Early Music

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Tracklist

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1▼CD: Renaissance Madrigals
#	Title	Artist	Rating	Length
1	Alla dolce ombra recording engineer: Eric Sikkema producer: Robert Woods (classical music producer, founder of TELARC) vocals: Quink Vocal Quintet (Dutch a cappella ensemble) (from 1988-12-03 until 1988-12-22) recorded at: Concertgebouw de Vereeniging (Nijmegen) in Nijmegen, Gelderland, Netherlands, Kingdom of the Netherlands (from 1988-12-03 until 1988-12-22) recording of: Alla dolce ombra (from 1988-12-03 until 1988-12-22) composer: Cipriano de Rore (Franco-Flemish Renaissance composer)	Cipriano de Rore		8:29
2	Dura legge d'Amor recording engineer: Eric Sikkema producer: Robert Woods (classical music producer, founder of TELARC) vocals: Quink Vocal Quintet (Dutch a cappella ensemble) (from 1988-12-03 until 1988-12-22) recorded at: Concertgebouw de Vereeniging (Nijmegen) in Nijmegen, Gelderland, Netherlands, Kingdom of the Netherlands (from 1988-12-03 until 1988-12-22) recording of: Dura legge d'Amor (from 1988-12-03 until 1988-12-22) composer: Giaches de Wert (Franco-Flemish 16th century composer) part of: Il secondo libro de madrigali (Second book of madrigals of Giaches De Wert mostly for five voices, pub. 1561) (number: 5)	Giaches de Wert		3:57
3	Lo non son pero morto recording engineer: Eric Sikkema producer: Robert Woods (classical music producer, founder of TELARC) vocals: Quink Vocal Quintet (Dutch a cappella ensemble) (from 1988-12-03 until 1988-12-22) recorded at: Concertgebouw de Vereeniging (Nijmegen) in Nijmegen, Gelderland, Netherlands, Kingdom of the Netherlands (from 1988-12-03 until 1988-12-22) recording of: L'ottavo libro de madrigali: Io non son però morto (from 1988-12-03 until 1988-12-22) composer: Giaches de Wert (Franco-Flemish 16th century composer) part of: L' ottavo libro de madrigali (Eighth book of madrigals of Giaches De Wert for five voices, pub. 1586) (number: 1)	Giaches de Wert		2:15
4	Datemi pace recording engineer: Eric Sikkema producer: Robert Woods (classical music producer, founder of TELARC) vocals: Quink Vocal Quintet (Dutch a cappella ensemble) (from 1988-12-03 until 1988-12-22) recorded at: Concertgebouw de Vereeniging (Nijmegen) in Nijmegen, Gelderland, Netherlands, Kingdom of the Netherlands (from 1988-12-03 until 1988-12-22) recording of: Datemi pace (from 1988-12-03 until 1988-12-22) composer: Giaches de Wert (Franco-Flemish 16th century composer) part of: Il decimo libro de madrigali (tenth book of madrigals of Giaches De Wert mostly for five voices, pub. 1591)	Giaches de Wert		4:36
5	Vezzosi augelli recording engineer: Eric Sikkema producer: Robert Woods (classical music producer, founder of TELARC) vocals: Quink Vocal Quintet (Dutch a cappella ensemble) (from 1988-12-03 until 1988-12-22) recorded at: Concertgebouw de Vereeniging (Nijmegen) in Nijmegen, Gelderland, Netherlands, Kingdom of the Netherlands (from 1988-12-03 until 1988-12-22) recording of: Vezzosi augelli, W viii, 11 (from 1988-12-03 until 1988-12-22) composer: Giaches de Wert (Franco-Flemish 16th century composer) part of: L' ottavo libro de madrigali (Eighth book of madrigals of Giaches De Wert for five voices, pub. 1586) (number: 4)	Giaches de Wert		2:18
6	Baci, soavi e cari recording engineer: Eric Sikkema producer: Robert Woods (classical music producer, founder of TELARC) vocals: Quink Vocal Quintet (Dutch a cappella ensemble) (from 1988-12-03 until 1988-12-22) recorded at: Concertgebouw de Vereeniging (Nijmegen) in Nijmegen, Gelderland, Netherlands, Kingdom of the Netherlands (from 1988-12-03 until 1988-12-22) recording of: Baci soavi e cari, SV 27 (from 1988-12-03 until 1988-12-22) composer: Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player) part of: Stattkus-Verzeichnis (number: SV 27) part of: Madrigals, Book 1, SV 23–39	Claudio Monteverdi		2:55
7	Lo mi son giovinetta recording engineer: Eric Sikkema producer: Robert Woods (classical music producer, founder of TELARC) vocals: Quink Vocal Quintet (Dutch a cappella ensemble) (from 1988-12-03 until 1988-12-22) recorded at: Concertgebouw de Vereeniging (Nijmegen) in Nijmegen, Gelderland, Netherlands, Kingdom of the Netherlands (from 1988-12-03 until 1988-12-22) recording of: Io mi son giovinetta, SV 86 (from 1988-12-03 until 1988-12-22) composer: Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player) part of: Stattkus-Verzeichnis (number: SV 86) part of: Quarto libro de madrigali, SV 75–93	Claudio Monteverdi		2:25
8	Si ch'io vorrei morire recording engineer: Eric Sikkema producer: Robert Woods (classical music producer, founder of TELARC) vocals: Quink Vocal Quintet (Dutch a cappella ensemble) (from 1988-12-03 until 1988-12-22) recorded at: Concertgebouw de Vereeniging (Nijmegen) in Nijmegen, Gelderland, Netherlands, Kingdom of the Netherlands (from 1988-12-03 until 1988-12-22) recording of: Sì, ch' io vorrei morire, SV 89 (from 1988-12-03 until 1988-12-22) composer: Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player) part of: Stattkus-Verzeichnis (number: SV 89) part of: Quarto libro de madrigali, SV 75–93	Claudio Monteverdi		2:55
9	O selce, o tigre, o ninfa recording engineer: Eric Sikkema producer: Robert Woods (classical music producer, founder of TELARC) vocals: Quink Vocal Quintet (Dutch a cappella ensemble) (from 1988-12-03 until 1988-12-22) recorded at: Concertgebouw de Vereeniging (Nijmegen) in Nijmegen, Gelderland, Netherlands, Kingdom of the Netherlands (from 1988-12-03 until 1988-12-22) recording of: O selce, o tigre, o ninfa (from 1988-12-03 until 1988-12-22) composer: Alessandro Scarlatti (composer)	Alessandro Scarlatti		4:36
10	Mori mi dici recording engineer: Eric Sikkema producer: Robert Woods (classical music producer, founder of TELARC) vocals: Quink Vocal Quintet (Dutch a cappella ensemble) (from 1988-12-03 until 1988-12-22) recorded at: Concertgebouw de Vereeniging (Nijmegen) in Nijmegen, Gelderland, Netherlands, Kingdom of the Netherlands (from 1988-12-03 until 1988-12-22) recording of: Mori, mi dici (from 1988-12-03 until 1988-12-22) composer: Alessandro Scarlatti (composer)	Alessandro Scarlatti		5:41
11	Tirsi un giorno piangea recording engineer: Eric Sikkema producer: Robert Woods (classical music producer, founder of TELARC) vocals: Quink Vocal Quintet (Dutch a cappella ensemble) (from 1988-12-03 until 1988-12-22) recorded at: Concertgebouw de Vereeniging (Nijmegen) in Nijmegen, Gelderland, Netherlands, Kingdom of the Netherlands (from 1988-12-03 until 1988-12-22) recording of: Tirsi un giorno piangea (from 1988-12-03 until 1988-12-22) composer: Alessandro Stradella (composer)	Alessandro Stradella		6:19
12	Pupilette amorose recording engineer: Eric Sikkema producer: Robert Woods (classical music producer, founder of TELARC) vocals: Quink Vocal Quintet (Dutch a cappella ensemble) (from 1988-12-03 until 1988-12-22) recorded at: Concertgebouw de Vereeniging (Nijmegen) in Nijmegen, Gelderland, Netherlands, Kingdom of the Netherlands (from 1988-12-03 until 1988-12-22) recording of: Pupilette amorose (from 1988-12-03 until 1988-12-22) composer: Alessandro Stradella (composer)	Alessandro Stradella		4:53
13	Piangete, occhi dolenti recording engineer: Eric Sikkema producer: Robert Woods (classical music producer, founder of TELARC) vocals: Quink Vocal Quintet (Dutch a cappella ensemble) (from 1988-12-03 until 1988-12-22) recorded at: Concertgebouw de Vereeniging (Nijmegen) in Nijmegen, Gelderland, Netherlands, Kingdom of the Netherlands (from 1988-12-03 until 1988-12-22) recording of: Piangete, occhi dolenti (from 1988-12-03 until 1988-12-22) composer: Alessandro Stradella (composer)	Alessandro Stradella		6:48
14	Clori son fido amante recording engineer: Eric Sikkema producer: Robert Woods (classical music producer, founder of TELARC) vocals: Quink Vocal Quintet (Dutch a cappella ensemble) (from 1988-12-03 until 1988-12-22) recorded at: Concertgebouw de Vereeniging (Nijmegen) in Nijmegen, Gelderland, Netherlands, Kingdom of the Netherlands (from 1988-12-03 until 1988-12-22) recording of: Clori son fido amante (from 1988-12-03 until 1988-12-22) composer: Alessandro Stradella (composer)	Alessandro Stradella		5:24

2▼CD: English Madrigals
#	Title	Artist	Rating	Length
1	Now is the month of Maying vocals: Quink Vocal Ensemble (Dutch a cappella ensemble) recording of: Balletts to Five Voices: Now Is the Month of Maying composer: Thomas Morley (English Renaissance composer) part of: Balletts to Five Voices	Thomas Morley		1:54
2	Farewell, disdainful vocals: Quink Vocal Ensemble (Dutch a cappella ensemble) recording of: Canzonets to Three Voices: Farewell, disdainful composer: Thomas Morley (English Renaissance composer) part of: Canzonets to Three Voices	Thomas Morley		2:54
3	No, no Nigella vocals: Quink Vocal Ensemble (Dutch a cappella ensemble) recording of: No, no, Nigella composer: Thomas Morley (English Renaissance composer)	Thomas Morley		3:34
4	Why should I grieve vocals: Quink Vocal Ensemble (Dutch a cappella ensemble) recording of: Why should I grieve? composer: Francis Pilkington (English composer, singer & lutenist, 1565-1638)	Francis Pilkington		3:55
5	Sweet Phyllida vocals: Quink Vocal Ensemble (Dutch a cappella ensemble) recording of: Sweet Phyllida composer: Francis Pilkington (English composer, singer & lutenist, 1565-1638)	Francis Pilkington		2:20
6	Phyllis, now cease to move me vocals: Quink Vocal Ensemble (Dutch a cappella ensemble) recording of: Phyllis, now cease to move me composer: Thomas Tomkins (English Renaissance/Baroque composer)	Thomas Tomkins		3:48
7	Too much I once lamented vocals: Quink Vocal Ensemble (Dutch a cappella ensemble) recording of: Too much I once lamented composer: Thomas Tomkins (English Renaissance/Baroque composer)	Thomas Tomkins		7:18
8	Those sweet delightful lilies vocals: Quink Vocal Ensemble (Dutch a cappella ensemble) recording of: Those sweet delightful lilies composer: Thomas Bateson (Anglo-Irish baroque composer)	Thomas Bateson		3:19
9	Phyllis, farewell vocals: Quink Vocal Ensemble (Dutch a cappella ensemble) recording of: Phyllis, Farewell composer: Thomas Bateson (Anglo-Irish baroque composer)	Thomas Bateson		2:14
10	Come to me grief, forever vocals: Quink Vocal Ensemble (Dutch a cappella ensemble) recording of: Come to me, grief, for ever composer: William Byrd (English composer)	William Byrd		5:41
11	Come, woeful Orpheus vocals: Quink Vocal Ensemble (Dutch a cappella ensemble) recording of: Come woeful Orpheus composer: William Byrd (English composer)	William Byrd		5:11
12	Fair Phyllis I saw vocals: Quink Vocal Ensemble (Dutch a cappella ensemble) recording of: Fair Phyllis composer: John Farmer (16th century English composer)	John Farmer		1:19
13	Weep, weep, mine eyes vocals: Quink Vocal Ensemble (Dutch a cappella ensemble) recording of: The First Set of English Madrigals: IV. Weep, O mine eyes composer: John Wilbye (English baroque composer) part of: The First Set of English Madrigals	John Wilbye		5:42
14	(1st Part) I fall, I fall, O stay me vocals: Quink Vocal Ensemble (Dutch a cappella ensemble) recording of: I fall, I fall: I. I fall, I fall composer: John Wilbye (English baroque composer) part of: I fall, I fall	John Wilbye		2:45
15	(2nd Part) And though my love abounding vocals: Quink Vocal Ensemble (Dutch a cappella ensemble) recording of: I fall, I fall: II. And though my love abounding composer: John Wilbye (English baroque composer) part of: I fall, I fall	John Wilbye		2:41
16	Adieu, sweet Amaryllis vocals: Quink Vocal Ensemble (Dutch a cappella ensemble) recording of: The First Set of English Madrigals: XII. Adieu, Sweet Amaryllis composer: John Wilbye (English baroque composer) part of: The First Set of English Madrigals	John Wilbye		2:34
17	The nightingale, the organ of delight vocals: Quink Vocal Ensemble (Dutch a cappella ensemble) recording of: Ayres or Phantasticke Spirits for Three Voices: XXV. The Nightingale, the Organ of Delight composer: Thomas Weelkes (English composer & organist, c. 1576–1623) part of: Ayres or Phantasticke Spirits for Three Voices	Thomas Weelkes		1:08
18	Hark, all ye lovely saints vocals: Quink Vocal Ensemble (Dutch a cappella ensemble) recording of: Eight Ballets and Madrigals, Volume 1: VIII. Hark, All ye Lovely Saints Above composer: Thomas Weelkes (English composer & organist, c. 1576–1623) part of: Eight Ballets and Madrigals, Volume 1	Thomas Weelkes		3:01

3▼CD: Celestial Light
#	Title	Artist	Rating	Length
1	O lucidissima recording of: Symphonia armonie celestium revelationum: O lucidissima apostolorum turba composer: Hildegard von Bingen (German medieval saint) part of: Symphonia armonie celestium revelationum	Hildegard von Bingen		5:43
2	Novi sideris Lumen respenduit	Notre Dame repertory, 13th-century		3:42
3	O cruor sanguinis recording of: Symphonia armonie celestium revelationem: O cruor sanguinis composer: Hildegard von Bingen (German medieval saint) part of: Symphonia armonie celestium revelationum	Hildegard von Bingen		1:39
4	Deus misertus hominis recording of: Deus miseratus hominis composer: [anonymous] (special purpose artist)	Notre Dame repertory, 13th-century		5:12
5	O tu illustrata recording of: Symphonia armonie celestium revelationem: O tu illustrata (Antiphon and Versicle to Maria) composer: Hildegard von Bingen (German medieval saint) part of: Symphonia armonie celestium revelationum	Hildegard von Bingen		6:34
6	Flos ut rosa floruit	Notre Dame repertory, 13th-century		2:27
7	O viridissima virga recording of: Symphonia armonie celestium revelationum: O viridissima virga composer: Hildegard von Bingen (German medieval saint) part of: Symphonia armonie celestium revelationum	Hildegard von Bingen		4:13
8	From the Circling Wheel: I. Song to the Creator (O verbum Patris)	Robert Kyr		5:56
9	From the Circling Wheel: II. Song of the Virgin to her Son (O fili dilectissime)	Robert Kyr		5:17
10	From the Circling Wheel: III. Song to the Virgin (O Magna res)	Robert Kyr		4:53
11	Nunc gaudeant recording of: Symphonia armonie celestium revelationem: Nunc gaudeant materna composer: Hildegard von Bingen (German medieval saint) part of: Symphonia armonie celestium revelationum	Hildegard von Bingen		2:47
12	O eterne Deus recording of: Symphonia armonie celestium revelationem: O aeterne Deus composer: Hildegard von Bingen (German medieval saint) part of: Symphonia armonie celestium revelationum	Hildegard von Bingen		2:40
13	Ave Maris stella	Huelgas MSS 13th Century		4:41
14	O nobilissima viriditas recording of: Symphonia armonie celestium revelationem: O nobilissima viriditas composer: Hildegard von Bingen (German medieval saint) part of: Symphonia armonie celestium revelationum	Hildegard von Bingen		6:53

4▼CD: Renaissance of The Spirit
#	Title	Artist	Rating	Length
1	Passan vostri triomphi conductor: Rudolf Werthen (Belgian violinist & conductor) performer: I Fiamminghi (Belgian classical music ensemble)	Orlando di Lasso		2:19
2	Lauda anima mea conductor: Erik Van Nevel (Belgian conductor & vocalist) performer: Currende (Belgian classical vocal ensemble)	Orlando di Lasso		2:34
3	Recorder piece No. 18 performer: I Fiamminghi (Belgian classical music ensemble)	Orlando di Lasso		1:12
4	Tibi, Christe, splendor patris conductor: Erik Van Nevel (Belgian conductor & vocalist) performer: Currende (Belgian classical vocal ensemble)	Guillaume Dufay		3:18
5	Pavane and Gaillarde performer: I Fiamminghi (Belgian classical music ensemble)	Estienne du Tertre		2:42
6	Ave Maria conductor: Erik Van Nevel (Belgian conductor & vocalist) performer: Currende (Belgian classical vocal ensemble) recording of: Ave Maria composer: Jacobus Clemens non Papa (Franco‐Flemish Renaissance composer)	Jacobus Clemens non Papa		2:23
7	S'io fusse ciaul'et tu lo campanile performer: I Fiamminghi (Belgian classical music ensemble)	Orlando di Lasso		1:03
8	Respice in me conductor: Erik Van Nevel (Belgian conductor & vocalist) performer: Currende (Belgian classical vocal ensemble)	Philippe Rogier		4:03
9	Recorder Piece No. 10 performer: I Fiamminghi (Belgian classical music ensemble)	Orlando di Lasso		1:01
10	Pater Noster. Ave Maria performer: I Fiamminghi (Belgian classical music ensemble)	Adriaan Willaert		6:06
11	Tutto Lo Di Mi Dici, 'Canta, Canta' performer: I Fiamminghi (Belgian classical music ensemble)	Orlando di Lasso		1:11
12	Ave Maria conductor: Erik Van Nevel (Belgian conductor & vocalist) performer: Currende (Belgian classical vocal ensemble)	Nicolas Gombert		5:15
13	Petrarca 10, I vo piangendo performer: I Fiamminghi (Belgian classical music ensemble)	Orlando di Lasso		3:30
14	Bona est oratio cum Ieiunio conductor: Erik Van Nevel (Belgian conductor & vocalist) performer: Currende (Belgian classical vocal ensemble) recording of: Bona est oratio cum Ieiunio composer: Philippe de Monte (Flemish composer of the late Renaissance)	Philippe de Monte		3:36
15	Dapoi Che Sotto 'I Ciel Cosa Non Vidi performer: I Fiamminghi (Belgian classical music ensemble)	Orlando di Lasso		1:31
16	Peccavi conductor: Erik Van Nevel (Belgian conductor & vocalist) performer: Currende (Belgian classical vocal ensemble)	Philippe Rogier		4:06
17	Par Ch'hai Lasciato De Non T'Affaciare performer: I Fiamminghi (Belgian classical music ensemble)	Orlando di Lasso		2:39
18	Recorder Piece No. 20 performer: I Fiamminghi (Belgian classical music ensemble)	Orlando di Lasso		0:52
19	Credo conductor: Erik Van Nevel (Belgian conductor & vocalist) performer: Currende (Belgian classical vocal ensemble)	Johannes Ciconia		5:05
20	Benedictus Dominus Deus conductor: Erik Van Nevel (Belgian conductor & vocalist) performer: Currende (Belgian classical vocal ensemble)	Antoine de Févin		6:22
21	Omnia tempus habent performer: I Fiamminghi (Belgian classical music ensemble) recording of: Omnia tempus habent composer: Orlande de Lassus (Franco-Flemish Renaissance composer)	Orlando di Lasso		4:15

5▼CD: a cappella
#	Title	Artist	Rating	Length
1	O vos omnes engineer: Jack Renner (engineer for Telarc) producer: Robert Woods (classical music producer, founder of TELARC) editor: Erica Brenner (producer/editor) choir vocals: Robert Shaw Festival Singers (in 1989-07) vocals: Atlanta Symphony Orchestra Chorus and Robert Shaw Festival Singers orchestra: Atlanta Symphony Orchestra conductor: Robert Shaw (conductor) recorded at: Eglise Saint-Pierre de Gramat in Gramat, Lot, Occitanie (Occitania), France (in 1989-07) recording of: O vos omnes, Tenebrae Responsory for Holy Saturday publisher: Antonio Gardane (in 1572) composer: Tomás Luis de Victoria (Spanish Renaissance composer) (in 1572) recording of: Officium Hebdomadae Sanctae: Quintum Responsorium: O vos omnes composer: Tomás Luis de Victoria (Spanish Renaissance composer) part of: Officium Hebdomadae Sanctae	Tomás Luis de Victoria		5:09
2	A New Commandment engineer: Jack Renner (engineer for Telarc) producer: Robert Woods (classical music producer, founder of TELARC) editor: Erica Brenner (producer/editor) choir vocals: Robert Shaw Festival Singers (in 1989-07) vocals: Atlanta Symphony Orchestra Chorus and Robert Shaw Festival Singers orchestra: Atlanta Symphony Orchestra conductor: Robert Shaw (conductor) recorded at: Eglise Saint-Pierre de Gramat in Gramat, Lot, Occitanie (Occitania), France (in 1989-07) recording of: A new commandment (anthem for 4 voices) composer: Thomas Tallis (composer)	Thomas Tallis		3:11
3	Vinea mea electa (My Chosen Vine) from Four Motets for a Time of Penitence vocals: Atlanta Symphony Orchestra Chorus and Robert Shaw Festival Singers orchestra: Atlanta Symphony Orchestra conductor: Robert Shaw (conductor) recording of: Quatre motets pour un temps de pénitence: No. 2. Vinea mea electa composer: Francis Poulenc (French composer and pianist) (in 1938) part of: Quatre motets pour un temps de pénitence, FP 97	Francis Poulenc		3:46
4	Videntes stellam (Seeing the Star) from Four Motets for Christmas vocals: Atlanta Symphony Orchestra Chorus and Robert Shaw Festival Singers orchestra: Atlanta Symphony Orchestra conductor: Robert Shaw (conductor) recording of: Videntes stellam composer: Francis Poulenc (French composer and pianist)	Francis Poulenc		2:51
5	Dieu! qu'il la fait bon regarder! (Lord, you made her lovely!) from Trois chansons vocals: Atlanta Symphony Orchestra Chorus and Robert Shaw Festival Singers orchestra: Atlanta Symphony Orchestra conductor: Robert Shaw (conductor) recording of: Trois chansons de Charles d’Orléans, L. 92, CD 99: I. “Dieu ! Qu’il la fait bon regarder !” lyricist: Charles duc d’Orléans composer: Claude Debussy (French composer) (in 1898-04) part of: Trois chansons de Charles d’Orléans, L. 92, CD 99 (for 4-part mixed choir)	Claude Debussy		2:22
6	Two Abendlieder (Evening Songs): Waldensnacht (Night in the Forest), Op. 62, Nr. 3 vocals: Atlanta Symphony Orchestra Chorus and Robert Shaw Festival Singers orchestra: Atlanta Symphony Orchestra conductor: Robert Shaw (conductor) recording of: 7 Lieder, op. 62: Nr. 3. Waldesnacht lyricist: Paul Johann Ludwig von Heyse (German writer) composer: Johannes Brahms (German composer) (from 1873 until 1874) part of: 7 Lieder, op. 62	Johannes Brahms		2:26
7	Two Abendlieder (Evening Songs): Abendstandchen (Evening Serenade), Op. 42, Nr. 1 vocals: Atlanta Symphony Orchestra Chorus and Robert Shaw Festival Singers orchestra: Atlanta Symphony Orchestra conductor: Robert Shaw (conductor) recording of: 3 Gesänge, op. 42: Nr. 1. Abendständchen lyricist: Clemens Brentano (German poet, † 1842) composer: Johannes Brahms (German composer) (from 1859 until 1861) part of: 3 Gesänge, op. 42	Johannes Brahms		2:01
8	Heavenly Light vocals: Atlanta Symphony Orchestra Chorus and Robert Shaw Festival Singers orchestra: Atlanta Symphony Orchestra conductor: Robert Shaw (conductor) recording of: Heavenly Light composer: Александр Копылов (Alexander Kopylov, Russian composer and violinist)	Александр Копылов		2:57
9	Vespers (All-Night Vigil): Svete Tikhyi (O Serene Light) vocals: Atlanta Symphony Orchestra Chorus and Robert Shaw Festival Singers orchestra: Atlanta Symphony Orchestra conductor: Robert Shaw (conductor) recording of: All-night Vigil, op. 44: Svete tihiy composer: Павел Чесноков (Pavel Chesnokov, Russian composer and choirmaster) part of: All-night Vigil, op. 44	Сергей Васильевич Рахманинов		4:15
10	Vespers (All-Night Vigil): Vzbrannoy Voyevode (Thanksgiving to the Mother of God) vocals: Atlanta Symphony Orchestra Chorus and Robert Shaw Festival Singers orchestra: Atlanta Symphony Orchestra conductor: Robert Shaw (conductor) recording of: All-night Vigil, op. 44: Vzbrannoy voyevode composer: Павел Чесноков (Pavel Chesnokov, Russian composer and choirmaster) part of: All-night Vigil, op. 44	Сергей Васильевич Рахманинов		1:45
11	Ride On, King Jesus choir vocals: Robert Shaw Festival Singers vocals: Atlanta Symphony Orchestra Chorus and Robert Shaw Festival Singers orchestra: Atlanta Symphony Orchestra conductor: Robert Shaw (conductor) arranger: Alice Parker (American composer, arranger, conductor and teacher) and Robert Shaw (conductor) recording of: Ride On, King Jesus lyricist and composer: [traditional] (special purpose artist)	[traditional], arr. Robert Shaw & Alice Parker		2:11
12	Sometimes I Feel Like a Moanin' Dove engineer: Jack Renner (engineer for Telarc) producer: Robert Woods (classical music producer, founder of TELARC) choir vocals: Robert Shaw Festival Singers vocals: Atlanta Symphony Orchestra Chorus and Robert Shaw Festival Singers orchestra: Atlanta Symphony Orchestra conductor: Robert Shaw (conductor) arranger: Alice Parker (American composer, arranger, conductor and teacher) and Robert Shaw (conductor) recorded at: Eglise Saint-Pierre de Gramat in Gramat, Lot, Occitanie (Occitania), France (in 1992-08) recording of: Sometimes I Feel Like a Moanin' Dove (in 1992-08) composer: [traditional] (special purpose artist)	[traditional], arr. Robert Shaw & Alice Parker		4:51
13	Same Train choir vocals: Robert Shaw Festival Singers vocals: Atlanta Symphony Orchestra Chorus and Robert Shaw Festival Singers orchestra: Atlanta Symphony Orchestra conductor: Robert Shaw (conductor) recording of: Same Train (arr. Parker/Shaw) lyricist and composer: [traditional] (special purpose artist) arranger: Alice Parker (American composer, arranger, conductor and teacher) and Robert Shaw (conductor) arrangement of: Same Train	[traditional], arr. Robert Shaw & Alice Parker		2:30
14	In a Garden Shady from Hymn to St. Cecilia, Op. 27 vocals: Atlanta Symphony Orchestra Chorus and Robert Shaw Festival Singers orchestra: Atlanta Symphony Orchestra conductor: Robert Shaw (conductor) recording of: Hymn to St. Cecilia, op. 27: I. In a Garden Shady lyricist: W. H. Auden (from 1940 until 1942) composer: Benjamin Britten (English composer, conductor, and pianist) (from 1940 until 1942) part of: Hymn to St. Cecilia, op. 27	Benjamin Britten		3:02
15	Ave Maria from Four Sacred Pieces vocals: Atlanta Symphony Orchestra Chorus and Robert Shaw Festival Singers orchestra: Atlanta Symphony Orchestra conductor: Robert Shaw (conductor) recording of: Ave Maria (Quattro pezzi sacri (for choir)) composer: Giuseppe Verdi (Italian opera composer) (in 1889) part of: Quattro pezzi sacri (Four Sacred Pieces)	Giuseppe Verdi		4:52
16	Magnificat choir vocals: Robert Shaw Festival Singers (from 1994-07-26 until 1994-07-28) soprano vocals: Donna Carter (soprano) (from 1994-07-26 until 1994-07-28) vocals: Atlanta Symphony Orchestra Chorus and Robert Shaw Festival Singers orchestra: Atlanta Symphony Orchestra conductor: Robert Shaw (conductor) (from 1994-07-26 until 1994-07-28) recording of: Magnificat (for mixed choir a cappella) premiered in: Stuttgart, Baden-Württemberg, Germany (on 1990-05-24) composer: Arvo Pärt (Estonian composer) (in 1989) publisher: Universal Edition AG (Wien) (publisher; do NOT use as release label) sub-publisher: ショット・ミュージック株式会社 Dept. 3 (Schott Music Corporation Dept. 3)	Arvo Pärt		9:14
17	Kyrie from Mass vocals: Atlanta Symphony Orchestra Chorus and Robert Shaw Festival Singers orchestra: Atlanta Symphony Orchestra conductor: Robert Shaw (conductor)	Frank Martin		6:30

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ASIN:	UK: B08LG3HTZG [info]

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