registrazione di:
Venus
paroliere e compositore:
Ed Marshall
editore:
EMI April Music Inc., Kirshner Songs, Inc., Larsdale, Rambed e Sony/ATV Tunes LLC (ASCAP)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Frankie Avalon4.52:22
9Keep Searching
Del Shannon2:10
10Running Bear
registrazione di:
Running Bear
paroliere e compositore:
J.P. Richardson (known as The Big Bopper)
editore:
Big Bopper Music Company, Hall-Clement Publications, Universal Music Publishing GmbH (Universal Music Publishing Group Germany), Universal Music Publishing International Ltd. e Universal–Songs of PolyGram International, Inc.
Johnny Preston2:38
11I Will Follow Him
registrazione di:
I Will Follow Him
paroliere:
Norman Gimbel e Jacques Plante
compositore:
Paul Mauriat e Franck Pourcel
editore:
Universal MCA Music Publishing (France) e Universal Music Corporation (USA, affiliated with ASCAP)
versione di:
Chariot
Peggy March2:29
12Hey Paula
registrazione di:
Hey Paula
paroliere e compositore:
Ray Hildebrand
editore:
Speckle Music
Paul & Paula32:34
13Blue Velvet
produttore:
Bob Morgan (American A&R director and producer. Occasionally, bass player.)
registrazione cover di:
Blue Velvet
autore:
Lee Morris (US songwriter) e Bernie Wayne
editore:
Bernie Wayne Music Co., Chappell/Morris Ltd., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bobby Vinton4.352:51
14Come Softly to Me
registrazione di:
Come Softly to Me
autore:
Gretchen Christopher, Barbara Ellis e Gary Troxel (The Fleetwoods’ lead singer and songwriter)
editore:
Chappell Morris, EMI Unart Catalog Inc. e Unart Music Corp. (nel 1958, nel 1959)
The Fleetwoods2:22
15Love Letters in the Sand
Pat Boone2:25
16Born Too Late
direttore d'orchestra:
O. B. Masingill
arrangiatore:
O. B. Masingill
registrazione di:
Born Too Late (The Poni-Tails song)
paroliere:
Fred Tobias (Broadway lyricist)
compositore:
Charles Strouse
The Poni-Tails2:20
17In the Still of the Night
produttore:
Marty Kugell
batteria [drums] :
Bobby Mapp (nel 1956-02)
contrabbasso :
Doug Murray (double bassist) (nel 1956-02)
pianoforte :
Curlee Glover (nel 1956-02)
sassofono solista :
Vinny Mazzetta (nel 1956-02)
voce:
Al Denby (nel 1956-02), Jim Freeman (American singer and songwriter) (nel 1956-02), Ed Martin (nel 1956-02), Nat Mosley (nel 1956-02) e Fred Parris (nel 1956-02)
diritti fonografici (℗) detenuti da:
Standard Records (nel 1956)
registrata presso:
Saint Bernadette Catholic School (New Haven) in New Haven, Connecticut, Stati Uniti (nel 1956-02)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 90) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 170)
registrazione di:
In the Still of the Night (Five Satins doo-wop song) (nel 1956-02)
paroliere e compositore:
Fred Parris
editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e Llee Corp. (LLEE Corporation) (nel 1956)
The Five Satins4.53:01

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parte di:The Teen Years (Time-Life Reissue) (numero: 3)