Drive Time

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

Countries excluded (iTunes + Deezer)

(As of 2022-10-31).

  • Northern America: 🇺🇸 United States (us)
  • Caribbean: 🇧🇸 Bahamas (bs)
  • South America: 🇬🇾 Guyana (gy) 🇸🇷 Suriname (sr)
  • Eastern Europe: 🇽🇰 Kosovo (xk)
Annotazione modificata l'ultima volta il 2022-10-31 14:19 UTC.

Elenco tracce

1Supporto digitale
#TitoloArtistaValutazioneDurata
1Dance Monkey
tecnico di registrazione, produttore e tecnico di missaggio:
Konstantin Kersting
strumenti e voce:
Toni Watson
diritti fonografici (℗) detenuti da:
Bad Batch Records (nel 2019)
parte di:
Billboard Year-End Hot 100 singles of 2020 (numero: 14), BILLIONS CLUB e Spotify: Top Hits of 2019 (numero: 68)
registrazione di:
Dance Monkey
paroliere e compositore:
Toni Watson
editore:
Bad Batch Records
Tones and I3.453:29
2Rockabye
programmazione:
Jack Patterson (British multi-instrumentalist , singer-songwriter) e Hal Ritson
programmazione degli strumenti aggiuntiva:
Luke Patterson
tecnico audio:
Dann Pursey (UK engineer), Chris Laws (engineer, keyboardist & songwriter) e Anthony Leung (Hong Kong engineer)
tecnico audio aggiunto:
Hal Ritson
tecnico audio:
Drew Smith (engineer) e Tom AD Fuller
produttore:
Steve Mac (British pop producer/songwriter Steve McCutcheon), Jack Patterson (British multi-instrumentalist , singer-songwriter) e Mark Ralph
tecnico di missaggio:
Jack Patterson (British multi-instrumentalist , singer-songwriter) e Mark Ralph
batteria :
Luke Patterson
pianoforte :
Jack Patterson (British multi-instrumentalist , singer-songwriter)
tastiera :
Steve Mac (British pop producer/songwriter Steve McCutcheon)
viola :
James Boyd (UK viola player)
violino :
Braimah Kanneh‐Mason e Beatrice Philips (violinist)
violoncello :
Grace Chatto
voce aggiuntiva:
Kelly Barnes
voce di accompagnamento:
Caroline Ailin e Grace Chatto
voce principale:
Anne‐Marie (British singer) e Sean Paul (Jamaican reggae/dancehall)
esecutore:
Clean Bandit
diritti fonografici (℗) detenuti da:
Asylum Records (Warner Music subsidiary) (nel 2016), Atlantic Records UK (company credits only; do not use as release label!) (nel 2016) e Major Toms (nel 2016)
registrata presso:
Club Ralph in London (Greater London), England, Regno Unito, Rokstone Studios in Parsons Green, Hammersmith and Fulham, London (Greater London), England, Regno Unito e The Crypt Studio in Crouch End, Haringey, London (Greater London), England, Regno Unito
mixata presso:
Club Ralph in London (Greater London), England, Regno Unito
parte di:
Billboard Year-End Hot 100 singles of 2017 (numero: 44) e BILLIONS CLUB
registrazione di:
Rockabye
autore:
Steve Mac (British pop producer/songwriter Steve McCutcheon), Ammar Malik, Jack Patterson (British multi-instrumentalist , singer-songwriter), Sean Paul Henriques (Jamaican reggae/dancehall) e Ina Wroldsen
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Dutty Rock Music, EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Lotzah Balls Soup, Maru Cha Cha, Reservoir Reverb Music Publishing Ltd, Rokstone Music Ltd. e Where Da Katz At
Clean Bandit feat. Sean Paul & Anne‐Marie3.354:10
3Good as Hell
programmazione e produttore:
Ricky Reed
tecnico:
Ethan Shumaker
assistente tecnico di missaggio:
Chris Galland e Ike Schultz
tecnico di missaggio:
Manny Marroquin
strumenti:
Ricky Reed
voce:
Lizzo (American rapper, singer and actress)
registrata presso:
Elysian Park in Echo Park, Los Angeles, California, Stati Uniti
mixata presso:
Larrabee Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, Stati Uniti
parte di:
Spotify: Top Hits of 2019 (numero: 23) e Billboard Year-End Hot 100 singles of 2020 (numero: 31)
registrazione di:
Good as Hell
autore:
Eric Frederic e Melissa “Lizzo” Jefferson (American rapper, singer and actress)
editore:
Frederic and Ried Music, Lizzo Music (aka Lizzo Music Publishing - BMI affiliated), Songs from the Boardwalk, Sony/ATV Music Publishing, LLC (1995–2020), Sony/ATV Songs LLC e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Lizzo3.52:39
4Please Me
programmazione e produttore:
Bruno Mars (US singer) e The Stereotypes (R&B/hip hop/dance production team)
tecnico:
Charles Moniz
tecnico di missaggio:
Serban Ghenea
chitarra solista e keytar :
Brody Brown e Bruno Mars (US singer)
voce di accompagnamento aggiuntiva:
Byron “Mr. Talkbox” Chambers
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 2019) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2019)
parte di:
Spotify: Top Hits of 2019 (numero: 30) e Billboard Year-End Hot 100 singles of 2019 (numero: 37)
registrazione di:
Please Me
autore:
Belcalis Almanzar (American rapper), James Fauntleroy, Jeremy Reeves, Jonathan Yip, Bruno Mars (US singer), Ray Charles McCullough II e Ray Romulus
editore:
Charm n Hammer Music, MNRK Publishing USA, Ownership Is an Illusion, Reservoir Media Music, Songs of Influence, Sony/ATV Allegro, Sony/ATV Songs LLC, Sounds by the Beach, Sumphu, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Washpoppin, Inc. e WC Music Corp.
Cardi B & Bruno Mars43:20
5High Hopes
tecnico di registrazione:
Peter Cobbin (recording engineer at Abbey Road Studios) e Steve Genewick
supporto a vario titolo:
Ron Cabiltes e Danny Zook
programmazione:
Jonny Coffer (songwriter and producer) e Cook Classics
tecnico:
Suzy Shinn
produttore:
Jake Sinclair
tecnico di missaggio:
Claudius Mittendorfer (engineer, producer, mixer)
basso :
Jake Sinclair
batteria , pianoforte e voce principale:
Brendon Urie
chitarra :
Kenneth Harris (former touring guitarist for Panic! at the Disco) e Jake Sinclair
sassofono :
Ryan Dragon (American trombonist), Jason Fabus, Morgan Jones (saxophone) e Peter Slocombe (saxophonist)
tromba :
Jonathan Bradley (trumpet) e Mike Rocha (trumpeter)
viola :
Robert Brophy (violist), Zach Dellinger, Brian Dembow, Peter Lale (violist), Shawn Mann (violist) e Bruce White (violist)
violino :
Charlie Bisharat (US violinist), Thomas Bowes (violinist), Bruce Dukov, Julie Gigante, Peter Hanson (violinist), Jackie Hartley (violinist), Jessica E. Guideri, Lisa Liu, Maya Magub, Rita Manning (violinist), Serena McKinney, Helen Nightengale, Tom Pigott‐Smith (violinist), Katia Popov, Emlyn Singleton (violinist), Tereza Stanislav (violinist), Cathy Thompson (violinist) e Warren Zielinski (violinist)
violoncello :
Jacob Braun (American cellist), Eric Byers (cellist), Caroline Dale (cellist), Steve Erdody e Tim Gill (cellist)
voce di accompagnamento:
Kenneth Harris (former touring guitarist for Panic! at the Disco), Ilsey Juber (US | pop singer), Suzy Shinn, Jake Sinclair e Brendon Urie
direttore d'orchestra:
Rob Mathes
arrangiatore:
Rob Mathes
primo violino:
Lori Casteel e Mike Casteel
diritti fonografici (℗) detenuti da:
Fueled by Ramen, LLC (not for release label use; fka Fueled by Ramen, Inc.) (nel 2018) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2018)
parte di:
Billboard Year-End Hot 100 singles of 2019 (numero: 11), Spotify: Top Hits of 2019 (numero: 47) e BILLIONS CLUB
registrazione di:
High Hopes
autore:
Sam Hollander (writer, producer, songwriter, programming, composer), Ilsey Juber (US | pop singer), Jonas Jeberg, Tayla Parx, Lauren Pritchard (American singer), Jake Sinclair, Brendon Urie, William Lobbin Bean e Jenny Owen Youngs
Panic! at the Disco3.53:12
6Gold (non stop edit)
registrazione di:
Gold
paroliere e compositore:
Gary Kemp
editore:
Reformation Publishing Co. Ltd.
Spandau Ballet3:54
7Love Shack (edit)
produttore:
Don Was
edit di:
Love Shack di The B‐52s
registrazione di:
Love Shack
autore:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s), Keith Strickland e Cindy Wilson
editore:
Man-Woman Together, Now!
The B‐52’s3.654:17
8Feel It Still
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 2017) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2017)
video musicali:
Feel It Still di Portugal. The Man
parte di:
Billboard Decade End Chart: Adult Contemporary Songs (2010s) (numero: 33), Billboard Year-End Hot 100 singles of 2018 (numero: 33), Grammy Award: Best Pop Duo/Group Performance nominees (numero: 2018 winner), Billboard Year-End Hot 100 singles of 2017 (numero: 45), BILLIONS CLUB e Indie 88: Top 500 Indie Rock Songs (numero: 386)
registrazione di:
Feel It Still
autore:
Robert Bateman (R&B singer/songwriter/record producer), Zachary Scott Carothers, Frederick Gorman, John Baldwin Gourley, John Hill (producer and songwriter, aka Johnny Rodeo), Brian Holland (Motown producer & songwriter), Eric Howk, Zoe Manville, Kyle O’Quin, Jason Wade Sechrist e Asa Taccone
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
cita la musica di:
Please Mr. Postman
Portugal. The Man4.252:42
9My Girl
tecnico di registrazione:
Tom Dowd
produttore:
Jim Stewart (US producer, founder for Stax & Volt Records)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (nel 1965-07)
chitarra :
Steve Cropper (nel 1965-07)
chitarra basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (nel 1965-07)
sassofono baritono :
Floyd Newman (nel 1965-07)
sassofono tenore :
Andrew Love (nel 1965-07)
tastiera :
Isaac Hayes (nel 1965-07) e Booker T. Jones (nel 1965-07)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (nel 1965-07) e Gene “Bowlegs” Miller (American trumpeter) (nel 1965-07)
voce di accompagnamento:
Earl Sims (nel 1965-07)
registrata presso:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Stati Uniti (dal 1965-07-09 al 1965-07-10)
registrazione cover di:
My Girl (nel 1965-07)
paroliere:
Smokey Robinson
compositore:
Smokey Robinson e Ronald White (soul singer, founding member of The Miracles)
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Otis Redding3.82:55
10New Rules
programmazione e tecnico:
Ian Kirkpatrick (producer/songwriter)
produttore:
Ian Kirkpatrick (producer/songwriter) (incarico: and vocal)
tecnico di missaggio:
Josh Gudwin
voce:
Dua Lipa
diritti fonografici (℗) detenuti da:
Dua Lipa Limited (nel 2017)
supporto a vario titolo:
Warner Music UK Limited (not for release label use!) (incarico: under exclusive license to)
registrata presso:
Atlantic Recording Studios in Hollywood, Los Angeles, California, Stati Uniti, NRG Studios in North Hollywood, Los Angeles, California, Stati Uniti, Strongroom 7 in Shoreditch, Hackney, London (Greater London), England, Regno Unito, TaP Studio in London (Greater London), England, Regno Unito e Zenseven Studios in Woodland, California, Stati Uniti
parte di:
RuPaul’s Drag Race UK Lip Sync Performances (season 1) (numero: 1), Billboard Year-End Hot 100 singles of 2018 (numero: 16), Stereogum: The 200 Best Songs of the 2010s (numero: 114) e BILLIONS CLUB
registrazione di:
New Rules
autore:
Caroline Ailin, Ian Kirkpatrick (producer/songwriter) e Emily Warren
editore:
BMG Rights Management Scandinavia AB (not for release label use! use it’s imprint “BMG (2008–present)”), Buckley Tenenbaum Publishing, KMR Music Royalties II SCSp, Prescription Songs, Under Warrenty Publishing, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Waterfall Music
sub-editore:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), BMG Rights Management Scandinavia AB (not for release label use! use it’s imprint “BMG (2008–present)”), Kobalt Music Publishing Ltd. (UK), Kobalt Music Services America Inc., Neue Welt Musikverlag GmbH (2017 – present), Prescription Songs, LLC, Warner Bros., Inc. (not for release label use!) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Dua Lipa3.63:29
11Believe
produttore:
Brian Rawling e Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
tecnico di missaggio:
Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1998)
è stato produttore per:
Metro (production company) e Rive Droite Music Productions
registrata presso e mixata presso:
Dreamhouse Studios in London (Greater London), England, Regno Unito
parte di:
Grammy Award: Best Dance/Electronic Recording nominees (numero: 2000 winner), RuPaul’s Drag Race Lip Sync Performances (season 3) (numero: 9), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 159) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 337)
registrazione di:
Believe
paroliere:
Brian Higgins (British producer and song writer) e Matt Gray (UK techno DJ/producer, former video game composer)
compositore:
Brian Higgins (British producer and song writer) (nel 1998), Matt Gray (UK techno DJ/producer, former video game composer) (nel 1998), Stuart McLennan (nel 1998), Paul Michael Barry (songwriter/musician) (nel 1998), Tim Powell (Songwriter and producer, ex-Xenomania) (nel 1998) e Steve Torch (nel 1998)
editore:
BMG Rights Management (Australia) Pty Ltd (not for release label use! use “BMG” (post 2008) instead.), Rive Droite Music e Warner Chappell (Warner/Chappell Music, Inc.)
Cher3.83:59
12Take On Me
programmazione degli strumenti:
Magne Furuholmen
produttore:
Alan Tarney
tecnico di missaggio:
a‐ha (Norwegian synth‐pop band) e John Ratcliff
chitarra e drum machine :
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
tastiera :
Magne Furuholmen
voce di accompagnamento:
Magne Furuholmen e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
voce principale:
Morten Harket
diritti fonografici (℗) detenuti da:
Rhino Entertainment Company (not for release label use!) (nel 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1985) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1985, nel 2004)
video musicali:
Take On Me (official music video, 2019 4K remaster of 1985 version with diegetic audio) di a‐ha (Norwegian synth‐pop band) e Take On Me (official music video, 1985 Steve Barron version) di a‐ha (Norwegian synth‐pop band)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 26), The Downloader’s Music Source Book (numero: 284) e BILLIONS CLUB
registrazione di:
Take On Me
autore:
Magne Furuholmen, Morten Harket e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
editore:
ATV Music Ltd. e EMI Music Publishing (do not use as a release label!)
versione di:
Miss Eerie
a‐ha4.253:45
13Le Freak (2018 remaster)
produttore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
direttore d'orchestra:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
arrangiatore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
parte di:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 10) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 391)
registrazione di:
Le Freak
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Bernard’s Other Music, Sony Songs Inc., Tommy Jymi Inc., Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) e Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chic3.25:31
14The Best (edit)
tecnico:
Chris Lord‐Alge
produttore:
Dan Hartman e Tina Turner
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1989)
edit di:
The Best di Tina Turner
video musicali:
The Best di Tina Turner
registrazione cover di:
The Best
autore:
Holly Knight e Michael Chapman (Australian producer and songwriter)
editore:
EMI Music (do not use as release label! this is a music publisher), Hebbes Music Group Pty. Ltd., Island Music Ltd., Knighty-Knight Music, Mike Chapman Publishing Enterprises, Rondor Music (Australia), Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Warner Chappell e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tina Turner3.854:10
15Stand by Me
registrata a:
New York, New York, Stati Uniti (il 1960-10-27)
produttore:
Leiber and Stoller (songwriting team)
voce:
Ben E. King (il 1960-10-27)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor) (il 1960-10-27)
arrangiatore:
Stan Applebaum (US composer, arranger and conductor)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1960, nel 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1961, nel 1986), Progressive Music Publishing Company Inc. (nel 1981) e Trio Music Co., Inc. (nel 1981)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 131) e BILLIONS CLUB
registrazione di:
Stand by Me (il 1960-10-27)
editore:
Mike Stoller
autore:
Ben E. King, Jerry Leiber e Mike Stoller
editore:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music e Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:54
16Forget You
video musicali:
Forget You di CeeLo Green
registrazione di:
Forget You
autore:
Brody Brown, CeeLo Green, Philip Lawrence (urban songwriter/producer, of The Smeezingtons), Ari Levine e Bruno Mars (US singer)
revisione di:
Fuck You
CeeLo Green3.53:42
17Rio (2009 remaster)
registrazione di:
Rio
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
Duran Duran5:37
18Pack Up
produttore:
Matt Prime
voce ospite:
Lloyd Wade
video musicali:
Pack Up di Eliza Doolittle (Eliza, formerly Eliza Doolittle)
registrazione di:
Pack Up
autore:
Eliza Sophie Caird (Eliza, formerly Eliza Doolittle), Matt Prime e Tim Woodcock
cita i testi di:
Pack Up Your Troubles in Your Old Kit-Bag
Eliza Doolittle3.53:11
19Can’t Get You Out of My Head
programmazione degli strumenti:
Rob Davis (songwriter/producer was in Mud)
tecnico e tecnico di missaggio:
Tim Orford
produttore:
Rob Davis (songwriter/producer was in Mud) e Cathy Dennis
chitarra elettrica e tastiera :
Rob Davis (songwriter/producer was in Mud)
voce di accompagnamento e voce principale:
Kylie Minogue
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2001) e KDB Pty Limited (nel 2001)
è stato produttore per:
19 Productions
video musicali:
Can’t Get You Out of My Head di Kylie Minogue
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 27), Billboard Year-End Hot 100 singles of 2002 (numero: 45) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 207)
registrazione di:
Can’t Get You Out of My Head
paroliere:
Cathy Dennis
compositore:
Rob Davis (songwriter/producer was in Mud)
editore:
Colgems-EMI Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Toxic Songs Ltd., Universal Music (plain logo: “Universal Music”), Universal‐MCA Music Publishing (US), Universal/MCA Music Limited (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Kylie Minogue43:50
20Move On Up
edit di:
Move On Up di Curtis Mayfield
registrazione di:
Move On Up
paroliere e compositore:
Curtis Mayfield
editore:
Camad Music Company (conclusa), Curtom Publishing Co Inc (conclusa), EMI Tunes Ltd, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Curtis Mayfield42:45
212002
tecnico:
Dann Pursey (UK engineer) e Chris Laws (engineer, keyboardist & songwriter)
produttore:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
batteria :
Chris Laws (engineer, keyboardist & songwriter)
chitarra :
John Parricelli e Ed Sheeran (UK singer‐songwriter)
tastiera :
Steve Mac (British pop producer/songwriter Steve McCutcheon)
voce:
Anne‐Marie (British singer)
voce principale:
Anne‐Marie (British singer)
diritti fonografici (℗) detenuti da:
Asylum Records (Warner Music subsidiary) (nel 2018) e Major Toms (nel 2018)
parte di:
BILLIONS CLUB
registrazione di:
2002
autore:
Anne-Marie Nicholson (British singer), Benjamin Levin (producer Benjamin Levin), Steve Mac (British pop producer/songwriter Steve McCutcheon), Julia Michaels e Ed Sheeran (UK singer‐songwriter)
Anne‐Marie3.353:06
22Chain of Fools
registrata a:
New York, New York, Stati Uniti
tecnico di registrazione e tecnico di missaggio:
Tom Dowd
produttore:
Jerry Wexler
batteria :
Roger Hawkins (drummer and producer) (il 1967-06-23)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-06-23) e Joe South (il 1967-06-23)
chitarra basso :
Tommy Cogbill (il 1967-06-23)
pianoforte :
Aretha Franklin (il 1967-06-23)
pianoforte elettrico :
Spooner Oldham (il 1967-06-23)
cori:
Carolyn Franklin (il 1967-06-23), Erma Franklin (il 1967-06-23), Ellie Greenwich (il 1967-06-23) e The Sweet Inspirations (il 1967-06-23)
voce:
Aretha Franklin (il 1967-06-23)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1967-06-23)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 249) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 306)
registrazione di:
Chain of Fools (il 1967-06-23)
paroliere e compositore:
Don Covay
editore:
14th Hour Music, Fourteenth Hour Music, Inc., Pronto Music (publisher), Springtime Music, Inc., Warner Chappell, Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner-Tamerlane Publishing Co. (publisher; do NOT use as release label)
adattamenti:
Verlga norih
Aretha Franklin4.252:46
23Feel Good Inc.
programmazione:
James Dring
tecnico:
Jason Cox (UK production/engineer)
produttore:
Jason Cox (UK production/engineer), Danger Mouse (Brian Burton), James Dring e Gorillaz (virtual band)
tecnico di missaggio:
Jason Cox (UK production/engineer), Danger Mouse (Brian Burton) e Gorillaz (virtual band)
chitarra aggiunto:
Simon Tong (The Verve)
voce principale:
De La Soul
video musicali:
Feel Good Inc. di Gorillaz (virtual band)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 40) e BILLIONS CLUB
registrazione di:
Feel Good Inc. (nel 2004)
autore:
Damon Albarn, Brian Burton, Jamie Hewlett e Dave Jolicoeur (Plug 2 of De La Soul)
editore:
80’s Kid Music, Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Blackwood Music Inc. e Underground Animals
Gorillaz43:42
24Get Ur Freak On
registrazione di:
Get Ur Freak On
autore:
Melissa Elliott (American rapper, singer, dancer & record producer) e Timothy Mosley
Missy Elliott13:57
25My Lovin’ (You’re Never Gonna Get It)
tecnico di registrazione:
Steve Counter
assistente tecnico:
John Jackson (engineer)
tecnico aggiunto:
Neil King (sound engineer) e Michael Semanick
produttore:
Denzil Foster (songwriter, musician, producer) e Thomas McElroy (songwriter, musician, producer)
tecnico di missaggio:
Ken Kessie
arrangiatore:
Denzil Foster (songwriter, musician, producer) e Thomas McElroy (songwriter, musician, producer)
diritti fonografici (℗) detenuti da:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (nel 2022)
registrata presso:
Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti
mixata presso:
Can Am Studios in Tarzana, Los Angeles, California, Stati Uniti
campionamenti:
The Payback di James Brown (The Godfather of Soul)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 2) (numero: 2) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 471)
registrazione di:
My Lovin’ (You’re Never Gonna Get It)
autore:
Denzil Foster (songwriter, musician, producer) e Thomas McElroy (songwriter, musician, producer)
editore:
EMI Blackwood Music Inc., Two Tuff Enuff Publishing e Irving Music (BMI) (dal 1992 a oggi)
En Vogue4.64:41
26Groove Is in the Heart
assistente tecnico:
Derek Lategan e Eddie Sancho
tecnico:
Mike Rogers (US producer/engineer, aka Tweekin')
tecnico aggiunto:
Bob Power
produttore:
Deee‐Lite
produttore aggiunto e tecnico di missaggio aggiunto:
Mike Rogers (US producer/engineer, aka Tweekin')
sassofono :
Maceo Parker (US funk/jazz saxophonist)
trombone :
Fred Wesley
voce:
Q‐Tip (American rapper)
voce di accompagnamento:
Bootsy Collins (US funk musician & songwriter)
arrangiatore:
Deee‐Lite
arrangiatore aggiunto:
Mike Rogers (US producer/engineer, aka Tweekin')
campionamenti:
Bring Down the Birds di Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) e Get Up di Vernon Burch
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 68), TV Cream: Real 100 Best Singles Ever (numero: 83) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 233)
registrazione di:
Groove Is in the Heart
autore:
Dmitry Brill, 鄭東和, Kamaal Ibn John Fareed (American rapper) e Kier Kirby
compositore:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
Deee‐Lite4.23:51
27New Shoes
programmazione:
Matt Benbrook
tecnico aggiunto:
Richard Wilkinson (production music)
produttore:
Matt Benbrook e Jim Duguid
produttore aggiunto:
Tom Elmhirst (mixing engineer)
tecnico di missaggio:
Tom Elmhirst (mixing engineer)
batteria :
Jim Duguid
chitarra :
Matt Benbrook e Donny Little (guitar player)
chitarra basso :
Matt Benbrook
tastiera :
Matt Benbrook e Jim Duguid
voce principale:
Paolo Nutini
registrazione di:
New Shoes
autore:
Matt Benbrook, Jim Duguid e Paolo Nutini
Paolo Nutini3.253:23
28Young Hearts Run Free
produttore:
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
arrangiatore:
Sylvester Rivers (Soul / funk keyboardist, songwriter, arranger, and producer)
registrata presso:
Sound City Studios in Van Nuys, California, Stati Uniti
registrazione di:
Young Hearts Run Free
paroliere e compositore:
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Da Ann Music (ASCAP-affiliated), Ghati Music Inc. e IQ Music Ltd.
Candi Staton3:51
29(Shake Shake Shake) Shake Your Booty
produttore:
Harry Wayne Casey e Richard Finch
diritti fonografici (℗) detenuti da:
T.K. Records (Miami‐based disco label) (dal 1976 a oggi) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1976)
registrazione di:
(Shake, Shake, Shake) Shake Your Booty
autore:
Harry Wayne Casey e Richard Finch
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs, Harrick Music, Inc. (BMI) e Longitude Music Co.
KC and the Sunshine Band4.653:05
30Blue Monday ’88
produttore:
Quincy Jones e New Order (UK synth pop band)
remixer:
John Potoker (producer/engineer aka Tokes)
registrazione di:
Blue Monday
autore:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Fractured Music (publisher), Warner/Chappell Music Ltd. (1996–2019) e Zomba Music Publishing Ltd.
New Order44:04

Accreditamenti

Pubblicazione

diritti fonografici (℗) detenuti da:Rhino UK (company credits only; do NOT use as release label) (nel 2019)
scaricare a pagamento:https://itunes.apple.com/gb/album/id1494498209 [info]
streaming gratuito:https://www.deezer.com/album/127776552 [info]