Hits of the 80’s: 1982–1983

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Who Can It Be Now?
Techniker(in):
Jim Barbour und Peter McIan
zusätzliche(r) Techniker(in):
Paul Ray (70s/80s US engineer)
Produzent(in):
Peter McIan
Bass:
John Rees
Gitarre:
Colin Hay und Ron Strykert
Saxophon:
Greg Ham (member of Men at Work)
Schlagzeug:
Jerry Speiser (drummer for Men at Work)
vocals:
Colin Hay
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981, in 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1996)
aufgenommen bei:
Richmond Recorders in Melbourne, Victoria, Australien
recording of:
Who Can It Be Now?
Texter und Komponist(in):
Colin Hay
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd. und EMI Songs Ltd.
Men at Work4.43:20
2Der Kommissar
Produzent(in):
ATF und John Eden (producer)
Bassgitarre und Sologesang:
Andy Piercy (in 1982)
Gitarre:
John Russell (British guitarist, member of After The Fire) (in 1982)
Keyboard:
Peter 'Memory' Banks (keyboard player) (in 1982)
Schlagzeug:
Peter King (UK drummer for After the Fire/BAP) (in 1982)
vocals:
Peter 'Memory' Banks (keyboard player) (in 1982) und John Russell (British guitarist, member of After The Fire) (in 1982)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1982)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 51) und The Downloader’s Music Source Book (Nummer: 250)
cover recording of:
Der Kommissar (English version) (in 1982)
Texter:
Johann Hölzel (Austrian pop & rock musician)
Komponist(in):
Robert Ponger
Übersetzer:
Andy Piercy
publisher:
IQ Music Ltd.
übersetzte Version von:
Der Kommissar
After the Fire54:08
3Love Is a Battlefield
recording of:
Love Is a Battlefield
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Holly Knight
publisher:
BMG Gold Songs, BMG Music, BMG Music Pbl. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Island Music Ltd., Universal Music–MGB Songs, Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) und Zomba Music Publishing Ltd.
Pat Benatar4:09
4Love My Way
recording of:
Love My Way
Texter und Komponist(in):
John Ashton, Richard Butler (singer), Tim Butler (co‐founder of The Psychedelic Furs) und Vince Ely
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Blackwood Music Inc., EMI Songs Ltd. und EMI Songs Musikverlag GmbH
The Psychedelic Furs3:32
5Electric Avenue
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 23)
recording of:
Electric Avenue
Texter und Komponist(in):
Eddy Grant
publisher:
Warner/Chappell Music Ltd. (1996–2019)
was commissioned by:
Greenheart Music
Eddy Grant53:47
6867‒5309/Jenny
assistierende(r) Techniker(in):
Catharina "Mix" Masters (von 1981-07 bis 1981-08)
Techniker(in):
Toby Scott (von 1981-07 bis 1981-08)
Produzent(in):
Jim Keller (member of Tommy Tutone) und Chuck Plotkin
Bassgitarre [bass]:
Jon Lyons (von 1981-07 bis 1981-08)
Gitarre, Klavier und Sologesang:
Tommy Heath (von 1981-07 bis 1981-08)
Gitarre [lead guitar]:
Jim Keller (member of Tommy Tutone) (von 1981-07 bis 1981-08)
Keyboard [keyboards]:
Steve LeGassick (von 1981-07 bis 1981-08)
Perkussion und Hintergrundgesang [harmonies]:
John Cowsill (von 1981-07 bis 1981-08)
Schlagzeug [drums]:
Victor Carberry (von 1981-07 bis 1981-08)
vocals:
Jim Keller (member of Tommy Tutone) (von 1981-07 bis 1981-08)
aufgenommen bei:
Clover Recorders (Chuck Plotkin’s Clover Studios in Hollywood CA, USA) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1981-07 bis 1981-08)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 4), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 36) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 494)
recording of:
867‒5309/Jenny (von 1981-07 bis 1981-08)
Texter und Komponist(in):
Alex Call und Jim Keller (member of Tommy Tutone)
Tommy Tutone4.753:44
7Since You’re Gone
assistierende(r) Techniker(in):
Thom Moore (Syncro Sound engineer, Gang Green producer) und Walter Turbitt (UK engineer, producer, songwriter, and guitarist.)
Techniker(in):
Ian Taylor (rock producer/engineer)
Produzent(in):
Roy Thomas Baker (producer)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1981) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981)
aufgenommen bei:
Syncro Sound in Boston, Massachusetts, Vereinigte Staaten
recording of:
Since You’re Gone
publisher:
Ric Ocasek (in 1981)
Texter und Komponist(in):
Ric Ocasek
publisher:
Lido Music, Inc.
The Cars3.53:25
8Think I’m in Love
Techniker(in) und Mix:
Andy Johns
Produzent(in):
Tom Dowd
arranger:
Eddie Money
co-arranger:
Tom Dowd
aufgenommen bei:
Automatt in San Francisco, California (Kalifornien), Vereinigte Staaten (von 1981-12 bis 1982-04), Criteria Studios in Miami, Florida, Vereinigte Staaten (von 1981-12 bis 1982-04) und Wally Heider (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1981-12 bis 1982-04)
recording of:
Think I’m in Love (von 1981-12 bis 1982-04)
Verfasser(in):
Eddie Money und Randy Oda
Eddie Money53:08
9Total Eclipse of the Heart
recording of:
Total Eclipse of the Heart
Texter und Komponist(in):
Jim Steinman
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), BMG VM Music Ltd., EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), Lost Boys (BMI affiliated) und Virgin Music (Publishers) Ltd.
Bonnie Tyler5:27
10Rosanna
recording engineer:
David Leonard (US producer and engineer), Greg Ladanyi, Jamie Ledner, Lon LeMaster, Niko Bolas, Peggy McCreary, Al Schmitt, Terry Christian (US recording and mixing engineer) und Tom Knox
Techniker(in):
Al Schmitt, Bruce Heigh, David Paich, Dick Gall (engineer/guitar technician), Greg Ladanyi, Steve Porcaro und Tom Knox
zusätzliche(r) Techniker(in):
Bruce Heigh (Aufgabe: additional recording), David Paich (Aufgabe: additional recording), Dick Gall (engineer/guitar technician) (Aufgabe: additional recording) und Steve Porcaro (Aufgabe: additional recording)
Produzent(in):
Bruce Dickinson (engineer and producer) und Toto (US rock group)
Mix:
Elliot Scheiner (Aufgabe: for 5.1 surround sound) und Greg Ladanyi
Bass:
David Hungate und Michael Porcaro
Bassgitarre:
David Hungate
Conga:
Lenny Castro
Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Hammond-Orgel und Synthesizer:
David Paich und Steve Porcaro
Instrumente:
Lenny Castro
Keyboard:
David Paich und Steve Porcaro
Klavier:
David Paich
Perkussion:
Lenny Castro und Jeff Porcaro
Posaune:
James Pankow
Saxophon:
Jim Horn (saxophonist, hornist, flutist and oboist) und Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
Schlagzeug [drums]:
Jeff Porcaro
Trompete:
Gary Grant (brass) und Jerry Hey
Hintergrundgesang [background vocal]:
Tom Kelly (songwriter), Bobby Kimball, Steve Lukather (guitarist, vocalist, composer, producer and arranger) und David Paich
Sologesang:
Jean-Michel Byron, Bobby Kimball und Steve Lukather (guitarist, vocalist, composer, producer and arranger)
vocals:
Bobby Kimball, David Paich, Steve Lukather (guitarist, vocalist, composer, producer and arranger) und Steve Porcaro
Blechblasinstrumente [horns] arranger:
Jerry Hey und David Paich
arranger:
David Paich und Jerry Hey
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982), Sony Music (global brand, excluding JP, owned by Sony Music Entertainment) (in 1982) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 15)
recording of:
Rosanna
Texter und Komponist(in):
D. Paich
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Spirit Two Music und Hudmar Publishing Co. Inc. (in 1982)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division)
Toto45:32
11Only the Lonely
recording of:
Only the Lonely
Texter und Komponist(in):
Martha Davis (of The Motels)
The Motels3:14
12Do You Really Want to Hurt Me
assistierende(r) Techniker(in):
Gordon Milne (engineer)
Techniker(in) und Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist)
Gitarre, Hybrid-Piano und Synthesizer:
Roy Hay (Member of Culture Club and composer for film and television)
Schlagzeug und Vibraphon:
Jon Moss
Synclavier:
Keith Miller (Synthesiser Pioneer)
Sologesang:
Boy George
zusätzlich vocals:
Helen Terry (UK singer)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
aufgenommen bei:
Red Bus Studios in London (Greater London), England, Vereinigtes Königreich (in 1982)
Musikvideos:
Do You Really Want to Hurt Me von Culture Club (English pop group)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 58)
recording of:
Do You Really Want to Hurt Me
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) und Jon Moss
publisher:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. und Virgin Music (Publishers) Ltd.
Culture Club3.954:21
13Love Plus One
Produzent(in):
Bob Sargeant
Gitarre:
Graham Jones (Haircut 100)
Instrumente:
Leslie Nemes
Perkussion:
Marc Fox (Percussionist for the 80s New Wave band Haircut 100)
Saxophon:
Phil Smith (Saxophonist)
Schlagzeug:
Blair Cunningham
vocals:
Nick Heyward
phonographisches Urheberrecht (℗) von:
BMG Eurodisc Ltd. (in 1982) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1982)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 90)
recording of:
Love Plus One
Texter und Komponist(in):
Nick Heyward
publisher:
Bryan Morrison Music Ltd.
Haircut One Hundred43:36
14Rock This Town
Produzent(in):
Dave Edmunds
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) und Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1981)
recording of:
Rock This Town
Texter und Komponist(in):
Brian Setzer
publisher:
EMI Music Publishing (do not use as a release label!), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Windswept Pacific Music Ltd. (publishing company)
Stray Cats3:24
15Mickey
cover recording of:
Kitty (more well known as "Mickey")
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
übersetzte Version von:
Mickey
Toni Basil3:27
16I Ran (So Far Away)
recording of:
I Ran
Verfasser(in):
Frank Maudsley, Paul Reynolds (UK guitarist, in A Flock of Seagulls), Ali Score und Mike Score
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
A Flock of Seagulls3:44
17Goody Two Shoes
recording of:
Goody Two Shoes
Verfasser(in):
Adam Ant (English new wave singer and actor) und Marco Pirroni (British musician and producer)
publisher:
Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing MGB Limited und EMI Music Publishing Ltd. (PRS‐affiliated) (in 1982)
Adam Ant3:27
18Hot Girls in Love
recording of:
Hot Girls in Love
Verfasser(in):
Paul Dean (Canadian guitarist) und Bruce Fairbairn
Loverboy3:58

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