The New Collector’s Edition

~ Release by Ralph Vaughan Williams (see all versions of this release, 2 available)

Annotation

A 30-CD collection including CD wallets with a variety of paintings used as cover art, and a 16-page booklet.

Annotation last modified on 2024-08-01 10:40 UTC.

Tracklist

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1▼CD: A Sea Symphony
#TitleRatingLength
1Symphony no. 1 “A Sea Symphony”: I. A Song for All Seas, All Ships. “Behold, the sea itself”
producer:
Andrew Keener (engineer/editor/producer)
choir vocals:
Royal Liverpool Philharmonic Choir (from 1988-07-27 until 1988-07-29)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1988-07-27 until 1988-07-29)
conductor:
Vernon Handley (conductor) (from 1988-07-27 until 1988-07-29)
chorus master:
Ian Tracey (organist and choir master) (from 1988-07-27 until 1988-07-29)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1988-07-27 until 1988-07-29)
recording of:
Symphony no. 1, "A Sea Symphony": Ia. A Song for All Seas, All Ships: Behold, the sea itself (from 1988-07-27 until 1988-07-29)
lyricist:
Walt Whitman (19th c. American poet, essayist, and journalist)
composer:
Ralph Vaughan Williams (English composer) (from 1903 until 1909)
part of:
Symphony no. 1 "A Sea Symphony": I. A Song for All Seas, All Ships
3:18
2Symphony no. 1 “A Sea Symphony”: I. A Song for All Seas, All Ships. “Today a rude brief recitative”
producer:
Andrew Keener (engineer/editor/producer)
baritone vocals:
William Shimell (baritone) (from 1988-07-27 until 1988-07-29)
choir vocals:
Royal Liverpool Philharmonic Choir (from 1988-07-27 until 1988-07-29)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1988-07-27 until 1988-07-29)
conductor:
Vernon Handley (conductor) (from 1988-07-27 until 1988-07-29)
chorus master:
Ian Tracey (organist and choir master) (from 1988-07-27 until 1988-07-29)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1988-07-27 until 1988-07-29)
recording of:
Symphony no. 1, "A Sea Symphony": Ib. A Song for All Seas, All Ships: Today a rude brief recitative (from 1988-07-27 until 1988-07-29)
lyricist:
Walt Whitman (19th c. American poet, essayist, and journalist)
composer:
Ralph Vaughan Williams (English composer) (from 1903 until 1909)
part of:
Symphony no. 1 "A Sea Symphony": I. A Song for All Seas, All Ships
5:06
3Symphony no. 1 “A Sea Symphony”: I. A Song for All Seas, All Ships. “Flaunt out, O sea, your separate flags of nations!”
producer:
Andrew Keener (engineer/editor/producer)
choir vocals:
Royal Liverpool Philharmonic Choir (from 1988-07-27 until 1988-07-29)
soprano vocals:
Joan Rodgers (soprano) (from 1988-07-27 until 1988-07-29)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1988-07-27 until 1988-07-29)
conductor:
Vernon Handley (conductor) (from 1988-07-27 until 1988-07-29)
chorus master:
Ian Tracey (organist and choir master) (from 1988-07-27 until 1988-07-29)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1988-07-27 until 1988-07-29)
recording of:
Symphony no. 1, "A Sea Symphony": Ic. A Song for All Seas, All Ships: Flaunt out, O sea, your separate flags of nations! (from 1988-07-27 until 1988-07-29)
lyricist:
Walt Whitman (19th c. American poet, essayist, and journalist)
composer:
Ralph Vaughan Williams (English composer) (from 1903 until 1909)
part of:
Symphony no. 1 "A Sea Symphony": I. A Song for All Seas, All Ships
3:02
4Symphony no. 1 “A Sea Symphony”: I. A Song for All Seas, All Ships. “Token of all brave captains”
producer:
Andrew Keener (engineer/editor/producer)
choir vocals:
Royal Liverpool Philharmonic Choir (from 1988-07-27 until 1988-07-29)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1988-07-27 until 1988-07-29)
conductor:
Vernon Handley (conductor) (from 1988-07-27 until 1988-07-29)
chorus master:
Ian Tracey (organist and choir master) (from 1988-07-27 until 1988-07-29)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1988-07-27 until 1988-07-29)
recording of:
Symphony no. 1, "A Sea Symphony": Id. A Song for All Seas, All Ships: Token of all brave captains (from 1988-07-27 until 1988-07-29)
lyricist:
Walt Whitman (19th c. American poet, essayist, and journalist)
composer:
Ralph Vaughan Williams (English composer) (from 1903 until 1909)
part of:
Symphony no. 1 "A Sea Symphony": I. A Song for All Seas, All Ships
4:37
5Symphony no. 1 “A Sea Symphony”: I. A Song for All Seas, All Ships. “A pennant universal”
producer:
Andrew Keener (engineer/editor/producer)
baritone vocals:
William Shimell (baritone) (from 1988-07-27 until 1988-07-29)
choir vocals:
Royal Liverpool Philharmonic Choir (from 1988-07-27 until 1988-07-29)
soprano vocals:
Joan Rodgers (soprano) (from 1988-07-27 until 1988-07-29)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1988-07-27 until 1988-07-29)
conductor:
Vernon Handley (conductor) (from 1988-07-27 until 1988-07-29)
chorus master:
Ian Tracey (organist and choir master) (from 1988-07-27 until 1988-07-29)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1988-07-27 until 1988-07-29)
recording of:
Symphony no. 1, "A Sea Symphony": Ie. A Song for All Seas, All Ships: A pennant universal (from 1988-07-27 until 1988-07-29)
lyricist:
Walt Whitman (19th c. American poet, essayist, and journalist)
composer:
Ralph Vaughan Williams (English composer) (from 1903 until 1909)
part of:
Symphony no. 1 "A Sea Symphony": I. A Song for All Seas, All Ships
3:48
6Symphony no. 1 “A Sea Symphony”: II. On the Beach at Night, Alone. “On the beach at night, alone”
producer:
Andrew Keener (engineer/editor/producer)
baritone vocals:
William Shimell (baritone) (from 1988-07-27 until 1988-07-29)
choir vocals:
Royal Liverpool Philharmonic Choir (from 1988-07-27 until 1988-07-29)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1988-07-27 until 1988-07-29)
conductor:
Vernon Handley (conductor) (from 1988-07-27 until 1988-07-29)
chorus master:
Ian Tracey (organist and choir master) (from 1988-07-27 until 1988-07-29)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1988-07-27 until 1988-07-29)
recording of:
Symphony no. 1, "A Sea Symphony": IIa. On the Beach at Night, Alone: On the beach at night, alone (from 1988-07-27 until 1988-07-29)
lyricist:
Walt Whitman (19th c. American poet, essayist, and journalist)
composer:
Ralph Vaughan Williams (English composer) (from 1903 until 1909)
part of:
Symphony no. 1 "A Sea Symphony": II. On the Beach at Night, Alone
3:50
7Symphony no. 1 “A Sea Symphony”: II. On the Beach at Night, Alone. “A vast similitude interlocks all”
producer:
Andrew Keener (engineer/editor/producer)
baritone vocals:
William Shimell (baritone) (from 1988-07-27 until 1988-07-29)
choir vocals:
Royal Liverpool Philharmonic Choir (from 1988-07-27 until 1988-07-29)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1988-07-27 until 1988-07-29)
conductor:
Vernon Handley (conductor) (from 1988-07-27 until 1988-07-29)
chorus master:
Ian Tracey (organist and choir master) (from 1988-07-27 until 1988-07-29)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1988-07-27 until 1988-07-29)
recording of:
Symphony no. 1, "A Sea Symphony": IIb. On the Beach at Night, Alone: A vast similitude interlocks all (from 1988-07-27 until 1988-07-29)
lyricist:
Walt Whitman (19th c. American poet, essayist, and journalist)
composer:
Ralph Vaughan Williams (English composer) (from 1903 until 1909)
part of:
Symphony no. 1 "A Sea Symphony": II. On the Beach at Night, Alone
7:54
8Symphony no. 1 “A Sea Symphony”: III. Scherzo: The Waves
producer:
Andrew Keener (engineer/editor/producer)
choir vocals:
Royal Liverpool Philharmonic Choir (from 1988-07-27 until 1988-07-29)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1988-07-27 until 1988-07-29)
conductor:
Vernon Handley (conductor) (from 1988-07-27 until 1988-07-29)
chorus master:
Ian Tracey (organist and choir master) (from 1988-07-27 until 1988-07-29)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1988-07-27 until 1988-07-29)
recording of:
Symphony no. 1, "A Sea Symphony": III. Scherzo. The Waves (from 1988-07-27 until 1988-07-29)
lyricist:
Walt Whitman (19th c. American poet, essayist, and journalist)
composer:
Ralph Vaughan Williams (English composer) (from 1903 until 1909)
part of:
Symphony no. 1 "A Sea Symphony"
8:18
9Symphony no. 1 “A Sea Symphony”: IV. The Explorers. “O vast Rondure, swimming in Space”
producer:
Andrew Keener (engineer/editor/producer)
choir vocals:
Royal Liverpool Philharmonic Choir (from 1988-07-27 until 1988-07-29)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1988-07-27 until 1988-07-29)
conductor:
Vernon Handley (conductor) (from 1988-07-27 until 1988-07-29)
chorus master:
Ian Tracey (organist and choir master) (from 1988-07-27 until 1988-07-29)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1988-07-27 until 1988-07-29)
recording of:
Symphony no. 1, "A Sea Symphony": IVa. The Explorers: O vast Rondure, swimming in space (from 1988-07-27 until 1988-07-29)
lyricist:
Walt Whitman (19th c. American poet, essayist, and journalist)
composer:
Ralph Vaughan Williams (English composer) (from 1903 until 1909)
part of:
Symphony no. 1, "A Sea Symphony": IV. The Explorers
4:06
10Symphony no. 1 “A Sea Symphony”: IV. The Explorers. “Down from the gardens of Asia descending”
producer:
Andrew Keener (engineer/editor/producer)
choir vocals:
Royal Liverpool Philharmonic Choir (from 1988-07-27 until 1988-07-29)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1988-07-27 until 1988-07-29)
conductor:
Vernon Handley (conductor) (from 1988-07-27 until 1988-07-29)
chorus master:
Ian Tracey (organist and choir master) (from 1988-07-27 until 1988-07-29)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1988-07-27 until 1988-07-29)
recording of:
Symphony no. 1, "A Sea Symphony": IVb. The Explorers: Down from the gardens of Asia descending (from 1988-07-27 until 1988-07-29)
lyricist:
Walt Whitman (19th c. American poet, essayist, and journalist)
composer:
Ralph Vaughan Williams (English composer) (from 1903 until 1909)
part of:
Symphony no. 1, "A Sea Symphony": IV. The Explorers
7:25
11Symphony no. 1 “A Sea Symphony”: IV. The Explorers. “O we can wait no longer”
producer:
Andrew Keener (engineer/editor/producer)
baritone vocals:
William Shimell (baritone) (from 1988-07-27 until 1988-07-29)
choir vocals:
Royal Liverpool Philharmonic Choir (from 1988-07-27 until 1988-07-29)
soprano vocals:
Joan Rodgers (soprano) (from 1988-07-27 until 1988-07-29)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1988-07-27 until 1988-07-29)
conductor:
Vernon Handley (conductor) (from 1988-07-27 until 1988-07-29)
chorus master:
Ian Tracey (organist and choir master) (from 1988-07-27 until 1988-07-29)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1988-07-27 until 1988-07-29)
recording of:
Symphony no. 1, "A Sea Symphony": IVc. The Explorers: O we can wait no longer (from 1988-07-27 until 1988-07-29)
lyricist:
Walt Whitman (19th c. American poet, essayist, and journalist)
composer:
Ralph Vaughan Williams (English composer) (from 1903 until 1909)
part of:
Symphony no. 1, "A Sea Symphony": IV. The Explorers
6:06
12Symphony no. 1 “A Sea Symphony”: IV. The Explorers. “O thou transcendent”
producer:
Andrew Keener (engineer/editor/producer)
baritone vocals:
William Shimell (baritone) (from 1988-07-27 until 1988-07-29)
choir vocals:
Royal Liverpool Philharmonic Choir (from 1988-07-27 until 1988-07-29)
soprano vocals:
Joan Rodgers (soprano) (from 1988-07-27 until 1988-07-29)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1988-07-27 until 1988-07-29)
conductor:
Vernon Handley (conductor) (from 1988-07-27 until 1988-07-29)
chorus master:
Ian Tracey (organist and choir master) (from 1988-07-27 until 1988-07-29)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1988-07-27 until 1988-07-29)
recording of:
Symphony no. 1, "A Sea Symphony": IVd. The Explorers: O thou transcendent (from 1988-07-27 until 1988-07-29)
lyricist:
Walt Whitman (19th c. American poet, essayist, and journalist)
composer:
Ralph Vaughan Williams (English composer) (from 1903 until 1909)
part of:
Symphony no. 1, "A Sea Symphony": IV. The Explorers
3:56
13Symphony no. 1 “A Sea Symphony”: IV. The Explorers. “Greater than stars or suns”
producer:
Andrew Keener (engineer/editor/producer)
baritone vocals:
William Shimell (baritone) (from 1988-07-27 until 1988-07-29)
choir vocals:
Royal Liverpool Philharmonic Choir (from 1988-07-27 until 1988-07-29)
soprano vocals:
Joan Rodgers (soprano) (from 1988-07-27 until 1988-07-29)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1988-07-27 until 1988-07-29)
conductor:
Vernon Handley (conductor) (from 1988-07-27 until 1988-07-29)
chorus master:
Ian Tracey (organist and choir master) (from 1988-07-27 until 1988-07-29)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1988-07-27 until 1988-07-29)
recording of:
Symphony no. 1, "A Sea Symphony": IVe. The Explorers: Greater than stars or suns (from 1988-07-27 until 1988-07-29)
lyricist:
Walt Whitman (19th c. American poet, essayist, and journalist)
composer:
Ralph Vaughan Williams (English composer) (from 1903 until 1909)
part of:
Symphony no. 1, "A Sea Symphony": IV. The Explorers
1:31
14Symphony no. 1 “A Sea Symphony”: IV. The Explorers. “Sail forth”
producer:
Andrew Keener (engineer/editor/producer)
baritone vocals:
William Shimell (baritone) (from 1988-07-27 until 1988-07-29)
choir vocals:
Royal Liverpool Philharmonic Choir (from 1988-07-27 until 1988-07-29)
soprano vocals:
Joan Rodgers (soprano) (from 1988-07-27 until 1988-07-29)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1988-07-27 until 1988-07-29)
conductor:
Vernon Handley (conductor) (from 1988-07-27 until 1988-07-29)
chorus master:
Ian Tracey (organist and choir master) (from 1988-07-27 until 1988-07-29)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1988-07-27 until 1988-07-29)
recording of:
Symphony no. 1, "A Sea Symphony": IVf. The Explorers: Sail forth, steer for the deep waters only (from 1988-07-27 until 1988-07-29)
lyricist:
Walt Whitman (19th c. American poet, essayist, and journalist)
composer:
Ralph Vaughan Williams (English composer) (from 1903 until 1909)
part of:
Symphony no. 1, "A Sea Symphony": IV. The Explorers
2:32
15Symphony no. 1 “A Sea Symphony”: IV. The Explorers. “O my brave Soul!”
producer:
Andrew Keener (engineer/editor/producer)
baritone vocals:
William Shimell (baritone) (from 1988-07-27 until 1988-07-29)
choir vocals:
Royal Liverpool Philharmonic Choir (from 1988-07-27 until 1988-07-29)
soprano vocals:
Joan Rodgers (soprano) (from 1988-07-27 until 1988-07-29)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1988-07-27 until 1988-07-29)
conductor:
Vernon Handley (conductor) (from 1988-07-27 until 1988-07-29)
chorus master:
Ian Tracey (organist and choir master) (from 1988-07-27 until 1988-07-29)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1988-07-27 until 1988-07-29)
recording of:
Symphony no. 1, "A Sea Symphony": IVg. The Explorers: O my brave Soul! (from 1988-07-27 until 1988-07-29)
lyricist:
Walt Whitman (19th c. American poet, essayist, and journalist)
composer:
Ralph Vaughan Williams (English composer) (from 1903 until 1909)
part of:
Symphony no. 1, "A Sea Symphony": IV. The Explorers
4:14
2▼CD: A London Symphony / Symphony no. 8
#TitleRatingLength
1Symphony no. 2 “A London Symphony”: I. Lento - Allegro risoluto (molto pesante)
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1992-03-03 until 1992-03-04)
conductor:
Vernon Handley (conductor) (from 1992-03-03 until 1992-03-04)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1992-03-03 until 1992-03-04)
recording of:
Symphony no. 2 in G major “A London Symphony”: I. Lento - Allegro risoluto (from 1992-03-03 until 1992-03-04)
composer:
Ralph Vaughan Williams (English composer) (from 1912 until 1913)
part of:
Symphony no. 2 in G major “A London Symphony”
13:43
2Symphony no. 2 “A London Symphony”: II. Lento
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1992-03-03 until 1992-03-04)
conductor:
Vernon Handley (conductor) (from 1992-03-03 until 1992-03-04)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1992-03-03 until 1992-03-04)
recording of:
Symphony no. 2 in G major “A London Symphony”: II. Lento (from 1992-03-03 until 1992-03-04)
composer:
Ralph Vaughan Williams (English composer) (from 1912 until 1913)
part of:
Symphony no. 2 in G major “A London Symphony”
10:50
3Symphony no. 2 “A London Symphony”: III. Scherzo (Nocturne): Allegro vivace
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1992-03-03 until 1992-03-04)
conductor:
Vernon Handley (conductor) (from 1992-03-03 until 1992-03-04)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1992-03-03 until 1992-03-04)
recording of:
Symphony no. 2 in G major “A London Symphony”: III. Scherzo (Nocturne); Allegro vivace (from 1992-03-03 until 1992-03-04)
composer:
Ralph Vaughan Williams (English composer) (from 1912 until 1913)
part of:
Symphony no. 2 in G major “A London Symphony”
7:35
4Symphony no. 2 “A London Symphony”: IV. Andante con moto - Maestoso alla marcia (quasi lento) - Allegro - Maestoso alla marcia (alla I) - Epilogue (Andante sostenuto)
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1992-03-03 until 1992-03-04)
conductor:
Vernon Handley (conductor) (from 1992-03-03 until 1992-03-04)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1992-03-03 until 1992-03-04)
recording of:
Symphony no. 2 in G major “A London Symphony”: IV. Andante con moto - Maestoso alla marcia - Allegro - Lento - Epilogue (from 1992-03-03 until 1992-03-04)
composer:
Ralph Vaughan Williams (English composer) (from 1912 until 1913)
part of:
Symphony no. 2 in G major “A London Symphony”
12:39
5Symphony no. 8 in D minor: I. Fantasia: Variazioni senza tema
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1991-03-08 until 1991-03-09)
conductor:
Vernon Handley (conductor) (from 1991-03-08 until 1991-03-09)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1991-03-08 until 1991-03-09)
recording of:
Symphony no. 4 in F minor: I. Allegro (from 1991-03-08 until 1991-03-09)
composer:
Ralph Vaughan Williams (English composer) (from 1931 until 1934)
part of:
Symphony no. 4 in F minor
10:30
6Symphony no. 8 in D minor: II. Scherzo alla marcia (per stromenti a fiato): Allegro alla marcia
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1991-03-08 until 1991-03-09)
conductor:
Vernon Handley (conductor) (from 1991-03-08 until 1991-03-09)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1991-03-08 until 1991-03-09)
recording of:
Symphony no. 4 in F minor: II. Andante moderato (from 1991-03-08 until 1991-03-09)
composer:
Ralph Vaughan Williams (English composer) (from 1931 until 1934)
part of:
Symphony no. 4 in F minor
4:08
7Symphony no. 8 in D minor: III. Cavatina (per stromenti ad arco): Lento espressivo
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1991-03-08 until 1991-03-09)
conductor:
Vernon Handley (conductor) (from 1991-03-08 until 1991-03-09)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1991-03-08 until 1991-03-09)
recording of:
Symphony no. 4 in F minor: III. Scherzo: Allegro molto (from 1991-03-08 until 1991-03-09)
composer:
Ralph Vaughan Williams (English composer) (from 1931 until 1934)
part of:
Symphony no. 4 in F minor
7:51
8Symphony no. 8 in D minor: IV. Toccata: Moderato maestoso
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1992-03-03 until 1992-03-04)
conductor:
Vernon Handley (conductor) (from 1992-03-03 until 1992-03-04)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1992-03-03 until 1992-03-04)
recording of:
Symphony no. 8 in D minor: IV. Toccata - Moderato maestoso (from 1992-03-03 until 1992-03-04)
composer:
Ralph Vaughan Williams (English composer) (from 1953 until 1955)
part of:
Symphony no. 8 in D minor
4:46
3▼CD: A Pastoral Symphony / Symphony no. 4
#TitleRatingLength
1Symphony no. 3 “A Pastoral Symphony”: I. Molto moderato
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1991-03-08 until 1991-03-09)
conductor:
Vernon Handley (conductor) (from 1991-03-08 until 1991-03-09)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1991-03-08 until 1991-03-09)
recording of:
Symphony no. 3, “A Pastoral Symphony”: I. Molto moderato (from 1991-03-08 until 1991-03-09)
composer:
Ralph Vaughan Williams (English composer) (in 1922)
part of:
Symphony no. 3 “A Pastoral Symphony”
9:40
2Symphony no. 3 “A Pastoral Symphony”: II. Lento moderato
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1991-03-08 until 1991-03-09)
conductor:
Vernon Handley (conductor) (from 1991-03-08 until 1991-03-09)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1991-03-08 until 1991-03-09)
recording of:
Symphony no. 3, “A Pastoral Symphony”: II. Lento moderato (from 1991-03-08 until 1991-03-09)
composer:
Ralph Vaughan Williams (English composer) (in 1922)
part of:
Symphony no. 3 “A Pastoral Symphony”
8:28
3Symphony no. 3 “A Pastoral Symphony”: III. Moderato pesante
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1991-03-08 until 1991-03-09)
conductor:
Vernon Handley (conductor) (from 1991-03-08 until 1991-03-09)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1991-03-08 until 1991-03-09)
recording of:
Symphony no. 3, “A Pastoral Symphony”: III. Moderato pesante - Presto (from 1991-03-08 until 1991-03-09)
composer:
Ralph Vaughan Williams (English composer) (in 1922)
part of:
Symphony no. 3 “A Pastoral Symphony”
6:01
4Symphony no. 3 “A Pastoral Symphony”: IV. Lento
soprano vocals:
Alison Barlow (from 1991-03-08 until 1991-03-09)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1991-03-08 until 1991-03-09)
conductor:
Vernon Handley (conductor) (from 1991-03-08 until 1991-03-09)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1991-03-08 until 1991-03-09)
recording of:
Symphony no. 3, “A Pastoral Symphony”: IV. Lento - Moderato maestoso (from 1991-03-08 until 1991-03-09)
composer:
Ralph Vaughan Williams (English composer) (in 1922)
part of:
Symphony no. 3 “A Pastoral Symphony”
11:10
5Symphony no. 4 in F minor: I. Allegro
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1991-03-08 until 1991-03-09)
conductor:
Vernon Handley (conductor) (from 1991-03-08 until 1991-03-09)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1991-03-08 until 1991-03-09)
recording of:
Symphony no. 4 in F minor: I. Allegro (from 1991-03-08 until 1991-03-09)
composer:
Ralph Vaughan Williams (English composer) (from 1931 until 1934)
part of:
Symphony no. 4 in F minor
8:08
6Symphony no. 4 in F minor: II. Andante
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1991-03-08 until 1991-03-09)
conductor:
Vernon Handley (conductor) (from 1991-03-08 until 1991-03-09)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1991-03-08 until 1991-03-09)
recording of:
Symphony no. 4 in F minor: II. Andante moderato (from 1991-03-08 until 1991-03-09)
composer:
Ralph Vaughan Williams (English composer) (from 1931 until 1934)
part of:
Symphony no. 4 in F minor
9:19
7Symphony no. 4 in F minor: III. Scherzo: Allegro molto
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1991-03-08 until 1991-03-09)
conductor:
Vernon Handley (conductor) (from 1991-03-08 until 1991-03-09)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1991-03-08 until 1991-03-09)
recording of:
Symphony no. 4 in F minor: III. Scherzo: Allegro molto (from 1991-03-08 until 1991-03-09)
composer:
Ralph Vaughan Williams (English composer) (from 1931 until 1934)
part of:
Symphony no. 4 in F minor
5:17
8Symphony no. 4 in F minor: IV. Finale (Allegro molto) con epilogo fugato (Con anima)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1991-03-08 until 1991-03-09)
conductor:
Vernon Handley (conductor) (from 1991-03-08 until 1991-03-09)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1991-03-08 until 1991-03-09)
recording of:
Symphony no. 4 in F minor: IV. Finale (Allegro molto) con epilogo fugato (Con anima) (from 1991-03-08 until 1991-03-09)
composer:
Ralph Vaughan Williams (English composer) (from 1931 until 1934)
part of:
Symphony no. 4 in F minor
8:49
4▼CD: Oboe Concerto / Symphony no. 5
#TitleRatingLength
1Oboe Concerto in A minor: I. Rondo pastorale: Allegro moderato
oboe:
Jonathan Small
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
recording of:
Concerto in A minor for Oboe and Strings: I. Rondo Pastorale. Allegro moderato
composer:
Ralph Vaughan Williams (English composer) (in 1944)
part of:
Concerto in A minor for Oboe and Strings
6:42
2Oboe Concerto in A minor: II. Minuet and Musette: Allegro moderato
oboe:
Jonathan Small
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
recording of:
Concerto in A minor for Oboe and Strings: II. Minuet and Musette. Allegro moderato
composer:
Ralph Vaughan Williams (English composer) (in 1944)
part of:
Concerto in A minor for Oboe and Strings
2:40
3Oboe Concerto in A minor: III. Finale (Scherzo): Presto - Lento - Presto
oboe:
Jonathan Small
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
recording of:
Concerto in A minor for Oboe and Strings: III. Finale (Scherzo). Presto - Doppio più lento - Lento - Presto
composer:
Ralph Vaughan Williams (English composer) (in 1944)
part of:
Concerto in A minor for Oboe and Strings
8:22
4Symphony no. 5 in D major: I. Preludio: Moderato - Allegro - Tempo I
orchestra:
Royal Liverpool Philharmonic Orchestra (in 1986-09)
conductor:
Vernon Handley (conductor) (in 1986-09)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (in 1986-09)
recording of:
Symphony no. 5 in D major: I. Preludio (Moderato) (in 1986-09)
composer:
Ralph Vaughan Williams (English composer) (from 1938 until 1943)
part of:
Symphony no. 5 in D major
12:01
5Symphony no. 5 in D major: II. Scherzo: Presto misterioso
orchestra:
Royal Liverpool Philharmonic Orchestra (in 1986-09)
conductor:
Vernon Handley (conductor) (in 1986-09)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (in 1986-09)
recording of:
Symphony no. 5 in D major: II. Scherzo (Presto misterioso) (in 1986-09)
composer:
Ralph Vaughan Williams (English composer) (from 1938 until 1943)
part of:
Symphony no. 5 in D major
5:09
6Symphony no. 5 in D major: III. Romanza: Lento
orchestra:
Royal Liverpool Philharmonic Orchestra (in 1986-09)
conductor:
Vernon Handley (conductor) (in 1986-09)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (in 1986-09)
recording of:
Symphony no. 5 in D major: III. Romanza (Lento) (in 1986-09)
composer:
Ralph Vaughan Williams (English composer) (from 1938 until 1943)
part of:
Symphony no. 5 in D major
11:34
7Symphony no. 5 in D major: IV. Passacaglia: Moderato - Allegro - Tempo primo - Tempo del Preludio
orchestra:
Royal Liverpool Philharmonic Orchestra (in 1986-09)
conductor:
Vernon Handley (conductor) (in 1986-09)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (in 1986-09)
recording of:
Symphony no. 5 in D major: IV. Passacaglia (Moderato) (in 1986-09)
composer:
Ralph Vaughan Williams (English composer) (from 1938 until 1943)
part of:
Symphony no. 5 in D major
10:36
5▼CD: Symphonies nos. 6 & 9
#TitleRatingLength
1Symphony no. 6 in E minor: I. Allegro -
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1993-03-05 until 1993-03-06)
recording of:
Symphony no. 6 in E minor: I. Allegro
composer:
Ralph Vaughan Williams (English composer) (from 1946 until 1947)
part of:
Symphony no. 6 in E minor
7:44
2Symphony no. 6 in E minor: II. Moderato -
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1993-03-05 until 1993-03-06)
recording of:
Symphony no. 6 in E minor: II. Moderato
composer:
Ralph Vaughan Williams (English composer) (from 1946 until 1947)
part of:
Symphony no. 6 in E minor
9:16
3Symphony no. 6 in E minor: III. Scherzo: Allegro vivace -
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1993-03-05 until 1993-03-06)
recording of:
Symphony no. 6 in E minor: III. Scherzo (Allegro vivace)
composer:
Ralph Vaughan Williams (English composer) (from 1946 until 1947)
part of:
Symphony no. 6 in E minor
6:14
4Symphony no. 6 in E minor: IV. Epilogue: Moderato
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1993-03-05 until 1993-03-06)
recording of:
Symphony no. 6 in E minor: IV. Epilogue (Moderato)
composer:
Ralph Vaughan Williams (English composer) (from 1946 until 1947)
part of:
Symphony no. 6 in E minor
10:27
5Symphony no. 9 in E minor: I. Moderato maestoso
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1993-03-05 until 1993-03-06)
recording of:
Symphony no. 9 in E minor: I. Moderato maestoso
composer:
Ralph Vaughan Williams (English composer) (from 1956 until 1957)
part of:
Symphony no. 9 in E minor
8:47
6Symphony no. 9 in E minor: II. Andante sostenuto
flugelhorn:
Ian Balmain (trumpet player)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1993-03-05 until 1993-03-06)
recording of:
Symphony no. 9 in E minor: II. Andante sostenuto
composer:
Ralph Vaughan Williams (English composer) (from 1956 until 1957)
part of:
Symphony no. 9 in E minor
7:27
7Symphony no. 9 in E minor: III. Scherzo: Allegro pesante
saxophone:
Tim Holmes (British saxophonist), Valerie Stark (saxophonist) and Christopher Swann (saxophonist)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1993-03-05 until 1993-03-06)
recording of:
Symphony no. 9 in E minor: III. Scherzo. Allegro pesante
composer:
Ralph Vaughan Williams (English composer) (from 1956 until 1957)
part of:
Symphony no. 9 in E minor
5:26
8Symphony no. 9 in E minor: IV. Andante tranquillo
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1993-03-05 until 1993-03-06)
recording of:
Symphony no. 9 in E minor: IV. Andante tranquillo
composer:
Ralph Vaughan Williams (English composer) (from 1956 until 1957)
part of:
Symphony no. 9 in E minor
11:19
6▼CD: Serenade to Music / Partita for double string orchestra / Sinfonia antartica
#TitleRatingLength
1Serenade to Music (choral version)
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
choir vocals:
Royal Liverpool Philharmonic Choir (from 1990-11-30 until 1990-12-01)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1990-11-30 until 1990-12-01)
chorus master:
Ian Tracey (organist and choir master) (from 1990-11-30 until 1990-12-01)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1990-11-30 until 1990-12-01)
recording of:
Serenade to Music (choral version) (from 1990-11-30 until 1990-12-01)
lyricist:
William Shakespeare (English poet and playwright)
12:53
2Partita for double string orchestra: I. Prelude: Andante tranquillo
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1990-11-30 until 1990-12-01)
conductor:
Vernon Handley (conductor) (from 1990-11-30 until 1990-12-01)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1990-11-30 until 1990-12-01)
recording of:
Partita for Double String Orchestra: I. Prelude (Andante tranquillo) (from 1990-11-30 until 1990-12-01)
composer:
Ralph Vaughan Williams (English composer)
part of:
Partita for Double String Orchestra
5:06
3Partita for double string orchestra: II. Scherzo ostinato: Presto
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1990-11-30 until 1990-12-01)
conductor:
Vernon Handley (conductor) (from 1990-11-30 until 1990-12-01)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1990-11-30 until 1990-12-01)
recording of:
Partita for Double String Orchestra: II. Scherzo ostinato (Presto) (from 1990-11-30 until 1990-12-01)
composer:
Ralph Vaughan Williams (English composer)
part of:
Partita for Double String Orchestra
4:15
4Partita for double string orchestra: III. Intermezzo (Homage to Henry Hall): Andante con moto
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1990-11-30 until 1990-12-01)
conductor:
Vernon Handley (conductor) (from 1990-11-30 until 1990-12-01)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1990-11-30 until 1990-12-01)
recording of:
Partita for Double String Orchestra: III. Intermezzo (Homage to Henry Hall) (from 1990-11-30 until 1990-12-01)
composer:
Ralph Vaughan Williams (English composer)
part of:
Partita for Double String Orchestra
4:16
5Partita for double string orchestra: IV. Fantasia: Allegro
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1990-11-30 until 1990-12-01)
conductor:
Vernon Handley (conductor) (from 1990-11-30 until 1990-12-01)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1990-11-30 until 1990-12-01)
recording of:
Partita for Double String Orchestra: IV. Fantasia (Allegro) (from 1990-11-30 until 1990-12-01)
composer:
Ralph Vaughan Williams (English composer)
part of:
Partita for Double String Orchestra
5:51
6Symphony no. 7 “Sinfonia antartica”: I. Prelude: Andante maestoso
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
organ:
Ian Tracey (organist and choir master) (from 1990-04-23 until 1990-04-24)
choir vocals:
Royal Liverpool Philharmonic Choir (from 1990-04-23 until 1990-04-24)
soprano vocals:
Alison Hargan (operatic soprano) (from 1990-04-23 until 1990-04-24)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1990-04-23 until 1990-04-24)
conductor:
Vernon Handley (conductor) (from 1990-04-23 until 1990-04-24)
chorus master:
Ian Tracey (organist and choir master) (from 1990-04-23 until 1990-04-24)
recorded at:
Liverpool Cathedral in Liverpool, Merseyside, England, United Kingdom (from 1990-04-23 until 1990-04-24) and Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1990-04-23 until 1990-04-24)
recording of:
Symphony no. 7, "Sinfonia antartica": I. Prelude: Andante maestoso (from 1990-04-23 until 1990-04-24)
composer:
Ralph Vaughan Williams (English composer) (from 1949 until 1952)
part of:
Symphony no. 7 "Sinfonia antartica"
10:11
7Symphony no. 7 “Sinfonia antartica”: II. Scherzo: Moderato
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
organ:
Ian Tracey (organist and choir master) (from 1990-04-23 until 1990-04-24)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1990-04-23 until 1990-04-24)
conductor:
Vernon Handley (conductor) (from 1990-04-23 until 1990-04-24)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1990-04-23 until 1990-04-24)
recording of:
Symphony no. 7, "Sinfonia antartica": II. Scherzo: Moderato (from 1990-04-23 until 1990-04-24)
composer:
Ralph Vaughan Williams (English composer) (from 1949 until 1952)
part of:
Symphony no. 7 "Sinfonia antartica"
5:51
8Symphony no. 7 “Sinfonia antartica”: III. Landscape: Lento
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
organ:
Ian Tracey (organist and choir master) (from 1990-04-23 until 1990-04-24)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1990-04-23 until 1990-04-24)
conductor:
Vernon Handley (conductor) (from 1990-04-23 until 1990-04-24)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1990-04-23 until 1990-04-24)
recording of:
Symphony no. 7, "Sinfonia antartica": III. Landscape: Lento (from 1990-04-23 until 1990-04-24)
composer:
Ralph Vaughan Williams (English composer) (from 1949 until 1952)
part of:
Symphony no. 7 "Sinfonia antartica"
12:13
9Symphony no. 7 “Sinfonia antartica”: IV. Intermezzo: Andante sostenuto
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
organ:
Ian Tracey (organist and choir master) (from 1990-04-23 until 1990-04-24)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1990-04-23 until 1990-04-24)
conductor:
Vernon Handley (conductor) (from 1990-04-23 until 1990-04-24)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1990-04-23 until 1990-04-24)
recording of:
Symphony no. 7, "Sinfonia antartica": IV. Intermezzo: Andante sostenuto (from 1990-04-23 until 1990-04-24)
composer:
Ralph Vaughan Williams (English composer) (from 1949 until 1952)
part of:
Symphony no. 7 "Sinfonia antartica"
6:11
10Symphony no. 7 “Sinfonia antartica”: V. Epilogue: Alla marcia moderato, non troppo allegro
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
organ:
Ian Tracey (organist and choir master) (from 1990-04-23 until 1990-04-24)
choir vocals:
Royal Liverpool Philharmonic Choir (from 1990-04-23 until 1990-04-24)
soprano vocals:
Alison Hargan (operatic soprano) (from 1990-04-23 until 1990-04-24)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1990-04-23 until 1990-04-24)
conductor:
Vernon Handley (conductor) (from 1990-04-23 until 1990-04-24)
chorus master:
Ian Tracey (organist and choir master) (from 1990-04-23 until 1990-04-24)
recorded at:
Liverpool Cathedral in Liverpool, Merseyside, England, United Kingdom (from 1990-04-23 until 1990-04-24) and Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1990-04-23 until 1990-04-24)
recording of:
Symphony no. 7, "Sinfonia antartica": V. Epilogue: Alla marcia, moderato (non troppo allegro) (from 1990-04-23 until 1990-04-24)
composer:
Ralph Vaughan Williams (English composer) (from 1949 until 1952)
part of:
Symphony no. 7 "Sinfonia antartica"
9:34
7▼CD: The Wasps / Prelude and Fugue / Piano Concerto
#TitleRatingLength
1The Wasps - Aristophanic Suite: I. Overture
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Vernon Handley (conductor)
recording of:
Aristophanic Suite “The Wasps”: I. Overture
composer:
Ralph Vaughan Williams (English composer) (in 1912)
part of:
Aristophanic Suite “The Wasps”
10:06
2The Wasps - Aristophanic Suite: II. Entr'acte
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Vernon Handley (conductor)
recording of:
Aristophanic Suite “The Wasps”: II. Entr’acte
composer:
Ralph Vaughan Williams (English composer) (in 1912)
part of:
Aristophanic Suite “The Wasps”
2:50
3The Wasps - Aristophanic Suite: III. March Past of the Kitchen Utensils
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Vernon Handley (conductor)
recording of:
Aristophanic Suite “The Wasps”: III. March Past of the Kitchen Utensils
composer:
Ralph Vaughan Williams (English composer) (in 1912)
part of:
Aristophanic Suite “The Wasps”
3:25
4The Wasps - Aristophanic Suite: IV. Entr'acte
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Vernon Handley (conductor)
recording of:
Aristophanic Suite “The Wasps”: IV. Entr’acte
composer:
Ralph Vaughan Williams (English composer) (in 1912)
part of:
Aristophanic Suite “The Wasps”
4:09
5The Wasps - Aristophanic Suite: V. Ballet and Final Tableau
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Vernon Handley (conductor)
recording of:
Aristophanic Suite “The Wasps”: V. Ballet and Final Tableau
composer:
Ralph Vaughan Williams (English composer) (in 1912)
part of:
Aristophanic Suite “The Wasps”
6:20
6Prelude and Fugue in C minor: Prelude
organ:
David Bell (organist)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Vernon Handley (conductor)
recording of:
Prelude and Fugue in C minor: I. Prelude (for organ and orchestra)
composer:
Ralph Vaughan Williams (English composer)
arrangement of:
Prelude and Fugue in C minor: I. Prelude (for organ)
part of:
Prelude and Fugue in C minor (for organ and orchestra)
5:14
7Prelude and Fugue in C minor: Fugue
organ:
David Bell (organist)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Vernon Handley (conductor)
recording of:
Prelude and Fugue in C minor: II. Fugue (for organ and orchestra)
composer:
Ralph Vaughan Williams (English composer)
arrangement of:
Prelude and Fugue in C minor: II. Fugue (for organ)
part of:
Prelude and Fugue in C minor (for organ and orchestra)
4:59
8Piano Concerto in C major: I. Toccata: Allegro moderato -
cello:
Andrew Shulman (cellist, conductor and composer)
piano:
Piers Lane (Australian classical pianist)
viola:
Peter Lale (violist)
violin:
Peter Manning (violinist and conductor) and Keith Pascoe
orchestra:
Northern Sinfonia of England (Royal Northern Sinfonia) and Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor) and Wing Commander Eric Banks (conductor and adjudicator of orchestras, wind bands and brass bands)
chorus master:
Alan Fearon (chorus master)
concertmaster:
Bradley Creswick and Malcolm Stewart (violinist)
recording of:
Piano Concerto in C major: I. Toccata
composer:
Ralph Vaughan Williams (English composer) (in 1926)
part of:
Piano Concerto in C major
6:19
9Piano Concerto in C major: II. Romanza: Lento -
cello:
Andrew Shulman (cellist, conductor and composer)
piano:
Piers Lane (Australian classical pianist)
viola:
Peter Lale (violist)
violin:
Peter Manning (violinist and conductor) and Keith Pascoe
orchestra:
Northern Sinfonia of England (Royal Northern Sinfonia) and Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor) and Wing Commander Eric Banks (conductor and adjudicator of orchestras, wind bands and brass bands)
chorus master:
Alan Fearon (chorus master)
concertmaster:
Bradley Creswick and Malcolm Stewart (violinist)
recording of:
Piano Concerto in C major: II. Romanza
composer:
Ralph Vaughan Williams (English composer) (in 1926)
part of:
Piano Concerto in C major
9:42
10Piano Concerto in C major: III. Fuga cromatica (Allegro)
cello:
Andrew Shulman (cellist, conductor and composer)
piano:
Piers Lane (Australian classical pianist)
viola:
Peter Lale (violist)
violin:
Peter Manning (violinist and conductor) and Keith Pascoe
orchestra:
Northern Sinfonia of England (Royal Northern Sinfonia) and Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor) and Wing Commander Eric Banks (conductor and adjudicator of orchestras, wind bands and brass bands)
chorus master:
Alan Fearon (chorus master)
concertmaster:
Bradley Creswick and Malcolm Stewart (violinist)
partial recording of:
Piano Concerto in C major: III. Fuga chromatica con Finale alla Tedesca
composer:
Ralph Vaughan Williams (English composer) (from 1930 until 1931)
part of:
Piano Concerto in C major
4:43
11Piano Concerto in C major: III. con finale alla tedesca
cello:
Andrew Shulman (cellist, conductor and composer)
piano:
Piers Lane (Australian classical pianist)
viola:
Peter Lale (violist)
violin:
Peter Manning (violinist and conductor) and Keith Pascoe
orchestra:
Northern Sinfonia of England (Royal Northern Sinfonia) and Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor) and Wing Commander Eric Banks (conductor and adjudicator of orchestras, wind bands and brass bands)
chorus master:
Alan Fearon (chorus master)
concertmaster:
Bradley Creswick and Malcolm Stewart (violinist)
partial recording of:
Piano Concerto in C major: III. Fuga chromatica con Finale alla Tedesca
composer:
Ralph Vaughan Williams (English composer) (from 1930 until 1931)
part of:
Piano Concerto in C major
6:43
8▼CD: Piano Concerto / Job: A Masque for Dancing
#TitleRatingLength
1Piano Concerto in C major: I. Toccata: Allegro moderato -
audio engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
piano:
Victor Babin (Russian-American pianist and composer) (from 1968-12-01 until 1968-12-02) and Vitya Vronsky (from 1968-12-01 until 1968-12-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1968-12-01 until 1968-12-02)
conductor:
Sir Adrian Boult (conductor) (from 1968-12-01 until 1968-12-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-01 until 1968-12-02)
recording of:
Concerto for Two Pianos and Orchestra in C major: I. Toccata: Allegro moderato (from 1968-12-01 until 1968-12-02)
composer:
Ralph Vaughan Williams (English composer) (in 1926)
arranger:
Joseph Cooper (pianist and broadcaster) (in 1946) and Ralph Vaughan Williams (English composer) (in 1946)
arrangement of:
Piano Concerto in C major: I. Toccata
part of:
Concerto for Two Pianos and Orchestra in C major
6:05
2Piano Concerto in C major: II. Romanza: Lento -
audio engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
piano:
Victor Babin (Russian-American pianist and composer) (from 1968-12-01 until 1968-12-02) and Vitya Vronsky (from 1968-12-01 until 1968-12-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1968-12-01 until 1968-12-02)
conductor:
Sir Adrian Boult (conductor) (from 1968-12-01 until 1968-12-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-01 until 1968-12-02)
recording of:
Concerto for Two Pianos and Orchestra in C major: II. Romanza: lento (from 1968-12-01 until 1968-12-02)
composer:
Ralph Vaughan Williams (English composer) (in 1926)
arranger:
Joseph Cooper (pianist and broadcaster) (in 1946) and Ralph Vaughan Williams (English composer) (in 1946)
arrangement of:
Piano Concerto in C major: II. Romanza
part of:
Concerto for Two Pianos and Orchestra in C major
9:17
3Piano Concerto in C major: III. Fugue cromatica (Allegro)
audio engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
piano:
Victor Babin (Russian-American pianist and composer) (from 1968-12-01 until 1968-12-02) and Vitya Vronsky (from 1968-12-01 until 1968-12-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1968-12-01 until 1968-12-02)
conductor:
Sir Adrian Boult (conductor) (from 1968-12-01 until 1968-12-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-01 until 1968-12-02)
partial recording of:
Concerto for Two Pianos and Orchestra in C major: III. Fuga chromatica con finale alla tedesca: Allegro (from 1968-12-01 until 1968-12-02)
composer:
Ralph Vaughan Williams (English composer) (in 1931)
arranger:
Joseph Cooper (pianist and broadcaster) (in 1946) and Ralph Vaughan Williams (English composer) (in 1946)
arrangement of:
Piano Concerto in C major: III. Fuga chromatica con Finale alla Tedesca
part of:
Concerto for Two Pianos and Orchestra in C major
4:40
4Piano Concerto in C major: III. con finale alla tedesca
audio engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
piano:
Victor Babin (Russian-American pianist and composer) (from 1968-12-01 until 1968-12-02) and Vitya Vronsky (from 1968-12-01 until 1968-12-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1968-12-01 until 1968-12-02)
conductor:
Sir Adrian Boult (conductor) (from 1968-12-01 until 1968-12-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-01 until 1968-12-02)
partial recording of:
Concerto for Two Pianos and Orchestra in C major: III. Fuga chromatica con finale alla tedesca: Allegro (from 1968-12-01 until 1968-12-02)
composer:
Ralph Vaughan Williams (English composer) (in 1931)
arranger:
Joseph Cooper (pianist and broadcaster) (in 1946) and Ralph Vaughan Williams (English composer) (in 1946)
arrangement of:
Piano Concerto in C major: III. Fuga chromatica con Finale alla Tedesca
part of:
Concerto for Two Pianos and Orchestra in C major
6:00
5Job: A Masque for Dancing: Scene I. Introduction -
audio engineer:
Michael Gray (UK classical recording engineer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-11 until 1970-08-13)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-11 until 1970-08-13)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-11 until 1970-08-13)
recording of:
Job, A Masque for Dancing, ballet: Scene 1: Introduction (from 1970-08-11 until 1970-08-13)
composer:
Ralph Vaughan Williams (English composer)
part of:
Job, a Masque for Dancing
5:29
6Job: A Masque for Dancing: Scene I. Saraband of the Sons of God
audio engineer:
Michael Gray (UK classical recording engineer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-11 until 1970-08-13)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-11 until 1970-08-13)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-11 until 1970-08-13)
recording of:
Job, A Masque for Dancing, ballet: Scene 1: Saraband of the Sons of God (from 1970-08-11 until 1970-08-13)
composer:
Ralph Vaughan Williams (English composer)
part of:
Job, a Masque for Dancing
3:45
7Job: A Masque for Dancing: Scene II. Satan's Dance of Triumph
audio engineer:
Michael Gray (UK classical recording engineer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-11 until 1970-08-13)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-11 until 1970-08-13)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-11 until 1970-08-13)
recording of:
Job, A Masque for Dancing, ballet: Scene 2: Satan's Dance of Triumph (from 1970-08-11 until 1970-08-13)
composer:
Ralph Vaughan Williams (English composer)
part of:
Job, a Masque for Dancing
3:28
8Job: A Masque for Dancing: Scene III. Minuet of the Sons of Job and their Wives
audio engineer:
Michael Gray (UK classical recording engineer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-11 until 1970-08-13)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-11 until 1970-08-13)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-11 until 1970-08-13)
recording of:
Job, A Masque for Dancing, ballet: Scene 3: Minuet of the Sons of Job and Their Wives (from 1970-08-11 until 1970-08-13)
composer:
Ralph Vaughan Williams (English composer)
part of:
Job, a Masque for Dancing
4:00
9Job: A Masque for Dancing: Scene IV. Job's Dream -
audio engineer:
Michael Gray (UK classical recording engineer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-11 until 1970-08-13)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-11 until 1970-08-13)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-11 until 1970-08-13)
recording of:
Job, A Masque for Dancing, ballet: Scene 4: Job's Dream (from 1970-08-11 until 1970-08-13)
composer:
Ralph Vaughan Williams (English composer)
part of:
Job, a Masque for Dancing
4:17
10Job: A Masque for Dancing: Scene V. Dance of the Three Messengers
audio engineer:
Michael Gray (UK classical recording engineer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-11 until 1970-08-13)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-11 until 1970-08-13)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-11 until 1970-08-13)
recording of:
Job, A Masque for Dancing, ballet: Scene 5: Dance of the Three Messengers (from 1970-08-11 until 1970-08-13)
composer:
Ralph Vaughan Williams (English composer)
part of:
Job, a Masque for Dancing
4:41
11Job: A Masque for Dancing: Scene VI. Dance of Job's Comforters -
audio engineer:
Michael Gray (UK classical recording engineer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-11 until 1970-08-13)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-11 until 1970-08-13)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-11 until 1970-08-13)
recording of:
Job, A Masque for Dancing, ballet: Scene 6: Dance of Job's Comforters (from 1970-08-11 until 1970-08-13)
composer:
Ralph Vaughan Williams (English composer)
part of:
Job, a Masque for Dancing
4:50
12Job: A Masque for Dancing: Scene VII. Eilhu's Dance of Youth and Beauty -
audio engineer:
Michael Gray (UK classical recording engineer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-11 until 1970-08-13)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-11 until 1970-08-13)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-11 until 1970-08-13)
recording of:
Job, A Masque for Dancing, ballet: Scene 7: Elihu's Dance of Youth and Beauty (from 1970-08-11 until 1970-08-13)
composer:
Ralph Vaughan Williams (English composer)
part of:
Job, a Masque for Dancing
3:47
13Job: A Masque for Dancing: Scene VII. Pavane of the Sons of the Morning
audio engineer:
Michael Gray (UK classical recording engineer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-11 until 1970-08-13)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-11 until 1970-08-13)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-11 until 1970-08-13)
recording of:
Job, A Masque for Dancing, ballet: Scene 7: Pavane of the Sons of the Morning (from 1970-08-11 until 1970-08-13)
composer:
Ralph Vaughan Williams (English composer)
part of:
Job, a Masque for Dancing
2:11
14Job: A Masque for Dancing: Scene VIII. Galliard of the Sons of the Morning -
audio engineer:
Michael Gray (UK classical recording engineer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-11 until 1970-08-13)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-11 until 1970-08-13)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-11 until 1970-08-13)
recording of:
Job, A Masque for Dancing, ballet: Scene 8: Galliard of the Sons of the Morning (from 1970-08-11 until 1970-08-13)
composer:
Ralph Vaughan Williams (English composer)
part of:
Job, a Masque for Dancing
2:21
15Job: A Masque for Dancing: Scene VIII. Altar Dance -
audio engineer:
Michael Gray (UK classical recording engineer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-11 until 1970-08-13)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-11 until 1970-08-13)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-11 until 1970-08-13)
recording of:
Job, A Masque for Dancing, ballet: Scene 8: Altar Dance (from 1970-08-11 until 1970-08-13)
composer:
Ralph Vaughan Williams (English composer)
part of:
Job, a Masque for Dancing
2:48
16Job: A Masque for Dancing: Scene IX. Epilogue
audio engineer:
Michael Gray (UK classical recording engineer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-11 until 1970-08-13)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-11 until 1970-08-13)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-11 until 1970-08-13)
recording of:
Job, A Masque for Dancing, ballet: Scene 9: Epilogue (from 1970-08-11 until 1970-08-13)
composer:
Ralph Vaughan Williams (English composer)
part of:
Job, a Masque for Dancing
2:44
9▼CD: Serenade to Music / English Folk Songs / Fantasia on ‘Greensleeves’ / The Lark Ascending…
#TitleRatingLength
1Serenade to Music
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
bass vocals:
Richard Angas (operatic bass) (on 1969-11-05), John Carol Case (English baritone) (on 1969-11-05), Christopher Keyte (operatic bass) (on 1969-11-05) and John Noble (baritone) (on 1969-11-05)
contralto vocals:
Meriel Dickinson (on 1969-11-05), Alfreda Hodgson (contralto) (on 1969-11-05), Gloria Jennings (on 1969-11-05) and Shirley Minty (contralto) (on 1969-11-05)
soprano vocals:
Sheila Armstrong (soprano) (on 1969-11-05), Norma Burrowes (soprano) (on 1969-11-05), Marie Hayward (soprano) (on 1969-11-05) and Susan Longfield (on 1969-11-05)
tenor vocals:
Kenneth Bowen (tenor) (on 1969-11-05), Bernard Dickerson (tenor) (on 1969-11-05), Wynford Evans (tenor) (on 1969-11-05) and Ian Partridge (tenor) (on 1969-11-05)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1969-11-05)
conductor:
Sir Adrian Boult (conductor) (on 1969-11-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1970)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1969-11-05)
recording of:
Serenade to Music (on 1969-11-05)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Ralph Vaughan Williams (English composer) (in 1938)
13:18
2English Folk Songs - Suite: I. March (Seventeen Come Sunday)
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (on 1970-08-08)
conductor:
Sir Adrian Boult (conductor) (on 1970-08-08)
arranger:
Gordon Jacob (composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1970-08-08)
recording of:
English Folk Song Suite: I. March “Seventeen Come Sunday” (orchestrated by Jacob) (on 1970-08-08)
orchestrator:
Gordon Jacob (composer) (in 1924)
composer:
Ralph Vaughan Williams (English composer) (in 1923)
publisher:
Boosey & Hawkes Music Publishers, Ltd
arrangement of:
English Folk Song Suite: I. March “Seventeen Come Sunday” (for military band)
part of:
English Folk Song Suite (orch. Jacob)
2:54
3English Folk Songs - Suite: II. Intermezzo (My Bonny Boy)
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (on 1970-08-08)
conductor:
Sir Adrian Boult (conductor) (on 1970-08-08)
arranger:
Gordon Jacob (composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1970-08-08)
recording of:
English Folk Song Suite: II. Intermezzo “My Bonny Boy” (orchestrated by Jacob) (on 1970-08-08)
orchestrator:
Gordon Jacob (composer) (in 1924)
composer:
Ralph Vaughan Williams (English composer) (in 1923)
publisher:
Boosey & Hawkes Music Publishers, Ltd
arrangement of:
English Folk Song Suite: II. Intermezzo “My Bonny Boy” (for military band)
part of:
English Folk Song Suite (orch. Jacob)
2:53
4English Folk Songs - Suite: III. March (Folk Songs from Somerset)
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (on 1970-08-08)
conductor:
Sir Adrian Boult (conductor) (on 1970-08-08)
arranger:
Gordon Jacob (composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1970-08-08)
recording of:
English Folk Song Suite: III. March “Folk Songs From Somerset” (orchestrated by Jacob) (on 1970-08-08)
orchestrator:
Gordon Jacob (composer) (in 1924)
composer:
Ralph Vaughan Williams (English composer) (in 1923)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
English Folk Song Suite (orch. Jacob)
3:03
5Norfolk Rhapsody no. 1
recording engineer:
Neville Boyling (engineer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1968-01-23)
conductor:
Sir Adrian Boult (conductor) (on 1968-01-23)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1968-01-23)
recording of:
Norfolk Rhapsody no. 1 (on 1968-01-23)
composer:
Ralph Vaughan Williams (English composer) (from 1905 until 1906)
10:19
6Fantasia on ‘Greensleeves’
recording engineer and balance engineer:
Michael Gray (UK classical recording engineer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-12 until 1970-08-13)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-12 until 1970-08-13)
arranger:
Ralph Greaves (in 1934)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-12 until 1970-08-13)
recording of:
Fantasia on “Greensleeves” (from 1970-08-12 until 1970-08-13)
composer:
Ralph Vaughan Williams (English composer) (from 1924 until 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
is based on:
Greensleeves (generic entry for traditional and unknown arrangements)
is based on:
Lovely Joan (traditional English folk song)
is based on:
Sir John in Love
4:38
7In the Fen Country
recording engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
producer:
Christopher Bishop (conductor/producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1968-02-14 until 1968-02-16)
conductor:
Sir Adrian Boult (conductor) (from 1968-02-14 until 1968-02-16)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-02-14 until 1968-02-16)
recording of:
In the Fen Country (from 1968-02-14 until 1968-02-16)
composer:
Ralph Vaughan Williams (English composer) (until 1904-04)
revised by:
Ralph Vaughan Williams (English composer) (in 1905, in 1907)
13:55
8The Lark Ascending
recording engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
violin:
Hugh Bean (violinist) (on 1967-03-01)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1967-03-01)
conductor:
Sir Adrian Boult (conductor) (on 1967-03-01)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-03-01)
recording of:
The Lark Ascending (for violin and orchestra) (on 1967-03-01)
composer:
Ralph Vaughan Williams (English composer) (in 1914)
premiered at:
[concert] (1921-06-14)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1921-06-14)
arrangement of:
The Lark Ascending (for violin and piano)
14:42
10▶CD: Fantasia on a Theme by Thomas Tallis / English Folk Songs / Concerto grosso / Tuba Concerto…
11▶CD: Serenade to Music / Old King Cole / Five Mystical Songs…
12▶CD: Variations for Orchestra / Concerto accademico / String Quartet no. 1…
13▶CD: Violin Sonata / Phantasy Quintet / Six Studies in English Folk Song / String Quartet no. 2…
14▶CD: Toward the Unknown Region / Dona nobis pacem / Fantasia on the Old 104th Psalm Tune / Magnificat
15▶CD: An Oxford Elegy / Flos campi Suite / Sancta Civitas…
16▶CD: Five Tudor Portraits / Benedicite / Five Variants of ‘Dives and Lazarus’…
17▶CD: Fantasia on Christmas Carols / Hodie
18▶CD: Fantasia on Christmas Carols / In Windsor Forest / Songs of Travel / On Wenlock Edge
19▶CD: Mass in G minor / Three Preludes Founded on Welsh Hymn Tunes / Songs…
20▶CD: Four Hymns / Merciless Beauty / Ten Blake Songs / On Wenlock Edge
21▶CD: The House of Life / Songs of Travel
22▶CD: Songs
23▶CD: Folksong Arrangements / A Song of Thanksgiving
24▶CD: Epithalamion / Riders to the Sea
25▶CD: Hugh the Drover (beginning)
26▶CD: Hugh the Drover (end)
27▶CD: Sir John in Love (beginning)
28▶CD: Sir John in Love (end)
29▶CD: The Pilgrim's Progress (beginning)
30▶CD: The Pilgrim's Progress (end) / Sir Adrian in rehearsal