Classics, Volume 2

~ Veröffentlichung von Carpenters (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Classics Volume 2 is a re-release of the 1998 version of the compilation album Yesterday Once More (this has an extra track, "I Just Fall in Love Again", and a revised track order from the what was originally released in 1984). This that has been remastered in 24-bit sound with new notes by Paul Grein.

Carpenters were to be included in A&M’s 25th Anniversary series of discs, and there was no need to update it any further, so it was re-titled and re-packaged.

Anmerkung zuletzt geändert am 2022-06-10 21:10 UTC.

Titelliste

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1▼CD
Nr.TitelBewertungLänge
1Yesterday Once More
Produzent(in):
Karen Carpenter und Richard Carpenter (The Carpenters)
recording of:
Yesterday Once More (am 1973-03-14)
Texter:
John Bettis
Komponist(in):
Richard Carpenter (The Carpenters)
publisher:
Rondor Music (London) Ltd., Almo Music (USA, affiliated with ASCAP) (in 1973), Hammer & Nails Music (in 1973) und Sweet Harmony Music (US publisher) (in 1973)
4.63:58
2Superstar
assistierende(r) Techniker(in):
Norm Kinney
Techniker(in):
Ray Gerhardt (Recording and mixing engineer)
Produzent(in):
Jack Daugherty (American Multi-instrumentalist and music producer)
Bassgitarre:
Joe Osborn (American bass guitar player, session musician and songwriter)
Keyboard [keyboards] und Hintergrundgesang:
Richard Carpenter (The Carpenters)
Oboe:
Earle Dumler (multi-instrumentalist)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
Hintergrundgesang und Sologesang:
Karen Carpenter
arranger und Orchestrator(in):
Richard Carpenter (The Carpenters)
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1971)
aufgenommen bei:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1971)
cover recording of:
Superstar (in 1971-03)
Verfasser(in):
Bonnie Bramlett und Leon Russell
publisher:
Black Bull Music, Delbon Publishing Co., Embassy Music Corporation, Jobete Music (UK) Ltd., Reservoir One America, Rondor Music (London) Ltd., Skyhill Pub. Co., Inc., Solo Copyright Bureau, Stuck On Music und Teddy Jack Music
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
4.353:46
3Rainy Days and Mondays
assistierende(r) Techniker(in):
Norm Kinney
Techniker(in):
Ray Gerhardt (Recording and mixing engineer)
Produzent(in):
Jack Daugherty (American Multi-instrumentalist and music producer)
Bassgitarre:
Joe Osborn (American bass guitar player, session musician and songwriter)
Keyboard [keyboards] und Hintergrundgesang:
Richard Carpenter (The Carpenters)
Mundharmonika:
Tommy Morgan (Harmonica player)
Saxophon:
Bob Messenger (Woodwind and bass player)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
Hintergrundgesang und Sologesang:
Karen Carpenter
arranger und Orchestrator(in):
Richard Carpenter (The Carpenters)
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1971)
aufgenommen bei:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1971-01)
recording of:
Rainy Days and Mondays (am 1971-01-25)
Texter:
Paul Williams (US songwriter/soft rock vocalist)
Komponist(in):
Roger Nichols (musician/songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) und Rondor Music (London) Ltd.
4.353:38
4(Want You) Back in My Life Again
Synthesizer-Programmierung:
Daryl Dragon und Ian Underwood
assistierende(r) Techniker(in):
Dave Iveland (Music Engineer)
Techniker(in):
Roger Young (engineer)
Akustikgitarre:
Tim May (session/jazz guitarist)
Bassgitarre [bass]:
Joe Osborn (American bass guitar player, session musician and songwriter)
E-Gitarre:
Tim May (session/jazz guitarist) und Tony Peluso (American writer, producer and multi-instrumentalist)
Keyboard [keyboards]:
Richard Carpenter (The Carpenters)
Perkussion:
Paulinho DaCosta (Brazilian percussionist)
Schlagzeug [drums]:
Ron Tutt (drummer)
Tenorsaxophon [tenor sax]:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
Hintergrundgesang:
Karen Carpenter und Richard Carpenter (The Carpenters)
arranger und Orchestrator(in):
Richard Carpenter (The Carpenters)
concertmaster:
Jimmy Getzoff (American concertmaster and violinist)
recording of:
(Want You) Back in My Life Again
Verfasser(in):
Kerry Chater und Lon Christian Smith (American songwriter, record producer)
publisher:
Duchess Music Corporation (BMI-affiliated), Home Sweet Home Music (ASCAP-affiliated) und Songs of Universal, Inc. (BMI)
33:40
5Ticket to Ride
Techniker(in):
Ray Gerhardt (Recording and mixing engineer)
Produzent(in):
Jack Daugherty (American Multi-instrumentalist and music producer)
Bass:
Bob Messenger (Woodwind and bass player) und Joe Osborn (American bass guitar player, session musician and songwriter)
Gitarre:
Gary Sims (vocalist, guitarist, songwriter)
Schlagzeug und Sologesang:
Karen Carpenter
Orchestrator(in):
Jack Daugherty (American Multi-instrumentalist and music producer)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1969)
cover recording of:
Ticket to Ride
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tunes LLC (ASCAP)
übersetzte Version von:
Boleto para pasear
recording of:
Ticket to Ride
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tunes LLC (ASCAP)
übersetzte Version von:
Boleto para pasear
3.54:07
6Goodbye to Love
Produzent(in):
Jack Daugherty (American Multi-instrumentalist and music producer)
E-Gitarre:
Tony Peluso (American writer, producer and multi-instrumentalist)
recording of:
Goodbye to Love
komponiert in:
London (Greater London), England, Vereinigtes Königreich (in 1971)
Texter:
John Bettis (in 1972)
Komponist(in):
Richard Carpenter (The Carpenters) (von 1971 bis 1972)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Hammer and Nails Music und Rondor Music (London) Ltd.
4.53:57
7Bless the Beasts and Children
recording of:
Bless the Beasts and Children
Verfasser(in) und Komponist(in):
Perry Botkin Jr. (composer, producer, arranger, and musician) und Barry De Vorzon
arranger:
Perry Botkin Jr. (composer, producer, arranger, and musician)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Teil von:
The 44th Academy Award for Best Original Song (Nummer: 2)
43:16
8It's Going to Take Some Time
Produzent(in):
Jack Daugherty (American Multi-instrumentalist and music producer)
cover recording of:
It’s Going to Take Some Time
Texter und Komponist(in):
Carole King und Toni Stern
publisher:
Screen Gems–Columbia Music, Inc.
4.52:56
9Calling Occupants of Interplanetary Craft
Techniker(in):
Ray Gerhardt (Recording and mixing engineer), Dave Iveland (Music Engineer) und Roger Young (engineer)
Partner-Produzent(in):
Karen Carpenter
Produzent(in):
Richard Carpenter (The Carpenters)
Bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
E-Gitarre und Sprecher [DJ]:
Tony Peluso (American writer, producer and multi-instrumentalist)
Hybrid-Piano, Klavier [acoustic piano] und Synthesizer:
Richard Carpenter (The Carpenters)
Oboe:
Earl Dumler (multi-instrumentalist)
Schlagzeug [drums]:
Ron Tutt (drummer)
Chorgesang:
Gregg Smith Singers
Sologesang:
Karen Carpenter
vocals:
Richard Carpenter (The Carpenters)
Orchester:
Overbudget Philharmonic
conductor:
Peter Knight (British arranger, conductor and composer)
chorus master:
Gregg Smith (choral conductor)
arranger:
Richard Carpenter (The Carpenters)
Orchestrator(in):
Richard Carpenter (The Carpenters) und Peter Knight (British arranger, conductor and composer)
cover recording of:
Calling Occupants of Interplanetary Craft
Verfasser(in):
Terry Draper und John Woloschuk
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Magentalane Music Ltd.
27:07
10Sweet, Sweet Smile
Techniker(in):
Ray Gerhardt (Recording and mixing engineer), Dave Iveland (Music Engineer) und Roger Young (engineer)
Partner-Produzent(in):
Karen Carpenter
Produzent(in):
Richard Carpenter (The Carpenters)
Akustikgitarre und E-Gitarre:
Tony Peluso (American writer, producer and multi-instrumentalist)
Banjo:
Larry McNealy
Bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
Fiddle:
Bobby Bruce
Schlagzeug [drums]:
Ron Tutt (drummer)
tack piano:
Tom Hensley (American songwriter, pianist, arranger)
Sologesang:
Karen Carpenter
vocals:
Richard Carpenter (The Carpenters)
arranger und Orchestrator(in):
Richard Carpenter (The Carpenters)
recording of:
Sweet, Sweet Smile
Verfasser(in):
Juice Newton (American pop and country singer, songwriter, and musician) und Otha Young
publisher:
Addison Street Music, BMG Gold Songs und Sterling Music Co. (Seperate entry from "The Sterling Music Co.")
22:58
11I Won't Last a Day Without You
Produzent(in):
Jack Daugherty (American Multi-instrumentalist and music producer)
Sologesang:
Karen Carpenter
arranger und Orchestrator(in):
Richard Carpenter (The Carpenters)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1972)
cover recording of:
I Won’t Last a Day Without You
Texter:
Paul Williams (US songwriter/soft rock vocalist)
Komponist(in):
Roger Nichols (musician/songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) und Rondor Music (London) Ltd.
4.53:50
12For All We Know
assistierende(r) Techniker(in):
Norm Kinney
Techniker(in):
Dick Bogert (Recording and mixing engineer) und Ray Gerhardt (Recording and mixing engineer)
Produzent(in):
Jack Daugherty (American Multi-instrumentalist and music producer)
Bassgitarre:
Joe Osborn (American bass guitar player, session musician and songwriter)
Keyboard [keyboards]:
Richard Carpenter (The Carpenters)
Oboe:
Earle Dumler (multi-instrumentalist)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
Hintergrundgesang:
Karen Carpenter und Richard Carpenter (The Carpenters)
Hintergrundgesang und Sologesang und Sologesang:
Karen Carpenter
arranger und Orchestrator(in):
Richard Carpenter (The Carpenters)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1971) und A&M Records, Ltd. (in 1971)
aufgenommen bei:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1970 bis 1971)
cover recording of:
For All We Know (Lovers and Other Strangers, 1970) (von 1970 bis 1971)
Texter:
Arthur James (soft rock singer/songwriter/guitarist) und Robb Wilson
Komponist(in):
Fred Karlin
publisher:
MCA Music Ltd. (beendet), Pamco Music Inc. (beendet), EMI Al Gallico Music Corp., Songs of Universal, Inc. (BMI) und Universal Music Corp. (USA, affiliated with ASCAP)
Teil von:
The 43rd Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1970 winner)
recording of:
For All We Know (Lovers and Other Strangers, 1970)
Texter:
Arthur James (soft rock singer/songwriter/guitarist) und Robb Wilson
Komponist(in):
Fred Karlin
publisher:
MCA Music Ltd. (beendet), Pamco Music Inc. (beendet), EMI Al Gallico Music Corp., Songs of Universal, Inc. (BMI) und Universal Music Corp. (USA, affiliated with ASCAP)
Teil von:
The 43rd Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1970 winner)
42:30
13Touch Me When We're Dancing
assistierende(r) Techniker(in):
Dave Iveland (Music Engineer)
Techniker(in):
Roger Young (engineer)
Produzent(in):
Richard Carpenter (The Carpenters)
Akustikgitarre und E-Gitarre:
Tim May (session/jazz guitarist) und Tony Peluso (American writer, producer and multi-instrumentalist)
Bassgitarre [bass]:
Joe Osborn (American bass guitar player, session musician and songwriter)
Harfe:
Gayle Levant (American studio musician, harpist)
Keyboard [keyboards]:
Richard Carpenter (The Carpenters)
Oboe:
Earl Dumler (multi-instrumentalist)
Perkussion:
Paulinho DaCosta (Brazilian percussionist)
Schlagzeug [drums]:
Larrie Londin
Tenorsaxophon [tenor sax]:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
Hintergrundgesang:
Karen Carpenter, Richard Carpenter (The Carpenters) und Carolyn Dennis (American singer)
Sologesang:
Karen Carpenter
arranger und Orchestrator(in):
Richard Carpenter (The Carpenters)
concertmaster:
Jimmy Getzoff (American concertmaster and violinist)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1981)
cover recording of:
Touch Me When We’re Dancing
Verfasser(in):
Ken Bell, Terry Nelson Skinner und J.L. Wallace (US songwriter and guitarist)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und PolyGram Music Publishing Ltd.
33:22
2▼CD
Nr.TitelBewertungLänge
1There's a Kind of Hush
Bassgitarre [bass]:
Joe Osborn (American bass guitar player, session musician and songwriter)
Gitarre [guitars]:
Tony Peluso (American writer, producer and multi-instrumentalist)
Harfe:
Gayle Levant (American studio musician, harpist)
Keyboard [keyboards]:
Richard Carpenter (The Carpenters)
Schlagzeug [drums]:
Jim Gordon (US drummer with Derek and the Dominos)
Tenorsaxophon [tenor sax]:
Bob Messenger (Woodwind and bass player)
cover recording of:
There’s a Kind of Hush
Texter und Komponist(in):
Les Reed und Geoff Stephens
publisher:
Donna Music Ltd. (publisher), Glenwood Music Corp., Peermusic (UK) Limited, Songs of Peer, Ltd. (ASCAP), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
43:05
2This Masquerade
Produzent(in):
Karen Carpenter und Richard Carpenter (The Carpenters)
Sologesang:
Karen Carpenter
arranger und Orchestrator(in):
Richard Carpenter (The Carpenters)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1973)
cover recording of:
This Masquerade
Texter und Komponist(in):
Leon Russell
publisher:
Chrysalis One Music Publishing Group Ireland, Embassy Music Corporation, Pathe Publications (Far East) Limited, Reservoir 416, Reservoir One America, Rondor Music (London) Ltd., Skyhill Pub. Co., Inc., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
34:50
3Hurting Each Other
Produzent(in):
Jack Daugherty (American Multi-instrumentalist and music producer)
Sologesang:
Karen Carpenter
arranger und Orchestrator(in):
Richard Carpenter (The Carpenters)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1972)
cover recording of:
Hurting Each Other
Texter:
Peter Udell
Komponist(in):
Gary Geld
publisher:
PolyGram Music Publishing Ltd. und Sydney Bron Music (also spelled “Sydney”)
4.52:47
4Please Mr. Postman
Techniker(in):
Ray Gerhardt (Recording and mixing engineer)
Partner-Produzent(in):
Karen Carpenter
Produzent(in):
Richard Carpenter (The Carpenters)
Sologesang:
Karen Carpenter
arranger und Orchestrator(in):
Richard Carpenter (The Carpenters)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1974)
cover recording of:
Please Mr. Postman (am 1974-07-22)
Verfasser(in):
Robert Bateman (R&B singer/songwriter/record producer) (in 1961), Georgia Dobbins (in 1961), William Garrett (in 1961), Freddie Gorman (in 1961) und Brian Holland (Motown producer & songwriter) (in 1961)
publisher:
Dominion Music, EMI Blackwood Music Inc., EMI United Partnership Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division und United Partnership Ltd.
42:52
5I Need to Be in Love
recording of:
I Need to Be in Love
Texter:
John Bettis und Albert Hammond
Komponist(in):
Richard Carpenter (The Carpenters)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI April Music Inc., Hammer and Nails Music, Inc. und Landers Roberts Music
3:30
6Make Believe It's Your First Time
Akustikgitarre:
Tim May (session/jazz guitarist)
Bassgitarre [bass]:
Joe Osborn (American bass guitar player, session musician and songwriter)
E-Gitarre:
Tony Peluso (American writer, producer and multi-instrumentalist)
Harfe:
Gayle Levant (American studio musician, harpist)
Keyboard [keyboards]:
Richard Carpenter (The Carpenters)
Oboe:
Earl Dumler (multi-instrumentalist)
Pedal-Steel-Gitarre:
Jay Dee Maness (American pedal steel guitarist)
Schlagzeug [drums]:
Ron Tutt (drummer)
Solo-flute:
Sheridon Stokes (American flautist, composer, and studio musician)
Hintergrundgesang:
The O.K. Chorale (fictitious choral ensemble)
Sologesang:
Karen Carpenter
arranger:
Richard Carpenter (The Carpenters)
cover recording of:
Make Believe It's Your First Time
Verfasser(in):
Bob Morrison (US songwriter) und Johnny Wilson (aka Johnny A. Wilson & Peanuts Wilson)
publisher:
Music City Music
24:04
7All You Get From Love Is a Love Song
Techniker(in):
Ray Gerhardt (Recording and mixing engineer), Dave Iveland (Music Engineer) und Roger Young (engineer)
Partner-Produzent(in):
Karen Carpenter
Produzent(in):
Richard Carpenter (The Carpenters)
Bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
Conga [conga]:
Tommy Vig (Hungarian jazz drummer, vibraphonist, bandleader and composer)
E-Gitarre:
Tony Peluso (American writer, producer and multi-instrumentalist) und Ray Parker
Hybrid-Piano und Klavier [acoustic piano]:
Richard Carpenter (The Carpenters)
Perkussion:
Jerry Steinholtz (American percussionist)
Schlagzeug [drums]:
Ed Green (US violinist/percussionist)
Tenorsaxophon [tenor sax]:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
Hintergrundgesang [background singer]:
Karen Carpenter, Richard Carpenter (The Carpenters), Julia Tillman, Maxine Willard und Carlena Williams
Sologesang:
Karen Carpenter
vocals:
Richard Carpenter (The Carpenters)
arranger und Orchestrator(in):
Richard Carpenter (The Carpenters)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1977)
cover recording of:
All You Get From Love Is a Love Song
Texter und Komponist(in):
Steve Eaton
publisher:
Hampstead Heath Music Publishing Ltd. und Universal Music–MGB Songs
33:46
8Top of the World
Produzent(in):
Karen Carpenter, Richard Carpenter (The Carpenters) und Jack Daugherty (American Multi-instrumentalist and music producer)
Sologesang:
Karen Carpenter
arranger und Orchestrator(in):
Richard Carpenter (The Carpenters)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1972)
spätere Veröffentlichungen:
Top of the World (original recording used in the album "A Song for You") von Carpenters
recording of:
Top of the World (am 1973-08-15)
Texter:
John Bettis
Komponist(in):
Richard Carpenter (The Carpenters)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Hammer and Nails Music, Inc. und Rondor Music (London) Ltd.
3.52:57
9Because We Are in Love (The Wedding Song)
sonstige Unterstützung:
Ron Hicklin (Aufgabe: The O.K. Chorale Under the direction of)
assistierende(r) Techniker(in):
Dave Iveland (Music Engineer)
Techniker(in):
Roger Young (engineer)
Akustikgitarre:
Tim May (session/jazz guitarist)
Bassgitarre [bass]:
Joe Osborn (American bass guitar player, session musician and songwriter)
Harfe:
Gayle Levant (American studio musician, harpist)
Keyboard [keyboards]:
Richard Carpenter (The Carpenters)
Perkussion:
Peter Limonick (Session Musician)
Schlagzeug [drums]:
Ron Tutt (drummer)
Chorgesang:
The O.K. Chorale (fictitious choral ensemble)
conductor:
Frank Pooler
arranger:
Richard Carpenter (The Carpenters)
Orchestrator(in):
Peter Knight (British arranger, conductor and composer)
concertmaster:
Jerry Vinci (American violinist and strings conductor)
recording of:
Because We are in Love (The Wedding Song)
Texter:
John Bettis
Komponist(in):
Richard Carpenter (The Carpenters)
publisher:
ALMO Music Corp. (USA, affiliated with ASCAP), Hammer and Nails Music, Inc., Sweet Harmony Music, Inc. (US publisher) und WC Music Corp.
35:00
10We've Only Just Begun
Techniker(in):
Dick Bogert (Recording and mixing engineer) und Ray Gerhardt (Recording and mixing engineer)
Produzent(in):
Jack Daugherty (American Multi-instrumentalist and music producer)
Bass:
Joe Osborn (American bass guitar player, session musician and songwriter) und Danny Woodhams (Bassist, drummer, vocalist and songwriter)
Holzblasinstrumente [woodwinds]:
Doug Strawn (American woodwinds and saxophonist), Jim Horn (saxophonist, hornist, flutist and oboist) und Bob Messenger (Woodwind and bass player)
Klarinette:
Doug Strawn (American woodwinds and saxophonist)
Schlagzeug [Ludwig drums]:
Hal Blaine (U.S. studio drummer and percussionist) und Karen Carpenter
Wurlitzer Electric Piano [Wurlizer pianos]:
Richard Carpenter (The Carpenters)
Hintergrundgesang und Sologesang [all vocals]:
Karen Carpenter und Richard Carpenter (The Carpenters)
arranger und Orchestrator(in):
Richard Carpenter (The Carpenters)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 65) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 405)
cover recording of:
We’ve Only Just Begun
Texter:
Paul Williams (US songwriter/soft rock vocalist)
Komponist(in):
Roger Nichols (musician/songwriter)
publisher:
Irving Music (BMI)
sub-publisher:
Rondor Music (London) Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
recording of:
We’ve Only Just Begun
Texter:
Paul Williams (US songwriter/soft rock vocalist)
Komponist(in):
Roger Nichols (musician/songwriter)
publisher:
Irving Music (BMI)
sub-publisher:
Rondor Music (London) Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3.43:04
11Those Good Old Dreams
assistierende(r) Techniker(in):
Dave Iveland (Music Engineer)
Techniker(in):
Roger Young (engineer)
Produzent(in):
Richard Carpenter (The Carpenters)
Akustikgitarre und E-Gitarre:
Tim May (session/jazz guitarist)
Bassgitarre [bass]:
Joe Osborn (American bass guitar player, session musician and songwriter)
Harfe:
Gayle Levant (American studio musician, harpist)
Keyboard [keyboards]:
Richard Carpenter (The Carpenters)
Pedal-Steel-Gitarre:
Jay Dee Maness (American pedal steel guitarist)
Perkussion:
Karen Carpenter und Paulinho DaCosta (Brazilian percussionist)
Schlagzeug [drums]:
Ron Tutt (drummer)
Hintergrundgesang:
Karen Carpenter und Richard Carpenter (The Carpenters)
Sologesang:
Karen Carpenter
arranger und Orchestrator(in):
Richard Carpenter (The Carpenters)
concertmaster:
Jimmy Getzoff (American concertmaster and violinist)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1981)
recording of:
Those Good Old Dreams
Texter:
John Bettis
Komponist(in):
Richard Carpenter (The Carpenters)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Hammer and Nails Music, Inc., Rondor Music Publishing Ltd., Sweet Harmony Music, Inc. (US publisher) und WC Music Corp.
54:12
12Sing
Produzent(in):
Karen Carpenter und Richard Carpenter (The Carpenters)
Chorgesang:
The Jimmy Joyce Children’s Chorus
cover recording of:
Sing
Texter und Komponist(in):
Joe Raposo (piano, composer, Sesame Street)
publisher:
Green Fox Music Inc., The Joe Raposo Music Group, Inc. und Jonico Music Inc. (in 1971)
recording of:
Sing
Texter und Komponist(in):
Joe Raposo (piano, composer, Sesame Street)
publisher:
Green Fox Music Inc., The Joe Raposo Music Group, Inc. und Jonico Music Inc. (in 1971)
recording of:
Sing (Japanese concert version)
Texter und Komponist(in):
Joe Raposo (piano, composer, Sesame Street)
Arrangement von:
Sing
43:18
13Only Yesterday
Partner-Produzent(in):
Karen Carpenter
Produzent(in):
Richard Carpenter (The Carpenters)
Sologesang:
Karen Carpenter
arranger und Orchestrator(in):
Richard Carpenter (The Carpenters)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1975)
recording of:
Only Yesterday (am 1975-01-30)
Texter:
John Bettis
Komponist(in):
Richard Carpenter (The Carpenters)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Hammer and Nails Music, Inc., Rondor Music (London) Ltd. und Sweet Harmony Music (US publisher)
3:50
14(They Long to Be) Close to You
Produzent(in):
Jack Daugherty (American Multi-instrumentalist and music producer)
Sologesang:
Karen Carpenter
arranger und Orchestrator(in):
Richard Carpenter (The Carpenters)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1970)
Bearbeitung von:
(They Long to Be) Close to You (album version) von Carpenters
cover recording of:
(They Long to Be) Close to You (am 1970-03-24)
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Albert Music Publishing, Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), Carlin Music Corporation, Casa David LP, J. Albert & Son Pty. Ltd., Jac Music, Inc., New Hidden Valley Music Co., U.S. Songs, Inc., Universal/MCA Music Ltd. (not for release label use!), Windswept Music (London) Ltd. und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
3:45

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Veröffentlichungsgruppe

Teil von:A&M Records 25th Anniversary Classics (Nummer: 2) (Reihenfolge: 2)