Music Is Forever

~ Veröffentlichung von Annie Ross (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD
Nr.TitelBewertungLänge
1Coffee Time
recording engineer und Mix:
Cynthia Daniels
assistierende(r) Techniker(in):
Devin Emke und Jim McNamara
Produzent(in):
Hugh Fordin
Bass:
Peter Washington (American jazz double bassist) (in 1995-12)
Gitarre:
Joe Beck (guitar) (in 1995-12)
Holzblasinstrumente:
Frank Wess (in 1995-12)
Klavier:
Mike Renzi (in 1995-12)
Posaune:
Al Grey (trombone) (in 1995-12)
Schlagzeug:
Louis Hayes (in 1995-12)
vocals:
Annie Ross (in 1995-12)
arranger:
Mike Renzi
aufgenommen bei:
Sound on Sound Recording Studios (New York) in New York, New York, Vereinigte Staaten (in 1995-12)
3:23
2It Had to Be You
recording engineer und Mix:
Cynthia Daniels
assistierende(r) Techniker(in):
Devin Emke und Jim McNamara
Produzent(in):
Hugh Fordin
Bass:
Peter Washington (American jazz double bassist) (in 1995-12)
Gitarre:
Joe Beck (guitar) (in 1995-12)
Holzblasinstrumente:
Frank Wess (in 1995-12)
Klavier:
Mike Renzi (in 1995-12)
Posaune:
Al Grey (trombone) (in 1995-12)
Schlagzeug:
Louis Hayes (in 1995-12)
vocals:
Annie Ross (in 1995-12)
arranger:
Mike Renzi
aufgenommen bei:
Sound on Sound Recording Studios (New York) in New York, New York, Vereinigte Staaten (in 1995-12)
recording of:
It Had to Be You (in 1995-12)
Texter:
Gus Kahn (in 1924)
Komponist(in):
Isham Jones (in 1924)
publisher:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) und Jerome H. Remick & Co. (am 1924-05-09)
5:15
3Going to Chicago Blues
recording engineer und Mix:
Cynthia Daniels
assistierende(r) Techniker(in):
Devin Emke und Jim McNamara
Produzent(in):
Hugh Fordin
Bass:
Peter Washington (American jazz double bassist) (in 1995-12)
Gitarre:
Joe Beck (guitar) (in 1995-12)
Holzblasinstrumente:
Frank Wess (in 1995-12)
Klavier:
Mike Renzi (in 1995-12)
Posaune:
Al Grey (trombone) (in 1995-12)
Schlagzeug:
Louis Hayes (in 1995-12)
vocals:
Annie Ross (in 1995-12)
arranger:
Mike Renzi
aufgenommen bei:
Sound on Sound Recording Studios (New York) in New York, New York, Vereinigte Staaten (in 1995-12)
5:37
4Twisted
recording engineer und Mix:
Cynthia Daniels
assistierende(r) Techniker(in):
Devin Emke und Jim McNamara
Produzent(in):
Hugh Fordin
Bass:
Peter Washington (American jazz double bassist) (in 1995-12)
Gitarre:
Joe Beck (guitar) (in 1995-12)
Holzblasinstrumente:
Frank Wess (in 1995-12)
Klavier:
Mike Renzi (in 1995-12)
Posaune:
Al Grey (trombone) (in 1995-12)
Schlagzeug:
Louis Hayes (in 1995-12)
vocals:
Annie Ross (in 1995-12)
arranger:
Mike Renzi
aufgenommen bei:
Sound on Sound Recording Studios (New York) in New York, New York, Vereinigte Staaten (in 1995-12)
3:08
5I Hadn't Anyone Till You
recording engineer und Mix:
Cynthia Daniels
assistierende(r) Techniker(in):
Devin Emke und Jim McNamara
Produzent(in):
Hugh Fordin
Bass:
Peter Washington (American jazz double bassist) (in 1995-12)
Gitarre:
Joe Beck (guitar) (in 1995-12)
Holzblasinstrumente:
Frank Wess (in 1995-12)
Klavier:
Tommy Flanagan (in 1995-12)
Posaune:
Al Grey (trombone) (in 1995-12)
Schlagzeug:
Louis Hayes (in 1995-12)
vocals:
Annie Ross (in 1995-12)
arranger:
Mike Renzi
aufgenommen bei:
Sound on Sound Recording Studios (New York) in New York, New York, Vereinigte Staaten (in 1995-12)
recording of:
I Hadn’t Anyone Till You (in 1995-12)
Texter und Komponist(in):
Ray Noble
publisher:
Bourne Co. (not for release label use, this is a music publisher)
4:04
6Marajuana
recording engineer und Mix:
Cynthia Daniels
assistierende(r) Techniker(in):
Devin Emke und Jim McNamara
Produzent(in):
Hugh Fordin
Bass:
Peter Washington (American jazz double bassist) (in 1995-12)
Gitarre:
Joe Beck (guitar) (in 1995-12)
Holzblasinstrumente:
Frank Wess (in 1995-12)
Klavier:
Mike Renzi (in 1995-12)
Posaune:
Al Grey (trombone) (in 1995-12)
Schlagzeug:
Louis Hayes (in 1995-12)
vocals:
Annie Ross (in 1995-12)
arranger:
Mike Renzi
aufgenommen bei:
Sound on Sound Recording Studios (New York) in New York, New York, Vereinigte Staaten (in 1995-12)
cover recording of:
Marahuana (in 1995-12)
Texter:
Sam Coslow
Komponist(in):
Arthur Johnston (American composer and songwriter)
publisher:
Sony/ATV Harmony und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
4:38
7Jackie
recording engineer und Mix:
Cynthia Daniels
assistierende(r) Techniker(in):
Devin Emke und Jim McNamara
Produzent(in):
Hugh Fordin
Bass:
Peter Washington (American jazz double bassist) (in 1995-12)
Gitarre:
Joe Beck (guitar) (in 1995-12)
Holzblasinstrumente:
Frank Wess (in 1995-12)
Klavier:
Mike Renzi (in 1995-12)
Posaune:
Al Grey (trombone) (in 1995-12)
Schlagzeug:
Louis Hayes (in 1995-12)
vocals:
Annie Ross (in 1995-12)
arranger:
Mike Renzi
aufgenommen bei:
Sound on Sound Recording Studios (New York) in New York, New York, Vereinigte Staaten (in 1995-12)
3:33
8That Old Feeling
recording engineer und Mix:
Cynthia Daniels
assistierende(r) Techniker(in):
Devin Emke und Jim McNamara
Produzent(in):
Hugh Fordin
Bass:
Peter Washington (American jazz double bassist) (in 1995-12)
Gitarre:
Joe Beck (guitar) (in 1995-12)
Holzblasinstrumente:
Frank Wess (in 1995-12)
Klavier:
Mike Renzi (in 1995-12)
Posaune:
Al Grey (trombone) (in 1995-12)
Schlagzeug:
Louis Hayes (in 1995-12)
vocals:
Annie Ross (in 1995-12)
arranger:
Mike Renzi
aufgenommen bei:
Sound on Sound Recording Studios (New York) in New York, New York, Vereinigte Staaten (in 1995-12)
recording of:
That Old Feeling (in 1995-12)
Texter:
Lew Brown
Komponist(in):
Sammy Fain
publisher:
Leo Feist, Inc. und Warner Bros. Music Corp.
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1937 nominee)
4:56
9It Never Entered My Mind
recording engineer und Mix:
Cynthia Daniels
assistierende(r) Techniker(in):
Devin Emke und Jim McNamara
Produzent(in):
Hugh Fordin
Bass:
Peter Washington (American jazz double bassist) (in 1995-12)
Gitarre:
Joe Beck (guitar) (in 1995-12)
Holzblasinstrumente:
Frank Wess (in 1995-12)
Klavier:
Mike Renzi (in 1995-12)
Posaune:
Al Grey (trombone) (in 1995-12)
Schlagzeug:
Louis Hayes (in 1995-12)
vocals:
Annie Ross (in 1995-12)
arranger:
Mike Renzi
aufgenommen bei:
Sound on Sound Recording Studios (New York) in New York, New York, Vereinigte Staaten (in 1995-12)
recording of:
It Never Entered My Mind (in 1995-12)
Texter:
Lorenz Hart (in 1940)
Komponist(in):
Richard Rodgers (composer) (in 1940)
publisher:
Chappell & Co., Inc. (USA) und Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:17
10One Meat Ball
recording engineer und Mix:
Cynthia Daniels
assistierende(r) Techniker(in):
Devin Emke und Jim McNamara
Produzent(in):
Hugh Fordin
Bass:
Peter Washington (American jazz double bassist) (in 1995-12)
Gitarre:
Joe Beck (guitar) (in 1995-12)
Holzblasinstrumente:
Frank Wess (in 1995-12)
Klavier:
Mike Renzi (in 1995-12)
Posaune:
Al Grey (trombone) (in 1995-12)
Schlagzeug:
Louis Hayes (in 1995-12)
vocals:
Annie Ross (in 1995-12)
arranger:
Mike Renzi
aufgenommen bei:
Sound on Sound Recording Studios (New York) in New York, New York, Vereinigte Staaten (in 1995-12)
recording of:
One Meatball (in 1995-12)
Texter:
Hy Zaret
Komponist(in):
Lou Singer (pianist)
4:22
11Farmer's Market
recording engineer und Mix:
Cynthia Daniels
assistierende(r) Techniker(in):
Devin Emke und Jim McNamara
Produzent(in):
Hugh Fordin
Bass:
Peter Washington (American jazz double bassist) (in 1995-12)
Gitarre:
Joe Beck (guitar) (in 1995-12)
Holzblasinstrumente:
Frank Wess (in 1995-12)
Klavier:
Mike Renzi (in 1995-12)
Posaune:
Al Grey (trombone) (in 1995-12)
Schlagzeug:
Louis Hayes (in 1995-12)
vocals:
Annie Ross (in 1995-12)
arranger:
Mike Renzi
aufgenommen bei:
Sound on Sound Recording Studios (New York) in New York, New York, Vereinigte Staaten (in 1995-12)
recording of:
Farmer's Market (in 1995-12)
Komponist(in):
Art Farmer und Annie Ross
3:30
12Where Do You Start
recording engineer und Mix:
Cynthia Daniels
assistierende(r) Techniker(in):
Devin Emke und Jim McNamara
Produzent(in):
Hugh Fordin
Bass:
Peter Washington (American jazz double bassist) (in 1995-12)
Gitarre:
Joe Beck (guitar) (in 1995-12)
Holzblasinstrumente:
Frank Wess (in 1995-12)
Klavier:
Mike Renzi (in 1995-12)
Posaune:
Al Grey (trombone) (in 1995-12)
Schlagzeug:
Louis Hayes (in 1995-12)
vocals:
Annie Ross (in 1995-12)
arranger:
Mike Renzi
aufgenommen bei:
Sound on Sound Recording Studios (New York) in New York, New York, Vereinigte Staaten (in 1995-12)
recording of:
Where Do You Start (in 1995-12)
Texter:
Alan Bergman (American lyricist) und Marilyn Bergman
Komponist(in):
Johnny Mandel (American composer and arranger)
publisher:
Marissa Music und Spirit Two Music Crescendo
3:17
13Music Is Forever
recording engineer und Mix:
Cynthia Daniels
assistierende(r) Techniker(in):
Devin Emke und Jim McNamara
Produzent(in):
Hugh Fordin
Bass:
Jay Leonhart (in 1995-12)
Gitarre:
Joe Beck (guitar) (in 1995-12)
Holzblasinstrumente:
Frank Wess (in 1995-12)
Klavier:
Mike Renzi (in 1995-12)
Posaune:
Al Grey (trombone) (in 1995-12)
Schlagzeug:
Louis Hayes (in 1995-12)
vocals:
Annie Ross (in 1995-12)
arranger:
Mike Renzi
aufgenommen bei:
Sound on Sound Recording Studios (New York) in New York, New York, Vereinigte Staaten (in 1995-12)
6:43

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